"Riku Lätti se poësie-debuut is meer as net nog ’n oulike digbundeltjie in Afrikaans; ek sien dit as ’n monumentale en omvattende deurgronding van alle fasette van die moderne mens se soeke na betekenis en — hier kom die grootste verrassing — selfs ons opvattings oor die teologie." – Koos Kombuis

"Aangrypende meditasies oor die heiligheid van onsekerheid. ’n Boek waarna ek telkens sal terugkeer om naby die aarde en werklikheid te bly om nie te gryp na die warm lug van dogma en onwetenskaplike verduidelikings van bestaan nie. – Dana Snyman

Leonidas Polk is one of the most fascinating figures of the Civil War. Consecrated as a bishop of the Episcopal Church and commissioned as a general into the Confederate army, Polk's life in both spheres blended into a unique historical composite. Polk was a man with deep religious convictions but equally committed to the Confederate cause. He baptized soldiers on the eve of bloody battles, administered last rites and even presided over officers' weddings, all while leading his soldiers into battle. Historian Cheryl White examines the life of this soldier-saint and the legacy of a man who unquestionably brought the first viable and lively Protestant presence to Louisiana and yet represents the politics of one of the darkest periods in American history.

A surging movement for Catalan political independence from Spain has brought renewed urgency to questions about what it means, personally and politically, to speak or not to speak Catalan and to claim Catalan identity. This book develops a framework for analyzing ideologies of linguistic authority and uses it to illuminate the politics of language in Catalonia, where Catalan jostles with Castilian for legitimacy. Kathryn Woolard's longitudinal research across decades of political autonomy contextualizes this ethnographic study of the social meaning of Catalan in the 21st century. Part I lays out the ideologies of linguistic authenticity, anonymity, and naturalism that underpin linguistic authority in the modern western world, and gives an overview of a shift in the ideological grounding of linguistic authority in contemporary Catalonia. Part II examines discourses in the media surrounding three public linguistic controversies: an immigrant president's linguistic competence, a municipal festival, and an international book fair. Part III explores individuals' linguistic practices and views, drawing on classroom ethnographies and interviews with two generations of young people from the same high school. Woolard argues that there is an ongoing shift at both public and personal levels away from the ethnolinguistic authenticity that powered relations in the early transition to political autonomy, and toward new discourses of anonymity, rooted cosmopolitanism, and authenticity understood as a project rather than a matter of origins and essence.

In Running from the Shadows Stephanie Hickey tells, in her own words, how she survived abuse at the hands of a trusted family member and of how running, a simple physical activity helped her achieve mindfulness, but also to rediscover love and faith in her body - to reclaim it. Charting her life growing up in the rolling countryside of Waterford in the safety of her beloved family to the moment her childhood was shattered, to the court case where she waived her anonymity, to how she was able to reclaim a sense of herself through the sport which became like a therapy, Running from the Shadows is told with humour, strength and incredible courage -- a book that reveals how, even when things seem at their bleakest, a run through the Irish countryside, can bring you back into the light.

*Includes pictures.
*Includes Warhol's own quotes about his life and career.
*Includes a bibliography for further reading.

"Don't pay any attention to what they write about you. Just measure it in inches." - Andy Warhol

"In the future, everyone will be famous for 15 minutes." - Andy Warhol

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.

Few artists of the 20th century were as enigmatic as Andy Warhol, who once remarked, "If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, there I am. There's nothing behind it." This statement is hardly out of character for the famous artist, who remains famous for his cagey answers to interviews and his refusal to speak from the heart. It is no accident that Warhol wore a wig; paradoxically enough, he required the company of others but refused to allow himself to become emotionally intimate with anyone. If anything, Warhol's public persona seemed to be structured around an apparent lack of personality, and yet he later noted, "At the times in my life when I was feeling the most gregarious and looking for bosom friendships, I couldn't find any takers so that exactly when I was alone was when I felt the most like not being alone. The moment I decided I'd rather be alone and not have anyone telling me their problems, everybody I'd never even seen before in my life started running after me to tell me things I'd just decided I didn't think it was a good idea to hear about. As soon as I became a loner in my own mind, that's when I got what you might call a 'following.' As soon as you stop wanting something you get it. I've found that to be absolutely axiomatic."

Of course, Andy Warhol was more than just an apathetic figure; after all, he is the most famous member of the artistic movement known as Pop, a title that was coined by critics but which Warhol epitomized like no other. The core themes of Pop art are well-known: an ironic appropriation of mass culture; the utilization of found objects (especially those relating to mass culture); and an early postmodern tone of irony and even pastiche. The works of Warhol and his cohorts in the Pop movement not only stand as iconic works of post-war American art but also fundamentally redefined what qualified as art in the first place. Arriving on the heels of the Abstract Expressionist movement, Warhol's art marked a dramatic turn away from abstraction and toward the banal, but his works continue to enchant the public, exceeding even the grand-scale Abstract Expressionist compositions of Jackson Pollock. Warhol's virtuosity is bolstered by the fact that he was able to thrive while working in different media; his paintings and silkscreens have received by far the greatest focus from art historians, but Warhol also created famous sculptures, films, and drawings. More than just a great painter, he was a great artist.

Just as memorably, Warhol was someone whose art was intertwined with his personal life, so The Factory is nearly as big a pop culture icon as Warhol himself. Warhol's eclectic group of companions included artists, musicians, vamps, Bohemians, and everyone in between. Like them, Warhol is an almost impossible figure to pin down entirely, but American Legends: The Life of Andy Warhol explores the many dimensions of his life and career. Along with pictures of important people, places, and events, you will learn about Andy Warhol like never before, in no time at all.

Ideographic Modernism offers a critical account of the ideograph (Chinese writing as imagined in the West) as a modernist invention. Rather than focusing on the accuracy of this ideograph as a kind of representation of China (a focus that would yield predictable results), Christopher Bush reconstructs the specific history of the ideograph in order to explore the question of representation in more fundamental ways, ways that reflect the diversity and complexity of literary modernism itself.
On one level, the book makes an argument about the meaning and function of the ideograph during the modernist period, namely that this imagined Chinese writing was a complex response to the various writings of such technological media as the photograph, the phonograph, the cinematograph, and the telegraph. Through analyses of works by Claudel, Pound, Kafka, Benjamin, Segalen, and Valery, among others, Ideographic Modernism traces the interweaving of Western modernity's ethnographic and technological imaginaries, in which the cultural effects of technological media assumed "Chinese" forms, even as traditional representations of "the Orient" lived on in modernist-era responses to media.
On another level, the book makes a methodological argument, demonstrating new ways of recovering the generally overlooked presence of China in the text of Western modernism. In addition to being its subject matter, then, ideographic modernism is also the book's method: a polemically "literal" way of reading that calls for reevaluations both of how modernist literature related to its historical contexts and of the ways in which we can understand that relationship today."

The Oxford Handbook of Children's Literature is at once a literary history, an introduction to various theoretical perspectives and methodological approaches, a review of genres, and a selection of original and interdisciplinary essays on canonical and popular works for children in the Anglo-American tradition. It is geared toward graduate students, advanced undergraduates, and scholars new to the study of children's literature, as well as teachers and anyone wishing to keep up with new research and innovative approaches to children's literature. Twenty-six essays by top scholars from varied disciplines address theoretical, historical, sociological, and critical issues through analyses of classic novels such as Alice's Adventures in Wonderland, Anne of Green Gables, The Swiss Family Robinson, Tom Sawyer, Kidnapped, and Five Little Peppers and How They Grew; early educational and religious works such as The New England Primer and Froggy's Little Brother; picture books, comics and graphic novels such as Millions of Cats, Where the Wild Things Are, the Peanuts series and American Born Chinese; early readers such as The Cat in the Hat and the Frog and Toad books; newer children's classics including Are You There, God? It's Me, Margaret, Jade, Roll of Thunder, Hear My Cry, The Circuit, the Harry Potter series and His Dark Materials trilogy; works of poetry such as The Bat Poety and The Dreamkeeper; a play, Peter Pan; and media classics such as Free to Be You and Me and Dumbo. An editors' introduction surveys key trends in criticism, the field's history, and foundational scholarship.

This anthology presents new editions of five English dream vision poems from the fifteenth century, exploring issues of love, philosophy, governance, life at court, and some of the anxieties of writing in a newly-forged English tradition. The texts are fully glossed and annotated, with introductions discussing their contexts and critical history.

Adapted for younger readers from Born a Crime: And Other Stories- the #1 South African and New York Times bestseller

‘If my mother had one goal, it was to free my mind. My mother spoke to me like an adult. She was big into Psalms. I had to read Psalms every day. She would quiz me on it. “What does the passage mean? What does it mean to you? How do you apply it to your life:” That was every day of my life. My mom did what the school didn’t. She taught me how to think.

In Born a Crime, Trevor Noah shares his remarkable story of growing up in South Africa with a black South African mother and a white European father at a time when it was against the law for a mixed-race child to exist. But he did exist and from the beginning, the often-misbehaved Trevor used his quick wits and humour to navigate a harsh life.

This edition of Trevor’s fascinating memoir blends drama, comedy and tragedy to depict the day-to-day trials that turned a mischievous young boy into a restless young man. Against all the odds, and supported his mom’s unwavering love and indomitable will, Trevor overcame many obstacles and created a promising future for himself.

Born a Crime provides a fascinating and honest perspective on South Africa’s racial history and it will also inspire readers looking to improve their own lives.

TREVOR NOAH is a much-loved South African comedian, who is currently the host of The Daily Show.

The year is 1969. Chicago's inner city is riddled with drugs, gangs, violent crime, and despair of epidemic proportion. Born to drug addicted parents, Jemal Gibson's options early in life are gang banging, selling drugs, prison, and possibly death - like so many of those who had come before him. These same options that operate in a cyclical pattern have been affecting a multitude of families for decades. As family and friends in his old neighborhood still deal in meager amounts of drugs to this day, Jemal is selling billions of dollars worth of drugs. The amount of money most street dealers aspire to, Jemal deals legally. Although he physically makes it out of the ghetto, during his ascent up the corporate ladder, Jemal's heartstrings are constantly tugged at from his place of origin. His close ties to his family and friends, who continue to struggle, often draw him in as if he had never left. This keeps drugs, gangs, violence, and death as common occurrences in his personal life, while balancing corporate politics and multi-million dollar business deals. This memoir is full of heart-wrenching twists and turns of the impact of drugs - both illegal and legal. It is an incredibly intertwined duality of dealing drugs on back streets and Main street - with bifurcated results. From the emotionally painful depths of a young man's heart comes a roller-coaster ride of story with a powerful end Foreword by Les Brown

In 1997, Dr Marie Cassidy arrived in Dublin from Glasgow. There to discuss a possible deputy state pathologist post with Professor John Harbison, instead she was whisked by police escort to a Grangegorman murder scene. There was no turning back. She became Ireland's State Pathologist from 2004 until 2018, her image synonymous with breaking news of high-profile cases - a trusted figure in turbulent times. Here, with the scalpel-like precision and calm authority of her trade, Marie shares her remarkable personal journey from working-class Scotland into the world of forensic pathology, describing in candid detail the intricate processes central to solving modern crime. She recounts her work following the tragic deaths of Rachel O'Reilly, Siobhan Kearney, Robert Holohan, Tom O'Gorman and others - along with the Stardust exhumations and lesser known cases from her long career - outlining the subtle methods by which pathology and the justice system meet. Beyond the Tape is a unique behind-the-scenes journey into the mysteries of unexplained and sudden death - by turns poignant, stark and deeply compelling.

Ephemeral, fragile, often left unbound, sixteenth-century songbooks led fleeting lives in the pockets of singers and on the music desks of instrumentalists. Constantly in action, they were forever being used up, replaced, or abandoned as ways of reading changed. As such they document the acts of early musicians and the practices of everyday life at the unseen margins of elite society. Materialities is a cultural history of song on the page. It addresses a series of central questions concerning the audiences for written music by concentrating on the first genre to be commercialized by music printers: the French chanson. Scholars have long stressed that chansons represent the most broadly disseminated polyphony of the sixteenth century, but Materialities is the first book to account for the cultural reach of the chanson across a considerable cross-section of European society. Musicologist Kate van Orden brings extensive primary research and new analytical models to bear in this remarkable history of songbooks, music literacy, and social transformation during the first century of music printing. By tracking chansons into private libraries and schoolrooms and putting chansonniers into dialogue with catechisms, civility manuals, and chapbooks, Materialities charts the social distribution of songbooks, the gradual moralization of song, and the ways children learned their letters and notes. Its fresh conclusions revise several common assumptions about the value early moderns attributed to printed music, the levels of literacy required to perform polyphony, and the way musicians did or did not "read" their songbooks. With musical perspectives that can invigorate studies of print culture and the history of reading, Materialities is an essential guide for musicologists working with original sources and historians of the book interested in the vocal performances that operated alongside print.

This book explores the history of Pittsburghese, the language of the Pittsburgh, Pennsylvania area as it is imagined and used by Pittsburghers. Pittburghese is linked to local identity so strongly that it is alluded to almost every time people talk about what Pittsburgh is like, or what it means to be a Pittsburgher. But what happened during the second half of the 20th century to reshape a largely unnoticed way of speaking into this highly visible urban "dialect"? In this book, sociolinguist Barbara Johnstone focuses on this question. Treating Pittsburghese as a cultural product of talk, writing, and other forms of social practice, Johnstone shows how non-standard pronunciations, words, and bits of grammar used in the Pittsburgh area were taken up into a repertoire of words and phrases and a vocal style that has become one of the most resonant symbols of local identity in the United States today.

This volume focuses on Catholic Church history in Australia by lookimg at certain figures (Archdeacon John McEencroe, Lwesi Harding, Bishop Chalres Henry Davis, Cardonal Gilroy) as well as themes: Catholc Social Justice and parliamentary politics, humanae vitae and Tridentine clericalism, and the emergence of Catholic education offices.

This first comprehensive biography of Cecil Rhodes in a generation illuminates Rhodes’s vision for the expansion of imperialism in southern Africa, connecting politics and industry to internal development, and examines how this fueled a lasting white-dominated colonial society.

Rhodes was one of the most influential people in the history of the British Empire. He made a fortune by leading the world’s most important diamond mining company, De Beers, as well as gold-mining concern Consolidated Gold Fields. He was a member of the Cape Colony’s legislature and served as prime minister from 1890 to 1896, a key period for the development of racial discrimination. His British South Africa Company was given a charter to govern what is today Zambia and Zimbabwe.

A complex figure, admired and detested in his own time, Rhodes dreamt to unite Southern Africa’s colonies and republics into one state, dominated by white settlers, with labour provided by Black people who were constrained and pressured by discriminatory laws. In 1895 and 1896, he encouraged a failed plot to overthrow the independent Boer republic in the Transvaal.

Rhodes’ coup helped to precipitate the South African War, which started in 1899 and ended in 1902, the year of Rhodes' death.

This authoritative biography focuses on the relationship between Rhodes’ well-known activities in business and politics and the development of Southern Africa's infrastructure, most famously his plan for a Cape-to-Cairo railway. Rhodes envisioned a region where racism became embedded in the mining, farming, communication, and transportation industries. He pursued this vision in the face of opposition from many quarters.

Understanding the extent of Rhodes’ activities helps us to understand the challenges of modern Africa and the recent Rhodes Must Fall movement. A critical analysis of this contested figure, The Colonialist offers an original portrait of a crucial figure of his era.

This books provides students with an introduction to the work of Ian McEwan that places his fiction in historical and theoretical context. It explores his biography and his hallmark literary techniques, and it looks at the issues of ethics and representation, focusing particularly on his most recent fiction. Including a timeline of key dates and an interview with the author, this guide offers an accessible reading of McEwan's work and an overview of the varied critical reception this has provoked.

In ’n pragtige plattelandse dorpie ontvou ’n ondenkbare tragedie. Deveney Nel, ’n talentvolle 16-jarige, se lewe eindig skielik, en die gemeenskap, saam met die res van die land, is geruk. Julian Jansen, skrywer van topverkoperboeke soos Moord op Stellenbosch, het as misdaadverslaggewer vir Rapport van die begin af oor die saak geskryf. Hy benut sy uitgebreide kontakte binne die polisie, sowel as onderhoude met vriende en familie om die gebeure te rekonstrueer en om Deveney Nel te eer.

Julian Jansen, author of bestselling true crime books like The De Salze Murders, tells the Devené Nel story.

As Rapport’s crime reporter, Julian Jansen has written about the case from the start. He draws on his extensive contacts in the police and interviews with friends and family to reconstruct the events leading to the tragedy, and to honour the murdered young girl. He also investigates the failures of the state and draws lessons on how it can be prevented from happening again.