Die tweede versameling van prof. Fransjohan Pretorius se rubrieke oor die geskiedenis van Suid-Afrika van die vroegste tye tot taamlik onlangs wat in die dagblad Beeld verskyn het.

Maak kennis met nog helde en hendsoppers, die skurke en sterre van die land se verlede in kort en boeiende rubrieke wat die leser se geheue sal verfris oor al die grootste momente in ons geskiedenis asook 'n paar minder bekende maar ewe interessante gebeure.

Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.

Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.

Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.

New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.

"Riku Lätti se poësie-debuut is meer as net nog ’n oulike digbundeltjie in Afrikaans; ek sien dit as ’n monumentale en omvattende deurgronding van alle fasette van die moderne mens se soeke na betekenis en — hier kom die grootste verrassing — selfs ons opvattings oor die teologie." – Koos Kombuis

"Aangrypende meditasies oor die heiligheid van onsekerheid. ’n Boek waarna ek telkens sal terugkeer om naby die aarde en werklikheid te bly om nie te gryp na die warm lug van dogma en onwetenskaplike verduidelikings van bestaan nie. – Dana Snyman

Fasten your seatbelts as Formula 1's favourite underdog, Guenther Steiner, takes you on a wild ride through his ten years at Team Haas.

From the first seeds of his idea to establish a new F1 team to the challenges of funding and building that team from the ground up, Guenther shares the real story of the origins of Team Haas, immerses readers in the high and lows of its first decade on the grid, and opens up about his departure from the team at the end of 2023.

As Guenther recalls his proudest achievements and the many, many disasters he has faced, he takes readers behind the scenes, into the pit lanes and garages, and out on to the circuits of the world's greatest race tracks. We spend time with drivers, mechanics, executives, sponsors, commentators and fans, and take in many personal moments too, all the while grappling with the big challenges and small details that keep the wheels of a Formula 1 team turning.

Told in his inimitable style, packed with hugely entertaining stories, outspoken opinions and unvarnished truths, this is Guenther at his very best – insightful, opinionated and completely unfiltered.

In die verlede, was ek baie keer onseker oor myself, veral as ek in 'n moeilike situasie beland het of 'n krisis moes hanteer. Noudat ek vierkantig daarmee gekonfronteer word, is dit vir my lekker om te weet ek het nie moed opgegee nie. Mathys Roets het sy musiekloopbaan in 1989 begin toe hy met sy kitaar in die hand, in 'n winkelsentrum in Pretoria, vir fooitjies gesing het. In 1996 maak hy 'n belangrike deurbraak met sy debuutproduksie op die KKNK. In hierdie vertoning, Nokturne, sing hy die musiek van Koos du Plessis. Met sy donker fluweelstem het die musiek van Koos du Plessis, Mathys soos 'n handskoen gepas. Deur sy loopbaan het Mathys bekendheid verwerf vir sy sielvolle vertolkings van die wereld se mooiste ballades, veral die musiek van Leonard Cohen, Roger Whittaker en Neil Diamond. Die pad wat hy gestap het was nie maklik nie. Hy het harde bene gekou, self luidsprekers rondgedra en van restaurant na restaurant gegaan om daar te sing, maar toe hy uiteindelik raakgesien word, het dinge behoorlik vir hom vlam gevat. Op 6 April 2009, op pad na die KKNK in Oudtshoorn, ry Mathys met sy geel BMW motorfiets van die pad af. Vir dae lank hang sy lewe aan ? draadjie en uiteindelik reik die Rosepark Hospitaal ? verklaring uit: Mathys is verlam. Ten spyte van hierdie terugslag, besluit Mathys om vorentoe te kyk en steeds voluit te leef. Steeds Mathys is die inspirerende lewensverhaal van Mathys Roets, soos vertel aan Alita Vorster. Dis 'n verhaal wat lesers sal laat glimlag, maar ook aangryp en besiel. Na die lees van hierdie boek moet 'n mens wonder hoe jy enige uitdaging as te groot kan beskou!

In the stirring first volume of his presidential memoirs, Barack Obama tells the story of his improbable odyssey from young man searching for his identity to leader of the free world, describing in strikingly personal detail both his political education and the landmark moments of the first term of his historic presidency―a time of dramatic transformation and turmoil.

Obama takes readers on a compelling journey from his earliest political aspirations to the pivotal Iowa caucus victory that demonstrated the power of grassroots activism to the watershed night of November 4, 2008, when he was elected 44th president of the United States, becoming the first African American to hold the nation’s highest office.

Reflecting on the presidency, he offers a unique and thoughtful exploration of both the awesome reach and the limits of presidential power, as well as singular insights into the dynamics of U.S. partisan politics and international diplomacy.

A Promised Land is extraordinarily intimate and introspective―the story of one man’s bet with history, the faith of a community organizer tested on the world stage. Obama is candid about the forces that opposed him at home and abroad and bearing the expectation of a generation buoyed by messages of “hope and change”, and unafraid to reveal self-doubt and disappointment. Yet he never wavers from his belief that inside the great, ongoing American experiment, progress is always possible.

This beautifully written and powerful book captures Barack Obama’s conviction that democracy is not a gift from on high but something founded on empathy and common understanding and built together, day by day.

The Real Interior not only allows the reader a behind-the-scenes peek into the glitz and glamour of design and décor, but into a career once never considered an option for a young girl, born in Soweto.

As one of the first black and very recognisable faces of Interior Design in Africa, Nthabi Taukobong was thrust into the limelight from the very start of her profession. Spanning a career of more than 23 years she has worked on esteemed residential and leisure projects for presidents, African royalty, captains of industry and five-star hotels, to name but a few. Through the rough and often very challenging terrain of her chosen career, sprinkled generously with the high-end glamour of prestigious interiors that Nthabi has been privileged to work on, she learned that she, in fact, had to be seated right within her own interior before she could offer anything further to those in search of her creative gift.

And as she searched and explored the greater world of design, trying to grasp what it really took to be an esteemed designer, the journey unexpectedly brought her right back into her own home. Not only Nthabi’s physical home, but also to her inner-home, the place that she refers to as her ‘real interior’. It was in writing a letter one evening, congratulating herself on reaching the milestone of 21 years in her career, that Nthabi discovered she was not only writing to herself, but to every creative.

Her letter ended up being an entire book and Nthabi finally understood how her unique story could inspire and encourage others.

Ons praat Afrikaans – diverse mense – een taal is meer as net nog ’n fotoboek: dit is die eindproduk van ’n projek wat sy ontstaan gevind het in een individu se liefde vir die Afrikaanse kultuur en taal, Douw Greeff. Die projek is geloods in 2016 toe fotograwe (amateur en ook professioneel) genader is om werke in te skryf wat hulle voel die Afrikaanse kultuur en taal raakvat. Verskeie inskrywings is ontvang en die top foto’s het deurgegaan na ’n beoordelings-rondte, waar ’n paneel die beste foto’s gekies het om in hierdie pragpublikasie te pronk.

Van al die gebeure in die Kaapkolonie gedurende die Tweede Vryheidsoorlog het die teregstelling van Hans Lötter, asook dié van kmdt. Gideon Scheepers, die meeste emosie onder Afrikaners ontketen. Lötter en sy mederebelle in die Kolonie het die verbeelding van die plaaslike bevolking aangegryp en die Britte maande lank hoofbrekens besorg. Sy gevangeneming, verhoor en teregstelling deur ’n Britse vuurpeloton op Middelburg, Kaap, het groot woede en verontwaardiging veroorsaak en hom verewig as Boeremartelaar in die Afrikaner-volksoorleweringe. Nou word sy boeiende verhaal vir die eerste keer volledig vertel.

"I'm not a king or a Wizard... but I do have a story to tell." Meet Ben Bundle. He likes shing and snorkelling, jumping o rocks and exploring the magical island of Bryher with his friends. But after an accident leaves Bun blind, he fears his days of adventure are over. Until one day he is swept into the realm of his favourite story, the ancient legend of King Arthur, and Bun's world changes forever. Get ready for a gripping adventure where a broken promise, a magic sword and a ghostly king reveal to Bun a life-changing quest of his own. A tale about magic, mystery, hope, love, triumph and disaster, The Sleeping Sword weaves a contemporary tale of self-discovery with Arthurian legend in a way that is utterly spellbinding.

Om hierdie skryfsels te lees is soos die oomblik wanneer jy ’n 3D-bril opsit of ’n towersampioen eet: Alles lyk opeens anders, die wêreld is op sy kop gedraai, oral knetter moontlikhede.

Dreyer het die vermoë om op hierdie manier te sien en om die leser só te laat sien.

Dis ’n wonderbaarlike mengelmoes van alledaagse sowel as fantasmagoriese objekte soos ’n vingerhoed, ’n verdwaalde los skroefie, ’n geel badeendjie op die vloer van ’n afdelingwinkel, die bloop, Napoleon en sy jaggeselskap wat op die vlug slaan voor ’n spul mak hase, die klankeffekte in Star Wars, ’n intakte beesoog in die pad, meerminne, ’n mimeerkunstenaar, Noorderligte, monsters, vampiere, salmanders en ander.

Die skrywer, wat ook digter is, mors nie met woorde nie en sy gedagtes is elegant.

Vir die eerste keer ooit word al die dramas, hoorspele en die libretto van N.P. Van Wyk Louw in ’n versamelbundel uitgegee, met ’n voorwoord deur prof. Chris van der Merwe.

Van der Merwe sê: “Met die herlees van die dramas, hoorspele, koorspel en libretto van N. P. van Wyk Louw het dit my opgeval hoe dikwels hulle ʼn gesprek met mekaar voer. Soortgelyke temas word herhaaldelik uitgebeeld; die tekste sluit by mekaar aan, komplementeer mekaar, spreek mekaar soms teen. Dikwels kom die temas wat Louw in sy essays bespreek het of in sy poësie tot uiting gebring het, ook in die karakterisering en die intriges van die dramas na vore. Dit is opmerklik dat die denke van Louw nooit stagneer nie; steeds is daar tekens van ʼn voortgaande worsteling en vernuwing. Die indiwiduele dramas, in die groter konteks van sy oeuvre gelees, laat ʼn fassinerende skrywerspersoonlikheid na vore kom."