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Books > Language & Literature
Photos filled with the forlorn faces of hungry and impoverished
Americans that came to characterize the desolation of the Great
Depression are among the best known artworks of the twentieth
century. Captured by the camera's eye, these stark depictions of
suffering became iconic markers of a formative period in U.S.
history. Although there has been an ample amount of critical
inquiry on Depression-era photographs, the bulk of scholarship
treats them as isolated art objects. And yet they were often joined
together with evocative writing in a genre that flourished amid the
period, the documentary book. American Modernism and Depression
Documentary looks at the tradition of the hybrid, verbal-visual
texts that flourished during a time when U.S. citizens were
becoming increasingly conscious of the life of a larger nation.
Jeff Allred draws on a range of seminal works to illustrate the
convergence of modernism and documentary, two forms often regarded
as unrelated. Whereas critics routinely look to James Agee and
Walker Evans' Let Us Now Praise Famous Men as the sole instance of
the modernist documentary book, Allred turns to such works as
Richard Wright's scathing 12 Million Black Voices, and the
oft-neglected You Have Seen Their Faces by Erskine Caldwell and
Margaret Bourke-White to open up the critical playing field. And
rather than focusing on the ethos of Progressivism and/or the
politics and aesthetics of the New Deal, Allred emphasizes the
centrality of Life magazine to the consolidation of a novel
cultural form.
This enthralling new translation of Dante's Inferno 'immediately
joins ranks with the very best' (Richard Lansing). One of the
world's transcendent literary masterpieces, the Inferno tells the
timeless story of Dante's journey through the nine circles of hell,
guided by the poet Virgil, when in midlife he strays from his path
in a dark wood. In this vivid verse translation into contemporary
English, Peter Thornton makes the classic work fresh again for a
new generation of readers. Recognizing that the Inferno was, for
Dante and his peers, not simply an allegory but the most realistic
work of fiction to date, he points out that hell was a lot like
Italy of Dante's time. Thornton's translation captures the
individuals represented, landscapes, and psychological immediacy of
the dialogues as well as Dante's poetic effects. The product of
decades of passionate dedication and research, his translation has
been hailed by the leading Dante scholars on both sides of the
Atlantic as exceptional in its accuracy, spontaneity, and
vividness. Those qualities and its detailed notes explaining
Dante's world and references make it both accessible for individual
readers and perfect for class adoption.
Is God Is is a modern myth about twin sisters who sojourn from the
Dirty South to the California desert to exact righteous revenge.
Winner of the 2016 Relentless Award, Aleshea Harris collides the
ancient, the modern, the tragic, the Spaghetti Western, and
Afropunk in this darkly funny and unapologetic world premiere.
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Othello
(Hardcover)
P Edmondson, Stuart Hampton-Reeves
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R2,361
Discovery Miles 23 610
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Ships in 10 - 15 working days
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This introductory guide to "Othello" in performance offers a
scene-by-scene theatrically aware commentary, contextual documents,
a brief history of the text and first performances, case studies of
key productions, a survey of screen adaptations, a sampling of
critical opinion and further reading.
Former Secret Service Special Agent Evy Poumpouras shares the insights
and skills from one of the oldest elite security forces in the world -
to help you prepare for stressful situations, instantly read people,
influence how you're perceived, and live a more fearless life.
From gruelling training to clandestine interrogation rooms, to
protecting the President of the United States of America, Evy shares
rare behind-the-scenes glimpses while also exploring the psychology of
human behaviour and the strategies used by the best negotiators. Evy
demonstrates how we can learn from these experiences to heighten our
own natural instincts to detect BS, develop grit and become the most
resilient and powerful version of ourselves.
Becoming Bulletproof is a timely guide to empowerment, mental strength,
and overcoming fear and abuse - a guide to becoming bulletproof.
Building on the first volume in the Studies in Pragmatics series
which clearly set out the differences and similarities in
approaches to discourse markers, Pragmatic Markers in Contrast
continues the debate through offering a unique and thorough
examination of the methods and theories for studying pragmatic
markers cross-linguistically.
As a result of internationalisation and new developments in
linguistics there has been an increasing interest in
cross-linguistic studies. Aijmer and Simon-Vandenbergen have
assembled experts in this field to explore the comparison of
pragmatic markers across languages in order to offer important
insights into the similarities and differences between languages.
Contrastive studies can also shed more light on the pragmatic and
discourse functions that pragmatic markers fulfil in the languages
compared. Another issue is to what extent pragmatic markers which
have evolved from the same lexical source have developed similar
functions in different languages. An impressively large number of
different approaches are represented in this volume as well as a
wide range of languages including; English, Swedish, Spanish,
Dutch, German, French, Norwegian and Solv (a dialect of Finland
Swedish).
Tell me, O muse, of that ingenious hero who traveled far and wide
after he had sacked the famous town of Troy... So starts Homer's
The Odyssey, the classic account of the Greek hero Odysseus and his
ten-year journey home, following the glories and horrors of the
Trojan War as recounted in The Illiad. In this prose retelling of
Homer's epic poem, we follow Homer and his shipmates as they
weather one danger after another, from the sorceress Circe to the
one-eyed Cyclops, and the six-headed monster Scylla. Replete with
classic drawings and colourful illustrations, this beautiful new
edition of The Odyssey is just as gripping to read now as when it
was first told to rapt Greek audiences 2,500 years ago.
Introduced in 1918 as an award for bravery in the field, the
Military Medal was almost immediately open to women. During its 80
year existence, the Military Medal was awarded to women on only 146
occasions, the vast majority during the First World War. This
volume provides the definitive roll of recipients together with
citations, many of which were not available at the time, plus
service and biographical detail. Over 80% of the entries are
accompanied by a photograph. The vast majority of the recipients
were British, but the medal was open to women of all nationalities
and the names of French and United States recipients are recorded
together with allied personnel from the Empire.
In Frege's Conception of Logic Patricia A. Blanchette explores the
relationship between Gottlob Frege's understanding of conceptual
analysis and his understanding of logic. She argues that the
fruitfulness of Frege's conception of logic, and the illuminating
differences between that conception and those more modern views
that have largely supplanted it, are best understood against the
backdrop of a clear account of the role of conceptual analysis in
logical investigation. The first part of the book locates the role
of conceptual analysis in Frege's logicist project. Blanchette
argues that despite a number of difficulties, Frege's use of
analysis in the service of logicism is a powerful and coherent
tool. As a result of coming to grips with his use of that tool, we
can see that there is, despite appearances, no conflict between
Frege's intention to demonstrate the grounds of ordinary arithmetic
and the fact that the numerals of his derived sentences fail to
co-refer with ordinary numerals. In the second part of the book,
Blanchette explores the resulting conception of logic itself, and
some of the straightforward ways in which Frege's conception
differs from its now-familiar descendants. In particular,
Blanchette argues that consistency, as Frege understands it,
differs significantly from the kind of consistency demonstrable via
the construction of models. To appreciate this difference is to
appreciate the extent to which Frege was right in his debate with
Hilbert over consistency- and independence-proofs in geometry. For
similar reasons, modern results such as the completeness of formal
systems and the categoricity of theories do not have for Frege the
same importance they are commonly taken to have by his
post-Tarskian descendants. These differences, together with the
coherence of Frege's position, provide reason for caution with
respect to the appeal to formal systems and their properties in the
treatment of fundamental logical properties and relations.
When talk circulates through technological media - through
television or radio and through the activities they support, like
the dissemination of news, product advertising or entertainment -
it takes on distinctive characteristics, functions and styles. The
talking media have developed their own ways of styling individuals
(often as celebrities of different types, but also as 'ordinary
people'), and ways of styling relationships (such as constructing
informality or trust or authority). Media also style their own ways
of communicating (how to read the news, how to conduct interviews,
how to entertain or educate others, and so on). Media invest
heavily in style and styling, drawing on semiotic modes well beyond
speech itself. 'Style' therefore needs to be theorised carefully in
sociolinguistics and neighbouring disciplines. Episodes and
fragments of mediated styles commonly take on new lives when they
are re-circulated via interactive 'new' media platforms. Style
therefore points to both stability, where ways of speaking and ways
of being have become culturally familiar, and to instability, in
the talking media's persistent dynamic reworking of stylistic
norms. This book explores a wide range of normative structures and
creative media processes of this sort, in many different national
contexts and in different languages. The globalised world is
already massively mediatised - what we know about language, people
and society is necessarily shaped through our engagement with
media. But talking media are caught up in wider currents of rapid
change too. Creative innovations in media styling can heighten our
reflexive awareness, but they can also unsettle our existing
understandings of language-society relations. In reporting new
investigations by expert researchers, situated in relation to
relevant theory, the book gives an original and timely account of
how style, media and change need to be integrated further to
advance the discipline of sociolinguistics.
The sudden and spectacular growth in Dante's popularity in England
at the end of the eighteenth century was immensely influential for
English writers of the period. But the impact of Dante on English
writers has rarely been analysed and its history has been little
understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth
all wrote and painted while Dante's work - its style, project, and
achievement - commanded their attention and provoked their
disagreement. The Circle of Our Vision discusses each of these
writers in detail, assessing the nature of their engagement with
the Divine Comedy and the consequences for their own writing. It
explores how these Romantic poets understood Dante, what they
valued in his poetry and why, setting them in the context of
contemporary commentators, translators, and illustrators,
(including Fuseli, Flaxman, and Reynolds) both in England and
Europe. Romantic readings of the Divine Comedy are shown to disturb
our own ideas about Dante, which are based on Victorian and
Modernist assumptions. Pite also presents a reconsideration of the
concept of 'influence' in general, using the example of Dante's
presence in Romantic poetry to challenge Harold Bloom's belief that
the relations between poets are invariably a fight to the death.
Environmental Entanglements: African Literature’s Ecological Imaginary
traces a long history of ecological thought in African literature.
Reading African literatures as environmental literatures, Environmental
Entanglements takes a step back beyond the mid-twentieth century moment
of political independence. Using ‘entanglement’ to represent ecological
relations, the book traces an ecological imaginary that animates
African literary and cultural repertoires. This imaginary gives shape
to stories of crossing colonial and apartheid boundaries, of the
movement of peoples, and of the cultural and social relations inscribed
upon land.
Focusing on literary and filmic texts, from writers such as Thomas
Mofolo and Sol Plaatje in the early twentieth century to contemporary
science and speculative fiction producers like Nnedi Okorafor and
Wanuri Kahiu, Environmental Entanglements argues that cultural archives
from the African continent display a history of ecological awareness
that predates the moment of mid-twentieth century decolonization. The
book is premised on the idea that imagining relations ecologically is
not a belated preoccupation in African literatures; rather, these early
ecological imaginaries present an opportunity to delink notions such as
environmentalism, ecology and ecocriticism from postcoloniality.
Reading ecology as an animating, organizing trope in African
literatures from at least the start of the twentieth century, the book
offers a genealogy of the present, in which the increasingly popular
African futurism and speculative fiction are part of a history of
thinking the future through ecological form in African literatures.
At the pinnacle of motorsports, a humble young man from Stevenage, England has risen to become the most dominant and influential Formula One driver of his time. This authoritative biography follows Hamilton's pathway from his early days karting on local tracks to the glitz and pressure of the Formula One circuit. Along the way, we witness Hamilton's single-minded determination to reach the top, even as he challenged racial barriers and opposition at every turn. His triumph over adversity is all the more inspiring given Hamilton's pioneering role in making motorsports accessible to marginalized communities.
Beyond his unparalleled on-track exploits - leveling the record books held by the legendary Michael Schumacher – Hamilton has used his platform to advocate for social justice, environmental sustainability, and diversity. Hamilton has emerged as a voice of moral clarity, leveraging his fame to push Formula One and global sports to be a force for positive change.
As Hamilton nears the twilight of his racing career, this book examines his lasting legacy. From shattering stereotypes to inspiring new generations of motor enthusiasts, Hamilton's impact extends far beyond just his championship trophies. The book culminates with Hamilton's potential final act - chasing a record-setting 8th world title at the wheel of the iconic Ferrari team, the ultimate validation of his greatness.
How to raise children to be moral, responsible, and productive citizens is one of the most debated issues in society today. In this elegantly written and passionate book, Vigen Guroian argues that our most beloved fairy tales and classic and contemporary fantasy stories written for children have enormous power to awaken the moral imagination.
For courses in College Developmental Writing. Effective writers are
effective learners Clear, effective writing is an increasingly
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the writing process, Along These Lines: Writing Paragraphs and
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learners. Biays and Wershoven guide readers, step by step, through
the writing process with in?-depth instruction on grammar and a
proven focus on developing effective paragraphs and essays. Each
chapter offers numerous individual and collaborative exercises,
along with contextualized practical writing applications - such as
workplace writing, personal writing, and classroom?-centered
academic material. Self-?contained chapters provide a flexible
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Lake Chemong, 1954. Every summer, from June to August, the Fogle
family pack up and leave the big city of Toronto, escaping to their
white, cedar-clad cottage, the last in a row of a cluster of houses
nestled in primordial forest on a wide, ink-blue lake. Mr Fogle, a
silent mountain of a man, built the cottage himself. In the mind of
ten year old Bruce, his father is brown and green, the colours of
the land, his whip smart, gregarious mother, a vivid and fiery red.
This year, joining his parents, his older brother Rob and Angus the
family dog, is his mother's wise and enigmatic brother, Reub. At
first, this summer break seems like any other. Bruce spends his
days floating in the row boat with Grace from next door, jumping
off the diving raft, eating peach pie, watching the seagulls and
herons, observing frogs and turtles and catching crayfish.
Relishing the heat of the sun on his bare skin and the sludge of
the lakebed beneath his toes, he, even at this young age,
understands his life is pretty perfect. But then everything starts
to change. Family dynamics are shifting, and over the summer both
the harshness of the adult world and the thoughtless cruelty of
children leave their mark. By the time the weather turns Bruce will
be a different child, and will have chosen his own path to
understanding the shifting, fragile wilderness that frames their
summer idyll. Teeming with wonderful characters, Barefoot at the
Lake is the story of a boy discovering his place in the world and
realising his deep connection with nature. It is a memoir that will
utterly transport you - you'll feel the sun on your face, the
pebbles of the lake under foot and catch the scent of the pine on
the wind.
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