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Books > Religion & Spirituality > Non-Christian religions > Judaism
Hasidic Art and the Kabbalah presents eight case studies of
manuscripts, ritual objects, and folk art developed by Hasidic
masters in the mid-eighteenth to late nineteenth centuries, whose
form and decoration relate to sources in the Zohar, German Pietism,
and Safed Kabbalah. Examined at the delicate and difficult to
define interface between seemingly simple, folk art and complex
ideological and conceptual outlooks which contain deep, abstract
symbols, the study touches on aspects of object history,
intellectual history, the decorative arts, and the history of
religion. Based on original texts, the focus of this volume is on
the subjective experience of the user at the moment of ritual,
applying tenets of process philosophy and literary theory -
Wolfgang Iser, Gaston Bachelard, and Walter Benjamin - to the
analysis of objects.
This book offers a welcome solution to the growing need for a
common language in interfaith dialogue; particularly between the
three Abrahamic faiths in our modern pluralistic society. The book
suggests that the names given to God in the Hebrew Bible, the New
Testament and the Quran, could be the very foundations and building
blocks for a common language between the Jewish, Christian and
Islamic faiths. On both a formal interfaith level, as well as
between everyday followers of each doctrine, this book facilitates
a more fruitful and universal understanding and respect of each
sacred text; exploring both the commonalities and differences
between the each theology and their individual receptions. In a
practical application of the methodologies of comparative theology,
Maire Byrne shows that the titles, names and epithets given to God
in the sacred texts of Judaism, Christianity and Islam contribute
towards similar images of God in each case, and elucidates the
importance of this for providing a viable starting point for
interfaith dialogue.
A New Physiognomy of Jewish Thinking is a search for authenticity
that combines critical thinking with a yearning for heartfelt
poetics. A physiognomy of thinking addresses the figure of a life
lived where theory and praxis are unified. This study explores how
the critical essays on music of German-Jewish thinker, Theodor
Wiesengrund Adorno (1903-1969) necessarily accompany the downfall
of metaphysics. By scrutinizing a critical juncture in modern
intellectual history, marked in 1931 by Adorno's founding of the
Frankfurt Institute for Social Research, neglected applications of
Critical Theory to Jewish Thought become possible. This study
proffers a constructive justification of a critical standpoint,
reconstructively shown how such ideals are seen under the
genealogical proviso of re/cognizing their original meaning.
Re/cognition of A New Physiognomy of Jewish Thinking redresses
neglected applications of Negative Dialectics, the poetics of God,
the metaphysics of musical thinking, reification in Zionism, the
transpoetics of Physics and Metaphysics, as well as correlating
Aesthetic Theory to Jewish Law (halakhah). >
By the end of the Second World War, Germany was in ruins and its
Jewish population so gravely diminished that a rich cultural life
seemed unthinkable. And yet, as surviving Jews returned from
hiding, the camps, and their exiles abroad, so did their music.
Transcending Dystopia tells the story of the remarkable revival of
Jewish musical activity that developed in postwar Germany against
all odds. Author Tina Fruhauf provides a kaleidoscopic panorama of
musical practices in worship and social life across the country to
illuminate how music contributed to transitions and transformations
within and beyond Jewish communities in the aftermath of the
Holocaust. Drawing on newly unearthed sources from archives and
private collections, this book covers a wide spectrum of musical
activity-from its role in commemorations and community events to
synagogue concerts and its presence on the radio-across the divided
Germany until the Fall of the Wall in 1989. Fruhauf's use of
mobility as a conceptual framework reveals the myriad ways in which
the reemergence of Jewish music in Germany was shaped by cultural
transfer and exchange that often relied on the circulation of
musicians, their ideas, and practices within and between
communities. By illuminating the centrality of mobility to Jewish
experiences and highlighting how postwar Jewish musical practices
in Germany were defined by politics that reached across national
borders to the United States and Israel, this pioneering study
makes a major contribution to our understanding of Jewish life and
culture in a transnational context.
The eighteen studies in this volume in honor of Moshe Bernstein on
the occasion of his 70th birthday mostly engage with Jewish
scriptural interpretation, the principal theme of Bernstein's own
research career as expressed in his collected essays, Reading and
Re-Reading Scripture at Qumran (Brill, 2013). The essays develop a
variety of aspects of scriptural interpretation. Although many of
them are chiefly concerned with the Dead Sea Scrolls, the
significant contribution of the volume as a whole is the way that
even those studies are associated with others that consider the
broader context of Jewish scriptural interpretation in late
antiquity. As a result, a wider frame of reference for scriptural
interpretation impinges upon how scripture was read and re-read in
the scrolls from Qumran.
This volume approaches the topic of mobility in Southeast Europe by
offering the first detailed historical study of the land route
connecting Istanbul with Belgrade. After this route that diagonally
crosses Southeast Europe had been established in Roman times, it
was as important for the Byzantines as the Ottomans to rule their
Balkan territories. In the nineteenth century, the road was
upgraded to a railroad and, most recently, to a motorway. The
contributions in this volume focus on the period from the Middle
Ages to the present day. They explore the various transformations
of the route as well as its transformative role for the cities and
regions along its course. This not only concerns the political
function of the route to project the power of the successive
empires. Also the historical actors such as merchants, travelling
diplomats, Turkish guest workers or Middle Eastern refugees
together with the various social, economic and cultural effects of
their mobility are in the focus of attention. The overall aim is to
gain a deeper understanding of Southeast Europe by foregrounding
historical continuities and disruptions from a long-term
perspective and by bringing into dialogue different national and
regional approaches.
Warsaw was once home to the largest and most diverse Jewish
community in the world. It was a center of rich varieties of
Orthodox Judaism, Jewish Socialism, Diaspora Nationalism, Zionism,
and Polonization. This volume is the first to reflect on the entire
history of the Warsaw Jewish community, from its inception in the
late 18th century to its emergence as a Jewish metropolis within a
few generations, to its destruction during the German occupation
and tentative re-emergence in the postwar period. The highly
original contributions collected here investigate Warsaw Jewry's
religious and cultural life, press and publications, political
life, and relations with the surrounding Polish society. This
monumental volume is dedicated to Professor Antony Polonsky, chief
historian of the new Warsaw Museum for the History of Polish Jews,
on the occasion of his 75th birthday.
The Statue of Liberty holds a special place in the hearts of
Americans, the people of France, and freedom lovers throughout the
world. But up until now, the full story behind its origins has not
been told.
Author Richard N. Rhoades peels back the mystery surrounding the
icon, explaining how French sculptor Frederic Auguste Bartholdi
looked to a Roman goddess to serve as the model for the statue. On
Oct. 28, 1886, at the unveiling ceremony, President Grover
Cleveland praised Bartholdi's goddess statue as "greater than all
that have been celebrated in ancient song."
But Rhoades goes beyond the historical data and examines the
statue's pagan origins by analyzing Scripture. He establishes that
the most revealing chroniclers of the Statue of Liberty were the
Hebrew prophets who predicted the building and setting of an image
of the Great Goddess of the ancient world on her own pedestal in a
latter day country codenamed "the land of Shinar."
Discover the real origins of the Statue of Liberty, its adoption
by the American people as a national icon and its historical and
biblical signifi cance in "Lady Liberty: The Ancient Goddess of
America."
In the last several decades since the first publications of the
biblical Dead Sea Scrolls, a revolution has occurred in the
understanding of the history of the text of the Hebrew Bible during
the Second Temple period. The present volume is a collection of
articles documenting that revolution, written by Sidnie White
Crawford over an almost thirty-year period beginning in 1990. As a
member of the editorial team responsible for publishing the Qumran
scrolls, the author was responsible for the critical editions of
nine Deuteronomy scrolls and the four Reworked Pentateuch
manuscripts; thus, her work played a critical role in the changing
understanding of the textual history of the Pentateuch,especially
the book of Deuteronomy and the Rewritten Bible texts. The author's
lifework is brought together here in an accessible format. While
the majority of the articles are reprints, the volume will close
with two major new pieces: a text-critical study of the
Deuteronomic Paraphrase of the Temple Scroll and a comprehensive
overview of the history of the text of the Pentateuch.
For centuries, Jews have been known as the "people of the book." It
is commonly thought that Judaism in the first several centuries CE
found meaning exclusively in textual sources. But there is another
approach to meaning to be found in ancient Judaism, one that sees
it in the natural world and derives it from visual clues rather
than textual ones. According to this conception, God embedded
hidden signs in the world that could be read by human beings and
interpreted according to complex systems. In exploring the diverse
functions of signs outside of the realm of the written word, Swartz
introduces unfamiliar sources and motifs from the formative age of
Judaism, including magical and divination texts and new
interpretations of legends and midrashim from classical rabbinic
literature. He shows us how ancient Jews perceived these signs and
read them, elaborating on their use of divination, symbolic
interpretation of physical features and dress, and interpretations
of historical events. As we learn how these ancient people read the
world, we begin to see how ancient people found meaning in
unexpected ways.
When non-Orthodox Jews become frum (religious), they encounter much
more than dietary laws and Sabbath prohibitions. They find
themselves in the midst of a whole new culture, involving
matchmakers, homemade gefilte fish, and Yiddish-influenced grammar.
Becoming Frum explains how these newcomers learn Orthodox language
and culture through their interactions with community veterans and
other newcomers. Some take on as much as they can as quickly as
they can, going beyond the norms of those raised in the community.
Others maintain aspects of their pre-Orthodox selves, yielding
unique combinations, like Matisyahu's reggae music or Hebrew words
and sing-song intonation used with American slang, as in "mamish
(really) keepin' it real." Sarah Bunin Benor brings insight into
the phenomenon of adopting a new identity based on ethnographic and
sociolinguistic research among men and women in an American
Orthodox community. Her analysis is applicable to other situations
of adult language socialization, such as students learning medical
jargon or Canadians moving to Australia. Becoming Frum offers a
scholarly and accessible look at the linguistic and cultural
process of "becoming."
Bring Jewish values to life with an engaging blend of mitzvot
middot and timeless Jewish wisdom.
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