English teaching and learning Student Book for Year 9 (age 11/12) Works with the Workbook and Teacher Guide from the Inspire English series Full coverage of the KS3 (11-14) National Curriculum in English and the iLowerSecondary Curriculum Designed for International Schools around the world but also suitable for the UK Supports the mastery of specific skills in English through a rigorous curriculum-linked approach

‘Life has no meaning unless it’s lived for the benefit of future generations’

Crafted from original interviews, American Heroes tells the vivid, authentic stories of the veterans who give themselves – and even their lives – serving in overseas conflict from World War Two to Korea, Vietnam, Iraq and Afghanistan.

Outnumbered, under pressure and under fire, these men and women exhibited extraordinary selflessness, camaraderie and patriotism. For their service and sacrifice, they earned the US military’s highest awards for valour.

In this powerful collection of never-before-told stories, James Patterson and First Sergeant U.S. Army (Ret.) Matt Eversmann salute America’s most courageous military heroes.

Work in morphology is typically concerned with productive word formation and regular inflection, in any event with open class categories such as verbs, nouns, and adjectives, and their various forms. The Architecture of Determiners, by contrast, is devoted to a set of function words: the closed class of determiners. While it is traditionally assumed that function words are syntactically atomic, Thomas Leu shows that a comparative perspective on a series of determiners - each insistently vivisected into its minimal morphotactic segments - reveals an anatomy with properties analogous to clausal syntax, including a lexical, an inflectional, and left peripheral layer, as well as transformational relations among subconstituents. Leu argues that determiners are extended adjectival projections with a closed class minimal stem. Leu focuses on Swiss German and German, using other Germanic and non-Germanic languages as a comparative domain. His discussion of the internal structure of determiners includes demonstratives (ch.2), distributive quantifiers (ch.4), possessive and negative determiners (ch.5), and interrogative determiners such as 'was fur' (ch.6). His main claim - that all of these involve extended adjectival projections - connects naturally to a discussion of adjectival / determiner inflection in German. Chapter 3 addresses the oft-debated strong versus weak agreement alternation in a novel way, proposing that the adjective moves within its own extended projection, in a way akin to verb movement to C in the clause. This accounts for the central facts of nominative and accusative inflection. Chapter 7, then, addresses dative and genitive morphology, setting them syntactically apart from adjectival / determiner inflection in a way that leads to a surprising account of most of the systematic (meta-) syncretism patterns in German adjectival inflection.

From the celebrated author of Square Haunting comes a biography as unconventional and surprising as the life it tells.

'Think of the Bible and Homer, think of Shakespeare and think of me,' wrote Gertrude Stein in 1936. Admirers called her a genius, sceptics a charlatan: she remains one of the most confounding - and contested - writers of the twentieth century.

In this literary detective story, Francesca Wade delves into the creation of the Stein myth. We see her posing for Picasso's portrait; at the centre of Bohemian Parisian life hosting the likes of Matisse and Hemingway; racing through the French countryside with her enigmatic companion Alice B. Toklas; dazzling American crowds on her sell-out tour for her sensational Autobiography - a veritable celebrity.

Yet Stein hoped to be remembered not for her personality but for her work. From her deathbed, she charged her partner with securing her place in literary history. How would her legend shift once it was Toklas's turn to tell the stories - especially when uncomfortable aspects of their past emerged from the archive? Using astonishing never-before-seen material, Wade uncovers the origins of Stein's radical writing, and reveals new depths to the storied relationship which made it possible.

This is Gertrude Stein as she was when nobody was watching: captivating, complex and human.

Photographer Otis Hairston's camera snapped nearly forty years of fond memories and historic Greensboro events- from community gatherings and North Carolina A&T Aggie homecomings to celebrations of the historic 1960 sit-in. This stunning photo collection depicts ordinary people, local heroes and national celebrities as it captures the strength of Greensboro s African American community. "Picturing Greensboro" is a landmark volume of spectacular images that will be cherished for years to come.

Today's innovative poets no longer express their dissenting voice on the printed page but in the experimental realm of contemporary media, where holograms, video projections, and even biotechnology form the basis of a new syntax. Celebrated poet and artist Eduardo Kac's" Media Poetry" is the first anthology to document this radically new form, which is taking language beyond the confines of verse and into the non-linear world of digital interactivity and hyperlinkage.This unparalleled volume takes up all the exhilarating incarnations of media poetry, from real-time text generation and spatiotemporal discontinuities to immateriality and visual tempo, exploring the international group of revolutionary poets responsible for such innovations. By embracing the vast possibilities made available by new media, the artists featured in this anthology have become the poetic pioneers of the next millennium.

'When I’m dead, you make sure that ordinary people, ordinary rural women, must be at the forefront of my funeral. I want my rural women to be there at the forefront: people that know me well.’

With great care and meticulous research, Kally Forrest brings us the life of Lydia Komape, also known as Mam Lydia Kompe. Kally travels in Lydia’s footsteps, with family, friends, comrades and ancestors from Limpopo and Johannesburg to Cape Town where Lydia sat in Nelson Mandela’s parliament.

Her family’s shattering loss of land in the 1930s deeply impacted Lydia’s life choices. She was fiercely independent, yet bound by the collective, forceful but consultative, humorous and deeply serious.

Lydia closely identified with rural women, remarking, ‘We are so discriminated against, but we are made to work like donkeys. We do all the dirty work – you must go and plough, hoe, harvest, carry water, fetch wood, and men are just sitting drinking alcohol under the tree.’

This is a biography that will open your eyes and heart.

Get It Right: Spelling, Punctuation and Grammar provides an accessible introduction to the basics of spelling, punctuation and grammar for 11-14 year old students. This series offers a comprehensive package of teaching and practice in one and focuses on what students need to know to write fluently and accurately, as well as helping to prepare students for the demands of further English study. Each workbook also has a clear focus on grammar in context; the contextualised activities encourage students to apply grammar knowledge to their analysis of a range of carefully-selected, engaging source texts. Get It Right: Spelling, Punctuation and Grammar Workbook 2 builds on Workbook 1 and is the ideal resource for students' taking their next steps in understanding spelling, punctuation and grammar.

The phenomenal Korean bestseller translated by international booker shortlistee Anton Hur.

PSYCHIATRIST: So how can I help you?

ME: I don't know, I'm – what's the word – depressed? Do I have to go into detail?

Baek Sehee is a successful young social media director at a publishing house when she begins seeing a psychiatrist about her – what to call it? – depression? She feels persistently low, anxious, endlessly self-doubting, but also highly judgemental of others. She hides her feelings well at work and with friends; adept at performing the calmness, even ease, her lifestyle demands. The effort is exhausting, overwhelming, and keeps her from forming deep relationships. This can't be normal.

But if she's so hopeless, why can she always summon a desire for her favourite street food, the hot, spicy rice cake, tteokbokki? Is this just what life is like?

Recording her dialogues with her psychiatrist over a 12-week period, Baek begins to disentangle the feedback loops, knee-jerk reactions and harmful behaviours that keep her locked in a cycle of self-abuse. Part memoir, part self-help book, I Want to Die but I Want to Eat Tteokbokki is a book to keep close and to reach for in times of darkness.

Gioachino Rossini was one of the most influential, as well as one of the most industrious and emotionally complex of the great nineteenth-century composers. Between 1810 and 1829, he wrote 39 operas, a body of work, comic and serious, which transformed Italian opera and radically altered the course of opera in France. His retirement from operatic composition in 1829, at the age of 37, was widely assumed to be the act of a talented but lazy man. In reality, political events and a series of debilitating illnesses were the determining factors. After drafting the Stabat Mater in 1832, Rossini wrote no music of consequence for the best part of twenty-five years, before the clouds lifted and he began composing again in Paris in the late 1850s. During this glorious Indian summer of his career, he wrote 150 songs and solo piano pieces his 'Sins of Old Age' and his final masterpiece, the Petite Messe solennelle. The image of Rossini as a gifted but feckless amateur-the witty, high-spirited bon vivant who dashed off The Barber of Seville in a mere thirteen days-persisted down the years, until the centenary of his death in 1968 inaugurated a process of re-evaluation by scholars, performers, and writers. The original 1985 edition of Richard Osborne's pioneering and widely acclaimed Rossini redefined the life and provided detailed analyses of the complete Rossini oeuvre. Twenty years on, all Rossini's operas have been staged and recorded, a Critical Edition of his works is well advanced, and a scholarly edition of his correspondence, including 250 previously unknown letters from Rossini to his parents, is in progress. Drawing on these past two decades of scholarship and performance, this new edition of Rossini provides the most detailed portrait we have yet had of one of the worlds best-loved and most enigmatic composers.

What is home? The answer seems obvious. But Telling Our Stories of Home, an international collection of eleven plays by and about women from Lebanon, Haiti, Venezuela, Uganda, Palestine, Brazil, India, UK, and the US, complicates the answer. The "answer" includes stories as far-ranging as: enslaved women trying to create a home, one by any means necessary, and one in the ocean; siblings wrestling with their differing devotion to home after their mother's death; a family wrestling with the government's refusal to allow the burial of their soldier-son in their hometown; a young scholar attempting to feel at home after studying abroad; a young man fleeing home due to his sexual orientation only to discover the difficulty of creating home elsewhere, and Siddis (Indians of African descent) continuing to struggle for acceptance despite having lived in India for over 600 years. These are voices seldom represented to a larger audience. The plays and performance pieces range from 20 to 90-minute pieces and include a mix of monologue, duologue, and ensemble plays. Short yet powerful, they allow fantastic performance opportunities particularly in an age of social-distancing with flexible casts that together invite the theme of home to be performed and studied on the page. The plays include: The House by Arze Khodr (Lebanon), Happy by Kia Corthron (US), The Blue of the Island by Evelyne Trouillot (Haiti), Nine Lives by Zodwa Nyoni (UK), Leaving, but Can't Let Go by Lupe Gehrenbeck (Venezuela), Questions of Home by Doreen Baingana (Uganda), On the Last Day of Spring by Fidaa Zidan (Palestine) Letting Go and Moving On by Louella Dizon San Juan (US), Antimemories of an Interrupted Trip by Aldri Anunciacao (Brazil), So Goes We by Jacqueline E. Lawton (US), and Those Who Live Here, Those Who Live There by Geeta P. Siddi and Girija P. Siddi (India)

Instantly create hundreds of sentences for communication in Japanese whether for a language course, travel or business. This 6 page laminated guide provides sample sentences with color-coded nouns verbs and adjectives within those sentences that can be replaced with words of the same color from a color coded bank of words that can be plugged into those sentences. To change the sentence, pick a different color-coded noun, verb or adjective for a wide range of sentences for communication. Categories follow those of beginner and intermediate Japanese language courses, which are the same categories that cover those subjects that are helpful to a traveler on vacation or on a business trip. 6-page laminated guide includes: Japanese Hiragana Syllables Chart Katakana Syllables Chart Greetings Common Helpful Words Common Helpful Phrases Adjectives Basic Question Words Introductions Polite Phrases Personal Family Titles for Addressing People Colors Months, Days & Dates, Time Measurements Numbers, Counters Seasons & Holidays Weather Money, Shopping Transportation & Travel Directions Daily Living Entertainment & Hobbies Food, Dining Out Workplace & School Communications Health & Medical Care Emergencies Geography

Organized by heretical movements and texts from the Gnostic Gospels to The Book of Mormon, this book uses the work of James Joyce - particularly Ulysses and Finnegan's Wake - as a prism to explore how the history of Christian heresy remains part of how we read, write, and think about books today. Erickson argues that the study of classical, medieval, and modern debates over heresy and orthodoxy provide new ways of understanding modernist literature and literary theory. Using Joyce's works as a springboard to explore different perspectives and intersections of 20th century literature and the modern literary and religious imagination, this book gives us new insights into how our modern and "secular" reading practices unintentionally reflect how we understand our religious histories.

What if we could redefine leadership? What if kindness came first? Jacinda Ardern grew up the daughter of a police officer in small-town New Zealand, but as the 40th Prime Minister of her country, she commanded global respect for her empathetic leadership that put people first. This is the remarkable story of how a Mormon girl plagued by self-doubt made political history and changed our assumptions of what a global leader can be.

When Jacinda Ardern became Prime Minister at age thirty-seven, the world took notice. But it was her compassionate yet powerful response to the 2019 Christchurch mosque attacks, resulting in swift and sweeping gun control laws, that demonstrated her remarkable leadership. She guided her country through unprecedented challenges—a volcanic eruption, a major biosecurity breach, and a global pandemic—while advancing visionary new policies to address climate change, reduce child poverty, and secure historic international trade deals. She did all this while juggling first-time motherhood in the public eye.

Ardern exemplifies a new kind of leadership—proving that leaders can be caring, empathetic, and effective. She has become a global icon, and now she is ready to share her story, from the struggles to the surprises, including for the first time the full details of her decision to step down during her sixth year as Prime Minister.

Through her personal experiences and reflections, Jacinda is a model for anyone who has ever doubted themselves, or has aspired to lead with compassion, conviction, and courage. A Different Kind of Power is more than a political memoir; it’s an insight into how it feels to lead, ultimately asking: What if you, too, are capable of more than you ever imagined?

Boris Johnson has always been larger than life. Controversial, untrammelled by the normal rules of politics, his route to becoming Britain’s prime minister included a landmark career as a journalist, two terms as London’s mayor, leading the Vote Leave Brexit campaign and acting as foreign secretary. He won the largest Tory majority since 1987 when he went to the polls in December 2019 for a mandate to ‘Get Brexit Done’ – only to have his administration hit by the global Covid pandemic and toppled in a Tory putsch.

Unleashed is his account of his time in politics, and a book that shatters the mould of the modern prime ministerial memoir. Written in his inimitable style, it is honest, unrestrained and deeply revealing about the politician who has dominated our times.

This is his story of the fifteen years since he trounced Ken Livingstone at the polls to become mayor of London. Riots, tackling knife crime, bikes, buses, the London Olympics, and so much more. He writes about his role in Brexit, takes readers through all the big decisions and his reasons for taking them, and describes how he nearly died from Covid.

Underlying everything in the book is his view that the UK is an extraordinary country and should have an exceptional future. These are the reflections of a political leader who believes fundamentally in levelling up – that there are millions of people in Britain who do not have the present they need or the future they deserve, and that it is the first job of politicians to put this right.

It is all here. From soup to nuts, warts and all. As a journalist he was famed as a blurter of unsayable truths, and he has drawn again on this quality for the book. About people, policies, mistakes and triumphs. This is it – the reality as he saw it: unvarnished, unlocked, unleashed.

In The Allies on the Rhine Skrjabina describes the coming of the Allies to the Rhineland, the occupation, and the first clear signs of the recovery of war-shattered Germany. She describes what occurred and how it was interpreted at the time by a keen observer who had lived under Soviet, Nazi, American, and French rule. She describes the first chaotic days of the occupation when instead of the calm and peace expected as a remit of the American advance, there was fearful chaos. She shows clearly that as the main allied forces moved on there was no real law and order and that she and the frightened populace were often terrorized by marauding youthful former work camp inmates over whom there was no effective control.

By comparing linguistic varieties that are quite similar overall, linguists can often determine where and how grammatical systems differ, and how they change over time. Micro-Syntactic Variation in North American English provides a systematic look at minimal differences in the syntax of varieties of English spoken in North America. The book makes available for the first time a range of data on unfamiliar constructions drawn from several regional and social dialects, data whose distribution and grammatical properties shed light on the varieties under examination and on the properties of English syntax more generally. The nine contributions collected in this volume fall under a number of overlapping topics: variation in the expression of negation and modality (the "so don't I " construction in eastern New England, negative auxiliary inversion in declaratives in African-American and southern white English, multiple modals in southern speech, the "needs washed " construction in the Pittsburgh area); pronouns and reflexives (transitive expletives in Appalachia, personal dative constructions in the Southern/Mountain states, long-distance reflexives in the Minnesota Iron Range); and the relation between linguistic variation and language change (the rise of "drama SO " among younger speakers, the difficulty in establishing which phenomena cluster together and should be explained by a single point of parametric variation). These chapters delve into the syntactic analysis of individual phenomena, and the editors' introduction and afterword contextualize the issues and explore their semantic, pragmatic, and sociolinguistic implications.

Il Paradiso is die hoogtepunt van Dante Alighieri (1265-1321) se driedelige werk. Hy gebruik van die aangrypendste metafore en vergelykings om sy reis te beskryf. Hy is sonder twyfel een van die briljantste digters ooit.

Cas Vos se vertaling is die eerste vertaling daarvan in digvorm in Afrikaans. Hy wend verrassende en sprankelende metafore en vergelykings in sy vertaling aan en hy vertaal al die Latynse himnes op ’n indrukwekkende wyse.

Die leser word uitgenooi om die reis na die Paradiso onder die klank van sange en lieflike beelde te onderneem. ‘n Youtube-opname deur Hennie Maas van beeld en klank vergesel die bundel. Die uitmuntende akteur Dawid Minnaar lees dele uit die vertaling voor. Die opname laat die leser van Il Paradiso die tersines visueel en klankryk ervaar.

The self-righteous, headstrong lawyering mother has a new and greater challenge. No longer seeking the approval of her successful mother, one of South Africa’s first women judges, Niki is out to find that elusive concept of the ‘work/life’ balance and some real, sustainable solutions.

Her journey takes her deep into feminist philosophies as she struggles to understand the unfolding media-driven drama of the Oscar Pistorius trial while researching issues of ethics in the legal profession. But in between life and children, Niki is also determined to navigate her own way around the new world of print and publishing and connect with her own identity as a writer. How is she going to survive all this?

Something In Between is a light-hearted non-fiction narrative about real issues in a changing world: issues of parenting and the legal profession, tertiary institutions and marriage institutions; issues about the old feminist debate and why it’s still unresolved and some lessons learnt about the world of books and book publishing. A memoir of her last three years and all of it absolutely true.