A key aspect of town planning, landscape planning and landscape architecture is to identify and then use the distinctive features and characteristics of space, place and landscape to achieve environmental quality. Landscape Analysis provides an introduction to the field both in theory and in practice. A wide range of methods and techniques for landscape analysis is illustrated by urban and rural examples from many countries. Analysing landscapes within a planning context requires both skill and insights. Drawing upon numerous concrete examples, together with an examination of some theoretical concepts, this book guides the reader through a wide range of different approaches and techniques of landscape analysis that may be applied at different scales, from elementary site analysis to historical and regional studies. This is an essential book for students and graduate practitioners working in landscape architecture, planning and architecture.

Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.

With increasing population and its associated demand on our limited resources, we need to rethink our current strategies for construction of multifamily buildings in urban areas. Reinventing an Urban Vernacular addresses these new demands for smaller and more efficient housing units adapted to local climate. In order to find solutions and to promote better urban communities with an overall environmentally responsible lifestyle, this book examines a wide variety of vernacular building precedents, as they relate to the unique characteristics and demands of six distinctly different regions of the United States. Terry Moor addresses the unique landscape, climate, physical, and social development by analyzing vernacular precedents, and proposing new suggestions for modern needs and expectations. Written for students and architects, planners, and urban designers, Reinventing an Urban Vernacular marries the urban vernacular with ongoing sustainability efforts to produce a unique solution to the housing needs of the changing urban environment.

The first-ever study of state park segregation across the Jim Crow SouthWinner, J. B. Jackson Book Prize from the Foundation for Landscape StudiesAward of Merit, American Association for State and Local History An outgrowth of earlier park movements, the state park movement in the twentieth century sought to expand public access to scenic places. But under severe Jim Crow restrictions in the South, access for Blacks was routinely and officially denied. The New Deal brought a massive wave of state park expansion, and advocacy groups pressured the National Park Service to design and construct segregated facilities for Blacks. These parks were typically substandard in relation to "white only" areas.After World War II, the NAACP filed federal lawsuits that demanded park integration, and southern park agencies reacted with attempts to expand access to additional segregated facilities, hoping they could demonstrate that their parks achieved the "separate but equal" standard. But the courts consistently ruled in favor of integration, leading to the end of state park segregation by the mid-1960s. Even though it has largely faded from public awareness, the imprint of segregated state park design remains visible throughout the South.William E. O'Brien illuminates this untold facet of Jim Crow history in the first-ever study of state park segregation. Emphasizing the historical trajectory of events leading to integration, his book underscores the profound inequality that persisted for decades in the number, size, and quality of state park spaces provided for Black visitors across the Jim Crow South.

This study explains how, confronting ever-greater environmental pressures, we can plan for and achieve a sustainable environment. The book focuses on urban development, as population and resources and often the most severe environmental problems are concentrated in cities. It looks at the nature of environmental planning and at the main areas where changes have to be made: in energy policy, waste disposal and pollution control, construction, transport and infrastructure. The book concludes with chapters on planning a sustainable city and on how to bring the necessary changes and institutional arrangements about.

Presents a broad analysis of land use patterns and processes in urban areas. Land has the greatest significance for the spatial patterning and functioning of modern urban settlements and societies - providing the basic morphological elements of the city, it is a source of social and economic power, is intimately bound up with environmental issues and lies at the heart of planning.

While it is widely recognized that architects and their architecture play a key role in constructing a sense of place, the inherent nexus between an architectural ideology and the production of national space and place has so far been neglected. Focusing on the Zionist ideology, this book brings together practising architects and academics to critically examine the role of architects, architecture and spatial practices as mediators between national ideology and the politicization of space. The book first of all sets out the wider context of theoretical debates concerning the role of architecture in the process of constructing a sense of place then divides into six main sections. The book not only provides an innovative new perspective on how the Israeli state had developed, but also sheds light on how architecture shapes national identity in any post-colonial and settler state.

Memories of Cities is a collection of essays that explore different ways of writing about the political and economic history of the built environment. Drawing upon fiction and non-fiction, and illustrated by original photographs, the essays employ a variety of narrative forms including memoirs, letters, and diary entries. They take the reader on a journey to cities such as Glasgow, Paris, Moscow, St. Petersburg, and Marseille, laying bare the contradictions of capitalist architectural and urban development, whilst simultaneously revealing alternative visions of how buildings and cities might be produced and organised.

Modern urban spaces are, by definition, mixed socio-spatial configurations. In many ways, their enduring success and vitality lie in the richness of their ethnic texture and ongoing exchange of economic goods, cultural practices, political ideas and social movements. This mixture, however, is rarely harmonious and has often led to violent conflict over land and identity. Focusing on mixed towns in Israel/Palestine, this insightful volume theorizes the relationship between modernity and nationalism and the social dynamics which engender and characterize the growth of urban spaces and the emergence therein of inter-communal relations. For more than a century, Arabs and Jews have been interacting in the workplaces, residential areas, commercial enterprises, cultural arenas and political theatres of mixed towns. Defying prevailing Manichean oppositions, these towns both exemplify and resist the forces of nationalist segregation. In this interdisciplinary volume, a new generation of Israeli and Palestinian scholars come together to explore ways in which these towns have been perceived as utopian or dystopian and whether they are best conceptualized as divided, dual or colonial. Identifying ethnically mixed towns as a historically specific analytic category, this volume calls for further research, comparison and debate.

It is clear that the climate is changing and ecosystems are becoming severely degraded. Humans must mitigate the causes of, and adapt to, climate change and the loss of biodiversity, as the impacts of these changes become more apparent and demand urgent responses. These pressures, combined with rapid global urbanisation and population growth mean that new ways of designing, retrofitting and living in cities are critically needed. Incorporating an understanding of how the living world works and what ecosystems do into architectural and urban design is a step towards the creation and evolution of cities that are radically more sustainable and potentially regenerative. Can cities produce their own food, energy, and water? Can they be designed to regulate climate, provide habitat, cycle nutrients, and purify water, air and soil? This book examines and defines the field of biomimicry for sustainable built environment design and goes on to translate ecological knowledge into practical methodologies for architectural and urban design that can proactively respond to climate change and biodiversity loss. These methods are tested and exemplified through a series of case studies of existing cities in a variety of climates. Regenerative Urban Design and Ecosystem Biomimicry will be of great interest to students, professionals and researchers of architecture, urban design, ecology, and environmental studies, as well as those interested in the interdisciplinary study of sustainability, ecology and urbanism.

By 2025, China will have built fifteen new 'supercities' each with 25 million inhabitants. It will have created 250 'Eco-cities' as well: clean, green, car-free, people-friendly, high-tech urban centres. From the edge of an impending eco-catastrophe, we are arguably witnessing history's greatest environmental turnaround - an urban experiment that may provide valuable lessons for cities worldwide. Whether or not we choose to believe the hype - there is little doubt that this is an experiment that needs unpicking, understanding, and learning from. Austin Williams, The Architectural Review's China correspondent, explores the progress and perils of China's vast eco-city program, describing the complexities which emerge in the race to balance the environment with industrialisation, quality with quantity, and the liberty of the individual with the authority of the Chinese state. Lifting the lid on the economic and social realities of the Chinese blueprint for eco-modernisation, Williams tells the story of China's rise, and reveals the pragmatic, political and economic motives that lurk behind the successes and failures of its eco-cities. Will these new kinds of urban developments be good, humane, healthy places? Can China find a 'third way' in which humanity, nature, economic growth and sustainability are reconciled? And what lessons can we learn for our own vision of the urban future? This is a timely and readable account which explores a range of themes - environmental, political, cultural and architectural - to show how the eco-city program sheds fascinating light on contemporary Chinese society, and provides a lens through which to view the politics of sustainability closer to home.

The city for the Greeks and Romans was of paramount importance for their political, religious and social life, and "The City in the Greek and Roman World" provides an engaging study of different concepts and developments of the city at that time. For example, the Greek concept of the "polis" as essentially a community whose physical attributes well-built houses, walls, docks were of secondary importance, gradually shifted: as cities grew, especially under the Hellenistic kings and their Roman successors, fine public buildings, sumptuous houses and impressive civic amenities became the hallmark of urban life.
"The City in the Greek and Roman World" is the first comprehensive study in over a decade to examine the development of the city in the Greek and Roman world.
Drawing on archaeology, literary and epigrapic evidence, professional and technical literature, as well as descriptions of cities and their monuments from travellers and geographers, the author analyzes the evolution of town planning. This includes the provision of services and amenities, orientation, and, as an Aristotelian, his account of the ideal city preferred arrangements which both provided security and were aesthetically pleasing.

In recent years, the rapid pace of tall building construction has fostered a certain kind of placelessness, with many new tall buildings being built out of scale, context and place. By analyzing hundreds of tall buildings and by providing hundreds of visuals that inspire, stimulate and engage, Understanding Tall Buildings contends that well-designed tall buildings can rejuvenate cities, ignite economic activity, support social life and boost city pride. Although this book does not claim to possess all the solutions, it does propose specific tall building design guidelines that may help to promote placemaking. Through this work, it is the author's hope that ill-conceived developments will become less common in the future and that good placemaking will become the norm, not the exception. This book is a must-read for students and practitioners working to create better tall buildings and better urban environments.

This book is unique in its attempt to explore the many ways we have of thinking about buildings. In particular it raises questions about the kinds of knowledge we have and will need in designing, making and enjoying our buildings. At the very least this book provides an overview of the fragmented construction industry, making it a vital purchase for all construction related students. However, the author has written for a wider audience making the book an essential guide for those interested in the form of buildings or the deliberate ways in which people build them.

eBook available with sample pages: 0203133781

Following on from Introducing Town Planning andImplementing Town Planning, this third volume in the series examines the scope and nature of modern town planning in greater depth. It investigates the theories and preoccupations which inform the current planning agenda, compares this with earlier objectives, and discusses likely future trends. Written by a team of expert contributors under the general editorship of Clara Greed, the book begins with a review of town planning and then goes on to discuss the major themes in five parts: the economic context of town planning planning for housing planning for sustainability planning for city centres or decentralisation changing agendas and agencies Within this contextualising framework the contributors investigate many of the current, and often conflicting, urban policy issues challenging the planning profession. Over and above a commitment to traditional, physical land use matters, planning practitioners nowadays must take on board new priorities, deriving from the environmental movement, the European Union, the economic climate, changing local authority structures, and legislative frameworks. The contributors discuss these new agendas, and demonstrate how they link to inner city regeneration, city centre management, sustainability issues, and wider social policy and urban governance questions. This volume incorporates a more discursive and reflective approach to studying, and thus constitutes a valuable text for final year undergraduate and postgraduate courses in town planning, surveying, building, architecture, and housing, as well as RTPI, RICS, CIOH, CIOB, ASI, ISVA and RIBA courses. It will be of interest to a wider readership studying urban economics, urban sociology, social policy and urban geography, and to young professionals in both the public and private sector of the property world.

Anglo-American cities face economic decline, social polarisation and racial conflict. Their fate is increasingly decided by the global actions of transnational corporations and market forces. Community groups find it difficult to gain access to the political system. Ethnic minorities strive for empowerment while indebted city governments battle to maintain basic services. Such is the urban crisis of the 1990s. Fractured Cities describes the political economy of urban change and explores the future of the city.

First published in 1992, this book collects together the papers presented at the International Symposium on Design Review which was held to address the growing tendency of local governments to institute programs of aesthetic control. The editor argues that the widespread adoption of design review processes in the years preceding the conference necessitated thoroughgoing professional criticism and a number of areas of debate are identified and addressed in the subsequent papers. Are the difficulties experienced by planners, community activists and architects with the process due to its relative youth or inherent flaws in the entire concept? How should mechanical problems like time and expense, the ease with which the process can be manipulated, and general inefficiencies in the system be resolved? More intricate problems are also addressed, such as: who has the power to judge the aesthetic quality of a building, whether design review infringes on the rights of the individual especially under the First Amendment, whether the design review process is "fair", and the difficulty for the reviewer of deciding what is right and what is wrong having taken into account factors that can be highly subjective or contradict more practical concerns.

The modern period in landscape architecture is enjoying the fascinated appreciation of scholars and historians in Europe and the Americas, and new themes, new subjects and new appraisals are appearing. This book contributes to the conversation by focusing on the work of a singular designer who spent his entire career in a province of the North Island of New Zealand. Ted Smyth practiced an assured landscape modernism without ever seeing the designs of his forebears or his contemporaries working in the UK, Europe and the United States. Designing in isolation from the mainstream of modernism, and a little after its high tide, Smyth produced a series of gardens that provoke a revaluation of the diffusionist model of influence. The book explains and describes the evolution of Smyth's design vocabulary and relates it to the development of tropical landscape modernism in other Asia-Pacific sites. It shows how a culture of garden modernism can be generated from within a particular locale, and highlights Smyth's engagement with Maori design traditions in search of a specific expression of the high modern essentialism of place.

A highly original study of eccentric English garden-makers and their extraordinary gardens In English Garden Eccentrics, renowned landscape architect and historian Todd Longstaffe-Gowan reveals a series of obscure and eccentric English garden-makers who, between the early seventeenth and early twentieth centuries, created intensely personal and idiosyncratic gardens. They include such fascinating characters as the superstitious antiquary William Stukeley and the animal- and bird-loving Lady Read, as well as the celebrated master of Vauxhall Gardens, Jonathan Tyers, who created at his home at Denbies one of the gloomiest and most perverse anti-pleasure gardens in Georgian England. Others built miniature mountains, shaped topiaries, displayed exotic animals, excavated caves, and assembled architectural fragments and fossils to realise their gardens in a way that was often thought excessive. With quirky and compelling illustrations and chapters including "Lady Broughton's 'Miniature copy of the Swiss Glaciers,'" "Topiary on a Gargantuan Scale: The Clipped 'Yew-trees' at Four Ancient London Churchyards," and "The Burrowing Duke at Harcourt House," English Garden Eccentrics brings together garden and landscape history with cultural history and biography. The book engagingly reveals what it is about the gardener and his or her creation that can be seen as eccentric and focusses on an area of garden history that has scarcely been explored: gardens seen as expressions of the singular character of their makers, and therefore functioning, in effect, as a form of autobiography. This lively and accessible book calls on gardeners today to learn from example and dare to be eccentric. Distributed for the Paul Mellon Centre for Studies in British Art

The modern period in landscape architecture is enjoying the fascinated appreciation of scholars and historians in Europe and the Americas, and new themes, new subjects and new appraisals are appearing. This book contributes to the conversation by focusing on the work of a singular designer who spent his entire career in a province of the North Island of New Zealand. Ted Smyth practiced an assured landscape modernism without ever seeing the designs of his forebears or his contemporaries working in the UK, Europe and the United States. Designing in isolation from the mainstream of modernism, and a little after its high tide, Smyth produced a series of gardens that provoke a revaluation of the diffusionist model of influence. The book explains and describes the evolution of Smyth's design vocabulary and relates it to the development of tropical landscape modernism in other Asia-Pacific sites. It shows how a culture of garden modernism can be generated from within a particular locale, and highlights Smyth's engagement with Maori design traditions in search of a specific expression of the high modern essentialism of place.

First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Throughout history and around the world, community members have come together to build places, be it settlers constructing log cabins in nineteenth-century Canada, an artist group creating a waterfront gathering place along the Danube in Budapest, or residents helping revive small-town main streets in the United States. What all these projects have in common is that they involve local volunteers in the construction of public and community places; they are community-built. Although much attention has been given to specific community-built movements such as public murals and community gardens, little has been given to defining community-built as a whole. This volume provides a preliminary description of community-built practices with examples from the disciplines of urban design, historic preservation, and community art. Taken as a whole, these community-built projects illustrate how the process of local involvement in adapting, building, and preserving a built environment can strengthen communities and create places that are intimately tied to local needs, culture, and community. The lessons learned from this volume can provide community planners, grassroots facilitators, and participants with an understanding of what can lead to successful community-built art, construction, preservation, and placemaking.

"High-Tech Fantasies" goes beyond the normal "policy evaluation" to examine the underlying assumptions which science parks embody about science and society and their relation to space and geographical uneven development. It is argued that science parks are founded on a notion of scientific production and industrial innovation which is not only technically inappropriate but also intrinsically socially divisive. Moreover, the spatial form and symbolic spatial content of science parks - near to academe, far from physical production and with specific design characteristics - further increases their tendency to promote (and depend upon) social polarization. This polarization takes a precise geographical form, exemplified in the clustering of "high-tech" in the semi-rural regions of the south and east of England. The book focuses on the tight and mutual relation between the forms of scientific production, social structures and geographical inequality, dismantling the popular concept of science parks to present an alternative conceptualization from which the real implications of science-park developments can be drawn. This book should be of interest to university students of geography, so

Over the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world's most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production. Exploring thematics such as carnival and play, risk and creativity, it tracks how the very residue of this cultural production structures and shapes the socio-ethico guidelines of these artists' lifeworlds.

Housing studies have often neglected important areas of debate that affect other social sciences. While there are an increasing number of studies that focus on specific areas such as over-crowding and home-ownership, the development of broader housing concepts has been slow. Jim Kemeny looks at the nature of housing research and focuses on various key debates in social theory and their relation to housing. Looking in particular at three main areas - political science, social change and welfare - he provides a critique of the current methods of theory. Case studies are presented to illustrate the application of various theories, covering areas such as privatism, collectivism, urban planning, hegemony, ideology and myth.