The Buddhist monk Tanxu surmounted extraordinary obstacles--poverty, wars, famine, and foreign occupation--to become one of the most prominent monks in China, founding numerous temples and schools, and attracting crowds of students and disciples wherever he went. Now, in Heart of Buddha, Heart of China, James Carter draws on untapped archival materials to provide a book that is part travelogue, part history, and part biography of this remarkable man.
This revealing biography shows a Chinese man, neither an intellectual nor a peasant, trying to reconcile his desire for a bold and activist Chinese nationalism with his own belief in China's cultural and social traditions, especially Buddhism. As it follows Tanxu's extraordinary life, the book also illuminates the pivotal events in China's modern history, showing how one individual experienced the fall of China's last empire, its descent into occupation and civil war, and its eventual birth as modern nation. Indeed, Tanxu lived in a time of almost constant warfare--from the Sino-Japanese War of 1895, to the Boxer Uprising, the Russo-Japanese War, the Japanese occupation, and World War II. He and his followers were robbed by river pirates, and waylaid by bandits on the road. Caught in the struggle between nationalist and communist forces, Tanxu finally sought refuge in the British colony of Hong Kong. At the time of his death, at the age of 89, he was revered as "Master Tanxu," one of Hong Kong's leading religious figures.
Capturing all this in a magnificent portrait, Carter gives first-person immediacy to one of the most turbulent periods in Chinese history.

In languages with aspect-based split ergativity, one portion of the grammar follows an ergative pattern, while another shows a "split." In this book, Jessica Coon argues that aspectual split ergativity does not mark a split in how case is assigned, but rather, a split in sentence structure. Specifically, the contexts in which we find the appearance of a nonergative pattern in an otherwise ergative language involve added structure - a disassociation between the syntactic predicate and the stem carrying the lexical verb stem. This proposal builds on the proposal of Basque split ergativity in Laka 2006, and extends it to other languages. The book begins with an analysis of split person marking patterns in Chol, a Mayan language of southern Mexico. Here appearance of split ergativity follows naturally from the fact that the progressive and the imperfective morphemes are verbs, while the perfective morpheme is not. The fact that the nonperfective morphemes are verbs, combined with independent properties of Chol grammar, results in the appearance of a split. In aspectual splits, ergativity is always retained in the perfective aspect. This book further surveys aspectual splits in a variety of unrelated languages and offers an explanation for this universal directionality of split ergativity. Following Laka's (2006) proposal for Basque, Coon proposes that the cross-linguistic tendency for imperfective aspects to pattern with locative constructions is responsible for the biclausality which causes the appearance of a nonergative pattern. Building on Demirdache and Uribe-Etxebarria's (2000) prepositional account of spatiotemporal relations, Coon proposes that the perfective is never periphrastic - and thus never involves a split - because there is no preposition in natural language that correctly captures the relation of the assertion time to the event time denoted by the perfective aspect.

This edited volume provides new insights into the architecture of Chinese grammar from a comparative perspective, using principles of cartography. Cartography is a research program within syntactic theory that is guided by the view that syntactic structures contain grammatical and functional information that is ideal for semantic interpretation - by studying the syntactic structures of a particular language, syntacticians can better understand the semantic issues at play in that language. The chapters in this book map out the "topography" of a variety of constructions in Chinese, specifically information structure, wh-question formation, and peripheral functional elements. The syntactic structure of Chinese makes it an ideal language for this line of research, because functional elements are often spread throughout sentences rather than clumped together as is usually dictated by language-specific morphology. Mapping Chinese syntactic structures therefore offers a window into the origin of heavily "scrambled" constructions often observed in other languages. The book includes a preface that will discusses the goal of cartography and explains how the collection contributes towards our understanding of this approach to syntax. The subsequent seven original articles all contain original syntactic data that is invaluable for future research in cartography, and the collection as a whole paints a broader picture of how the alignment between syntax and semantics works in a principled way.

An introductory guide to "King Lear" in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of film and TV adaptations, a sampling of critical opinion and annotated further reading.

In fifteen essays-one new, two newly revised and expanded, three with new postscripts-Kendall L. Walton wrestles with philosophical issues concerning music, metaphor, empathy, existence, fiction, and expressiveness in the arts. These subjects are intertwined in striking and surprising ways. By exploring connections among them, appealing sometimes to notions of imagining oneself in shoes different from one's own, Walton creates a wide-ranging mosaic of innovative insights.

This volume offers a representative selection of Sally McConnell-Ginet's publications on language, gender and sexuality, which circle around the following themes: language users are actively engaged in making meanings, both as speakers and listeners; languages and socio-political institutions constrain, but do not determine, communicative possibilities; attention to language deepens understanding of gender and sexuality, including connections to ethnicity, class, race, and other dimensions of social identity and inequality.

We Two from Heaven is a singular memoir, a four-part fugue on the tricks and traps of memory, a shuffling of the cards of time. Episodes from the early life of writer James Whyle are interwoven with the letters of his father from the Western Front during the First World War. Their formative experiences – war, conscription, injury, desertion – flash by, juxtaposed, as if in counterpoint.

How do we know who we are? Upending the reader’s expectations of a memoir, Whyle then explores the violence and madness of apartheid society as the narrator passes through boarding school and university and takes his first steps to become a writer. Raw and rhythmic, lyrical and caustic, this is an unsparing, formally inventive dissection of human vanities and illusions.

At the end of history, on the shores of a blue bay, the voices of the past can be heard as we await the arrival of the barbarians – or the baboons, whoever comes first.

This is the first full biography from childhood of the eminent British Architect Sir Herbert Baker. Written with the full cooperation of his family and with access to his archive and private papers, it gives an account of his remarkable life as the leading architect to the British Empire. From London, through the commemoration of the empire's war dead in France, via South Africa and Australia to India, he celebrated the might of an empire that once ruled a quarter of the world. He was an intimate friend of many of most fascinating men of his age, including Cecil Rhodes, Lawrence of Arabia, John Buchan, Jan Smuts and, of course, his fellow architect Sir Edwin Lutyens. After a Victorian architectural apprenticeship in London and on to becoming the most prolific architect of his age in South Africa, he built the new imperial capital of New Delhi in India with Lutyens, before returning to London. These built or rebuilt such landmark buildings as the Bank of England, South Africa House, India House, Rhodes House, and the stands for Lords Cricket Ground, as well as numerous churches and private houses.

Prof. Fransjohan Pretorius se rubrieke oor die geskiedenis van Suid-Afrika van voor Jan van Riebeeck se landing tot die jongste tye wat in die dagblad Beeld verskyn het.

Maak kennis met die helde en hendsoppers, die skurke en sterre van die land se verlede in kort en boeiende rubrieke wat die leser se geheue sal verfris oor al die grootste momente in ons geskiedenis asook 'n paar minder bekende maar ewe interessante gebeure.

Ernest Lepore and Kirk Ludwig examine the foundations and applications of Davidson's influential program of truth-theoretic semantics for natural languages. The program uses an axiomatic truth theory for a language, which meets certain constraints, to serve the goals of a compositional meaning theory. Lepore and Ludwig explain and clarify the motivations for the approach, and then consider how to apply the framework to a range of important natural language constructions, including quantifiers, proper names, indexicals, simple and complex demonstratives, quotation, adjectives and adverbs, the simple and perfect tenses, temporal adverbials and temporal quantifiers, tense in sentential complement clauses, attitude and indirect discourse reports, and the problem of interrogative and imperative sentences. They not only discuss Davidson's own contributions to these subjects but consider criticisms, developments, and alternatives as well. They conclude with a discussion of logical form in natural language in light of the approach, the role of the concept of truth in the program, and Davidson's view of it. Anyone working on meaning will find this book invaluable.

The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse, the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period--Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others--serve as touchstones along the tour of the poetic landscape.

"Riku Lätti se poësie-debuut is meer as net nog ’n oulike digbundeltjie in Afrikaans; ek sien dit as ’n monumentale en omvattende deurgronding van alle fasette van die moderne mens se soeke na betekenis en — hier kom die grootste verrassing — selfs ons opvattings oor die teologie." – Koos Kombuis

"Aangrypende meditasies oor die heiligheid van onsekerheid. ’n Boek waarna ek telkens sal terugkeer om naby die aarde en werklikheid te bly om nie te gryp na die warm lug van dogma en onwetenskaplike verduidelikings van bestaan nie. – Dana Snyman

Abstract objects have been a central topic in philosophy since antiquity. Philosophers have defended various views about abstract objects by appealing to metaphysical considerations, considerations regarding mathematics or science, and, not infrequently, intuitions about natural language. This book pursues the question of how and whether natural language allows for reference to abstract objects in a fully systematic way. By making full use of contemporary linguistic semantics, it presents a much greater range of linguistic generalizations than has previously been taken into consideration in philosophical discussions, and it argues for an ontological picture is very different from that generally taken for granted by philosophers and semanticists alike. Reference to abstract objects such as properties, numbers, propositions, and degrees is considerably more marginal than generally held. Instead, natural language is rather generous in allowing reference to particularized properties (tropes), the use of nonreferential expressions in apparent referential position, and the use of "nominalizing expressions," such as quantifiers like "something." Reference to abstract objects is achieved generally only by the use of 'reifying terms', such as "the number eight."

Leonidas Polk is one of the most fascinating figures of the Civil War. Consecrated as a bishop of the Episcopal Church and commissioned as a general into the Confederate army, Polk's life in both spheres blended into a unique historical composite. Polk was a man with deep religious convictions but equally committed to the Confederate cause. He baptized soldiers on the eve of bloody battles, administered last rites and even presided over officers' weddings, all while leading his soldiers into battle. Historian Cheryl White examines the life of this soldier-saint and the legacy of a man who unquestionably brought the first viable and lively Protestant presence to Louisiana and yet represents the politics of one of the darkest periods in American history.

A surging movement for Catalan political independence from Spain has brought renewed urgency to questions about what it means, personally and politically, to speak or not to speak Catalan and to claim Catalan identity. This book develops a framework for analyzing ideologies of linguistic authority and uses it to illuminate the politics of language in Catalonia, where Catalan jostles with Castilian for legitimacy. Kathryn Woolard's longitudinal research across decades of political autonomy contextualizes this ethnographic study of the social meaning of Catalan in the 21st century. Part I lays out the ideologies of linguistic authenticity, anonymity, and naturalism that underpin linguistic authority in the modern western world, and gives an overview of a shift in the ideological grounding of linguistic authority in contemporary Catalonia. Part II examines discourses in the media surrounding three public linguistic controversies: an immigrant president's linguistic competence, a municipal festival, and an international book fair. Part III explores individuals' linguistic practices and views, drawing on classroom ethnographies and interviews with two generations of young people from the same high school. Woolard argues that there is an ongoing shift at both public and personal levels away from the ethnolinguistic authenticity that powered relations in the early transition to political autonomy, and toward new discourses of anonymity, rooted cosmopolitanism, and authenticity understood as a project rather than a matter of origins and essence.

In Running from the Shadows Stephanie Hickey tells, in her own words, how she survived abuse at the hands of a trusted family member and of how running, a simple physical activity helped her achieve mindfulness, but also to rediscover love and faith in her body - to reclaim it. Charting her life growing up in the rolling countryside of Waterford in the safety of her beloved family to the moment her childhood was shattered, to the court case where she waived her anonymity, to how she was able to reclaim a sense of herself through the sport which became like a therapy, Running from the Shadows is told with humour, strength and incredible courage -- a book that reveals how, even when things seem at their bleakest, a run through the Irish countryside, can bring you back into the light.

Ideographic Modernism offers a critical account of the ideograph (Chinese writing as imagined in the West) as a modernist invention. Rather than focusing on the accuracy of this ideograph as a kind of representation of China (a focus that would yield predictable results), Christopher Bush reconstructs the specific history of the ideograph in order to explore the question of representation in more fundamental ways, ways that reflect the diversity and complexity of literary modernism itself.
On one level, the book makes an argument about the meaning and function of the ideograph during the modernist period, namely that this imagined Chinese writing was a complex response to the various writings of such technological media as the photograph, the phonograph, the cinematograph, and the telegraph. Through analyses of works by Claudel, Pound, Kafka, Benjamin, Segalen, and Valery, among others, Ideographic Modernism traces the interweaving of Western modernity's ethnographic and technological imaginaries, in which the cultural effects of technological media assumed "Chinese" forms, even as traditional representations of "the Orient" lived on in modernist-era responses to media.
On another level, the book makes a methodological argument, demonstrating new ways of recovering the generally overlooked presence of China in the text of Western modernism. In addition to being its subject matter, then, ideographic modernism is also the book's method: a polemically "literal" way of reading that calls for reevaluations both of how modernist literature related to its historical contexts and of the ways in which we can understand that relationship today."

The Oxford Handbook of Children's Literature is at once a literary history, an introduction to various theoretical perspectives and methodological approaches, a review of genres, and a selection of original and interdisciplinary essays on canonical and popular works for children in the Anglo-American tradition. It is geared toward graduate students, advanced undergraduates, and scholars new to the study of children's literature, as well as teachers and anyone wishing to keep up with new research and innovative approaches to children's literature. Twenty-six essays by top scholars from varied disciplines address theoretical, historical, sociological, and critical issues through analyses of classic novels such as Alice's Adventures in Wonderland, Anne of Green Gables, The Swiss Family Robinson, Tom Sawyer, Kidnapped, and Five Little Peppers and How They Grew; early educational and religious works such as The New England Primer and Froggy's Little Brother; picture books, comics and graphic novels such as Millions of Cats, Where the Wild Things Are, the Peanuts series and American Born Chinese; early readers such as The Cat in the Hat and the Frog and Toad books; newer children's classics including Are You There, God? It's Me, Margaret, Jade, Roll of Thunder, Hear My Cry, The Circuit, the Harry Potter series and His Dark Materials trilogy; works of poetry such as The Bat Poety and The Dreamkeeper; a play, Peter Pan; and media classics such as Free to Be You and Me and Dumbo. An editors' introduction surveys key trends in criticism, the field's history, and foundational scholarship.

This anthology presents new editions of five English dream vision poems from the fifteenth century, exploring issues of love, philosophy, governance, life at court, and some of the anxieties of writing in a newly-forged English tradition. The texts are fully glossed and annotated, with introductions discussing their contexts and critical history.

Ephemeral, fragile, often left unbound, sixteenth-century songbooks led fleeting lives in the pockets of singers and on the music desks of instrumentalists. Constantly in action, they were forever being used up, replaced, or abandoned as ways of reading changed. As such they document the acts of early musicians and the practices of everyday life at the unseen margins of elite society. Materialities is a cultural history of song on the page. It addresses a series of central questions concerning the audiences for written music by concentrating on the first genre to be commercialized by music printers: the French chanson. Scholars have long stressed that chansons represent the most broadly disseminated polyphony of the sixteenth century, but Materialities is the first book to account for the cultural reach of the chanson across a considerable cross-section of European society. Musicologist Kate van Orden brings extensive primary research and new analytical models to bear in this remarkable history of songbooks, music literacy, and social transformation during the first century of music printing. By tracking chansons into private libraries and schoolrooms and putting chansonniers into dialogue with catechisms, civility manuals, and chapbooks, Materialities charts the social distribution of songbooks, the gradual moralization of song, and the ways children learned their letters and notes. Its fresh conclusions revise several common assumptions about the value early moderns attributed to printed music, the levels of literacy required to perform polyphony, and the way musicians did or did not "read" their songbooks. With musical perspectives that can invigorate studies of print culture and the history of reading, Materialities is an essential guide for musicologists working with original sources and historians of the book interested in the vocal performances that operated alongside print.

This book explores the history of Pittsburghese, the language of the Pittsburgh, Pennsylvania area as it is imagined and used by Pittsburghers. Pittburghese is linked to local identity so strongly that it is alluded to almost every time people talk about what Pittsburgh is like, or what it means to be a Pittsburgher. But what happened during the second half of the 20th century to reshape a largely unnoticed way of speaking into this highly visible urban "dialect"? In this book, sociolinguist Barbara Johnstone focuses on this question. Treating Pittsburghese as a cultural product of talk, writing, and other forms of social practice, Johnstone shows how non-standard pronunciations, words, and bits of grammar used in the Pittsburgh area were taken up into a repertoire of words and phrases and a vocal style that has become one of the most resonant symbols of local identity in the United States today.

In 1997, Dr Marie Cassidy arrived in Dublin from Glasgow. There to discuss a possible deputy state pathologist post with Professor John Harbison, instead she was whisked by police escort to a Grangegorman murder scene. There was no turning back. She became Ireland's State Pathologist from 2004 until 2018, her image synonymous with breaking news of high-profile cases - a trusted figure in turbulent times. Here, with the scalpel-like precision and calm authority of her trade, Marie shares her remarkable personal journey from working-class Scotland into the world of forensic pathology, describing in candid detail the intricate processes central to solving modern crime. She recounts her work following the tragic deaths of Rachel O'Reilly, Siobhan Kearney, Robert Holohan, Tom O'Gorman and others - along with the Stardust exhumations and lesser known cases from her long career - outlining the subtle methods by which pathology and the justice system meet. Beyond the Tape is a unique behind-the-scenes journey into the mysteries of unexplained and sudden death - by turns poignant, stark and deeply compelling.