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Books > Religion & Spirituality > Non-Christian religions > Judaism
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Tomorrow's God
(Hardcover)
Robert N. Goldman; Edited by Mary L Radnofsky; Preface by Judith Ann Goldman
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What does it mean to be "like a child" in antiquity? How did early
Christ-followers use a childlike condition to articulate concrete
qualifications for God's kingdom? Many people today romanticize
Jesus's welcoming of little children against the backdrop of the
ancient world or project modern Christian conceptions of children
onto biblical texts. Eschewing such a Christian exceptionalist
approach to history, this book explores how the Gospel of Matthew,
1 Corinthians, and the Gospel of Thomas each associate
childlikeness with God's kingdom within their socio-cultural
milieus. The book investigates these three texts vis-a-vis
philosophical, historical, and archaeological materials concerning
ancient children and childhood, revealing that early
Christ-followers deployed various aspects of children to envision
ideal human qualities or bodily forms. Calling the modern reader's
attention to children's intellectual incapability, asexuality, and
socio-political utility in ancient intellectual thought and
everyday practices, the book sheds new light on the rich and
diverse theological visions that early Christ-followers pursued by
means of images of children.
In the last several decades since the first publications of the
biblical Dead Sea Scrolls, a revolution has occurred in the
understanding of the history of the text of the Hebrew Bible during
the Second Temple period. The present volume is a collection of
articles documenting that revolution, written by Sidnie White
Crawford over an almost thirty-year period beginning in 1990. As a
member of the editorial team responsible for publishing the Qumran
scrolls, the author was responsible for the critical editions of
nine Deuteronomy scrolls and the four Reworked Pentateuch
manuscripts; thus, her work played a critical role in the changing
understanding of the textual history of the Pentateuch,especially
the book of Deuteronomy and the Rewritten Bible texts. The author's
lifework is brought together here in an accessible format. While
the majority of the articles are reprints, the volume will close
with two major new pieces: a text-critical study of the
Deuteronomic Paraphrase of the Temple Scroll and a comprehensive
overview of the history of the text of the Pentateuch.
From the end of the 15th century until the 18th, Spanish Jews
carried on Jewish practices in the shadow of the Inquisition. Those
caught were forced to recant or be burnt at the stake. Drawing on
their confessions and trial documents, this book tells their story.
Analysis of the scroll fragments of the Qumran Aramaic scrolls has
been plentiful to date. Their shared characteristics of being
written in Aramaic, the common language of the region, not focused
on the Qumran Community, and dating from the 3rd century BCE to the
1st century CE have enabled the creation of a shared identity,
distinguishing them from other fragments found in the same place at
the same time. This classification, however, could yet be too
simplistic as here, for the first time, John Starr applies
sophisticated statistical analyses to newly available electronic
versions of these fragments. In so doing, Starr presents a
potential new classification which comprises six different text
types which bear distinctive textual features, and thus is able to
narrow down the classification both temporally and geographically.
Starr's re-visited classification presents fresh insights into the
Aramaic texts at Qumran, with important implications for our
understanding of the many strands that made up Judaism in the
period leading to the writing of the New Testament.
Exodus in the Jewish Experience: Echoes and Reverberations
investigates how the Exodus has been, and continues to be, a
crucial source of identity for both Jews and Judaism. It explores
how the Exodus has functioned as the primary model from which Jews
have created theological meaning and historical self-understanding.
It probes how and why the Exodus has continued to be vital to Jews
throughout the unfolding of the Jewish experience. As an
interdisciplinary work, it incorporates contributions from a range
of Jewish Studies scholars in order to explore the Exodus from a
variety of vantage points. It addresses such topics as: the Jewish
reception of the biblical text of Exodus; the progressive unfolding
of the Exodus in the Jewish interpretive tradition; the religious
expression of the Exodus as ritual in Judaism; and the Exodus as an
ongoing lens of self-understanding for both the State of Israel and
contemporary Judaism. The essays are guided by a common goal: to
render comprehensible how the re-envisioning of Exodus throughout
the unfolding of the Jewish experience has enabled it to function
for thousands of years as the central motif for the Jewish people.
A new approach to thinking about the representation of the Other in
Western society, The Jew's Daughter: A Cultural History of a
Conversion Narrative offers an insight into the gendered difference
of the Jew. Focusing on a popular narrative of "The Jew's
Daughter," which has been overlooked in conventional studies of
European anti-Semitism, this innovative study looks at canonical
and neglected texts which have constructed racialized and
sexualized images that persist today in the media and popular
culture. The book goes back before Shylock and Jessica in The
Merchant of Venice and Isaac and Rebecca in Ivanhoe to seek the
answers to why the Jewish father is always wicked and ugly, while
his daughter is invariably desirable and open to conversion. The
story unfolds in fascinating transformations, reflecting changing
ideological and social discourses about gender, sexuality,
religion, and nation that expose shifting perceptions of inclusion
and exclusion of the Other. Unlike previous studies of the theme of
the Jewess in separate literatures, Sicher provides a comparative
perspective on the transnational circulation of texts in the
historical context of the perception of both Jews and women as
marginal or outcasts in society. The book draws on examples from
the arts, history, literature, folklore, and theology to draw a
complex picture of the dynamics of Jewish-Christian relations in
England, France, Germany, and Eastern Europe from 1100 to 2017. In
addition, the responses of Jewish authors illustrate a dialogue
that has not always led to mutual understanding. This
ground-breaking work will provoke questions about the history and
present state of prejudiced attitudes in our society.
"By the rivers of Babylon, there we sat down, yea, we wept, when we
remembered Zion." The line that begins Psalm 137 is one of the most
lyrical of the Hebrew Bible, and has been used since its genesis to
evoke the grief and protest of exiled, displaced, or marginalized
communities. The psalm is most directly a product of the Babylonian
exile-the roughly fifty-year period after Jerusalem was destroyed
by Nebuchadnezzar's army and many of its leading Judeans taken
northeast into captivity. Despite the psalm's popularity, little
has been written about its reception during the more than 2,500
years since that period. In Babylon Revisited David Stowe addresses
this gap using a wide-ranging, interdisciplinary approach that
includes textual analysis, historical overview, and a study of the
psalm's place in popular culture. Stowe locates its use in the
American Revolution and the Civil Rights movement, and
internationally by anti-colonial Jamaican Rastafari and immigrants
from Ireland, Korea, and Cuba. He studies musical references
ranging from the Melodians Rivers of Babylon to the score in Kazakh
film Tulpan. Based on numerous interviews with musicians,
theologians, and writers, Stowe reconstructs the rich and varied
reception history of this widely used, yet mysterious text. The
book is broken up into three parts that closely examine each of the
psalm's stanzas. Stowe concludes by exploring the often ignored
final words: "Happy shall he be, that taketh and dasheth thy little
ones against the stones." Usually excised from liturgy and
forgotten by scholars, Stowe finds these words echoed in modern
occurrences of genocide or ethnic cleansing, and more generally in
the culture of vengeance that has existed in North America from the
earliest conflicts with Native Americans. Exploring the presence
and absence of these words in modern culture is the culmination of
Stowe's study as he weaves together the fascinating story of how
Psalm 137 has both shaped and been shaped by our understanding of
violence, pain, oppression, and justice.
The discovery of the Dead Sea Scrolls revealed a world of early
Jewish writing larger than the Bible, from multiple versions of
biblical texts to "revealed" books not found in our canon. Despite
this diversity, the way we read Second Temple Jewish literature
remains constrained by two anachronistic categories: a theological
one, "Bible," and a bibliographic one, "book." The Literary
Imagination in Jewish Antiquity suggests ways of thinking about how
Jews understood their own literature before these categories had
emerged. Using familiar sources such as the Psalms, Ben Sira, and
Jubilees, Mroczek tells an unfamiliar story about sacred writing
not bound in a Bible. In many texts, we see an awareness of a vast
tradition of divine writing found in multiple locations only
partially revealed in available scribal collections. Ancient heroes
like David are not simply imagined as scriptural authors, but
multi-dimensional characters who come to be known as great writers
and honored as founders of growing textual traditions. Scribes
recognize the divine origin of texts like the Enoch literature and
other writings revealed to ancient patriarchs, which present
themselves not as derivative of material we now call biblical, but
prior to it. Sacred writing stretches back to the dawn of time, yet
new discoveries are always around the corner. While listening to
the way ancient writers describe their own literature-their own
metaphors and narratives about writing-this book also argues for
greater suppleness in our own scholarly imagination, no longer
bound by modern canonical and bibliographic assumptions.
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