Run for the Love of Life is a must-read for anyone who desires to escape the day-to-day sameness of our new pandemic-informed lives, or who seeks to feel alive, inspired, and filled with a renewed enthusiasm for the year ahead.

It recounts the extraordinary journey of South African Erica Terblanche, an ordinary woman who manages to not only achieve – but excel – on the world stage of extreme distance-running in some of the most inhospitable and majestic landscapes across the planet. Raw, honest and infinitely human, this part-memoir, part-travel novel thunders through one exotic race location after the other, as the runners battle the elements and each other across the vastness of the Sahara, Atacama and Namib Deserts, the great Grand Canyon, Turkish Cappadocia and the Kalahari Desert, to name only a few.

But more than just a book on racing, what makes this novel infinitely compelling and rewarding is that in the echoes of Erica’s story, one begins to sense the pulse of one’s own potential and long-forgotten dreams. While you may laugh, cry, and forget to take a breath at times, it is inevitable that Run will spur you on to find your own bliss, that which is buried deep within your soul and body.

At its heart, Run for the love of life is a story about love, forgiveness, perseverance and growth, and about the important things in life that ultimately makes us happy. Told with wit, humour and vulnerability, it is a book that will stay with the reader long after the final page is turned.

The Face of Mammon studies the gold and silver coins of sixteenth-century England as they are articulated in literary writing. Landreth argues that the coinage of the sixteenth century is a very different object from the money that we know-- not only formally but conceptually, in that modern money is the object proper to a discourse, economics, that had not yet taken shape in the sixteenth century. Instead, a Renaissance coin is an arena contested among multiple early modern discourses that each seek to encompass it, such as ontology, ethics, and politics. The writers central to this study--among them Spenser, Marlowe, Shakespeare, Nashe, and Donne--use the coin to demonstrate the interdependence of these competing discourses as they converge upon a single, ubiquitous object. For these authors, an understanding of the world that humans make for themselves relies upon understanding how the material world is made. The small circumference of the coin brings these contending worlds into contact.

This 35-page book contains sayings, comments, philosophy, and instructions by Yogacharya John Oliver Black. Mr. Black was a direct disciple of Paramhansa Yogananda and studied with him for more than 30 years. Founder of Golden Lotus and Song of the Morning Ranch, a yoga retreat in northern Michigan, Yogahcharya Oliver instructed students from around the country and from around the world. The sayings in this book help one understand and appreciate this advanced disciple. From them we can obtain insight into your own natures and a deeper appreciation of the science of yoga.

Aphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the first volume in a set of seven which comprises a complete edition of all her works. This volume is a collection of her poetry.

Poems that underscore how we commune with those long loved and long gone. In Far Company, we hear Cindy Hunter Morgan thinking about the many ways we carry the natural world inside of us as a kind of embedded cartography. Many of these poems commune not only with lost ancestors but also past poets. We hear conversations with Emily Dickinson, James Wright, Walt Whitman, and W. S. Merwin. These poets, who are part of Hunter Morgan's poetic lineage, are beloved figures in the far company she keeps, but the poems she writes are distinctly hers. Poet Larissa Szporluk remarked, "The poems in this collection are quiet and deceptively simple. My first response was to be amazed by a seeming innocence in delivery-straightforward, picturesque, and compassionate-that then matured like a crystal into something precious and masterful. We are left with the whole forest having met all the trees one by one. There is so much respect in this collection-respect for natural processes that include intergenerational relationships, shared territories, and myths. The poems in Far Company reveal a mind and a heart negotiating both self and world with compassion and invention. They are cinematic in the way they navigate loss, memory, dislocation, hope, and love-abstractions evoked in deeply specific and nuanced ways. There is the drone that flies over Hunter Morgan's grandparents'farm before the house burns and the stag-handled knife in a pocket, its single blade "folded inside like a secret" on a train in Greece. But this collection is full of quieter cinema, too-a grandfather bending to cinch the girth of a horse, days "green / with snap peas and wild tendrils," and "raindrops beading like sweat/ on the lips of snapdragons." The root of this book is Hunter Morgan's love for family and her love for the land her family has shared. These poems map a journey to many places, inward and outward, and engage with the natural world and the built world, moving between both of those environments in ways that acknowledge the complexities of such crossings. Often melancholic but never sentimental, this collection belongs with any reader who seeks out literature in the organic world.

Locality is a key concept not only in linguistic theorizing, but in explaining pattern of acquisition and patterns of recovery in garden path sentences, as well. If syntax relates sound and meaning over an infinite domain, syntactic dependencies and operations must be restricted in such a way to apply over limited, finite domains in order to be detectable at all (although of course they may be allowed to iterate indefinitely). The theory of what these finite domains are and how they relate to the fundamentally unbounded nature of syntax is the theory of locality. The papers in this collection all deal with the concept of locality in syntactic theory, and, more specifically, describe and analyze the various contributions Luigi Rizzi has made to this area over the past three and a half decades. The authors are all eminent linguists in generative syntax who have collaborated with Rizzi closely, and in eleven chapters, they explore locality in both pure syntax and psycholinguistics. This collection is essential reading for students and scholars of linguistic theory, generative syntax, and comparative syntax.

Caustically humorous and polemically compulsive, Trump Rant is a work of meticulous political portraiture: a deep-delving and epoch-spanning investigation into the nature of power in American life, made luminous by Agee's nuanced, exploratory understanding of authoritarian drift and thwarted democratic aspiration in a number of world-historical contexts, from Belfast to the Balkans to the formerly Confederate South. Free-roaming in its breadth of reference and tonal range, the Rant is at once viscerally personal and unsettlingly resonant, infused throughout with an almost hypnotic sense of scale, largesse, and historical moment. Already renowned as a poet of emotional delicacy and singular stylistic vision, Agee's hallmark gifts of writerly intimacy and ethical resolve are here expanded and reconfigured on a panoramic canvas - moving from a pared-back opening section to the accelerating pace and barrage-like linguistic assaults of the latter addenda. But for all its freewheeling furies, shifting emotional registers and Kubrick-like black humour, it remains a remarkably formal work, moored to the relentlessly dangerous drumbeat of Donald J. Trump. The result is a combination of long-form radicalism and eclectic satire, startingly unique in its blend of aphorism, acuity and epic cultural imagining. Composed chronologically for nearly four years (from early 2017 until Election Day 2020), Trump Rant is a triumph of artistic witness and denunciation; an urgent retort to a global culture of imperilled legal standards and depleted literary response; and an incisive model of enlightenment and outrage in a "post-truth" world being visibly darkened by its criminal shadows.

Wintering is a poignant and comforting meditation on the fallow periods of life, times when we must retreat to care for and repair ourselves. Katherine May thoughtfully shows us how to come through these times with the wisdom of knowing that, like the seasons, our winters and summers are the ebb and flow of life.

A moving personal narrative interwoven with lessons from literature, mythology and the natural world, May's story offers instruction on the transformative power of rest and retreat. Illumination emerges from many sources: solstice celebrations and dormice hibernation, C.S. Lewis and Sylvia Plath, swimming in icy waters and sailing arctic seas.

Ultimately, Wintering invites us to change how we relate to our own fallow times. May models an active acceptance of sadness and finds nourishment in deep retreat, joy in the hushed beauty of winter, and encouragement in understanding life as cyclical, not linear. A secular mystic, May forms a guiding philosophy for transforming the hardships that arise before the ushering in of a new season

Jan Smuts is revered by some as a national and international statesman, but he is condemned by others as an architect of segregation. In his new book, prize-winning author Bongani Ngqulunga examines Smuts’s political life in terms of how it affected black people.

He considers the impact of Smuts’s role in the treaty ending the Anglo-Boer War and the National Convention that created the Union of South Africa. He follows Smuts’s actions as a minister under Louis Botha, as prime minister from 1919 to 1924 and again from 1939 to 1948, and his relationship with Barry Hertzog’s National Party, first in opposition and then in a fused South African Party. Ngqulunga concentrates on the events and policies that affected black people directly, and he presents the views of people such as Sol Plaatje, Alfred Xuma, John Dube, D.D.T. Jabavu and Z.K. Matthews – and, later on, Nelson Mandela and Walter Sisulu. He shows how Smuts evolved in his views, eventually coming to recognise that segregation had failed. But the reforms he introduced in the 1940s were too little, too late, and were swept away by the National Party and its policy of apartheid.

Giving a balanced view that is both respectful and critical, Under Smuts’s Rule is a vital addition to the literature on Smuts and to South African history.

For the first time, Charlie Sheen, the star of Platoon, Wall Street, Major League, and Two and a Half Men, writes the story of his extraordinary life in an unfiltered memoir.

“We can live the stories or hear about them later from others. I choose the former.”

Charlie Sheen should not be alive to write this book.

But in The Book of Sheen, the movie and TV star, who has defied the odds, finally presents his story, in his own words.

Charlie Sheen was born the third of four children to actor Martin Sheen and his wife, Janet. He grew up on film sets—from his father’s all over the world, to his own in Malibu. There he made ambitious Super 8s, with a roster of friends who went on to become household names themselves, including his brother Emilio, Sean and Chris Penn, and the Lowe brothers.

Sheen broke into movies in the 1980s, playing a hoodlum in Ferris Bueller’s Day Off, a young soldier in Platoon, and an ethically compromised trader in Wall Street. But somewhere along the way, despite a successful transition to TV leading man in Spin City and Two and a Half Men, Sheen descended into a vortex of extracurricular activities.

Now sober, Sheen delivers a clear-eyed narrative of his highs and lows with humor, candor, and a vivid, captivating writing style that is uniquely his. The Book of Sheen reads like a far-fetched, overstuffed novel of Hollywood life—yet it is all true.

'I know the trade: I learned it when I was in Wittenberg' Thus speaks Lacy, the gentleman who disguises himself as a simple shoemaker in order to win his true love, the grocer's daughter Rose. The Shoemaker's Holiday is one of the most engaging citizen comedies of the 17th century. Written and first performed at much the same time as Hamlet, it has an unexpected affinity with Shakespeare's tragedy: both feature a leading character who has spent time in Wittenberg, where he has learned something that has changed him. But whereas Hamlet's Wittenberg philosophy steers him into the realm of the individuated self, Lacy's Wittenberg trade directs him and his fellows into the world of the collectively crafted commodity. In the process, the play offers fascinating insight into the evolution of fashion and the growth of consumer culture in newly capitalist London. This new student edition contains a lengthy new Introduction with background on the author, date and sources, the play's major preoccupations, and stage history. The editor, Jonathan Gil Harris, is Professor of English at George Washington University. he is the author of Foreign Bodies and the Body Politic, Sick Economies, and Untimely Matter in the Time of Shakespeare.

Nadia Kamies has written a profound and moving meditation on what it meant to grow up ‘coloured’ in South Africa under apartheid. The photographs from family albums that gave rise to this project not only represent the aspirations of the families and community about whom Kamies is writing, but are also repositories of memories weighted equally with joy and sorrow. Kamies mines these images for their secrets, showing them to be a record of the past and a promise of what the future might be.

An explosive account of one of the most hubristic mistakes in American political history: Joe Biden’s decision to run for reelection despite mounting evidence of his decline, and his team's increasingly desperate efforts to hide it.

In Greek tragedy, the protagonist’s effort to avoid his fate is what seals his fate. In 2024, American politics became a Greek tragedy.

Joe Biden launched his successful 2020 bid for the White House with the stated goal of saving the nation from a second Trump term. He, his family and his senior aides were so convinced that only he could beat Trump again that they lied to themselves, allies and the public about his condition and limitations. At his debate with Trump on 28 June 2024, the consequences of that deception were exposed – all but dooming the Democrats to defeat later that year.

Now the full, unsettling truth is being told for the first time. Here, two of America’s best-respected political journalists take us behind closed doors to reveal the extent of Biden’s decline and who knew about it, from White House staffers to senators to Hollywood celebrities. They paint President Biden’s decision to run for re-election as shockingly narcissistic, delusional and reckless – and the wider cover-up as an act of unprecedented public deception. Rarely has hubris met nemesis so explosively.

The story the authors tell raises fundamental issues of accountability and responsibility that will endure for decades. In the name of defeating what they called an existential threat to democracy, Biden and his inner circle ensured it, marking the beginning of a remarkable campaign of denial and gaslighting against the American public. His decision to run again was the original sin of his presidency – the moment that led directly to Donald Trump’s return to power and all that has come since.

This is the first book of essays by a major new Irish non-fiction writer from the West of Ireland, comparable to the celebrated Kilkenny essayist Hubert Butler first published by The Lilliput Press and subsequently widely acclaimed. Gerard McCarthy's writing is no less distinguished than Butler's. McCarthy writes of his book: "Perhaps the Philosophers who had the most enduring influence on me were the contrary figures of Nietzsche and Marcus Aurelius. The reading of each was an antidote to the other, but I was drawn to both by an instinctive affinity.They were augmented subsequently by the gargantuan figure of Michel de Montaigne. My interest has continued to be in the region where Philosophy merges into Literature, with a preference for a language of metaphor rather than of abstract reasoning.These eight essays were written over the course of more than a decade.The fact that they have all been published in the one place, by the good offices of Irish Pages, has allowed me see the continuity between them, and to hope that they might be seen by the reader to form a unity."

You Better Be Lightning by Andrea Gibson is a queer, political, and feminist collection guided by self-reflection.

The poems range from close examination of the deeply personal to the vastness of the world, exploring the expansiveness of the human experience from love to illness, from space to climate change, and so much more in between.

One of the most celebrated poets and performers of the last two decades, Andrea Gibson's trademark honesty and vulnerability are on full display in You Better Be Lightning, welcoming and inviting readers to be just as they are.