Iris Murdoch's philosophy has long attracted readers searching for a morally serious yet humane perspective on human life. Her eloquent call for "a theology which can continue without God" has been especially attractive to those who find that they can live neither with religion nor without it. By developing a form of thinking that is neither exclusively secular nor traditionally religious, Murdoch sought to recapture the existential or spiritual import of philosophy. Long before the current wave of interest in spiritual exercises, she approached philosophy not only as an academic discourse, but as a practice whose aim is the transformation of perception and consciousness. As she put it, a moral philosophy should be capable of being "inhabited"; that is, it should be "a philosophy one could live by."
In A Philosophy to Live By, Maria Antonaccio argues that Murdoch's thought embodies an ascetic model of philosophy for contemporary life. Extending and complementing the argument of her earlier monograph, Picturing the Human: The Moral Thought of Iris Murdoch, this new work establishes Murdoch's continuing relevance by engaging her thought with a variety of contemporary thinkers and debates in ethics from a perspective informed by Murdoch's philosophy as a whole. Among the prominent philosophers engaged here are Charles Taylor, Martha Nussbaum, Stephen Mulhall, John Rawls, Pierre Hadot, and Michel Foucault, and theologians such as Stanley Hauerwas, David Tracy, William Schweiker, and others. These engagements represent a sustained effort to think with Murdoch, yet also beyond her, by enlisting the resources of her thought to explore wider debates at the intersections of moral philosophy, religion, art, and politics, and in doing so, to illuminate the distinctive patterns and tropes of her philosophical style.

The Oxford Handbook of John Donne presents scholars with the history of Donne studies and provides tools to orient scholarship in this field in the twenty-first century and beyond. Though profoundly historical in its orientation, the Handbook is not a summary of existing knowledge but a resource that reveals patterns of literary and historical attention and the new directions that these patterns enable or obstruct.
Part I -- Research resources in Donne Studies and why they they matter -- emphasizes the heuristic and practical orientation of the Handbook, examining prevailing assumptions and reviewing the specialized scholarly tools available. This section provides a brief evaluation and description of the scholarly strengths, shortcomings, and significance of each resource, focusing on a balanced evaluation of the opportunities and the hazards each offers.
Part II -- Donne's genres -- begins with an introduction that explores the significance and differentiation of the numerous genres in which Donne wrote, including discussion of the problems posed by his overlapping and bending of genres. Essays trace the conventions and histories of the genres concered and study the ways in which Donne's works confirm how and why his "fresh invention" illustrates his responses to the literary and non-literary contexts of their composition.
Part III -- Biographical and historical contexts -- creates perspective on what is known about Donne's life; shows how his life and writings epitomized and affected important controversial issues of his day; and brings to bear on Donne studies some of the most stimulating and creative ideas developed in recent decades by historians of early modern England.
Part IV -- Problems of literary interpretation that have been traditionally and generally important in Donne Studies -- introduces students and researchers to major critical debates affecting the reception of Donne from the 17th through to the 21st centuries.

This is a part of a collection, published annually, of studies on individuals who have made major contributions to the development of geography and geographic thought. The 17th volume in the series, this study describes the geographers' education, life and work, and discusses their influence and spread of academic ideas.;The scope of the book is international, both in terms of personalities and contributors, and focuses on both famous and lesser-known geographers.

This volume includes The Seagull, a about the battle for power between a mother and her son which ends in tragedy; Uncle Vanya tells of two obsessive love affairs that lead nowhere, and a flirtation that brings disaster; Three Sisters in which three siblings wrestle with their futures and The Cherry Orchard where the old must inevitably give way to the new. Haunting and elusive, these four great late masterpieces have found in Michael Frayn a translator who perfectly captures their delicate balance of the tragic and the absurd. The volume also contains four of Chekhov's early short 'vaudevilles' as well as a substantial introduction by Michael Frayn. "The critical clamour for a Complete Chekhov in Michael Frayn's translation has borne fruit" (Sunday Times)

This first-ever biography of American painter Grace Hartigan traces her rise from virtually self-taught painter to art-world fame, her plunge into obscurity after leaving New York to marry a scientist in Baltimore, and her constant efforts to reinvent her style and subject matter. Along the way, there were multiple affairs, four troubled marriages, a long battle with alcoholism, and a chilly relationship with her only child. Attempting to channel her vague ambitions after an early marriage, Grace struggled to master the basics of drawing in night-school classes. She moved to New York in her early twenties and befriended Willem de Kooning, Jackson Pollock, and other artists who were pioneering Abstract Expressionism. Although praised for the coloristic brio of her abstract paintings, she began working figuratively, a move that was much criticized but ultimately vindicated when the Museum of Modern Art purchased her painting The Persian Jacket in 1953. By the mid-fifties, she freely combined abstract and representational elements. Grace-who signed her paintings "Hartigan"- was a full-fledged member of the "men's club" that was the 1950s art scene. Featured in Time, Newsweek, Life, and Look, she was the only woman in MoMA's groundbreaking 12 Americans exhibition in 1956, and the youngest artist-and again, only woman-in The New American Painting, which toured Europe in 1958-1959. Two years later she moved to Baltimore, where she became legendary for her signature tough-love counsel to her art school students. Grace continued to paint throughout her life, seeking-for better or worse-something truer and fiercer than beauty.

The close connection between philosophy of language and philosophy of law has been recognized for decades through the work of many influential legal philosophers. This volume brings recent advances in philosophy of language to bear on contemporary debates about the nature of law and legal interpretation. The book builds on recent work in pragmatics and speech-act theory to explain how, and to what extent, legal content is determined by linguistic considerations. At the same time, the analysis shows that some of the unique features of communication in the legal domain - in particular, its strategic nature - can be employed to put pressure on certain assumptions in philosophy of language. This enables a more nuanced picture of how semantic and pragmatic determinants of communication work in complex and large-scale systems such as law. Chapters build on explanations of key elements of statutory language, such as the distinction between what is said and what is implicated, the possibility of ascribing truth-values to legal prescriptions and the structure of legal inferences, the various forms of vagueness in the law, the distinctions between vagueness, ambiguity, and polysemy in legal language, and the distinction between concept and conceptions, mostly in the context of constitutional interpretation. The book demonstrates that paying close attention to the kind of speech acts legal directives are, and how they determine the content of the law, enables a better understanding of the boundaries between normative and linguistic determinants of legal content.

The role of chance changed in the nineteenth century, and American literature changed with it. Long dismissed as a nominal concept, chance was increasingly treated as a natural force to be managed but never mastered. New theories of chance sparked religious and philosophical controversies while revolutionizing the sciences as probabilistic methods spread from mathematics, economics, and sociology to physics and evolutionary biology. Chance also became more visible in everyday life as Americans struggled to control its power through weather forecasting, insurance, game theory, statistics, military science, and financial strategy. Uncertain Chances shows how the rise of chance shaped the way nineteenth-century American writers faced questions of doubt and belief. Poe in his detective fiction critiques probabilistic methods. Melville in Moby-Dick and beyond struggles to vindicate moral action under conditions of chance. Douglass and other African American authors fight against statistical racism. Thoreau learns to appreciate the play between nature's randomness and order. Dickinson works faithfully to render poetically the affective experience of chance-surprise. These and other nineteenth-century writers dramatize the inescapable dangers and wonderful possibilities of chance. Their writings even help to navigate extremes that remain with us today-fundamentalism and relativism, determinism and chaos, terrorism and risk-management, the rational confidence of the Enlightenment and the debilitating doubts of modernity.

The Wordsworth volume in the 21st-Century Oxford Authors series is the most comprehensive selection currently available of the poetry and prose of one of the finest poets in the English language. The familiar poems from Wordsworth's 'Great Decade' are all included, but they are complemented by a more than usually generous selection of the best poems from his later years. The extracts from the Guide to the Lakes will be a revelation to many readers, as will the political prose of the Convention of Cintra. All of the material is presented in chronological sequence, so that the reader can see how Wordsworth's changing concerns were expressed in prose as well as poetry. Work which Wordsworth published is separated from that which he did not reveal, which will enable the reader to trace through successive published volumes the development of Wordsworth's public poetic self, while also being able to follow the growth of the body of poetry which, for whatever reason, Wordsworth did not choose to make public when it was written - The Prelude being the greatest and most obvious example.

The Singer's Guide to German Diction is the essential foundation for a complete course in German diction for singers, vocal coaches, choral conductors, and anyone wishing to learn to learn the proper pronunciation of High German. Written by Valentin Lanzrein and Richard Cross, who each have years of experience on stage, in the voice studio, and in the diction classroom, it provides an all-encompassing and versatile reference for the rules of German diction and their exceptions. Featuring an easily navigable format that uses tables and charts to support a visual understanding of the text, this guide allows the reader to find information on diction rules and quick help with the formation of each sound. It also places an emphasis on exceptions to the rules, which are crucial in learning the proper pronunciation of any language. Exceptions are not only provided with the diction rules, but are also gathered in a specific section for ease of reference. A glossary of difficult words, names, and exceptions is provided in the appendix, along with a section on Latin pronounced in the German manner. Extensive pronunciation exercises, as well as IPA transcription worksheets and short examples from the vocal literature, are used for practical application of the diction rules, and feature musical exercises drawn from art song, opera, and oratorio. The book's companion website supplements these musical exercises with high-quality audio clips recorded by leading professional singers, providing an invaluable resource for independent study. A comprehensive companion for teachers, students, and singers alike, The Singer's Guide to German Diction brings German diction to life through its well-structured system of practice and reference materials.

The "Posterior Analytics" contains some of Aristotle's most influential thoughts in logic, epistemology, metaphysics and the philosophy of science. The first book expounds and develops the notions of a demonstrative argument, and of a formal, axiomatized science. The second discusses a cluster of problems raised by the axioms of principles of such a science, and investigates in particular the theory of definition.;This volume, like the others in the "Clarendon Aristotle" series, is intended to serve the needs of readers of Aristotle without a knowledge of Greek. For this second edition the translation has been completely rewritten, with the aims of greater elegance and greater fidelity to the Greek. The commentary elucidates and assesses Aristotle's arguments from a philosophical point of view. It has been extensively revised to take account of the scholarship of the last 20 years.

Rethinking Thought takes readers into the minds of 30 creative thinkers to show how greatly the experience of thought can vary. It is dedicated to anyone who has ever been told, "You're not thinking!", because his or her way of thinking differs so much from a spouse's, employer's, or teacher's. The book focuses on individual experiences with visual mental images and verbal language that are used in planning, problem-solving, reflecting, remembering, and forging new ideas. It approaches the question of what thinking is by analyzing variations in the way thinking feels. Written by neuroscientist-turned-literary scholar Laura Otis, Rethinking Thought juxtaposes creative thinkers' insights with recent neuroscientific discoveries about visual mental imagery, verbal language, and thought. Presenting the results of new, interview-based research, it offers verbal portraits of novelist Salman Rushdie, engineer Temple Grandin, American Poet Laureate Natasha Trethewey, and Nobel prize-winning biologist Elizabeth Blackburn. It also depicts the unique mental worlds of two award-winning painters, a flamenco dancer, a game designer, a cartoonist, a lawyer-novelist, a theoretical physicist, and a creator of multi-agent software. Treating scientists and artists with equal respect, it creates a dialogue in which neuroscientific findings and the introspections of creative thinkers engage each other as equal partners. The interviews presented in this book indicate that many creative people enter fields requiring skills that don't come naturally. Instead, they choose professions that demand the hardest work and the greatest mental growth. Instead of classifying people as "visual" or "verbal," educators and managers need to consider how thinkers combine visual and verbal skills and how those abilities can be further developed. By showing how greatly individual experiences of thought can vary, this book aims to help readers in all professions better understand and respect the diverse people with whom they work.

Why did Jesus speak in parables? Why does Plato's Socrates make bad arguments? Why do we root for criminal heroes? In mummy movies, why is the skeptic always the first to go? Why don't stage magicians even pretend to summon spirits any more? Why is Samuel Beckett so confusing? And why is it worth trying to answer questions like these? Witty and approachable, How to Do Things with Fictions challenges the widespread assumption that literary texts must be informative or morally improving to be of any real benefit. It reveals that authors are often best thought of not as entertainers or as educators but as personal trainers of the brain, putting their willing readers through exercises that fortify their mental capacities. This book is both deeply insightful and rigorously argued, and the journey delivers plenty of surprises along the way-that moral readings of literature can be positively dangerous; that the parables were deliberately designed to be misunderstood; that Plato knowingly sets his main character up for a fall; that we can sustain our beliefs even when we suspect them to be illusions; and more. Perhaps best of all, though, the book is written with uncommon verve and a light touch that will satisfy the generally educated public and the specialist reader alike. In How to Do things with Fictions, Joshua Landy convincingly shows how the imaginative writings sitting on our shelves may well be our best allies in the struggle for more rigorous thinking, deeper faith, greater peace of mind, and richer experience.

Hardbound. This volume examines explicitly the question of how the semantics and pragmatics of a number of expressions might be responsibly discussed. In the past, the temptation has been for the expressions in question to be discussed either in terms of the semantics, or in terms of the pragmatics, but extremely rarely in terms of both. This book shows how revealing analyses for this interface can be provided for the expressions in question.In specially commissioned chapters from leading authors, the points of view represented include linguistics, logic, computational linguistics, and philosophy.

Reggie Peace was 13 jaar oud toe hy by die kinderhuis se voordeur gaan aanklop het. Die kinderhuis bied hom stabiliteit en gou begin Reggie presteer. Maar hy bly ontevrede met homself - hy sug voordurend na erkenning en aanvaarding. Tot hy besef dat hy ʼn keuse het: Kies die lewe, óf kies ’n stadige dood. Reggie se verhaal is een van hoop. Sy storie is een van swaarky, maar ook van uitdagings wat oorkom kan word en hoe om met Christus aan jou sy sterker anderkant uit te kom.

Annamarie van Niekerk gaan brutaal eerlik om met vraagstukke waarmee ons daagliks worstel: plaasmoord, geweld teen vroue, skuld en onmag, aandadigheid en keuse.

Sy woon in Den Haag, maar keer terug Suid-Afrika toe vir die begrafnis van haar liewe vriend, Ruben, wat saam met sy ma in ʼn wrede plaasmoord vermoor is. Dié reis lei terug na ander reise: Van haar kinderjare in PE in ʼn streng Nasionale huishouding met ʼn Broederbondpa. Na Umtata, waar sy gaan klasgee en verlief raak op ʼn swart kollega. Na Hillbrow, waar die twee van hulle onwettig saamwoon en aktief is in skrywersirkels met vriende soos Nadine Gordimer en Njabulo Ndebele. Tot geweld ook hul verhouding binnedring. Uiteindelik na die tronk, waar sy Ruben se moordenaars gaan soek in haar strewe na verstaan.

Van Niekerk vervleg haar eie storie aangrypend met ’n verkenning van die groot kwessies in ons land. Onder ʼn bloedrooi hemel is ʼn diep ontroerende persoonlike reis, van geweld na genade, meesterlik vertel.

’n Toeganklike, innemende bundel waarin die digter in soepel, gevoelige taal sy persoonlike ervarings verwoord én in gesprek tree met digters wat hom voorafgegaan het. Die verse skroom nie om eerlik én openhartig om te gaan met sowel diep persoonlike belewenisse of maatskaplike en politieke kwessies nie, en telkens te verras met vernuwende perspektiewe. Water dien deurgaans as ’n metafoor vir vloei, verandering en aanpasbaarheid – die noodsaaklike element vir lewe in ’n digterlike heelal.

Min het Zirk van den Berg, toe hy in 1998 met sy gesin na Nieu-Seeland verhuis, geweet wat dit sou verg vir ʼn huis vol Kapenaars om Kiwi’s te word. Hy vind homself werkloos, in ʼn piepklein huisie van karton, in die land van kettingsae en grassnyers. Die son skyn nooit en sy vrou sniks sags in haar kussing. Tog slaag Zirk uiteindelik daarin om ʼn betekenisvolle bestaan in Auckland vir hom en sy mense te bou.

On the Railway takes readers through South Africa’s rich railway history, from Estcourt to the grand steam engines on narrow gauges. David Williams highlights luxurious trains like the White and Blue Trains, and the vital role of goods trains in the economy. He explores engineering feats that tamed tough terrains and the growth of railway towns. The book also addresses racial segregation, the decline of the rail network, and reflects on the past and uncertain future of South African railways.

When Covid-19 pulled the rug out from under Marita van der Vyver and her Frenchman's feet and they were forced to sell their old, large house in the French countryside, they decided to get rid of most of their earthly possessions and travel far across the world. In this journey, which spans three continents, a lifetime of memories from one of Afrikaans’s greatest writers is explored. Sometimes you have to lose a lot, and also be willing to lose yourself, before you can truly gain freedom.

The strikingly unrestricted syntactic distribution of nouns in many Bantu languages often leads to proposals that syntactic case does not play an active role in the grammar of Bantu. This book offers a different conclusion that the basis of Zulu that Bantu languages have not only a system of structural case, but also a complex system of morphological case that is comparable to systems found in languages like Icelandic. By comparing the system of argument licensing found in Zulu to those found in more familiar languages, Halpert introduces a number of insights onto the organization of the grammar. First, while this book argues in favor of a case-licensing analysis of Zulu, it locates the positions where case is assigned lower in the clause than what is found in nominative-accusative languages. In addition, Zulu shows evidence that case and agreement are two distinct operations in the language, located on different heads and operating independently of each other. Despite these unfamiliarities, there is evidence that the timing relationships between operations mirror those found in other languages. Second, this book proposes a novel type of morphological case that serves to mask many structural licensing effects in Zulu; the effects of this case are unfamiliar, Halpert argues that its existence is expected given the current typological picture of case. Finally, this book explores the consequences of case and agreement as dissociated operations, showing that given this situation, other unusual properties of Bantu languages, such as hyper-raising, are a natural result. This exploration yields the conclusion that some of the more unusual properties of Bantu languages in fact result from small amounts of variation to deeply familiar syntactic principles such as case, agreement, and the EPP.

The long-awaited memoir of legendary Lionel Richie

As a storyteller second to none, Lionel Richie is ready to tell it all. In this intimate, deeply candid memoir, Lionel revisits hilarious and harrowing events to inspire all who doubt themselves or feel their dreams don’t matter. Lionel chronicles lessons learned during his unlikely story of remarkable success—his dramatic transformation from painfully shy, 'tragically' late bloomer to world-class entertainer and composer of love songs that have played as the soundtrack of our lives.

Funny, warm and riveting, Lionel recalls his childhood in Tuskegee, Alabama, where he grew up on its university campus during the heyday of the Civil Rights movement, raucous adventures as a member of The Commodores, coming-of-age in late 1960s Harlem, culture shock playing gigs on the French Riviera, the big break of being signed to Motown, his meteoric solo career that included an Olympics performance witnessed by two billion around the globe, all the way through to writing and recording 'We Are the World' and his current multi-generational fame as a judge on American Idol. Even with its turbulence, loss, and near-calamity, Lionel’s journey takes us on a thrill ride and delivers a memoir for the ages—reminding us of the power of love to elevate our own lives and our world.

Lionel Richie’s memoir includes three eight-page photo inserts.

This collection of original essays, written by scholars from disciplines across the humanities, addresses a wide range of questions about love through a focus on individual films, novels, plays, and works of philosophy. The essays touch on many varieties of love, including friendship, romantic love, parental love, and even the love of an author for her characters. How do social forces shape the types of love that can flourish and sustain themselves? What is the relationship between love and passion? Is love between human and nonhuman animals possible? What is the role of projection in love? These questions and more are explored through an investigation of works by authors ranging from Henrik Ibsen to Ian McEwan, from Rousseau to the Coen Brothers.

A personal testimony detailing the life of a teenage patient in a tuberculosis hospital taken from his daily diary entries. Like others he was cooped up and restricted, while gratefully receiving care and treatment from surgeons and nursing staff under the watchful eye of strict yet sympathetic Sisters and Matrons. This is an entertaining read involving co-operation and modest revolt including nruse chasing, illicit pub crawls, and regular carpeting by the Ward Sister and Medical Superintendent. Yet accompanying the lighter moments is an important medical, social and personal record of the 1950s sanatorium experience.

Cicero's speech on behalf of L. Lucinius Murena, newly elected to the consulship of 62 BCE but immediately prosecuted for electoral bribery, is especially famous for its digressions and valuable for its insights into the complex political wrangles of the late 60s. It is, however, a speech more commonly excerpted and cited than read in its entirety, though whether the absence of an English-language commentary is a cause or effect of that situation remains uncertain. In short, a pedagogical commentary on this important and strange speech is long overdue. Distinguished Latinist Elaine Fantham's commentary is noteworthy for its ability to elucidate not only the rhetorical structure of this speech but the rationale behind Cicero's strategic decisions in creating that structure. It also calls attention to the stylistic features like word choice, rhetorical figures, and rhythmic effects that make the speech so effective, and explains with care and precision the political, social, and historical considerations that shaped the prosecution and defense of the somewhat hapless defendant. This commentary includes the kind of grammatical explication required to make its riches accessible to undergraduate students of Latin.