Literature and Complaint in England 1272-1553 gives an entirely new and original perspective on the relations between early judicial process and the development of literature in England. Wendy Scase argues that texts ranging from political libels and pamphlets to laments of the unrequited lover constitute a literature shaped by the new and crucial role of complaint in the law courts. She describes how complaint took on central importance in the development of institutions such as Parliament and the common law in later medieval England, and argues that these developments shaped a literature of complaint within and beyond the judicial process. She traces the story of the literature of complaint from the earliest written bills and their links with early complaint poems in English, French, and Latin, through writings associated with political crises of the fourteenth and fifteenth centuries, to the libels and petitionary pamphlets of Reformation England. A final chapter, which includes analyses of works by Chaucer, Hoccleve, and related writers, proposes far-reaching revisions to current histories of the arts of composition in medieval England. Throughout, close attention is paid to the forms and language of complaint writing and to the emergence of an infrastructure for the production of plaint texts, and many images of plaints and petitions are included. The texts discussed include works by well-known authors as well as little-known libels and pamphlets from across the period.

Antjie Krog is ’n (ook internasionaal) bekroonde digter, joernalis, vertaler en akademikus. Sy debuteer op die jong ouderdom van 18 met die bundel Dogter van Jefta (1970) waarna talle bekroonde digbundels en publikasies volg. As joernalis by Die Suid-Afrikaan lewer sy in die 1990’s verslag oor die Waarheids-en-versoeningskommissie en verwoord haar ervarings oor dié proses in Country of my skull, wat in 1998 gepubliseer is en onder meer die Alan Paton-toekenning vir niefiksie en die Olive Schreiner-prys ontvang. Sy vertaal ook Nelson Mandela se biografie, Long walk to freedom, in Afrikaans as Lang pad na vryheid.

Sy wen drie keer die gesogte Hertzogprys – vir Lady Anne (1990), Mede-wete (2017), asook vir haar jongste poësiebundel, Plunder, in 2023. Mees onlangs het sy die Tienie Holloway-medalje van die SA Akademie ontvang vir Vetplantfeetjies, saam met medewerkers Fiona Moodey en Ingrid de Kock, vir haar kinderdigbundel oor die natuur en inheemse plantegroei.

Hierdie huldigingsbundel is die 16de in die reeks van die SA Akademie vir Wetenskap en Kuns wat literêre kunstenaars huldig wat met die Hertzogprys bekroon is, en wat die Afrikaanse letterkunde oor dekades heen verryk het.

How do you rebuild yourself when your whole world changes overnight?

Thrust onto the public stage at fifteen years old after the Taliban's brutal attack on her life, Malala quickly became an international icon known for bravery and resilience. But away from the cameras and crowds, she spent years struggling to find her place in an unfamiliar world. Now, for the first time ever, Malala takes readers beyond the headlines in Finding My Way - a vulnerable, surprising memoir that buzzes with authenticity, sharp humour and tenderness.

Finding My Way is a story of friendship and first love, of anxiety and self-discovery, of trying to stay true to yourself when everyone wants to tell you who you are. In it, Malala traces her path from high school loner to reckless college student to a young woman at peace with her past. Through candid, often messy moments like nearly failing exams, getting ghosted and meeting the love of her life, Malala reminds us that real role models aren't perfect - they're human.

In this astonishing memoir, Malala reintroduces herself to the world, sharing how she navigated life as someone whose darkest moments threatened to define her - while seeking the freedom to find out who she truly is. Finding My Way is an intimate look at the life of a young woman taking charge of her destiny - and a deeply personal testament to the strength it takes to be unapologetically yourself

'People say to me, if you could do it all again, knowing what you know now, would you change anything? I'm like, f*** no. If I'd been clean and sober, I wouldn't be Ozzy. If I'd done normal, sensible things, I wouldn't be Ozzy.'

Husband. Father. Grandfather. Icon.
1948 - 2025

At the age of sixty-nine, Ozzy Osbourne was on a triumphant farewell tour, playing to sold-out arenas and rave reviews all around the world.

Then: disaster.

In a matter of just a few weeks, he went from being hospitalised with a finger infection to having to abandon his tour - and all public life - as he faced near-total paralysis from the neck down.

Last Rites is the shocking, bitterly hilarious, never-before-told story of Ozzy's descent into hell. Along the way are reflections on an extraordinary life and career, including his marriage to wife Sharon, and what it took for him to return to the stage for the triumphant Back to the Beginning concert, streamed around the world, where Ozzy reunited with his Black Sabbath bandmates for the final time.

Unflinching, brutally honest, but surprisingly life-affirming, Last Rites demonstrates once again why Ozzy transcended his status as 'The Godfather of Metal' and 'The Prince of Darkness' to become a modern-day folk hero and national treasure.

The English-Russian volume contains about 50,000 terms covering various fields and subfields of nuclear engineering and technology: nuclear physics, thermonuclear research, nuclear reactors, nuclear fuel, isotopes, radiation, reliability and safety issues, environmental protection, emergency issues, radiation hazards. Terms from the military nuclear field are also included, as well as the names of nuclear power plants and nuclear societies worldwide. It also contains a comprehensive section of about 6,500 abbreviations..

Family Money explores the histories of formerly enslaved women who tried to claim inheritances left to them by deceased owners, the household traumas of mixed-race slaves, post-Emancipation calls for reparations, and the economic fallout from anti-miscegenation marriage laws. Authors ranging from Nathaniel Hawthorne, Frank Webb, Harriet Beecher Stowe, Charles Chesnutt, to Lydia Maria Child recognized that intimate interracial relationships took myriad forms, often simultaneously-sexual, marital, coercive, familial, pleasurable, and painful. Their fiction confirms that the consequences of these relationships for nineteenth-century Americans meant thinking about more than the legal structure of racial identity. Who could count as family (and when), who could own property (and when), and how racial difference was imagined (and why) were emphatically bound together. Demonstrating that notions of race were entwined with economics well beyond the direct issue of slavery, Family Money reveals interracial sexuality to be a volatile mixture of emotion, economics, and law that had dramatic, long-term financial consequences.

John Edgar Tidwell and Steven C. Tracy have brought together for the first time a book-length collection of critical and theoretical writings about Sterling A. Brown that recovers and reasserts his continuing importance for a contemporary audience. Exploring new directions in the study of Brown's life and work, After Winter is structured around the following three features: (1) new and previously published essays that sum up contemporary approaches to the multifaceted works that Brown created in a variety of genres; (2) interviews with Brown's acquaitances and contemporaries that articulate his unique aesthetic vision and communicate his importance as a scholar, creative writer, and teacher; and (3) a discography of source material that innovatively extends the study and teaching of Brown's acclaimed poetry, especially his Southern Road, focusing on recordings of folk materials relevant to the subject matter, style, and meaning of individual poems from his oeuvre.

An essential introduction to Fanon’s remarkable life and philosophy. Connecting his writing, psychiatric practice and lived experience in the Caribbean, France and Africa, Gibson highlights Fanon’s philosophical commitments and the vision of revolution that he stood for. Fanon’s oeuvre is essential to thinking about race today.

Revolutionary humanist and radical psychiatrist Frantz Fanon was one of the greatest Black thinkers of the twentieth century. Born in Martinique and known for his involvement in the Algerian liberation movement, his seminal books Black Skin, White Masks and The Wretched of the Earth are widely considered to be cornerstones of anti-colonial and anti-racist thought.

In this essential introduction to Fanon’s remarkable life and philosophy, Nigel C. Gibson argues that Fanon’s oeuvre is essential to thinking about race today. Connecting Fanon’s writing, psychiatric practice and lived experience in the Caribbean, France and Africa, Gibson highlights Fanon’s his philosophical commitments and the vision of revolution that he stood for. Despite his untimely death, the revolutionary pulse of Fanon’s ideas has continued to beat ever more strongly in the consciousness of successive revolutionary generations, from the Black Panthers and Black power to the Black Lives Matter and Fallist student movements, as well as to grassroots resistance movements working to improve the lives of Black and indigenous people who are continuously oppressed by systems of capitalism, imperialism and colonialism.

As Fanon’s thought comes alive to new activists thinking about their mission to ‘humanise the world,’ Gibson reminds us that Fanon’s revolutionary humanism is fundamental to all forms of anti-colonial struggle across the world.

The Patient, known as Mrs. Wingfield, has been horribly injured in a fall from her balcony. Unable to communicate, it could have been an accident, attempted suicide or worse still a coldblooded killer bent on murder. While relatives gather around her hospital bed the tension builds as an ingenious device helps Mrs. Wingfield convey a message that could solve the mystery.

This book presents and analyzes various features of the morphosyntax of Borgomanerese, a Gallo-Italic dialect spoken in the town of Borgomanero, in the Piedmont region of Northern Italy. The study is highly comparative, drawing on the literature on numerous other Italian dialects and Romance languages (as well as English), to inform our understanding of the Borgomanerese phenomena. Christina Tortora takes the many unusual and understudied (and often novel) facts of Borgomanerese grammar as compelling grounds for revisiting and reformulating current analyses of syntactic phenomena in these other languages. The phenomena treated include the syntax and semantics of the weak locative in presentational sentences; the syntax of object clitics and argument prepositions; the syntax of subjects and subject clitics; the syntax of interrogatives; clausal architecture; and the relationship between orthography and theoretical analysis. The principal value of this book lies both in the rich description of the morphosyntactic phenomena of Borgomanerese, many of which have not been previously reported in the literature, and in the consequent novel analyses developed, which contribute insights for other languages and dialects, and advance our understanding of syntax and syntactic theory in general.

Queer Virgins examines the creation and theatrical performance of queer puns in Renaissance London. Its argument--that a small theatre known as the Whitefriars was run by a community of playwrights who self-consciously targeted an audience sympathetic to homoerotic desire and to homoerotic puns in particular--revises the current scholarly belief that early modern Londoners did not form self-conscious communities based on erotic desire. This book is for students of the early modern theatre; those who are interested in the history of erotic relations between men, and all who delight in puns and bawdy.

Remade in France: Anglicisms in the Lexicon and Morphology of French chronicles the current status of French Anglicisms, a popular topic in the history of the French language and a compelling example of the influence of global English. The abundant data come from primary sources-a large online newspaper corpus (for unofficial Anglicisms) and the dictionary (for official Anglicisms)-and secondary sources. This book examines the appearance and behavior of English items in the lexicon and morphology of French, and explains them in the context of French neology and lexical activity. The first phase of the latest contact period (1990-2015) has its own complex linguistic characterization, including a significant influx of nonce borrowings and very low frequency Anglicisms, heterogeneous and creative borrowing outcomes, and direct phraseological borrowing. This book is a counterargument to the well-known criticism that Anglicisms are lexical polluters. On the contrary, the use of Anglicisms requires the inventive application of complex linguistic rules, and the borrowing of Anglicisms into the French lexicon is convincing proof that language change is systematic. The findings bring novel interdisciplinary insights to the domains of borrowing in a non-bilingual contact setting; global English as a source of lexical creativity in the French lexicon; the phases, patterns and processes of integration of English loanwords; the morphology of borrowing; and computational corpus linguistics. The appended database is a snapshot of a synchronic period of linguistic contact and a useful lexicographic resource.

This one-volume work covers the West's oldest critical and academic discipline--the elements, structure, principles and techniques of rhetoric in literature, communication and more specifically, public speaking. Major figures and rhetoric in non-Western cultures are covered as well.

'His mind and hand went together' said Hemings and Condell of the speed of Shakespeare. But the conceptual language of literary criticism, be it moralistic or political, has long been too slow to the properly responsive to Shakespeare's meaning. With the help of both Renaissance philosophers and present-day actors, Sudden Shakepeare seeks to locate the underlying secrets of Shakespeare's dynamic power. It offers a technical language wihch, close to Shakespeare's own, is capable of responding suddenly to the speed, transforming shape, and power of Shakespeare's way of thinking as it comes into meaning.

This edition of the writings of Theobald Wolfe Tone (1763-98), barrister, United Irishman, agent of the Catholic Committee and later an officer in the French revolutionary army, is intended to comprehend all his writings and largely to supersede the two-volume Life of Theobald Wolfe Tone. ..written by himself that was edited by his son William, and published at Washington in 1826. It consists mainly of Tone's correspondence, diaries, autobiography, pamphlets, public addresses, and miscellaneous memoranda (both personal and public); it is based on the original MSS if extant or the most reliable printed sources.
Tone's participation in Irish politics in the early 1790s and his presence on the periphery of the ruling circle in revolutionary France from February 1796 to September 1798 would be sufficient to make his writings a major historical source. The literary quality of his writings, diaries, and autobiography enhances their importance. The unique quality of Tone's writings is that they are the production of a gifted and convivial young Irishman who moved widely in intellectual and political circles.
This volume - France, the Rhine, Lough Swilly, and the Death of Tone - completes the edition, following the last part of Tone's life, until his death following the abortive Irish uprising of 1798. It includes addenda, corrigenda, an iconography, a bibliography, and a complete index to all three volumes.

With the weakening moral authority of the Catholic Church, the boom ushered in by the Celtic Tiger, and the slow but steady diminishment of the Troubles in the North, Ireland has finally stepped out from the shadows of colonial oppression onto the world stage as a major cosmopolitan country.Taking its title from a veiled reference to Roger Casement-the humanitarian and Irish patriot hanged for treason-in James Joyce's Ulysses, The Poor Bugger's Tool demonstrates how the affective labor of Irish queer culture might contribute to a progressive new national image for the Republic and Northern Ireland.
Looking back to the first wave of Irish modernism in the works of Wilde, Synge, Casement, and Joyce, Patrick Mullen reveals how these authors deployed queer aesthetics to shape inclusive forms of national affiliation as well as to sharpen anti-imperialist critiques. In its second half, the monograph turns its attention to Ireland's postmodernist boom in the works of Patrick McCabe, Neil Jordan, and Jamie O'Neill. With readings of The Butcher Boy, Breakfast on Pluto, and At Swim Two Boys, Mullen shows that queer sensibilities and style remain key cultural resources for negotiating the political and economic realities of globalization at the turn of the twenty-first century.
Buttressed by writings of theorists like Marx, Foucault, and Antonio Negri, The Poor Bugger's Tool brings Irish literature into a fruitful dialog with queer theory, postcolonial studies, the history of sexuality, and modernist aesthetics.

Poetry. African American Studies. "In Kelly Norman Ellis's long-awaited second collection, a grand cinema of black life is honey-beamed and balanced on a 'nipple of coal.' Somewhere in the middle of turning these pages, the reader will helplessly rise and mercilessly hunt for dirty rice and Bill Withers. It is indeed the poet's job to save something, but Ellis does more--she swears to paper a luscious book so rich with black zest and drylongso that each page sets high our thirst for all that is human, longed for and inexplicable."--Nikky Finney"Every stanza in this fierce and formidable collection strikes a sweet, keening note for the colored girl--the front-row-center Sunday morning worshipper, the fast gal craving the jukebox on Saturday night, the grandmama arced over a stove-top staple, the precocious nappy-headed chile tripping the double-dutch line. With OFFERINGS OF DESIRE, Kelly Norman Ellis has graced us all with a gift that is nothing short of a miracle. She has blessed the sisterhood with a soundtrack."--Patricia Smith

From the author of Sunday Times bestsellers One Child and Ghost Girl comes a heartbreaking story of a boy trapped in silence and the teacher who rescued him. When special education teacher Torey Hayden first met fifteen-year-old Kevin, he was barricaded under a table. Desperately afraid of the world around him, he hadn't spoken a word in eight years. He was considered hopeless, incurable. But Hayden refused to believe it, though she realised it might well take a miracle to break through the walls he had built around himself. With unwavering devotion and gentle, patient love, she set out to free him - and slowly uncovered a shocking violent history and a terrible secret that an unfeeling bureaucracy had simply filed away and forgotten. Torey refused to give up on this tragic "lost case." For a trapped and frightened boy desperately needed her help - and she knew in her heart she could not rest easy until she had rescued him from the darkness.

The self-righteous, headstrong lawyering mother has a new and greater challenge. No longer seeking the approval of her successful mother, one of South Africa’s first women judges, Niki is out to find that elusive concept of the ‘work/life’ balance and some real, sustainable solutions.

Her journey takes her deep into feminist philosophies as she struggles to understand the unfolding media-driven drama of the Oscar Pistorius trial while researching issues of ethics in the legal profession. But in between life and children, Niki is also determined to navigate her own way around the new world of print and publishing and connect with her own identity as a writer. How is she going to survive all this?

Something In Between is a light-hearted non-fiction narrative about real issues in a changing world: issues of parenting and the legal profession, tertiary institutions and marriage institutions; issues about the old feminist debate and why it’s still unresolved and some lessons learnt about the world of books and book publishing. A memoir of her last three years and all of it absolutely true.