Technologies may change, but the need for clear and accurate communication never goes out of style. That is why for more than one hundred years The Chicago Manual of Style has remained the definitive guide for anyone who works with words. In the seven years since the previous edition debuted, we have seen an extraordinary evolution in the way we create and share knowledge. This seventeenth edition of The Chicago Manual of Style has been prepared with an eye toward how we find, create, and cite information that readers are as likely to access from their pockets as from a bookshelf. It offers updated guidelines on electronic workflows and publication formats, tools for PDF annotation and citation management, web accessibility standards, and effective use of metadata, abstracts, and keywords. It recognizes the needs of those who are self-publishing or following open access or Creative Commons publishing models. The citation chapters reflect the ever-expanding universe of electronic sources--including social media posts and comments, private messages, and app content--and also offer updated guidelines on such issues as DOIs, time stamps, and e-book locators. Other improvements are independent of technological change. The chapter on grammar and usage includes an expanded glossary of problematic words and phrases and a new section on syntax as well as updated guidance on gender-neutral pronouns and bias-free language. Key sections on punctuation and basic citation style have been reorganized and clarified. To facilitate navigation, headings and paragraph titles have been revised and clarified throughout. And the bibliography has been updated and expanded to include the latest and best resources available. This edition continues to reflect expert insights gathered from Chicago's own staff and from an advisory board of publishing experts from across the profession. It also includes suggestions inspired by emails, calls, and even tweets from readers. No matter how much the means of communication change, The Chicago Manual of Style remains the ultimate resource for those who care about getting the details right.

Spanning nearly 100 years, Faith & Defiance: The Life of Sally Motlana tells the story of one of South Africa’s most eminent women activists and community builders - Sally Bampifeletseng (Maunye) Motlana.

Born of humble roots in the old village of Moremela near Pilgrims Rest in the then-Transvaal, Sally grew into a fierce activist and voice of the oppressed who answered the call when she saw all that needed to be done in the struggle for freedom and a democratic South Africa. As a toddler, Sally moved to Johannesburg with her mother, where they joined her father and lived first in Vrededorp and then Sophiatown. Educated at St Cyprian’s School, she was taken under the wing of esteemed Anglican missionary Father Trevor Huddleston.

Profoundly influenced by her religious upbringing, she developed a passionate protectiveness of the poor – especially women and children– and an unquenchable thirst for justice that never diminished during her numerous detentions and harassment by the Security Police. Instead of a straight biography, author Mukoni Ratshitenga has skilfully crafted a riveting account of a woman and her country, rich with vignettes and fascinating encounters of great historical significance.

One of the many encounters in the book tells how during his hiding from the police for seventeen months before his arrest in 1962, Nelson Mandela, visited Sally at her Dube home and what transpired thereafter. Another tells how during one of her spells of detention in 1978 at Jeppe Police station, she came across two Azanian People’s Liberation Army (APLA) combatants who had been detained there after they had been deployed from Tanzania. Fearing that they would be killed, she hatched and executed a daring plan for their escape - all whilst being detained herself.

The book contains many accounts of Sally’s fearlessness in the face of apartheid police harassment and brutality. It highlights how her commitment to the struggle for liberation and her deep Christian faith reinforced each other. Faith & Defiance: The Life of Sally Motlana is a record of both the brutality of apartheid and colonialism and the determination of one woman to fight it and through her story, the story of millions.

Noises Off is not one play but two - simultaneously a traditional sex farce, Nothing On, and the backstage farce that develops during Nothing On's final rehearsal and tour. The two farces begin to interlock, as the characters make their exits from Nothing On only to find themselves making entrances into the even worse nightmare going on backstage, and exit from that only to make their entrances back into Nothing On. In the end, at the disastrous final performance in Stockton-on-Tees, the two farces can be kept separate no longer, and coalesce into one single collective nervous breakdown. Noises Off won both the Evening Standard and the Olivier Awards for Best Comedy when it was first produced, and ran in the West End for nearly five years. Michael Frayn's most recent play, Copenhagen, won both the Evening Standard Best Play Award in London and the Tony Best Play Award in New York.

Through life-changing stories, respected thinkers and authentic presentations, Keynote promotes a deeper understanding of the world and gives students the courage and means to express themselves in English. Communication, collaboration and creative thinking drive students towards real 21st century outcomes and encourage them to respond to ideas and find their own voice. Both students and teachers will emerge with new confidence, new ideas and a new determination to communicate in this increasingly information-rich world of Global English.

Through life-changing stories, respected thinkers and authentic presentations, Keynote promotes a deeper understanding of the world and gives students the courage and means to express themselves in English. Communication, collaboration and creative thinking drive students towards real 21st century outcomes and encourage them to respond to ideas and find their own voice. Both students and teachers will emerge with new confidence, new ideas and a new determination to communicate in this increasingly information-rich world of Global English.

Eierigting is‘n regsterm wat beteken dat jy die reg in jou eie hande neem.

In ‘n grondwetlike bestel is die uitgangspunt dat die burgery kollektief hul reg om hulself te beskerm oordra aan die staat. Wanneer die staat faal en nie meer sy burgers beskerm nie, verander die situasie. Dan raak eierigting nodig.

Willie Spies skryf sedert 2016 – die jaar van Fees Must Fall in Suid-Afrika en die verkiesing van Donald Trump in die VSA – rubrieke vir Beeld en Netwerk 24.

Die rubrieke ontgin die stand van die makro-omgewing van verval van die staat waarin Suid-Afrikaners hulle bevind gedurende die jare van staatskaping, die einde van die Zuma-bewind, die EFF, die einde van Afrikaans in die universiteitswese, die era van Rama-forie, die COVID-pandemie en gepaardgaande wêreld gebeure in historiese konteks.

Dit keer telkens terug na die mikro-werklikheid van eie menswees, geloof, hartseer, eensaamheid, verlies, ouer-word en vergifnis.

Dit ondersoek ’n nuwe vryheidsideaal, 30 jaar na die verkiesing van 27 April 1994 en beskryf hoe eierigting regmatig deur instellings van die burgerlike samelewing plaasvind wat leemtes vul wat die staat ooplaat.

From the dawn of the early modern period around 1400 until the eighteenth century, Latin was still the European language and its influence extended as far as Asia and the Americas. At the same time, the production of Latin writing exploded thanks to book printing and new literary and cultural dynamics. Latin also entered into a complex interplay with the rising vernacular languages. This Handbook gives an accessible survey of the main genres, contexts, and regions of Neo-Latin, as we have come to call Latin writing composed in the wake of Petrarch (1304-74). Its emphasis is on the period of Neo-Latin's greatest cultural relevance, from the fifteenth to the eighteenth centuries. Its chapters, written by specialists in the field, present individual methodologies and focuses while retaining an introductory character. The Handbook will be valuable to all readers wanting to orientate themselves in the immense ocean of Neo-Latin literature and culture. It will be particularly helpful for those working on early modern languages and literatures as well as to classicists working on the culture of ancient Rome, its early modern reception and the shifting characteristics of post-classical Latin language and literature. Political, social, cultural and intellectual historians will find much relevant material in the Handbook, and it will provide a rich range of material to scholars researching the history of their respective geographical areas of interest.

The book that inspired the major new motion picture "Mandela: Long Walk to Freedom."
Nelson Mandela is one of the great moral and political leaders of our time: an international hero whose lifelong dedication to the fight against racial oppression in South Africa won him the Nobel Peace Prize and the presidency of his country. Since his triumphant release in 1990 from more than a quarter-century of imprisonment, Mandela has been at the center of the most compelling and inspiring political drama in the world. As president of the African National Congress and head of South Africa's antiapartheid movement, he was instrumental in moving the nation toward multiracial government and majority rule. He is revered everywhere as a vital force in the fight for human rights and racial equality.
LONG WALK TO FREEDOM is his moving and exhilarating autobiography, destined to take its place among the finest memoirs of history's greatest figures. Here for the first time, Nelson Rolihlahla Mandela tells the extraordinary story of his life--an epic of struggle, setback, renewed hope, and ultimate triumph.

The poetry of Michelangelo offers an insight into one of the greatest artists of all time, and is a notable literary achievement in its own right. This text lays out the broad chronological evolution of the poems and clarifies both their meaning and the verbal artistry that shaped their construction. The poetry is always quoted in Italian and in translation.

A pioneering social history of French writers during the Age of Revolution, from a world-renowned scholar and National Book Critics Circle Award winner.

In eighteenth-century France, writers emerged as a new kind of power. They stirred passions, shaped public opinion, and helped topple the Bourbon monarchy. Whether scribbling in dreary garrets or philosophizing in salons, they exerted so much influence that the state kept them under constant surveillance. A few became celebrities, but most were hacks, and none could survive without patrons or second jobs.

The Writer’s Lot is the first book to move beyond individual biography to take the measure of “literary France” as a whole. Historian Robert Darnton parses forgotten letters, manuscripts, police reports, private diaries, and newspapers to show how writers made careers and how they fit into the social order—or didn’t. Reassessing long-standing narratives of the French Revolution, Darnton shows that to be a reject was not necessarily to be a Jacobin: the toilers of the Parisian Grub Street sold their words to revolutionary publishers and government ministers alike. And while literary France contributed to the downfall of the ancien régime, it did so through its example more than its ideals: the contradiction inherent in the Republic of Letters—in theory, open to all; in practice, dominated by a well-connected clique—dramatized the oppressiveness of the French social system.

Darnton brings his trademark rigor and investigative eye to the character of literary France, from the culture war that pitted the “decadent” Voltaire against the “radical” Rousseau to struggling scribblers, booksellers, censors, printers, and royal spies. Their lives, little understood until now, afford rare insight into the ferment of French society during the Age of Revolution.

Essays from a Native American grandfather to help navigate life's difficult experiences. Offered in the oral traditions of the Nez Perce, Native American writer W. S. Penn records the conversations he held with his granddaughter, lovingly referred to as ""Bean,"" as he guided her toward adulthood while confronting society's interest in possessions, fairness, and status. Drawing on his own family history and Native mythology, Penn charts a way through life where each endeavor is a journey-an opportunity to love, to learn, or to interact-rather than the means to a prize at the end. Divided into five parts, Penn addresses topics such as the power of words, race and identity, school, and how to be. In the essay "In the Nick of Names," Penn takes an amused look at the words we use for people and how their power, real or imagined, can alter our perception of an entire group. To Have and On Hold is an essay about wanting to assimilate into a group but at the risk of losing a good bit of yourself. "A Harvest Moon" is a humorous anecdote about a Native grandfather visiting his granddaughter's classroom and the absurdities of being a professional Indian. "Not Nobody" uses "Be All that You Can Be Week" at Bean's school to reveal the lessons and advantages of being a "nobody." In "From Paper to Person," Penn imagines the joy that may come to Bean when she spends time with her Paper People-three-foot-tall drawings, mounted on stiff cardboard-and as she grows into a young woman like her mom, able to say she is a person who is happy with what she has and not sorry for what she doesn't. Comical and engaging, the essays in Raising Bean will appeal to readers of all backgrounds and interests, especially those with a curiosity in language, perception, humor, and the ways in which Native people guide their families and friends with stories.

George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image―that of a hypermacho sex god―loomed large in the pop culture of his day. It also hid―for a time―the secret he fought against revealing: Michael was gay.

Soon his obsession with fame would start to backfire. As one of the industry’s most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world.

Acclaimed music biographer James Gavin traces Michael’s metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham! He then details Michael’s sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael’s albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend.

Of the spiritual odysseys which dominate the literature of nineteenth-century England, Newman's Apologia Pro Vita Sua is universally acknowledged as one of the greatest and yet one of the most difficult. Newman wrote the Apologia in 1864, as a reply to Charles Kingsley's attack on his veracity and that of his fellow Roman Catholic clergy; the following year he revised it extensively and thereafter amended new impressions almost until his death in 1890. This fine edition, long unavailable, has been reissued for the centenary; it includes all the variants resulting from Newman's revisions, in both the printed texts and the surviving manuscripts.