A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.

The untold love story that inspired Shakespeare's greatest masterpiece.

On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?

Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.

Neither parent knows that Hamnet will not survive the week.

Hamnet tells the powerful story of Agnes and Will, and of the son whose life has been all but forgotten, but who inspired one of the greatest plays ever written.

Polarity sensitivity is a ubiquitous phenomenon involving expressions such as anybody, nobody, ever, never, somebody and their counterparts in other languages. These expressions belong to different classes such as negative and positive polarity, negative concord, and negative indefinites. In this book, Ahmad Alqassas proposes a unified approach to the study of this phenomenon that relies on examining the interaction between the various types of polarity sensitivity, with a particular focus on Arabic. Alqassas shows that treating this interaction is fundamental for scrutinizing their licensing conditions. Alqassas draws on data from Standard Arabic and the major regional dialects represented by Jordanian, Egyptian, Moroccan, and Qatari. Through the (micro)comparative approach, Alqassas explains the distributional contrasts with a minimal set of universal syntactic operations such as Merge, Move, and Agree. He also considers a fine-grained inventory of negative formal features for polarity items and their licensors. These simple features paint a complex landscape of polarity and lead to important conclusions about syntactic computation. By engaging with the rich but under-studied landscape of Arabic polarity sensitivity, this book provides a new perspective on the syntax-semantic interface and develops a unified syntactic analysis for polarity sensitivity. These contributions have important implications for the study of Arabic and for syntactic theory more generally.

As a child I would often lie awake at night, praying that through some miracle I would be woken up by people who had come to take me back to my rightful family, and that those I had come to know as my parents would tell me the truth: that I was, in fact, adopted and had been born a girl and they had had a doctor operate on me.’

Growing up as Kgositsile, meaning ‘king’,  Tshiamo Modisane  always knew that she was a girl despite her assigned birth gender. This talented child of a pastor from KwaThema and Daveyton townships near Johannesburg was expected to conform to conservative black culture’s expectations for a male, and would endure censure and even abuse from family, friends, peers and strangers into adulthood. Yet Tshiamo began making courageous choices at the age of five, a journey of both self-doubt and self-belief that culminated in gender-affirmation surgery in her thirties. With sass, faith and baked-in confidence from her family ties to the entertainment world, she successfully transitioned from male to female while navigating a career as an actress, celebrity stylist and Lux’s first gender-non-conforming brand ambassador.

As admirable as it is affirming, this poignant memoir examines past hurts and present truths, and opens up a sorely needed discussion about unconditional acceptance.

Die verstommende storie van ’n sakelegende wat een van Afrika se welvarendste maatskappye uit niks opgebou het.

Anton Rupert was 'n Karooseun wat in die Depressie grootgeword het, en dit skaars kon bekostig om te gaan studeer, maar sy Rembrandt groep word uiteindelik ʼn wêreldleier in o.m. luukse goedere. Wat was Rupert se geheim? Rupert se oorspronklike sienings oor die skepping van werk en welvaart in ‘n sukkelende ekonomie is sy blywende nalatenskap met diepgaande lesse vir Suid-Afrika vandag. Sy storie is meer relevant as ooit.

Hier vertel die gesoute sakeskrywer Ebbe Dommisse die volle verhaal, vol kleur en anakdotes, in dié opgedateerde uitgawe van sy hoogaangeskrewe biografie van Rupert.

One of the fundamental properties of human language is movement, where a constituent moves from one position in a sentence to another position. Syntactic theory has long been concerned with properties of movement, including locality restrictions. Smuggling in Syntax investigates how different movement operations interact with one another, focusing on the special case of smuggling. First introduced by volume editor Chris Collins in 2005, the term 'smuggling' refers to a specific type of movement interaction. The contributions in this volume each describe different areas where smuggling derivations play a role, including passives, causatives, adverb placement, the dative alternation, the placement of measure phrases, wh-in-situ, and word order in ergative languages. The volume also addresses issues like the freezing constraint on movement and the acquisition of smuggling derivations by children. In this work, Adriana Belletti and Chris Collins bring together leading syntacticians to present a range of contributions on different aspects of smuggling. Tackling fundamental theoretical questions with empirical consequences, this volume explores one of the least understood types of movement and points the way toward new research.

'It is through that choice of taking a resistance road, the one less travelled, that I got to experience a liberated life.'

Patric Tariq Mellet took his first steps on this road at the tender age of 8 and by 13, he engaged in his first consequential and difficult political act. He organised a fast in his high school to protest the killing of anti-apartheid cleric, Imam Abdullah Haron in detention. The match had been lit. Arbitrarily classified as 'white' despite his heritage and family, he was ordered to join the armed forces. He refused as he could not take up arms against his own people. Instead he heeded the call of OR Tambo and joined resistance as an MK in exile.

Mellet's autobiography demonstrates a spirit of innate and unbridled resistance, in small and major ways, that liberated Cleaner's Boy from an unpromising and tragic early life to a life of influence driven by a deep understanding of identity. A freedom fighter, a mystic and always a firebrand.

From urgently scribbling out his debut Killing Floor in pencil (the stub of which he still owns), to taking a step back with Blue Moon, and everything in between, here are 24 honest, witty and wise personal reflections on his life and work, crafted across decades.

Whether it is through Lee’s moving account of meeting a fan years after her mother brought her to a book signing; facing his first computer and the coming of the internet; writing about New York just before – and just after – 9/11, to later seeing his novels adapted for the big screen, each riveting piece deftly evokes where he was psychologically and physically when he wrote each novel.

Lee has clearly felt unwavering gratitude for his readers since 1997. And these stories were originally designed for fans of Reacher who may be interested in a ‘behind-the-scenes’ – or, in Lee’s words: ‘why the books turned out the way they did’.

But this collection is also so much more. It is the story of a man who once put pencil to paper in an attempt to turn his luck around . . . and who made every word count.

Murasaki Shikibu's The Tale of Genji is variously read as a work of feminist protest, the world's first psychological novel and even as a post-modern masterpiece. Commonly seen as Japan's greatest literary work, its literary, cultural, and historical significance has been thoroughly acknowledged. As a work focused on the complexities of Japanese court life in the Heian period, however, the The Tale of Genji has never before been the subject of philosophical investigation. The essays in this volume address this oversight, arguing that the work contains much that lends itself to philosophical analysis. The authors of this volume demonstrate that The Tale of Genji confronts universal themes such as the nature and exercise of political power, freedom, individual autonomy and agency, renunciation, gender, and self-expression; it raises deep concerns about aesthetics and the role of art, causality, the relation of man to nature, memory, and death itself. Although Murasaki Shikibu may not express these themes in the text as explicitly philosophical problems, the complex psychological tensions she describes and her observations about human conduct reveal an underlying framework of philosophical assumptions about the world of the novel that have implications for how we understand these concerns beyond the world of Genji. Each essay in this collection reveals a part of this framework, situating individual themes within larger philosophical and historical contexts. In doing so, the essays both challenge prevailing views of the novel and each other, offering a range of philosophical interpretations of the text and emphasizing the The Tale of Genji's place as a masterful work of literature with broad philosophical significance.

How the three independent asset managers Coronation, Allan Gray and Investec (later Ninety One) , dubbed the CIA, came to dominate and continue to dominate the South African asset management industry, particularly the pension fund market.

There are plenty of colourful big ego personalities such as Hendrik du Toit at Ninety One, Leon Campher at Coronation and the late Allan Gray plus kingmakers reshaping thr industry such as Patrice Motsepe.

Everyone knows Frank Herbert's Dune. This science fiction epic combines politics human evolution and ecology and has captured the imagination of generations of readers. It is one of the most popular science fiction novels ever written, has won awards, sold millions of copies around the world and spawned multiple motion-picture adaptations.

Brian Herbert, Frank Herbert's eldest son, tells the provocative story of his father's extraordinary life in this honest and loving chronicle. He has also brought to light all the events in Herbert's life that would find their way into speculative fiction's greatest epic. From his early years in Tacoma, Washington, through his time at university and in the Navy, to the difficult years of poverty while struggling to become a published writer, Herbert worked long and hard before finding success after the publication of Dune in 1965.

Brian Herbert writes about these years with a truthful intensity that brings every facet of his father's brilliant, and sometimes troubled, genius to full light. Insightful and provocative, containing family photos never published anywhere, this absorbing biography offers Brian Herbert's unique personal perspective on one of the most enigmatic and creative talents of our time.

A recent wave of research has explored the link between wh- syntax and prosody, breaking with the traditional generative conception of a unidirectional syntax-phonology relationship. In this book, Jason Kandybowicz develops Anti-contiguity Theory as a compelling alternative to Richards' Contiguity Theory to explain the interaction between the distribution of interrogative expressions and the prosodic system of a language. Through original and highly detailed fieldwork on several under-studied West African languages (Krachi, Bono, Wasa, Asante Twi, and Nupe), Kandybowicz presents empirically and theoretically rich analyses bearing directly on a number of important theories of the syntax-prosody interface. His observations and analyses stem from original fieldwork on all five languages and represent some of the first prosodic descriptions of the languages. The book also considers data from thirteen additional typologically diverse languages to demonstrate the theory's reach and extendibility. Against the backdrop of data from eighteen languages, Anti-contiguity offers a new lens on the empirical and theoretical study of wh- prosody.