Orwell's personal account of his experiences and observations in the Spanish Civil War.

Early in his career, the composer Arnold Schoenberg maintained correspondence with many notable figures: Gustav Mahler, Heinrich Schenker, Guido Adler, Arnold Rose, Richard Strauss, Alexander Zemlinsky, and Anton von Webern, to name a few. In this volume of Oxford's Schoenberg in Words series, Ethan Haimo and Sabine Feisst present English translations of the entirety of Arnold Schoenberg's early correspondence, from the earliest extant letters in 1891 to those written in the aftermath of the controversial premieres of his String Quartet No. 1, Op. 7, and the Kammersymphonie, Op. 9. The letters provide a wealth of information on many of the crucial stages in Schoenberg's early career, offering invaluable insights into his daily life and working habits. New details emerge about his activities at Wolzogen's Buntes Theater in Berlin, his frequently confrontational interactions with his first publisher (Dreililien Verlag), the reactions of friends and critics to the premieres of his works, his role in the founding of the Vereinigung schaffender Tonkunstler, his activities as a teacher, and his (all too often unsuccessful) attempts to convince musicians to perform his music. Presented alongside the editors' extensive running commentary, the more than 300 letters in this volume create a vivid picture of the young Schoenberg and his times.

The Language of Murder Cases describes fifteen court cases for which Roger Shuy served as an expert language witness, and explains the issues at stake in those cases for lawyers and linguists. Investigations and trials in murder cases are guided by the important legal terms describing the mental states of defendants-their intentionality, predisposition, and voluntariness. Unfortunately, statutes and dictionaries can provide only loose definitions of these terms, largely because mental states are virtually impossible to define. Their meaning, therefore, must be adduced either by inferences and assumptions, or by any available language evidence-which is often the best window into a speaker's mind. Fortunately, this window of evidence exists primarily in electronically recorded undercover conversations, police interviews, and legal hearings and trials, all of which are subject to linguistic analysis during trial. This book examines how vague legal terminology can be clarified by analysis of the language used by suspects, defendants, law enforcement officers, and attorneys. Shuy examines speech events, schemas, agendas, speech acts, conversational strategies, and smaller language units such as syntax, lexicon, and phonology, and discusses how these examinations can play a major role in deciding murder cases. After defining key terms common in murder investigations, Shuy describes fifteen fascinating cases, analyzing the role that language played in each. He concludes with a summary of how his analyses were regarded by the juries as they struggled with the equally vague concept of reasonable doubt.

Poetic Conventions as Cognitive Fossils offers a major theoretical statement of where poetic conventions come from. The work comprises Reuven Tsur's research in cognitive poetics to show how conventional poetic styles originate from cognitive rather than cultural principles. The book contrasts two approaches to cultural conventions in general, and poetic conventions in particular. They include what may be called the "culture-begets-culture" or "influence-hunting" approach, and the "constraints-seeking" or "cognitive-fossils" approach here expounded. The former assumes that one may account for cultural programs by pointing out their roots in earlier cultural phenomena and provide a map of their migrations. The latter assumes that cultural programs originate in cognitive solutions to adaptation problems that have acquired the status of established practice. Both conceptions assume "repeated social transmission," but with very different implications. The former frequently ends in infinite regress; the latter assumes that in the process of repeated social transmission, cultural programs come to take forms which have a good fit to the natural constraints and capacities of the human brain. Tsur extends the principles of this analysis of cognitive origins of poetic form to the writing systems, not only of the Western world, but also to Egyptian hieroglyphs through the evolution of alphabetic writing via old Semitic writing, and Chinese and Japanese writings; to aspects of figuration in medieval and Renaissance love poetry in English and French; to the metaphysical conceit; to theories of poetic translation; to the contemporary theory of metaphor; and to slips of the tongue and the tip-of-the-tongue phenomenon, showing the workings and disruption of psycholinguistic mechanisms. Analysis extends to such varying sources as the formulae of some Mediaeval Hebrew mystic poems, and the ballad 'Edward,' illustrative of extreme 'fossilization' and the constraints of the human brain.

This book provides a pragmatic analysis of presidential language. Pragmatics is concerned with "meaning in context," or the relationship between what we say and what we mean. John Wilson explores the various ways in which U.S. Presidents have used language within specific social contexts to achieve specific objectives. This includes obfuscation, misdirection, the use of metaphor or ambiguity, or in some cases simply lying. He focuses on six presidents: John F. Kennedy, Richard M. Nixon, Ronald W. Reagan, William F. Clinton, George W. Bush, and Barack H. Obama. These presidents cover most of the last half of the twentieth century, and the first decade of the twenty first century, and each has been associated with a specific linguistic quality. John F. Kennedy was famed for his quality of oratory, Nixon for his manipulative use of language, Reagan for his gift of telling stories, Clinton for his ability to engage the public and to linguistically turn arguments and descriptions in particular directions. Bush, on the other hand, was famed for his inability to use language appropriately, and Obama returns us to the rhetorical flourishes of early Kennedy. In the case of each president, a range of specific examples are explored in order to highlight the ways in which a pragmatic analysis may provide an insight into presidential language. In many cases, what the president says is not necessarily what the president means.

Ever since Karl Jasper's "axial age" paradigm, there have been a number of influential studies comparing ancient East Asian and Greco-Roman history and culture. Most of these have centered on the emergence of the world's philosophical and religious traditions, or on models of empire building. However, to date there has been no comparative study involving literatures of multiple traditions in the ancient East Asian and Mediterranean cultural spheres. At first glance, it would appear that the literary cultures of early Japan and Rome share little in common with each other. Yet both were intimately connected with the literature of antecedent "reference cultures," China and Greece respectively. These connections had far-reaching legal, ethical, material, linguistic, bibliographical, and literary consequences that made for distinctive Sino-Japanese and Greco-Roman dynamics. Exploring writers from Otomo no Yakamochi to Sugawara no Michizane and Sei Shonagon and from Cicero and Virgil to Ovid and Martianus Capella, Classical World Literatures captures the striking similarities between the ways Early Japanese writers wrote their own literature through and against the literary precedents of China and the ways Latin writers engaged and contested Greek precedents. Chapters engage in issues ranging from early narratives of literary history, cultural foundation figures, literature of the capital and poetry of exile, to strategies of cultural comparison in the form of parody and satire or synoptic texts. The book also brings to light suggestive divergences that are rooted in geopolitical, linguistic, sociohistorical, and aesthetic differences between Early Japanese and Roman literary cultures. Author Wiebke Denecke examines how Japanese and Latin writers were affected by an awareness of their own belatedness, how their strategies in telling of the origins of their own literatures evolved, and how notions about simplicity, ornateness, and cultural decline came to be blamed on the influence of their cultural ancestors. Proposing an innovative methodology of "deep comparison" for the cross-cultural comparison of premodern literary cultures and calling for an expansion of world literature debates into the ancient and medieval worlds, Classical World Literatures is both a theoretical intervention and an invitation to reading and re-reading four major literary traditions of the classical world in an innovative and illuminating light.

Imagine what it would be like to walk in freedom, to break through past pain and trauma, to become whole and healed? What if your broken marriage could find strength for tomorrow, hope and healing like never before?

Lucy shares her own broken journey, traveling through the pain and trauma of some of life's most difficult trials - persevering through sexual and verbal abuse, bullying, chronic illness and pain, a marriage torn apart, a life and death diagnosis, and even terrifying natural disasters. This book was written for those who are seeking to become whole again, longing for restoration and clarity, ready to break free and find healing. Is this you? What do you do with your broken heart? Through Lucy's story, you will discover hope and witness the healing power of God's love through Jesus that she experienced exploring her own broken road and path to restoration.

Lucy set out to write her story, isolated in the woods at her cabin, when a forest fire broke out. The fire raged closer and closer as she alternated between fire updates and her writing. Who knew this was supposed to be about the past and the here and now? God knew...he had a plan. After a terrifying night with the wind howling and shaking the windows, the smell of smoke filling the house, she was evacuated with the fire just a half mile away. The title to the book emerged; Through the Fire, Traveling the Broken Road to Hope and Healing.

Let Lucy's inspiring story open your heart and eyes to the healing power of grace and redemption through walking hand in hand with Christ. Rejoice with Lucy at the healing and wholeness found in Him alone. In Him all is made new, in Him nothing is impossible, in Him we find healing and wholeness.

The Oxford Handbook of Global Modernisms expands the scope of modernism beyond its traditional focus to explore the contributions of artists from regions like Spain, the Balkans, China, Japan, India, Vietnam, and Nigeria. Together, these essays offer the most comprehensive worldwide examination of modernist studies available. Topics covered include: Richard Wright and photographic modernism; poetry of the Caribbean; Chinese modernism and Lu Xun's Ah Q-The Real Story; Ben Okri and magical realism; aesthetic autonomy in Paris, Italy, Russia; Cuba's avant-gardes; geography of Hebrew and Yiddish modernism in Europe; Japanese modernism in works by Kitagawa Fuyuhiko and Yokomitsu Riichi; and South African cinema.

Lin Shu, Inc. explores the dynamic interactions between literary translation, commercial publishing, and the politics of "traditional" Chinese culture in the late nineteenth and early twentieth centuries. It breaks new ground as the first full-length study in any Western language on the career and works of Lin Shu and his many collaborators in the publishing, academic, and business worlds. Integrating literary scholarship, translation studies, and print history, this book provides new insights into a controversial figure in world literature and his place in the profound transformations in authorship and cultural production in modern China. Well before Ezra Pound and Bertolt Brecht transformed Western-language poetry and theater with their inventions of Chinese culture, Lin Shu and his collaborators had already embarked on a translation project unique in modern literature. Although he knew no foreign languages, in a 20-year period Lin Shu worked with 19 different assistants schooled in English, French, and other tongues to complete more than 180 book-length translations into classical Chinese. Through burgeoning print outlets such as the Commercial Press (Shangwu yinshuguan), Lin and his collaborators offered many readers in China their first taste of "Western literature" - usually 19th-century novels and short stories from the United States, England, and France. At the same time, Lin Shu leveraged his labors as a translator to make himself into a leading authority on "traditional" Chinese literature and cultural values. From what one publisher called his "factory of words," Lin issued scores of textbooks and anthologies of classical-language literature, along with short stories, poems, essays, and a handful of full-length novels.

This book examines the variation found in modern spoken French, based on the research programme 'Phonology of Contemporary French' (Phonologie du Francais Contemporain, PFC). Extensive data are drawn from all over the French-speaking world, including Algeria, Canada, Louisiana, Mauritius, and Switzerland. Although the principal focus is on differences in pronunciation, the authors also analyse the spoken language at all levels from sound to meaning. The book is accompanied by a website hosting audio-visual material for teaching purposes, data, and a variety of tools for working with corpora. The first part of the book outlines some key concepts and approaches to the description of spoken French. Chapters in Part II are devoted to the study of individual samples of spoken French from all over the world, covering phonological and grammatical features as well as lexical and cultural aspects. A class-friendly ready-to-use multimedia version of these 17 chapters as well as a full transcription of each extract is provided, with the sound files also available on the book's companion website. Part III looks at inter and intra-speaker variation: it begins with chapters that provide the methodological background to the study of phonological variation using databases, while in the second section, authors present case studies of a number of PFC survey points, including Paris, the Central African Republic, and Quebec. Varieties of Spoken French will be an invaluable resource for researchers, teachers, and students of all aspects of French language and linguistics.

In 1889 uniformed post boys were found moonlighting in a West End brothel frequented by men of the upper classes. "The Cleveland Street Scandal" erupted and Victorian Britain was gripped by the possibility that the Post Office - a bureaucratic backbone of nation and empire - was inspiring and servicing perverse passions. The alliance between transgressive sex and the Post Office that the scandal illuminated was neither incidental nor singular; there was something queer about the post in the nineteenth century. Postal Pleasures tells the story of queer postal relations, from Post Office reforms initiated in 1840 up to the imperial end of the nineteenth century. It tells this story by analysing literature that expresses the cultural consequences of this peculiar kind of "going postal." Victorian writers abandoned the epistolary novel in favour of postal fiction. The postal network, its uniformed employees and its material trappings - envelopes, postmarks, stamps - were used to signal and circulate sexual intrigue. For Anthony Trollope, Thomas Hardy, Eliza Lynn Lynton, Henry James, Oscar Wilde, Edward Carpenter, Arthur Conan Doyle, Bram Stoker and others, the idea of an envelope promiscuously jostling its neighbours in a post boy's bag, or the notion that secrets passed through the eyes and fingers of telegraph girls, was more stimulating that the actual contents of correspondence. By the period's end, the postal system had become both an instrument and a metaphor for sexual relations that crossed and double-crossed lines of class, marriage and heterosexuality.

Elesin Oba, the King's Horseman, has a single destiny. When the King dies, he must commit ritual suicide and lead his King's favourite horse and dog through the passage to the world of the ancestors. A British Colonial Officer, Pilkings, intervenes to prevent the death and arrests Elesin. The play is a set text for NEAB GCSE, NEAB A Level and NEAB A/S Level. 'A masterpiece of 20th century drama' - Guardian "A transfixing work of modern world drama" (Independent); "clearly a masterpiece. . . he achieves the full impact of Greek tragedy" (Irving Wardle, Independent on Sunday); "the action of the play is as inevitable and eloquent as in Antigone: a clash of values and cultures so fundamental that tragedy issues: a tragedy for each individual, each tribe" (Michael Schmidt, Daily Telegraph)

This volume responds to a growing interest in the language of legal settings by situating the study of language and law within contemporary theoretical debates in discourse studies, linguistic anthropology, and sociolinguistics. The chapters in the collection explore many of the common occasions when those acting on behalf of the legal system, such as the police, lawyers and judges, interact with those coming into contact with the legal system, such as suspects and witnesses. However the chapters do this work through the conceptual lens of 'textual travel', or the way that texts move across space and time and are transformed along the way. Collectively, notions of textual travel shed new light on the ways in which texts can influence, and are influenced by, social and legal life. With contributions from leading experts in language and law, Legal-Lay Communication explores such 'textual travel' themes as the mediating role of technologies in the investigatory stages of the legal process, the centrality of intertextuality in the legal construction of cases in court, the transformative effects of recontextualization in processes of judicial decision-making, and the way that processes of textual travel disturb the apparent permanence of legal categorization. The book challenges both the notion of legal text as a static repository of meaning and the very idea of legal-lay or lay-legal communication.

Ordinary language and scientific language enable us to speak about, in a singular way (using demonstratives and names), what we recognize not to exist: fictions, the contents of our hallucinations, abstract objects, and various idealized but nonexistent objects that our scientific theories are often couched in terms of. Indeed, references to such nonexistent items-especially in the case of the application of mathematics to the sciences-are indispensable. We cannot avoid talking about such things. Scientific and ordinary languages thus enable us to say things about Pegasus or about hallucinated objects that are true (or false), such as "Pegasus was believed by the ancient Greeks to be a flying horse," or "That elf I'm now hallucinating over there is wearing blue shoes." Standard contemporary metaphysical views and semantic analyses of singular idioms on offer in contemporary philosophy of language have not successfully accommodated these routine practices of saying true and false things about the nonexistent while simultaneously honoring the insight that such things do not exist in any way at all (and have no properties). That is, philosophers often feel driven to claim that such objects do exist, or they claim that all our talk isn't genuine truth-apt talk, but only pretence. This book reconfigures metaphysics (and the role of metaphysics in semantics) in radical ways that allow the accommodation of our ordinary ways of speaking of what does not exist while retaining the absolutely crucial presupposition that such objects exist in no way at all, have no properties, and so are not the truth-makers for the truths and falsities that are about them.

Perfect for beginning students of Spanish, this affordable anthology is filled with 41 delightful stories and proverbs based on works of Don Juan Manuel, Luis Taboada, Ricardo Palma, and other noted writers. Complete and faithful English translations are featured on the facing pages of the Spanish text. Exercises are also included.

Wilde's "trivial play for serious people" is a sparkling comedy of manners. This hilariously absurd satire pits sincerity against style, barbed witticisms against ostentatious elegance. Wilde's brilliantly constructed plot and famous dialogue enrich the appeal of his celebrated characters, as he turns accepted ideas inside out and situations upside down in this, his masterpiece. The Student Edition offers a plot summary, full commentary, character notes and questions for study, besides a chronology and bibliography.

Each year brings a glut of new memoirs, ranging from works by former teachers and celebrity has-beens to disillusioned soldiers and bestselling novelists. In addition to becoming bestsellers in their own right, memoirs have become a popular object of inquiry in the academy and a mainstay in most MFA workshops. Courses in what is now called life-writing study memoir alongside personal essays, diaries, and autobiographies. Memoir: An Introduction proffers a concise history of the genre (and its many subgenres) while taking readers through the various techniques, themes, and debates that have come to characterize the ubiquitous literary form. Its fictional origins are traced to eighteenth-century British novels like Robinson Crusoe and Tom Jones; its early American roots are examined in Benjamin Franklin's Autobiography and eighteenth-century captivity narratives; and its ethical conundrums are considered with analyses of the imbroglios brought on by the questionable claims in Rigoberta Menchu's I, Rigoberta, and more notoriously, James Frey's A Million Little Pieces. Alongside these more traditional literary forms, Couser expands the discussion of memoir to include film with what he calls "documemoir" (exemplified in Nathaniel Kahn's My Architect), and graphic narratives like Art Spiegleman's Maus. In sum, Memoir: An Introduction provides a succinct and comprehensive survey to today's most popular form of life-writing.

The complexities of the English language can be daunting for even the most fluent speakers, and for Canadians this is doubly so with the mixture of British and American traditions. Almost anyone engaged in formal writing will sometimes need to consult a usage guide for advice, but Canadians have always been forced to choose between a British or an American source. With the Guide to Canadian English Usage, writers will have an authoritative reference based on Canadian sources that provides pithy direction on numerous details of the language.
From the indefinite article to zoology, alphabetically arranged entries clarify issues of word choice, punctuation, spelling, and abbreviation. Throughout it offers guidance on Canadianisms, confusibles, difficult expressions, First Nation names, foreign phrases, grammar, inclusive language, punctuation, spelling, and troublesome pronunciations. Each entry explains the problem at hand, outlines a range of prescriptions, and then either recommends a particular usage or reviews the alternatives from which the now-informed reader can choose. All entries feature a wide range of fascinating quotations from Canadian sources.
Newly reissued in an attractive hardcover edition, the Guide to Canadian English Usage is the essential reference for any writer, editor, or speaker of English in Canada.

In Spectacular Men, Sarah E. Chinn investigates how working class white men looked to the early American theatre for examples of ideal manhood. Theatre-going was the primary source of entertainment for working people of the early Republic and the Jacksonian period, and plays implicitly and explicitly addressed the risks and rewards of citizenship. Ranging from representations of the heroes of the American Revolution to images of doomed Indians to plays about ancient Rome, Chinn unearths dozens of plays rarely read by critics. Spectacular Men places the theatre at the center of the self-creation of working white men, as voters, as workers, and as Americans.

Dana Snyman deel in Seun die deel van sy storie waaroor hy nog nooit gepraat het nie: sy ervaringe in die 1980’s. Dit is die tyd van PW Botha se vinger, van die Voëlvry-toer, AWB-saamtrekke, onderhandelinge en die laaste dae van diensplig. Dana word oneervol ontslaan uit die weermag, maar eers maak hy ’n draai in Saal 24. Werkloos en doelloos eindig hy in ’n gewese bediendekamer in Pretoria. Dié rou, selfonthullende memoir vra: hoe word ’n seun ’n man? Met Seun neem Dana lesers in sy vertroue.

In 1856, a teenage girl led 40000 to their deaths in the Eastern Cape.

When Treive Nicholas arrived in the 1980s to teach, he was captivated by the Wild Coast. Researching its history, he explores the Cattle Killing of 1856-1857. Was Nongqawuse a deceiver or a liberation leader?

Treive's quest spans continents, from South Africa to England, ending with a shocking revelation closer to home than expected.