Oor hierdie Hertzogpryswenner se nuutste bundel sê Louis Esterhuizen: “Nog selde het ek ʼn versameling gedigte teëgekom wat so volgehoue en voluit op satire ingestel is, in dié mate dat hierdie gedigte gunstig vergelyk met MM Walters se indrukwekkende digterskap. Bykans die totaliteit van menswees en menslike prestasie word in hierdie gedigte voor stok gekry: van die klassieke skrywers en mitologieë, tot die hedendaagse; so ook die visuele kunste en musiek."

Harry Oppenheimer, the international gold-and-diamond magnate, presided over the corporate dynasty of Anglo American and De Beers for more than 25 years. Yet, two decades after his death, the Oppenheimer empire is no more. As the political opposition’s key financial backer, the founder (along with Anton Rupert) of the Urban Foundation after the Soweto uprising in 1976, and a ubiquitous philanthropist, Oppenheimer helped propel the process of reform.

Nevertheless, in some quarters he is demonised as the archetype of ‘white monopoly capital’ and scapegoated, along with Nelson Mandela, for the country’s disappointing democratic dividends. In the first, full-scale biography of Oppenheimer, based on unrestricted access to his subject’s private papers and extensive interviews with family members and close associates, Michael Cardo eschews both the corporate hype and the political propaganda to produce a vivid, fully-rounded portrait.

He brings to life the places, people, events and relationships that shaped Harry Oppenheimer’s long and rich career at the intersection of business and politics. Cardo also tackles thorny questions of legacy and Oppenheimer’s complicity with the oppressive racial order of the past.

In 1973 the trade union movement was both racially and regionally divided. It virtually excluded African workers, and in many cases unions were led by cautious and paternalistic leaders, long schooled in avoiding confrontation with either the state or employers. Then widespread strikes erupted in Durban where hundreds of thousands of workers downed tools in support of wage demands. It was a militant explosion unprecedented since the apartheid government had crushed and outlawed mass demonstrations against segregation and 'whites-only' rule. And it provided the impetus for the next decade and a half of trade union organisation, which succeeded in uniting workers on a largely non-racial basis, dominated by the slogan 'one industry one union'.

Maverick Insider is an anecdotal, insider's account of the transformation during this period in the textile, clothing and leather worker sectors. It focuses on the outlooks of leadership groups in different parts of that industry and their efforts to influence the nature of the amalgamation of six unions to form the Southern African Clothing and Textile Workers' Union (SACTWU), one of the three largest unions of the Congress of South African Trade Unions (COSATU). It traces the interaction between union leadership and both political parties and community organisations dedicated to making the country ungovernable, as well as those who were determined to stamp out such calls. It details struggles to unite workers across political divides in the same union organisation and to assert an independent working-class point of view in a period of growing African nationalism. It details the traumatic events on the road to the so-called peaceful miracle that created a rainbow nation but left 22 000 South Africans dead in the process.

And it is the story of a team of people who set out to change the world and formed an unshakeable bond in the process.

The latest edition of bestselling South African school dictionary builds on providing solutions to every learner’s language needs.

I Write What I Like features the writing of the famous activist and Black Consciousness leader, Steve Biko. Before his untimely death in detention at age 30, he was instrumental in uniting Black Africans in the struggle against the apartheid government in South Africa.

This 40th anniversary edition includes a foreword by Njabulo S. Ndebele, personal reflections on Steve Biko and Black Consciousness, as well as Biko’s first known published piece of writing. In addition, it features all the material of the original Picador Africa edition: a collection of Biko’s columns entitled I Write What I Like published in the journal of the South Africa Student Organisation under the pseudonym of ‘Frank Talk’; other journal articles, interviews and letters written by Steve Biko at the time; an Introduction by Nkosinathi Biko; a preface by Archbishop Desmond Tutu; and a moving memoir by Father Aelred Stubbs, which pays tribute to the courage and power of this young leader, who was to become one of Africa’s heroes.

The riveting account of Nvidia, the tech company that has exploded in value for its artificial intelligence computing hardware, and Jensen Huang, Nvidia’s charismatic, uncompromising CEO.
 
In June of 2024, spurred by the frenzy of investment following the launch of ChatGPT, and thirty-one years after its founding in a Denny’s restaurant, Nvidia became the most-valuable corporation on Earth. In  The Thinking Machine,  acclaimed journalist Stephen Witt recounts the unlikely story of how a manufacturer of video game components shocked Silicon Valley by conquering the market for AI hardware, and in the process re-invented the computer.
 
Essential to Nvidia’s meteoric success is its visionary CEO Jensen Huang, who more than a decade ago, on the basis of a few promising scientific results, bet his entire company on AI. Through unprecedented access to Huang, his friends, his investors, and his employees, Witt documents for the first time the company’s epic rise and its iconoclastic CEO, who emerges as a compelling, single-minded, and ferocious leader, and now one of Silicon Valley’s most influential figures.
 
The Thinking Machine  is the story of how Nvidia evolved from providing components for circuit boards to supplying hundred-million dollar supercomputers. It is the story of a determined entrepreneur who defied Wall Street to push his radical vision for computing, in the process becoming one of the wealthiest men alive. It is the story of a revolution in computer architecture, and the small group of renegade engineers who made it happen. And it’s the story of our awesome and terrifying AI future, which Huang has billed as the 'next industrial revolution', as a new kind of microchip unlocks hyper-realistic avatars, autonomous robots, self-driving cars, and new movies, art, and books, generated on command.

Lidia Rauch was born at the crossroads of South Africa’s past and present – the granddaughter of one of apartheid’s longest-serving ministers, raised in a world constructed for her comfort, yet called to reckon with its cost. Her story moves between privilege and pain: from a childhood marked by fracture, to a career within the machinery of government, to the long, uneasy road of reckoning with what it means to be white, Afrikaans, and free in a country still carrying the weight of its past.

In this fearless and tender memoir, Lidia turns toward the truth – dismantling the myths she was raised on, confronting the discomfort she once avoided, and choosing responsibility over denial. Along the way she encounters the people and moments that changed her – from the townships of Cape Town to the rooms where power is brokered – and discovers that freedom is not a gift bestowed by the system, but a commitment we make to one another.

Apartheid’s Granddaughter is not a story of guilt or absolution, but of courage and repair. It’s an invitation to white South Africans to face their inheritance with honesty and courage.

Both intimate and universal, this book reminds us that transformation is possible – and that healing begins when we choose to see ourselves and one another.

The perfect match. Or so she thinks. Her warmth and empathy. His charisma and ambition. Yet, Cathy feels safer teaching battle-scarred gangsters in a prison classroom than at home with her own partner.

By day she walks on eggshells. At night she sleeps on the backseat of her car. Her safe place is an all-night roadhouse; her best friend, her journal. The slow boil intensifies until, one day, Cathy finds her grandmother’s armoire smashed to pieces in her bedroom, a hammer on the floor, her life in splinters beside it.

Part memoir, part inspiration, Boiling A Frog Slowly is unflinching in its confrontation of abuse and utterly courageous in its portrayal of redemption.

Mteto Nyati knew as a schoolboy in Mthatha, working at his mother’s store, that he wanted to fix and build things. After completing his studies at Natal University, he turned down a Rhodes scholarship and headed for Jo'burg to take up a position at Afrox. He was the only black engineer and the advice he received was ‘don’t mess up’. 

He didn’t and today is one of South Africa’s top CEOs. This is his inspirational story. 

Soos die verwysing na perspektief in sy digbundeltitel, Brief op veertigduisend voet, aandui, laat Dreyer die leser nuut en in verwondering na objekte en verskynsels kyk.

Lig, wat sig moontlik maak, word metafories ingespan vir die menslike belewening van die verbygaan van tyd. Verlatenheid, ooptes, en ongekarteerde gebiede word metafore vir die onsekerheid en prekêre avontuur van die post-postmoderne mens.

Die bundel sluit natuur- en bewaringsgedigte in, asook reisgedigte, verweef met geskiedenis, wat die mens se interaksie met sy omgewing belig.

Spanning tussen die antieke en moderne word geskep met die insluiting van gedigte oor tegnologiese en wetenskaplike innovasie, asook wetenskapsfiksie – reeds deur die titel gesuggereer. En menslike verhoudinge – deur die “brief” van die titel geaktiveer – word in roerende dog onsentimentele liefdesgedigte verbeeld.

Brief op veertigduisend voet is opwindend en verbeeldingryk, terwyl dit ook die beste aspekte van die poëtiese tradisie bevat.

The British Crown is in crisis, with constitutional threats at home and abroad. Since their infamous 'Megxit' split from the Royal Family, Prince Harry and Meghan Markle have dominated global headlines. Ferociously controversial, not least for demanding privacy while seeking the spotlight, the Sussexes have remained a subject of gripping fascination for both supporters and cynics alike. Both camps are united on one platform: what is the endgame?

Fighting to preserve their royal titles and privileges, in their attempts to create a Sussex brand the couple have fuelled bitter hostility. Accusations of disloyalty have been trumped by recriminations about dishonesty. Amid High Court battles with the government and the media, and the infamous publication of Spare, the Sussexes have reeled after successive Netflix flops and their doomed collaboration with Spotify - only to be ridiculed for Meghan's self-invention as a domestic goddess.

At a landmark moment in royal history, the Sussexes' challenge to the British monarchy echoes worldwide. The fallout always threatens to be catastrophic. Just five years on from 'Megxit', can King Charles overcome the scandals that blight the family and limit the Sussexes' threat to the monarchy? Can the broken bonds between the Houses of Sussex and Windsor ever be repaired or will the King choose to strip them of their titles and banish them forever? The Sussexes are in a race against time to solve their predicament.

With inimitable research and exclusive interviews from insiders, Britain's leading investigative biographer Tom Bower exposes the latest contortions in the explosive Royal saga of power and betrayal.

’n Blik op die binnekring van die Krugersdorp-kultus

“Daar was bloedspatsels oor die koffietafel, die banke en die banke se kussings. Peter en Joan was oortrek van steekwonde in hul rûe, nekke en agterkoppe. Nicholas het sy pa en ma gesigte na onder in ’n bloedbad op die mat in die sitkamer gekry. Hulle het hul hek en huis vir hul moordenaars oopgemaak, want hulle het ’n afspraak met hulle gehad.”

Elf wrede moorde oor ’n tydperk van vier jaar ruk die gemeenskap van Krugersdorp en haal landwyd nuusopskrifte. Eindelik word al hierdie moorde verbind met Cecilia Steyn en haar kultusgroep, Electus per Deus (uitverkies deur God). Lede van die groep aanbid die grond waarop Cecilia loop en sal selfs vir haar moord pleeg.

Die moordenaars is slim, gewone mense – ’n onderwyseres, ’n finansiële makelaar, ’n kind wat tussen die moorde deur steeds ses onderskeidings in matriek behaal en boonop keuring kry om medies te gaan studeer. Hul slagoffers het bloot ’n sake- afspraak nagekom, min wetend dat dít ’n afspraak met die dood was.

Wie is Cecilia Steyn? Hoe kan een mens vyf ander manipuleer om moord te pleeg en namens haar in die hof te lieg? Watter rol het Satanisme gespeel? Hoe ontduik onervare misdadigers die polisie vir so lank?

Jana Marx beantwoord dié en ander vrae in ’n waremisdaad-verhaal wat gelei het tot een van die opspraakwekkendste moordsake in die land se geskiedenis.

Met behulp van onderhoude uit diegene in die binnekring, hofgetuienis en polisiedossiere oor ’n tydperk van vier jaar poog Marx om die publiek se vrae te antwoord en ’n blik te gee op die binnewerkinge van só ’n kultus.

Holding My Breath is a candid, heart-breaking and very funny memoir of life in one of Johannesburg’s busiest emergency rooms. Biccard’s warmth and humanity shine through the often harrowing tale, creating an unputdownable, uplifting and inspiring book.

The first customer today reports that, the previous night, his right nipple had moved away from its usual location. He noticed its absence when he looked in the mirror and later found it in his armpit.

‘Wow,’ I say with a slight frown. I have never heard of a migrating nipple before. ‘Let’s have a look.’ I slide the door shut and motion to him to pull his T-shirt off.

‘Oh, it has moved back now,’ he says.

Soekenjin is ’n bundel oor begeerte, 'n versameling verse oor die lewe in die tyd van die Internet van Dinge. Dit is gedigte oor die soeke na alles: liefde, die self, betekenis en die regte woord, en oor die sublieme en banale dinge wat ons as soekers vind.

Die bundel ondersoek ook die vreemde afdraaipaadjies waarlangs ons nuuskierigheid, behoeftes en verslawings ons lei.

Peter’s mother is dying. Born in England, and having spent most of her adult life as a doctor in Zimbabwe, she now lies on a hospital bed in the partitioned living room of his sister’s London house, her accent having overnight become posher than the Queen’s.

Peter has spent his life missing his Zimbabwean childhood, whether as a conscript in the Rhodesian army in the 1970s, writing about conflicts across the African continent and beyond or settling in New York with his English wife and transatlantic children. In his mother’s final months, he must come to terms with everything his family was – and wasn’t: the secrets they kept from one another, the stoicism that sometimes threatened to destroy them and the beauty of the wildly different places they called home.

In Exit Wounds, Peter Godwin considers the life of émigrés, exiles and refugees, and grieves the many losses that make life both magnificent and unbearable. With generations of history behind him, he brings us into the spaces that make us question, suffer and celebrate the lives we have among family and friends, and the healing of our own scars.

A new scholarly volume reflecting on the enduring ethical legacy of the Prophet Muhammad, marking 1500 years since the Prophet’s birth by exploring the continued relevance of his message in our contemporary world.

Bringing together scholars, educators, religious leaders and public intellectuals, the book examines how the Prophetic tradition speaks to the moral, social and planetary challenges of our time. Rather than offering simple historical reflection, the chapters engage the Prophet’s legacy as a living ethical inheritance that continues to guide reflection on justice, mercy, dignity, leadership, education and social responsibility.

The contributors move beyond devotional narration to explore what may be described as a Prophetic ethical grammar – the ways in which the life and teachings of the Prophet provide resources for ethical renewal and thoughtful engagement with contemporary crises. The volume addresses issues such as inequality, violence, technological disruption and ecological vulnerability in a rapidly changing world. Rooted in South Africa yet continentally and globally oriented, the book places Muslim intellectual reflection within broader debates about ethics and public life.

The volume is edited by Professor Aslam Fataar, a South African scholar known for his work on education, ethics and social transformation.

Departure(s) is the story of a man called Stephen and a woman called Jean, who fall in love when they are young and again when they are old. It is the story of an elderly Jack Russell called Jimmy, enviably oblivious to his own mortality.

It is also the story of how the body fails us, whether through age, illness, accident or intent. And it is the story of how experiences fade into anecdotes, and then into memory. Does it matter if what we remember really happened? Or does it just matter that it mattered enough to be remembered?

It begins at the end of life – but it doesn’t end there. Ultimately, it’s about the only things that ever really mattered: how we find happiness in this life, and when it is time to say goodbye.

‘Untamed will liberate women - emotionally, spiritually, and physically. It is phenomenal.’ (Elizabeth Gilbert, author of City of Girls and Eat Pray Love)

Who were you before the world told you who to be?

Part inspiration, part memoir, Untamed explores the joy and peace we discover when we stop striving to meet the expectations of the world, and instead dare to listen to and trust in the voice deep inside us. From the beloved New York Times bestselling author, speaker and activist Glennon Doyle.

For many years, Glennon Doyle denied her discontent. Then, while speaking at a conference, she looked at a woman across the room and fell instantly in love. Three words flooded her mind: There. She. Is. At first, Glennon assumed these words came to her from on high but soon she realised they had come to her from within. This was the voice she had buried beneath decades of numbing addictions and social conditioning. Glennon decided to let go of the world’s expectations of her and reclaim her true untamed self.

Soulful and uproarious, forceful and tender, Untamed is both an intimate memoir and a galvanising wake-up call. It is the story of how one woman learned that a responsible mother is not one who slowly dies for her children, but one who shows them how to fully live. It is also the story of how each of us can begin to trust ourselves enough to set boundaries, make peace with our bodies, honour our anger and heartbreak, and unleash our truest, wildest instincts.

Untamed shows us how to be brave. And, as Glennon insists, 'The braver we are, the luckier we get.'

This stunning new hardcover book celebrates the journey of Rupi Kaur and milk and honey.

• 40 new original poems and 20 new illustrations
• Full-color, never-before-seen photos and memorabilia
• Illuminating introduction and handwritten diary entries by Rupi
• Heartfelt annotations from Rupi and some of today’s most respected voices 

Jewish Women who rock. Stories that inspire. Illustrations that pop.

If you loved the bestselling Goodnight stories for Rebel Girls series, you will love Goodnight Golda!

Here are 32 Jewish women who have shaped Jewish history and the Jewish mindset. Some use their wits, other their looks, some their talent, others their perspective. They are the trailblazers, achievers, visionaries and preservers of faith that have shaped our reality, and on whose shoulders we, as young (and not so young) 21st Century Jewish (and other) women, stand.

The women featured range from biblical (Yael and Ester) and history-makers (Anne Frank and Hannah Senesh) to contemporary voices (like Sivan Yaári and Donna Karan) and visionary/activists (like Ruth Bader Ginsburg and Sarah Schenirer), and hail from across the world - from Portugal to USA, UK to Poland, Israel to South Africa, Ethiopia to Canada.

Each heroine has a short biography and entertaining story on how they changed their world and ours. Each heroine has her own gorgeous illustration – contemporary, vivid and fun. This is a book for the future heroines of the Jewish people, and beyond.

The popular Pharos Bilingual School Dictionary (2020, 9th impression) boasts a brand-new orange cover!

This dictionary contains almost 11 000 Afrikaans and English headwords with translations and full sentences. It is suitable for learners in grades 7–12 whose home language is Afrikaans or English, as well as for additional language. For this reason, headwords, phrases and expressions have been included that learners will encounter most in their school work and in everyday life.

The dictionary is easy to use, and will help learners build their vocabulary and improve grammar. Headwords are printed in bold, blue type and display word breaks and primary stress. Inflections, such as plural and past tense forms, degrees of comparison, as well as context guidance appear in full. One or more practical translations are provided for each headword and full sentences in Afrikaans and English illustrate the use of each sense of a headword.

Other user-friendly features:

• Labels are given in brackets to help with context, for example, subject-specific words, figurative use of words, and other additional grammar guidance, such as “usually in the plural”.
• Common phrases and expressions.
• Abbreviations are included in the alphabetical position.
• Word families: derivatives of root forms, together with the new part of speech (abbreviated).
• Clear cross-references from one headword to another
• Handy information boxes with additional information about grammar, spelling and usage.

In a telegram dated 29 April 1963, thirty-year-old Afrikaans poet Ingrid Jonker thanks André Brink, a young novelist of twenty-eight, for flowers and a letter he sent her. In the more than two hundred letters that followed this telegram, one of South African literature’s most famous love affairs unfolds. Jonker’s final letter to Brink is dated 18 April 1965. She drowned herself in the ocean at Three Anchor Bay three months later.

More than fifty years on, this poignant, often stormy relationship still grips readers’ imaginations.

In December 2014, three months before his death on 6 February 2015, André Brink offered these never-before-seen letters, as well as personal photographs, for publication.

Part literary history, part feminist historiography And Wrote My Story Anyway critically examines influential novels in English by eminent black female writers.

Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction critically interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society.

This is an erudite analysis of ten well-known South African writers, spanning the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoe Wicomb, Rayda Jacobs, Yvette Christianse, Kagiso Lesego Molope and Zukiswa Wanner. Boswell argues that black women's fiction could and should be read as a subversive site of knowledge production in a setting, which, for centuries, denied black women's voices and intellects.

Reading their fiction as theory, for the first time these writers' works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.

A modern gangster cashes in on the London Olympics; while business, politics and police corruption undermine the operation to stop him.

When billions poured into the neglected east London borough hosting the 2012 Olympics, a turf war broke out between crime families for control of a now valuable strip of land. Using violence, guile and corruption, one gangster, the Long Fella, emerged as a true untouchable. A team of local detectives made it their business to take him on until Scotland Yard threw them under the bus and the business of putting on "the greatest show on earth" won the day.

Award-winning journalist Michael Gillard took up where they left off to expose the tangled web of chief executives, big banks, politicians and dirty money where innocent lives are destroyed and the guilty flourish. Gillard's efforts culminated in a landmark court case, which finally put the Long Fella and his friends on trial exposing London's real Olympic legacy.

Investigative journalist Jacques Pauw exposes the darkest secret at the heart of Jacob Zuma’s compromised government: a cancerous cabal that eliminates the president’s enemies and purges the law-enforcement agencies of good men and women.

As Zuma fights for his political life following the 2017 Gupta emails leak, this cabal – the president’s keepers – ensures that after years of ruinous rule, he remains in power and out of prison. But is Zuma the puppet master, or their puppet? Journey with Pauw as he explores the shadow mafia state. From KwaZulu-Natal and the Western Cape to the corridors of power in Pretoria and Johannesburg – and even to clandestine meetings in Russia. It’s a trail of lies and spies, cronies, cash and kingmakers as Pauw prises open the web of deceit that surrounds the fourth president of the democratic era.

‘An amazing piece of work, stuffed with anecdote and evidence. It will light fires all through the state and the ANC.’ - Peter Bruce

‘This is dynamite. Dynamite that will shake the foundations of the halls of power.’ - Max du Preez