This study reconstructs the history of a significant crisis in Christian-Jewish relations: the attempt to confiscate and destroy all Jewish books in Renaissance Germany. This unprecedented effort to end the practice of Judaism throughout the empire was challenged by Jewish communities and also, in an unexpected move, by Johannes Reuchlin (1455-1522), the founder of Christian Hebrew studies. Reuchlin had revolutionized the Christian study of the Bible with his Hebrew grammar. In 1510 he published an extensive, impassioned, and successful defense of Jewish writings and Jewish legal rights against the book pogrom, later acknowledged by Josel of Rosheim, the leader of German Jewry, as a ''miracle within a miracle.'' The fury that greeted Reuchlin's defense of Judaism resulted in a protracted heresy trial that polarized Europe, ultimately fostering a receptive environment for the nascent Reformation movement. The legal and theological battle over charges that Reuchlin's opinions were "impermissibly favorable to Jews," a conflict that elicited intervention on both sides from the most powerful political and intellectual leaders throughout Renaissance Europe, formed a new context for Christian reflection on the status of Judaism. David Price offers insight into important new Christian discourses on Judaism and anti-Semitism that emerged from the clash of Renaissance humanism with this potent anti-Jewish campaign, as well as an innovative analysis of Luther's virulent anti-Semitism in the context and aftermath of the Reuchlin Affair. His book is a valuable contribution to study of an important and complex development in European history: Christians acquiring accurate knowledge of Judaism and its history.

This book is an introduction to and interpretation of the world of Fernando Pessoa (1888-1935), one of the most fascinating and complex figures in European literary modernism and the avant-garde. Raised in South Africa and writing much of his literary work in English, Pessoa nevertheless almost never left the city of Lisbon after returning in 1905. Pessoa is known for abolishing the authorial self and for dividing his writings among a large number of other personalities - the heteronyms - who wrote through him, each in a completely different style. The theory of 'adverse genres' introduced in this book aids understanding of his paradoxical and contradictory use of genres. Through the invented 'coterie of authors,' Pessoa explored mixed writing by changing the relationship between form and content, authorship and text. Adverse Genres describes how Pessoa selected genres from the European tradition (Ricardo Reis' 'Horatian' odes, Alvaro de Campos' worship of Whitman, Alberto Caeiro's pastoral and metaphysical, Bernardo Soares' philosophical diary), into which he put a different and incongruent content taken from modernist, contemporary themes. By creating anomalies between form and content, or authors and texts, Pessoa gives new life and definition to traditional historical genres for a modernist age. In doing so, he enhances the normal expressive potential of each genre by incorporating uncharacteristic content and questioning authorship. Pessoa uses this procedure in his 1907 short story, 'A Very Original Dinner' in the 'Cancioneiro' or collected poems written under the name Fernando Pessoa; in his love letters to Ophelia Queiros; in his 1922 story 'The Adventure of the Anarchist Banker;' in his collection of quatrains derived from Portuguese popular verse; and, finally, in his problematic non-existence as 'the man who never was,' in Jorge de Sena's expression, who exchanged a normal life for an entirely literary world of the imagination. This book addresses Pessoa's desire to be an entire literature, a new literary history, as it were, full of diverse authors and styles, as if they were characters or roles in a dramatic theater of the self in literary modernism.

Barbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment.

She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognisable voices in popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture.

In My Name Is Barbra, she tells her own story about her life and extraordinary career, from growing up in Brooklyn to her first star-making appearances in New York nightclubs to her breakout performance in Funny Girl (musical and film) to the long string of successes in every medium in the years that followed.

She recounts her early struggles to become an actress, eventually turning to singing to earn a living; the recording of some of her acclaimed albums; the years of effort involved in making Yentl; her direction of The Prince of Tides; her friendships with figures ranging from Marlon Brando to Madeleine Albright; her political advocacy; and the fulfillment she's found in her marriage to James Brolin.

No entertainer's memoir has been more anticipated than Barbra Streisand's, and this engrossing book will be eagerly welcomed by her millions of fans.

Prepare yourself for a journey through the world of Patton Oswalt, one of the most creative, insightful, and hysterical voices on the entertain-ment scene today. Widely known for his roles in the films "Big Fan "and "Ratatouille, "as well as the television hit "The King of Queens, "Patton Oswalt--a staple of Comedy Central--has been amusing audiences for decades. Now, with "Zombie Spaceship Wasteland, "he offers a fascinating look into his most unusual, and lovable, mindscape.
Oswalt combines memoir with uproarious humor, from snow forts to Dungeons & Dragons to gifts from Grandma that had to be explained. He remem-bers his teen summers spent working in a movie Cineplex and his early years doing stand-up. Readers are also treated to several graphic elements, includ-ing a vampire tale for the rest of us and some greeting cards with a special touch. Then there's the book's centerpiece, which posits that before all young creative minds have anything to write about, they will home in on one of three story lines: zom-bies, spaceships, or wastelands.
Oswalt chose wastelands, and ever since he has been mining our society's wasteland for perversion and excess, pop culture and fatty foods, indie rock and single-malt scotch. "Zombie Spaceship Wasteland "is an inventive account of the evolution of Patton Oswalt's wildly insightful worldview, sure to indulge his legion of fans and lure many new admirers to his very entertaining "wasteland."

This is a brief, accessible introduction to the thought of the philosopher John Buridan (ca. 1295-1361). Little is known about Buridan's life, most of which was spent studying and then teaching at the University of Paris. Buridan's works are mostly by-products of his teaching. They consist mainly of commentaries on Aristotle, covering the whole extent of Aristotelian philosophy, ranging from logic to metaphysics, to natural science, to ethics and politics. Aside from these running commentaries on Aristotle's texts, Buridan wrote influential question-commentaries. These were a typical genre of the medieval scholastic output, in which the authors systematically and thoroughly discussed the most problematic issues raised by the text they were lecturing on. The question-format allowed Buridan to work out in detail his characteristically nominalist take on practically all aspects of Aristotelian philosophy, using the conceptual tools he developed in his works on logic. Buridan's influence in the late Middle Ages can hardly be overestimated. His ideas quickly spread not only through his own works, but to an even larger extent through the work of his students and younger colleagues, such as Nicholas Oresme, Marisilius of Inghen, and Albert of Saxony, who in turn became very influential themselves, and turned Buridan's ideas into standard textbook material in the curricula of many late medieval European universities. With the waning of scholasticism Buridan's fame quickly faded. Gyula Klima argues, however, that many of Buridan's academic concerns are strikingly similar to those of modern philosophy and his work sometimes quite directly addresses modern philosophical questions.

Of the spiritual odysseys which dominate the literature of nineteenth-century England, Newman's Apologia Pro Vita Sua is universally acknowledged as one of the greatest and yet one of the most difficult. Newman wrote the Apologia in 1864, as a reply to Charles Kingsley's attack on his veracity and that of his fellow Roman Catholic clergy; the following year he revised it extensively and thereafter amended new impressions almost until his death in 1890. This fine edition, long unavailable, has been reissued for the centenary; it includes all the variants resulting from Newman's revisions, in both the printed texts and the surviving manuscripts.

Instantly create hundreds of sentences for communication in Japanese whether for a language course, travel or business. This 6 page laminated guide provides sample sentences with color-coded nouns verbs and adjectives within those sentences that can be replaced with words of the same color from a color coded bank of words that can be plugged into those sentences. To change the sentence, pick a different color-coded noun, verb or adjective for a wide range of sentences for communication. Categories follow those of beginner and intermediate Japanese language courses, which are the same categories that cover those subjects that are helpful to a traveler on vacation or on a business trip. 6-page laminated guide includes: Japanese Hiragana Syllables Chart Katakana Syllables Chart Greetings Common Helpful Words Common Helpful Phrases Adjectives Basic Question Words Introductions Polite Phrases Personal Family Titles for Addressing People Colors Months, Days & Dates, Time Measurements Numbers, Counters Seasons & Holidays Weather Money, Shopping Transportation & Travel Directions Daily Living Entertainment & Hobbies Food, Dining Out Workplace & School Communications Health & Medical Care Emergencies Geography

This captivating narrative tells the story of Beyers Truter, a world-renowned South African winemaker known for his expertise and dedication to crafting some of the finest wines. From his early days at Kanonkop to his rise as the proud owner of Beyerskloof, Beyers' journey is one of triumph, vision, and a profound love for his craft. In 1991, his exceptional skill earned him the prestigious title of International Winemaker of the Year.

At the heart of this story is Pinotage, the uniquely South African grape that Beyers championed with unmatched passion. His connection to this cultivar goes beyond winemaking—Pinotage became a symbol of his unwavering dedication to quality and innovation.

But Beyers' story is not just about wine. It’s a tale of a man who lives with a heart full of passion, generosity, and humility. His personal narrative is woven with humor, touching moments, and vivid anecdotes, whether recounting his nervous first harvest at Kanonkop or his dream of owning his own vineyard—a dream he realized with the creation of Beyerskloof.

Through this memoir, Beyers shares stories of deep friendships, camaraderie with fellow wine legends, and the simple joys of life, such as his love for dogs, diving, seafood, and the people of Namibia. This is not a conventional biography, but rather an exploration of Beyers Truter’s zest for life, his unwavering commitment to his craft, and the relationships that shaped him along the way.

Traildust In A Wine Glass is a celebration of passion, perseverance, and the beauty of living fully—one glass of wine at a time.

When Conor Niland was 16, he was chosen to hit with Serena Williams at Nick Bollettieri's famed tennis academy. Conor, the Irish junior number one, was feeling a bit homesick. Serena, also 16, already owned her own house beside the academy.

Conor Niland knows what it's like when Roger Federer walks into the dressing room ('Ciao, bonjour, hello!'), and he has had the exquisitely terrible experience of facing Novak Djokovic in the world's biggest tennis stadium - while suffering from food poisoning. But he never reached the very top.

The Racket is the story of pro tennis's 99%: the players who roam the globe in hope of climbing the rankings and squeaking into the Grand Slam tournaments. It brings us into a world where a few dozen super-rich players - travelling with coaches and physios - share a stage with lonely touring pros whose earnings barely cover their expenses. Painting a vivid picture of the social dynamics on tour, the economics of the game, and the shadows cast by gambling and doping, The Racket is a witty and revealing underdog's memoir and a unique look inside a fascinating hidden world.

An enhanced exam section: expert guidance on approaching exam questions, writing high-quality responses and using critical interpretations, plus practice tasks and annotated sample answer extracts. Key skills covered: focused tasks to develop analysis and understanding, plus regular study tips, revision questions and progress checks to help students track their learning. The most in-depth analysis: detailed text summaries and extract analysis to in-depth discussion of characters, themes, language, contexts and criticism, all helping students to reach their potential.

In response to increased focus on the protection of intangible cultural heritage across the world, Music Endangerment offers a new practical approach to assessing, advocating, and assisting the sustainability of musical genres. Drawing upon relevant ethnomusicological research on globalization and musical diversity, musical change, music revivals, and ecological models for sustainability, author Catherine Grant systematically critiques strategies that are currently employed to support endangered musics. She then constructs a comparative framework between language and music, adapting and applying the measures of language endangerment as developed by UNESCO, in order to identify ways in which language maintenance might (and might not) illuminate new pathways to keeping these musics strong. Grant's work presents the first in-depth, standardized, replicable tool for gauging the level of vitality of music genres, providing an invaluable resource for the creation and maintenance of international cultural policy. It will enable those working in the field to effectively demonstrate the degree to which outside intervention could be of tangible benefit to communities whose musical practices are under threat. Significant for both its insight and its utility, Music Endangerment is an important contribution to the growing field of applied ethnomusicology, and will help secure the continued diversity of our global musical traditions.

In this latest addition to Oxford's Modernist Literature & Culture series, renowned modernist scholar Michael North poses fundamental questions about the relationship between modernity and comic form in film, animation, the visual arts, and literature. Machine-Age Comedy vividly constructs a cultural history that spans the entire twentieth century, showing how changes wrought by industrialization have forever altered the comic mode. With keen analyses, North examines the work of a wide range of artists - including Charlie Chaplin, Walt Disney, Marcel Duchamp, Samuel Beckett, and David Foster Wallace - to show the creative and unconventional ways the routinization of industrial society has been explored in a broad array of cultural forms. Throughout, North argues that modern writers and artists found something inherently comic in new experiences of repetition associated with, enforced by, and made inevitable by the machine age. Ultimately, this rich, tightly focused study offers a new lens for understanding the devlopment of comedic structures during periods of massive social, political, and cultural change to reveal how the original promise of modern life can be extracted from its practical disappointment.

One of Barack Obama's Favorite Books of 2021 The New York Times bestseller from the Grammy-nominated indie rockstar Japanese Breakfast, an unflinching, deeply moving memoir about growing up mixed-race, Korean food, losing her Korean mother, and forging her own identity in the wake of her loss. 'As good as everyone says it is and, yes, it will have you in tears. An essential read for anybody who has lost a loved one, as well as those who haven't' - Marie-Claire In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humour and heart, she tells of growing up the only Asian-American kid at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the east coast for college, finding work in the restaurant industry, performing gigs with her fledgling band - and meeting the man who would become her husband - her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal pancreatic cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious, lyrical and honest, Michelle Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and reread. 'Possibly the best book I've read all year . . . I will be buying copies for friends and family this Christmas.' - Rukmini Iyer in the Guardian 'Best Food Books of 2021' 'Wonderful . . . The writing about Korean food is gorgeous . . . but as a brilliant kimchi-related metaphor shows, Zauner's deepest concern is the ferment, and delicacy, of complicated lives.' - Victoria Segal, Sunday Times, 'My favourite read of the year'

Surviving Images explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts. This work treats the concept of trauma critically, however, and posits that social trauma must be understood as a framework for producing social and political meaning out of these historical events. Social trauma thus sets out a productive process of historical interpretation, and cultural texts such as cinematic works both illuminate and contribute to this process. Through these discussions, Surviving Images illustrates cinema's productive role in contributing to the changing dynamics of cultural memory of war and social conflict in the modern world.

Damn Great Empires! offers a new perspective on the works of William James by placing his encounter with American imperialism at the center of his philosophical vision. This book reconstructs James's overlooked political thought by treating his anti-imperialist Nachlass - his speeches, essays, notes, and correspondence on the United States' annexation of the Philippines - as the key to the political significance of his celebrated writings on psychology, religion, and philosophy. It shows how James located a craving for authority at the heart of empire as a way of life, a craving he diagnosed and unsettled through his insistence on a modern world without ultimate foundations. Livingston explores the persistence of political questions in James's major works, from his writings on the self in The Principles of Psychology to the method of Pragmatism, the study of faith and conversion in The Varieties of Religious Experience, and the metaphysical inquiries in A Pluralistic Universe. Against the common view of James as a thinker who remained silent on questions of politics, this book places him in dialogue with champions and critics of American imperialism, from Theodore Roosevelt to W. E. B. Du Bois, as well as a transatlantic critique of modernity, in order to excavate James's anarchistic political vision. Bringing the history of political thought into conversation with contemporary debates in political theory, Damn Great Empires! offers a fresh and original reexamination of the political consequences of pragmatism as a public philosophy.

The diminishment of rural life at the hands of urbanization, for many, defines the years between the end of the Civil War and the dawn of the twentieth century in the U.S. Traditional literary histories find this transformation clearly demarcated between rural tales-stories set in the countryside, marked by attention to regional dialect and close-knit communities-and grittier novels and short stories that reflected the harsh realities of America's growing cities. Challenging this conventional division, Mark Storey proffers a capacious, trans-regional version of rural fiction that contains and coexists with urban-industrial modernity.
To remap literary representations of the rural, Storey pinpoints four key aspects of everyday life that recur with surprising frequency in late nineteenth-century fiction: train journeys, travelling circuses, country doctors, and lynch mobs. Fiction by figures such as Hamlin Garland, Booth Tarkington, and William Dean Howells use railroads and roving carnivals to signify the deeper incursions of urban capitalism into the American countryside. A similar, somewhat disruptive migration of the urban into the rural occurs with the arrival of modern medicine, as viewed in depictions of the country doctor in novels like Sarah Orne Jewett's A Country Doctor and Harold Frederic's The Damnation of Theron Ware. This discussion gives way to a far darker interaction between the urban and the rural, with the intricate relationship of vigilante justice to an emerging modernity used to frame readings of rural lynchings in works by writers like Bret Harte, Charles Chesnutt, Paul Laurence Dunbar, and Owen Wister. The four arenas-transport, entertainment, medicine, and the law-used to organize the study come together in a coda devoted to utopian fiction, which demonstrates one of the more imaginative methods used to express the social and literary anxieties around the changing nature of urban and rural space at the end of the nineteenth century.
Mining a rich variety of long neglected novels and short stories, Rural Fictions, Urban Realities provides a new literary geography of Gilded Age America, and in the process, contributes to our understanding of how we represent and register the cultural complexities of modernization.