As the seas rise, the fight intensifies to save the Pacific Ocean's Marshall Islands from being devoured by the waters around them. At the same time, activists are raising their poetic voices against decades of colonialism, environmental destruction, and social injustice. Marshallese poet and activist Kathy Jetn-il-Kijiner's writing highlights the traumas of colonialism, racism, forced migration, the legacy of American nuclear testing, and the impending threats of climate change. Bearing witness at the front lines of various activist movements inspires her work and has propelled her poetry onto international stages, where she has performed in front of audiences ranging from elementary school students to more than a hundred world leaders at the United Nations Climate Summit. The poet connects us to Marshallese daily life and tradition, likening her poetry to a basket and its essential materials. Her cultural roots and her family provides the thick fiber, the structure of the basket. Her diasporic upbringing is the material which wraps around the fiber, an essential layer to the structure of her experiences. And her passion for justice and change, the passion which brings her to the front lines of activist movements-is the stitching that binds these two experiences together. Iep Jaltok will make history as the first published book of poetry written by a Marshallese author, and it ushers in an important new voice for justice.

An enhanced exam section: expert guidance on approaching exam questions, writing high-quality responses and using critical interpretations, plus practice tasks and annotated sample answer extracts. Key skills covered: focused tasks to develop analysis and understanding, plus regular study tips, revision questions and progress checks to help students track their learning. The most in-depth analysis: detailed text summaries and extract analysis to in-depth discussion of characters, themes, language, contexts and criticism, all helping students to reach their potential.

This accessible textbook offers students the opportunity to explore for themselves a wide range of sociolinguistic issues relating to the German language and its role in societies around the world. It is written for undergraduate students who have a sound practical knowledge of German but who have little or no knowledge of linguistics or sociolinguistics. It combines text with practical exercises and discussion questions to stimulate readers to think for themselves and to tackle specific problems.
In Part One Patrick Stevenson invites readers to investigate and reflect on issues about the status and function of the German language in relation to its speakers and to speakers of other languages with which it comes into contact. In Part Two the focus shifts to the forms and functions of individual features of the language. This involves, for example, identifying features of regional speech forms, analysing similarities and differences between written and spoken German, or looking at the 'social meaning' underlying different forms of address. Part Three explores the relationship between the German language and the nature of 'Germanness'. It concentrates on people's attitudes towards the language, the ways in which it is changing, and their views on what it represents for them.
Features and benefits of using this book:
* Comprehensive: provides the basis for a typical one-semester course
* Informative and practical: combines a review of current themes with graded exercises and relevant reading, plus an index of terms
* Topical and contemporary: deals with current situations with the most up-to-date information
* Has a workbook character: encourages students to think and work for themselves.
Patrick Stevenson is a lecturer in German in the School of Modern Languages, Southampton University.

Fasten your seatbelts as Formula 1's favourite underdog, Guenther Steiner, takes you on a wild ride through his ten years at Team Haas.

From the first seeds of his idea to establish a new F1 team to the challenges of funding and building that team from the ground up, Guenther shares the real story of the origins of Team Haas, immerses readers in the high and lows of its first decade on the grid, and opens up about his departure from the team at the end of 2023.

As Guenther recalls his proudest achievements and the many, many disasters he has faced, he takes readers behind the scenes, into the pit lanes and garages, and out on to the circuits of the world's greatest race tracks. We spend time with drivers, mechanics, executives, sponsors, commentators and fans, and take in many personal moments too, all the while grappling with the big challenges and small details that keep the wheels of a Formula 1 team turning.

Told in his inimitable style, packed with hugely entertaining stories, outspoken opinions and unvarnished truths, this is Guenther at his very best – insightful, opinionated and completely unfiltered.

Eleanor Roosevelt's character was shaped by the history and culture of the Hudson Valley. More than that, Eleanor Roosevelt loved the Hudson Valley. A woman who knew and cared for the whole world chose this place, Val-Kill, as her home in a cottage by a stream. Eleanor Roosevelt: A Hudson Valley Remembrance reflects her unaffected simplicity and caring interest in her neighbors' concerns. Remembered by friends, colleagues, neighbors, and young people, these qualities inspired a community-based group to lead efforts to save her home in 1977 as the country's first national historic site dedicated to a First Lady. The Eleanor Roosevelt Center at Val-Kill continues her work on issues that affect life today.

It’s terribly important that I get in touch with a gentleman who may have stopped in here to buy flowers this morning. Terribly important.

Sometimes, the person you think you love isn’t who they seem. And sometimes, you can be your own deception. Spanning Shirley Jackson's entire career, these devilish tales of love, death, and despair show us how all that keeps us safe in suburbia can strike up, leave, and instantly disappear.

'I know the trade: I learned it when I was in Wittenberg' Thus speaks Lacy, the gentleman who disguises himself as a simple shoemaker in order to win his true love, the grocer's daughter Rose. The Shoemaker's Holiday is one of the most engaging citizen comedies of the 17th century. Written and first performed at much the same time as Hamlet, it has an unexpected affinity with Shakespeare's tragedy: both feature a leading character who has spent time in Wittenberg, where he has learned something that has changed him. But whereas Hamlet's Wittenberg philosophy steers him into the realm of the individuated self, Lacy's Wittenberg trade directs him and his fellows into the world of the collectively crafted commodity. In the process, the play offers fascinating insight into the evolution of fashion and the growth of consumer culture in newly capitalist London. This new student edition contains a lengthy new Introduction with background on the author, date and sources, the play's major preoccupations, and stage history. The editor, Jonathan Gil Harris, is Professor of English at George Washington University. he is the author of Foreign Bodies and the Body Politic, Sick Economies, and Untimely Matter in the Time of Shakespeare.

This study focuses on Laches, Protagoras, and the conversation between Socrates and Agathon in the Symposium. For these dialogues the author "proposes a strategy of interpretation that insists on the dialogues' essentially interrogatory character. . . . Stokes argues that we are not entitled to ascribea thesis to Socrates (far less to Plato) unless he unambiguously asserts it as his own belief. . . . For the most part, Stokes argues, Socrates is doing what he claims to be doing: cross-examining his interlocutor. He draws the materials of his own argument from the respondent's explicit admissions and from his own knowledge of the respondent's character, commitments and ways of life.What is shown by such a procedure is not, . . . according to Stokes], that acertain thesis is true or false, but, rather, that a certain sort of person, with certain commitments, can be led, on pain of inconsistency, to assent to theses that at first seem alien to him. Sometimes, as it turns out, these are theses that Socrates also endorses in his own person." "Times Literary Supplement"

WINNER OF THE THURBER PRIZE

The compelling, inspiring, (often comic) coming-of-age story of Trevor Noah, set during the twilight of apartheid and the tumultuous days of freedom that followed.

One of the comedy world's brightest new voices, Trevor Noah is a light-footed but sharp-minded observer of the absurdities of politics, race and identity, sharing jokes and insights drawn from the wealth of experience acquired in his relatively young life. As host of the US hit show The Daily Show with Trevor Noah, he provides viewers around the globe with their nightly dose of biting satire, but here Noah turns his focus inward, giving readers a deeply personal, heartfelt and humorous look at the world that shaped him.

Noah was born a crime, son of a white Swiss father and a black Xhosa mother, at a time when such a union was punishable by five years in prison. Living proof of his parents' indiscretion, Trevor was kept mostly indoors for the first years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, take him away.

A collection of eighteen personal stories, Born a Crime tells the story of a mischievous young boy growing into a restless young man as he struggles to find his place in a world where he was never supposed to exist. Born a Crime is equally the story of that young man's fearless, rebellious and fervently religious mother - a woman determined to save her son from the cycle of poverty, violence and abuse that ultimately threatens her own life.

Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Noah illuminates his curious world with an incisive wit and an unflinching honesty. His stories weave together to form a personal portrait of an unlikely childhood in a dangerous time, as moving and unforgettable as the very best memoirs and as funny as Noah's own hilarious stand-up. Born a Crime is a must read.

For the whole of the last half-century, most theoretical syntacticians have assumed that knowledge of language is different from the tasks of speaking and understanding. There have been some dissenters, but, by and large, this view still holds sway.

This book takes a different view: it continues the task set in hand by Kempson et al (2001) of arguing that the common-sense intuition is correct that knowledge of language consists in being able to use it in speaking and understanding. The Dynamics of Language argues that interpretation is built up across as sequence of words relative to some context and that this is all that is needed to explain the structural properties of language. The dynamics of how interpretation is built up is the syntax of a language system. The authors' first task is to convey to a general linguistic audience with a minimum of formal apparatus, the substance of that formal system. Secondly, as linguists, they set themselves the task of applying the formal system to as broad an array of linguistic puzzles as possible, the languages analysed ranging from English to Japanese and Swahili.

"This book makes an uncommon achievement in successfully using detailed analyses of typologically diverse languages to address foundational questions about what it means to know a language and about the relation between speaking and understanding. This book will be of interest to anybody who is serious about the cognitive science of syntax and semantics."
Colin Phillips, University of Maryland, USA

"For anyone interested in the basic nature of natural language syntax, this book is a necessary, and enjoyable, read. The authors provide a new take on howinterpretations are constructed by language users, and back up their general theoretical proposals with original analyses of an eclectic range of linguistic phenomena. The exposition
is clear and engaging-and challenging. You will have some of your assumptions shaken up; whether they fall back in place, or are radically rearranged, the experience is stimulating."
Caroline Heycock, University of Edinburgh, UK

"Chatham Sea Captains in the Age of Sail" chronicles the lives and adventures of twenty-five men who traveled the seas from the eighteenth through the twentieth century. These were extraordinary men masters of navigation who charted paths from the Cape to the Far East with their regal clipper ships; deep-sea fishermen whose fearless spirit drove them to the Grand Banks and Newfoundland in the quest for their catch; and coastal captains who skirted America's eastern seaboard in pursuit of trade. Spurred on by the Industrial Revolution's demands, these mariners continued their pelagic exploration while pirates, privateers and Confederate raiders tested their mettle. The sea was both foe and ally. To meet the foe was the challenge; to sail her waters and return home as true masters was the force that drove these men to excellence.

The powerful and moving memoir of a fearless political opposition leader who paid the ultimate price for his beliefs.

Alexei Navalny began writing PATRIOT shortly after his near-fatal poisoning in 2020. It is the full story of his life: his youth, his call to activism, his marriage and family, his commitment to challenging a world super-power determined to silence him, and his total conviction that change cannot be resisted – and will come.

In vivid, page-turning detail, including never-before-seen correspondence from prison, Navalny recounts, among other things, his political career, the many attempts on his life, and the lives of the people closest to him, and the relentless campaign he and his team waged against an increasingly dictatorial regime.

Written with the passion, wit, candour and bravery for which he was justly acclaimed, PATRIOT is Navalny’s final letter to the world: a moving account of his last years spent in the most brutal prison on earth; a reminder of why the principles of individual freedom matter so deeply; and a rousing call to continue the work for which he sacrificed his life.

The Sunday Times top 10 bestseller. Laugh along with Michael McIntyre as he lifts the curtain on his life in his revealing autobiography. Michael's first book ended with his big break at the 2006 Royal Variety Performance. Waking up the next morning in the tiny rented flat he shared with his wife Kitty and their one-year-old son, he was beyond excited about the new glamorous world of show business. Unfortunately, he was also clueless . . . In A Funny Life, Michael honestly and hilariously shares the highs and the lows of his rise to the top and desperate attempts to stay there. It's all here, from his disastrous panel show appearances to his hit TV shows, from mistakenly thinking he'd be a good chat show host and talent judge, to finding fame and fortune beyond his wildest dreams and becoming the biggest-selling comedian in the world. Along the way he opens his man drawer, narrowly avoids disaster when his trousers fall down in front of three policemen and learns the hard way why he should always listen to his wife. Michael has had a silly life, a stressful life, sometimes a moving and touching life, but always A Funny Life.

Locality is a key concept not only in linguistic theorizing, but in explaining pattern of acquisition and patterns of recovery in garden path sentences, as well. If syntax relates sound and meaning over an infinite domain, syntactic dependencies and operations must be restricted in such a way to apply over limited, finite domains in order to be detectable at all (although of course they may be allowed to iterate indefinitely). The theory of what these finite domains are and how they relate to the fundamentally unbounded nature of syntax is the theory of locality. The papers in this collection all deal with the concept of locality in syntactic theory, and, more specifically, describe and analyze the various contributions Luigi Rizzi has made to this area over the past three and a half decades. The authors are all eminent linguists in generative syntax who have collaborated with Rizzi closely, and in eleven chapters, they explore locality in both pure syntax and psycholinguistics. This collection is essential reading for students and scholars of linguistic theory, generative syntax, and comparative syntax.

Caustically humorous and polemically compulsive, Trump Rant is a work of meticulous political portraiture: a deep-delving and epoch-spanning investigation into the nature of power in American life, made luminous by Agee's nuanced, exploratory understanding of authoritarian drift and thwarted democratic aspiration in a number of world-historical contexts, from Belfast to the Balkans to the formerly Confederate South. Free-roaming in its breadth of reference and tonal range, the Rant is at once viscerally personal and unsettlingly resonant, infused throughout with an almost hypnotic sense of scale, largesse, and historical moment. Already renowned as a poet of emotional delicacy and singular stylistic vision, Agee's hallmark gifts of writerly intimacy and ethical resolve are here expanded and reconfigured on a panoramic canvas - moving from a pared-back opening section to the accelerating pace and barrage-like linguistic assaults of the latter addenda. But for all its freewheeling furies, shifting emotional registers and Kubrick-like black humour, it remains a remarkably formal work, moored to the relentlessly dangerous drumbeat of Donald J. Trump. The result is a combination of long-form radicalism and eclectic satire, startingly unique in its blend of aphorism, acuity and epic cultural imagining. Composed chronologically for nearly four years (from early 2017 until Election Day 2020), Trump Rant is a triumph of artistic witness and denunciation; an urgent retort to a global culture of imperilled legal standards and depleted literary response; and an incisive model of enlightenment and outrage in a "post-truth" world being visibly darkened by its criminal shadows.

For a decade, Ecco has published the most outstanding science writing in America, collected in highly acclaimed annual volumes edited by some of the most impressive and most important names in science and science writing today: James Gleick, Timothy Ferris, Matt Ridley, Oliver Sacks, Dava Sobel, Alan Lightman, Atul Gawande, Gina Kolata, Sylvia Nasar, and Natalie Angier.

Now series editor Jesse Cohen invites the previous guest editors to select their favorite essays for this one-of-a-kind anthology. The result is an outstanding compendium--the best science writing of the new millennium, featuring an introduction by the series' 2010 editor and "New York Times" bestselling author of "How Doctors Think," Jerome Groopman.

A thematically organized wit-and-wisdom-style packaging of quotes and excerpts from the works of Jane Austen. Jane Austen is one of the most eminently quotable authors in all of English letters and her books abound with delightful observations that are memorable for their sparkling wit and humor. This compilation collects several hundred quotes and extracts from Jane Austen's works, organized thematically and illustrated with spot art. Examples include: Marriage: "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." (Pride and Prejudice); Happiness: "I wish as well as every body else to be perfectly happy; but, like every body else, it must be in my own way." (Sense and Sensibility); Personality: "I always deserve the best treatment, because I never put up with any other." (Emma).

An incredible, revolutionary true story and surprisingly simple guide to teaching your dog to talk from speech-language pathologist Christina Hunger, who has taught her dog, Stella, to communicate using simple paw-sized buttons associated with different words.

When speech-language pathologist Christina Hunger first came home with her puppy, Stella, it didn't take long for her to start drawing connections between her job and her new pet. During the day, she worked with toddlers with significant delays in language development and used Augmentative and Alternative Communication (AAC) devices to help them communicate. At night, she wondered: If dogs can understand words we say to them, shouldn't they be able to say words to us? Can dogs use AAC to communicate with humans?

Christina decided to put her theory to the test with Stella and started using a paw-sized button programmed with her voice to say the word "outside" when clicked, whenever she took Stella out of the house. A few years later, Stella now has a bank of more than thirty word buttons, and uses them daily either individually or together to create near-complete sentences.

How Stella Learned to Talk is part memoir and part how-to guide. It chronicles the journey Christina and Stella have taken together, from the day they met, to the day Stella "spoke" her first word, and the other breakthroughs they've had since. It also reveals the techniques Christina used to teach Stella, broken down into simple stages and actionable steps any dog owner can use to start communicating with their pets.

Filled with conversations that Stella and Christina have had, as well as the attention to developmental detail that only a speech-language pathologist could know, How Stella Learned to Talk will be the indispensable dog book for the new decade.