With three bestselling books published, Khaya Dlanga is one of South Africa’s favourite authors. His ability to write candidly and authentically about himself and his world has resonated with readers from all walks of life.

In March 2020 Khaya found himself bereaved, alone and facing an indefinite lockdown as a result of COVID-19. Like most of us, he turned to social media to maintain some human connection and his followers came through and kept him going. It’s The Answers For Me is the result of Khaya’s ongoing Q&A interactions with his followers on Instagram. It’s evidence of the genuine communities that are formed on social media: intensely human, at times strange and shocking, sometimes touching and often really funny. And it’s a record of a nation going through the most bizarre (and longest) year in recent history.

Khaya’s enviable gift for storytelling makes people want to hear his stories and also to trust him with theirs. From the secrets our parents think they keep from us to the real reasons we stay in relationships, and venturing into many other everyday issues and situations, It’s the answers for me captures our collective mgowo.

Werk soos ’n miljardêr vertel die verhaal van Dan, ’n werknemer, wat bloot van salaristjek tot salaristjek leef. Hy streef daarna om sy eie besigheid te begin maar hy staar verskeie uitdagings in die gesig.

Een van dié uitdagings is hoe om, sonder enige geld, ’n besigheid te begin. Maar alles verander op ’n dag toe hy voor ’n groot besluit te staan kom.

Die boek is propvol waardevolle wenke oor hoe om rykdom te skep, jouself beter te leer ken en hoe om volhoubare besigheidsisteme te bou.

Die Singende Hand: Versamelde Gedigte 1984 – 2014 is Breyten Breytenbach se derde versamelbundel.

Dit vorm ’n drieluik met die vorige twee bande, Ysterkoei-Blues en Die Ongedanste Dans.

Ivor Swartz kom van die Gaatjie in Grabouw, 'n hooplose plek. 

Sy pa is vroeg dood en sy ma maak hom en sy sibbe alleen groot. Hulle oudste broer terroriseer die gesin en een aand skiet Ivor en sy vriend sy broer en hy sterf later in die hospitaal. 

Ivor gaan tronk toe en met sy uitkoms begin sy lewe van voor af. Vandag is hy 'n jeugpastoor met 'n passie vir Here wat sy storie gebruik om ander te inspireer. 

'n Storie van die verlore seun wat huis toe kom. 

Basil du Toit draws on his childhood years in Botswana (the Bechuanaland Protectorate, as it was in those days) to examine questions of language identity and entitlement. He recalls confiding the secret of a magic trick to an itinerant Tswana man who in exchange taught him how to say a few words of the / Xam language; this proximity of language to the magical fashioning of reality still haunts him and has led to poems questioning our sense of belonging to social structures, sexual groupings and even to humanity itself.

Paradoxically, a diverse ethnic background (with Dutch, French, German and Scottish forebears) works against Du Toit’s sense of being welcomed into any single national group. Two directions of trans-national entitlement remain open – movement into an inner landscape of spiritual and artistic values, and an allegiance to the planet as an ecologically neutral, valued and threatened space of dwelling. Both of these manifestations of “home” feature prominently in Du Toit’s work. A visionary linguistics binds these worlds together – foregrounding of the inner life as a source of values and home encourages a Kantian vision of a natural world created by the necessary structures of human consciousness, language being the force and locus of this creation.

Du Toit’s longed-for release from paid employment in 2011 allowed him to spend his mornings in Edinburgh University’s Main Library; there, over the next ten years, basing himself on the Third Floor of the library (where the University’s literature collections are housed), he composed a large body of poems, mainly free-verse sonnets, from which the poems of “Studies in Khoisan Verbs” are drawn.

In 1973 the trade union movement was both racially and regionally divided. It virtually excluded African workers, and in many cases unions were led by cautious and paternalistic leaders, long schooled in avoiding confrontation with either the state or employers. Then widespread strikes erupted in Durban where hundreds of thousands of workers downed tools in support of wage demands. It was a militant explosion unprecedented since the apartheid government had crushed and outlawed mass demonstrations against segregation and 'whites-only' rule. And it provided the impetus for the next decade and a half of trade union organisation, which succeeded in uniting workers on a largely non-racial basis, dominated by the slogan 'one industry one union'.

Maverick Insider is an anecdotal, insider's account of the transformation during this period in the textile, clothing and leather worker sectors. It focuses on the outlooks of leadership groups in different parts of that industry and their efforts to influence the nature of the amalgamation of six unions to form the Southern African Clothing and Textile Workers' Union (SACTWU), one of the three largest unions of the Congress of South African Trade Unions (COSATU). It traces the interaction between union leadership and both political parties and community organisations dedicated to making the country ungovernable, as well as those who were determined to stamp out such calls. It details struggles to unite workers across political divides in the same union organisation and to assert an independent working-class point of view in a period of growing African nationalism. It details the traumatic events on the road to the so-called peaceful miracle that created a rainbow nation but left 22 000 South Africans dead in the process.

And it is the story of a team of people who set out to change the world and formed an unshakeable bond in the process.

Hoe leer jy skryf?

Loer oor die skouers van ambagsmense. Dis die maklikste en lekkerste manier.

Hier’s ’n boek in Afrikaans om jou daarmee te help.

Includes a new introduction from Sophie Hannah, bestselling author of THE MONOGRAM MURDERS.

Agatha Christie was not only the biggest selling writer of detective stories the world has ever known, she was also a mystery in herself, giving only the rarest interviews, declining absolutely to become any sort of public figure, and a mystery too in the manner in which she achieved her astonishing success.

H R F Keating, a crime novelist and respected reviewer of crime fiction, brought together a dozen distinguished writers from both sides of the Atlantic to throw light on this double mystery. Some analyse the art itself; some explain the reasons for her success, not just the books, but also in film and theatre. The approaches are penetrating, affectionate, enthusiastic, analytical, funny - even critical.

Together, they give an almost unique insight into the life and work of the First Lady of Crime.

The long-awaited memoir by the superstar of stage, screen, recordings, and television.

Barbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment. She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognizable voices in popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture.

In My Name Is Barbra, she tells her own story about her life and extraordinary career, from growing up in Brooklyn to her first star-making appearances in New York nightclubs to her breakout performance in Funny Girl (musical and film) to the long string of successes in every medium in the years that followed. The book is, like Barbra herself, frank, funny, opinionated, and charming. She recounts her early struggles to become an actress, eventually turning to singing to earn a living; the recording of some of her acclaimed albums; the years of effort involved in making Yentl; her direction of The Prince of Tides; her friendships with figures ranging from Marlon Brando to Madeleine Albright; her political advocacy; and the fulfillment she's found in her marriage to James Brolin.

No entertainer's memoir has been more anticipated than Barbra Streisand's, and this engrossing and delightful book will be eagerly welcomed by her millions of fans.

1-Recce was the sharpest, most versatile and deadliest specialist unit in the entire South African army. These men were super fit, unbelievably tough and stopped at nothing. Time and again they put their lives at risk in the execution of highly secret operations behind enemy lines.

For decades these missions have been kept secret. Now, for the first time, the Recces' most famous generals (including the legendary colonel Jan Breytenbach) reveal their involvement in many highly sensitive political operations.

Explosive revelations are made of a collapsed mission to blow up key ANC figures in the final years of the apartheid era. They tell of 1-Recce's involvement in the controversial Border War and reveal the existence of a top secret squadron in the then Rhodesian army.

After years of myths and secrecy, this book gives a new perspective on the Recces and the way they operated invisibly behind the scenes.

Two weeks after September 11th, award-winning journalist Asne Seierstad went to Afghanistan to report on the conflict. In the following spring she returned to live with a bookseller and his family for several months. The Bookseller of Kabul is the fascinating account of her time spent living with the family of thirteen in their four-roomed home. Bookseller Sultan Khan defied the authorities for twenty years to supply books to the people of Kabul. He was arrested, interrogated and imprisoned by the communists and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock in attics all over Kabul. But while Khan is passionate in his love of books and hatred of censorship, he is also a committed Muslim with strict views on family life. As an outsider, Seierstad is able to move between the private world of the women - including Khan's two wives - and the more public lives of the men. The result is an intimate and fascinating portrait of a family which also offers a unique perspective on a troubled country.

Harry Oppenheimer, the international gold-and-diamond magnate, presided over the corporate dynasty of Anglo American and De Beers for more than 25 years. Yet, two decades after his death, the Oppenheimer empire is no more. As the political opposition’s key financial backer, the founder (along with Anton Rupert) of the Urban Foundation after the Soweto uprising in 1976, and a ubiquitous philanthropist, Oppenheimer helped propel the process of reform.

Nevertheless, in some quarters he is demonised as the archetype of ‘white monopoly capital’ and scapegoated, along with Nelson Mandela, for the country’s disappointing democratic dividends. In the first, full-scale biography of Oppenheimer, based on unrestricted access to his subject’s private papers and extensive interviews with family members and close associates, Michael Cardo eschews both the corporate hype and the political propaganda to produce a vivid, fully-rounded portrait.

He brings to life the places, people, events and relationships that shaped Harry Oppenheimer’s long and rich career at the intersection of business and politics. Cardo also tackles thorny questions of legacy and Oppenheimer’s complicity with the oppressive racial order of the past.

THESE POEMS AND NOTEBOOKS ARE THE LAST WORD FROM THE LATE, GREAT LEONARD COHEN.

The Flame is a stunning collection of Leonard Cohen's last poems and writings, selected and ordered by Cohen in the final months of his life. The book contains an extensive selection from Cohen's notebooks, featuring lyrics, prose pieces and illustrations, which he kept in poetic form throughout his life, and offers an unprecedentedly intimate look inside the life and mind of a singular artist and thinker. An enormously powerful final chapter in Cohen's storied literary career, The Flame showcases the full range of Leonard Cohen's lyricism, from the exquisitely transcendent to the darkly funny.

By turns devastatingly sad and winningly strange, these are the works of a poet and lyricist who has plumbed the depths of our darkest questions and come up wanting, yearning for more.

The explosive new book from longtime royal journalist Omid Scobie and author of the international blockbuster Finding Freedom, Endgame a penetrating investigation into the current state of the British monarchy.

An unpopular king, a power-hungry heir to the throne, a queen willing to go to great lengths to preserve her image, and a prince forced to start a new life after being betrayed by his own family.

Queen Elizabeth II’s death ruptured the already-fractured foundations of the House of Windsor – and dismantled the protective shield around it. With an institution long plagued by incidents involving antiquated ideas around race, class and money, the monarchy and those who prop it up are now exposed and at odds with a rapidly modernizing world.

Relying on his vast experience as a royal reporter and over a decade of conversations and interviews with current and former Palace staff, trusted friends of the royals and even the family members themselves, Scobie pulls back the curtain on an institution in turmoil to show what the monarchy must change in order to survive.

This is the monarchy’s endgame. Do they have what it takes to save it?

’n Blik op die binnekring van die Krugersdorp-kultus

“Daar was bloedspatsels oor die koffietafel, die banke en die banke se kussings. Peter en Joan was oortrek van steekwonde in hul rûe, nekke en agterkoppe. Nicholas het sy pa en ma gesigte na onder in ’n bloedbad op die mat in die sitkamer gekry. Hulle het hul hek en huis vir hul moordenaars oopgemaak, want hulle het ’n afspraak met hulle gehad.”

Elf wrede moorde oor ’n tydperk van vier jaar ruk die gemeenskap van Krugersdorp en haal landwyd nuusopskrifte. Eindelik word al hierdie moorde verbind met Cecilia Steyn en haar kultusgroep, Electus per Deus (uitverkies deur God). Lede van die groep aanbid die grond waarop Cecilia loop en sal selfs vir haar moord pleeg.

Die moordenaars is slim, gewone mense – ’n onderwyseres, ’n finansiële makelaar, ’n kind wat tussen die moorde deur steeds ses onderskeidings in matriek behaal en boonop keuring kry om medies te gaan studeer. Hul slagoffers het bloot ’n sake- afspraak nagekom, min wetend dat dít ’n afspraak met die dood was.

Wie is Cecilia Steyn? Hoe kan een mens vyf ander manipuleer om moord te pleeg en namens haar in die hof te lieg? Watter rol het Satanisme gespeel? Hoe ontduik onervare misdadigers die polisie vir so lank?

Jana Marx beantwoord dié en ander vrae in ’n waremisdaad-verhaal wat gelei het tot een van die opspraakwekkendste moordsake in die land se geskiedenis.

Met behulp van onderhoude uit diegene in die binnekring, hofgetuienis en polisiedossiere oor ’n tydperk van vier jaar poog Marx om die publiek se vrae te antwoord en ’n blik te gee op die binnewerkinge van só ’n kultus.

Lew Geffen is destined to have an eventful life. Driven by a maverick spirit, he embarks on a wild ride of success, securing the local Sotheby’s International Realty license to become a major player in the property market.

Along the way he's fired by his mother, sells Mandela's house and navigates the fallout of a murder at his company's annual convention. Lew's extraordinary life is told with candour, warmth and laced by his wicked sense of humour.

Geffinitely a business memoir like no other.

I Write What I Like features the writing of the famous activist and Black Consciousness leader, Steve Biko. Before his untimely death in detention at age 30, he was instrumental in uniting Black Africans in the struggle against the apartheid government in South Africa.

This 40th anniversary edition includes a foreword by Njabulo S. Ndebele, personal reflections on Steve Biko and Black Consciousness, as well as Biko’s first known published piece of writing. In addition, it features all the material of the original Picador Africa edition: a collection of Biko’s columns entitled I Write What I Like published in the journal of the South Africa Student Organisation under the pseudonym of ‘Frank Talk’; other journal articles, interviews and letters written by Steve Biko at the time; an Introduction by Nkosinathi Biko; a preface by Archbishop Desmond Tutu; and a moving memoir by Father Aelred Stubbs, which pays tribute to the courage and power of this young leader, who was to become one of Africa’s heroes.

Navigating motherhood from the age of 18, Kim Stephens shelved her inner journo and embraced a life of media sales and sports marketing, working with some of the biggest sports brands globally, and locally, whilst pursuing her own ultra-running ambitions.

Arguing vehemently against the possibility that she was running from her own truth, Covid-19 wiped out Kim’s possibilities for continued escape. After three children, two divorces and a gradual sexual awakening, Kim found herself at 40-something virtually unemployed, with all the time in the world to write, sip gin and study a general response to one of the world’s most draconian lockdowns. Her humorous observations of middle-class South African behaviour through the various levels of lockdown earned her a certain notoriety and a degree of viral success, and with that the courage to put it all into a book.

Hold the Line tells the story of teenage pregnancy, the situational blindness of white South Africa, the disappointment of divorce and the deep joy found through true awakening. Stitched together with the lockdown writing that Kim penned for a growing base of followers, she shares a more in-depth life story with her usual candid self-deprecation.

Written to rattle a few truths from within its readers, Hold the Line ends ironically as the world begins to follow a potential third World War via TikTok.

Holding My Breath is a candid, heart-breaking and very funny memoir of life in one of Johannesburg’s busiest emergency rooms. Biccard’s warmth and humanity shine through the often harrowing tale, creating an unputdownable, uplifting and inspiring book.

The first customer today reports that, the previous night, his right nipple had moved away from its usual location. He noticed its absence when he looked in the mirror and later found it in his armpit.

‘Wow,’ I say with a slight frown. I have never heard of a migrating nipple before. ‘Let’s have a look.’ I slide the door shut and motion to him to pull his T-shirt off.

‘Oh, it has moved back now,’ he says.

The perfect match. Or so she thinks. Her warmth and empathy. His charisma and ambition. Yet, Cathy feels safer teaching battle-scarred gangsters in a prison classroom than at home with her own partner.

By day she walks on eggshells. At night she sleeps on the backseat of her car. Her safe place is an all-night roadhouse; her best friend, her journal. The slow boil intensifies until, one day, Cathy finds her grandmother’s armoire smashed to pieces in her bedroom, a hammer on the floor, her life in splinters beside it.

Part memoir, part inspiration, Boiling A Frog Slowly is unflinching in its confrontation of abuse and utterly courageous in its portrayal of redemption.

When Robert and Michael, a pair of starry-eyed twins see a Boeing 707 at an airport in the mid-1960s, it’s love at first sight.

But who's going to one day pay for their dream to work in aviation? This is apartheid South Africa. Coloured boys can't eat alongside white people, let alone jet off to Paris and study aeronautical engineering!

But in high school they discover an unlikely aptitude for French. Armed with scholarships, they head off to Paris and their once ordinary lives are changed forever.

Mteto Nyati knew as a schoolboy in Mthatha, working at his mother’s store, that he wanted to fix and build things. After completing his studies at Natal University, he turned down a Rhodes scholarship and headed for Jo'burg to take up a position at Afrox. He was the only black engineer and the advice he received was ‘don’t mess up’. 

He didn’t and today is one of South Africa’s top CEOs. This is his inspirational story. 

From a carcass competition in the Karoo to a shambolic murder trial in Cape Town, William Dicey’s essays freewheel across an open terrain of interests. Dicey is curious and inventive, weaving strands of essay, journalism, fiction and self-reportage into something uniquely his own. Mongrel investigates a range of topics – radical environmentalism, the fault lines between farmer and farm worker, the joys and sorrows of reading – yet drifts of concern and sensibility draw the collection together. Several essays touch on how books can move, and sometimes maul, their readers. Mongrel is idiosyncratic, witty, potent.

On the face of it, life looks good for Sara-Jayne. She’s a popular radio personality, a bestselling author and she’s recently been reunited with her long-lost father, nearly 40 years after she was given up for adoption as a baby. Best of all, she’s just found out she’s about to become a mother, with Enver, the ‘love of her life’.

She's convinced that she’s finally heading towards her "happily ever after". But six weeks after discovering she’s pregnant, Enver relapses on heroin and disappears, leaving Sara-Jayne devastated. She checks into The Clinic, where despite the little life growing inside her, she realises she’s never felt more alone.

In her much-anticipated follow up to the bestseller Killing Karoline, Sara-Jayne is now forced, for the sake of her unborn child, to find a way to save herself. But first she has to unravel why everyone always leaves her. Why like that song she's always looking for love in all the wrong places? And why she is so obsessed with mad, bad love?