Multiple (or extended) exponence is the occurrence of multiple realizations of a single morphosemantic feature, bundle of features, or derivational category within a word. This book provides data and direction to the discussion of ME, which has gone in a variety of directions and suffers from lack of evidence. Alice Harris addresses the question of why ME is of interest to linguists and traces the discussion of this concept in the linguistic literature. The four most commonly encountered types of ME are characterized, with copious examples from a broad variety of languages; these types form the basis for discussion of the processing of ME, the acquisition of ME, the historical development of ME, and analysis of ME. The book addresses some of the most important questions involving ME, including why it exists at all.

The Old English Heptateuch is a translation of much of the first seven books of the Old Testament from the Latin Vulgate into Old English, done in the first years of the eleventh century. It is the earliest known attempt at continuous translation of the Old Testament into English, and is of particular interest as a witness to the dynamic, but not yet fully understood relationship between Latin and the vernacular in the monasteries of late Anglo-Saxon England. The Heptateuch is a composite work, but much of the translation was done by Abbot AElfric of Eynsham. The edition includes his preface to the translation of Genesis, and also his Libellus de veteri testamento et novo, a tract in which he presents an exegetical survey of the Bible. This first volume contains the general Introduction and the text; volume II will provide the notes and glossary. This new critical edition, based on Bodleian Library MS Laud misc. 509, replaces the EETS' original series 160, edited by S.J. Crawford and based on a different manuscript; it collates manuscripts and adds readings not then known. Richard Marsden is Senior Lecturer in the School of English Studies at the University of Nottingham.

Rebecca J. Manring offers an illuminating study and translation of three hagiographies of Advaita Acarya, a crucial figure in the early years of the devotional Vaisnavism which originated in Bengal in the fifteenth century. Advaita Acarya was about fifty years older than the movement's putative founder, Caitanya, and is believed to have caused Caitanya's advent by ceaselessly storming heaven, calling for the divine presence to come to earth. Advaita was a scholar and highly respected pillar of society, whose status lent respectability and credibility to the new movement.
A significant body of hagiographical and related literature about Advaita Acarya has developed since his death, some as late as the early twentieth century. The three hagiographic texts included in The Fading Light of Advaita Acarya examine the years of Advaita's life that did not overlap with Caitanya's lifetime, and each paints a different picture of its protagonist. Each composition clearly advocates the view that Advaita was himself divine in some way, and a few go so far as to suggest that Advaita reflected even greater divinity than Caitanya, through miraculous stories that can be found nowhere else in Bengali Vaisnava literature. Manring provides a detailed introduction to these texts, as well as remarkably faithful translations of Haricarana Dasa's Advaita Mangala, Laudiya Krsnadasa's Balya-lila-sutra, and Isana Nagara's Advaita Prakasa.

Mourning Becomes Electra is a play written by the American playwright Eugene O'Neill. It premiered on Broadway in 1931 and ran for 150 performances. The story is an updated Greek tragedy and features murder, adultery, incestuous love and revenge. O'Neill's characters have motivations that are influenced by the psychological theories of the 1930s. Hence, it can be understood from a Freudian perspective, with characters displaying Oedipus and Electra complexes. Mourning Becomes Electra is divided into three plays entitled Homecoming, The Hunted, and The Haunted, with themes corresponding to The Oresteia trilogy by Aeschylus. These plays are normally shown together and, as they each have four or five acts, it is extraordinarily lengthy, often being cut down when produced.

At the beginning of the twentieth century, many in Britain believed their nation to be a dominant world power that its former colony, the United States, could only hope to emulate. Yet by the interwar years, the United States seemed to some to embody a different type of global eminence, one based not only on political and economic stature but also on new forms of mass culture like jazz and the Hollywood film. Britain's fraught transition from formidable empire to victim of Americanization is rarely discussed by literary scholars. However, the dawn of the "American century " is the period of literary modernism and, this book argues, the signs of Americanization-from jazz records to Ford motorcars to Hollywood films-helped to establish the categories of elite and mass culture that still inspire debate in modernist studies. This book thus brings together two major areas of modernist scholarship, the study of nation and empire and the study of mass culture, by suggesting that Britain was reacting to a new type of empire, the American entertainment empire, in its struggles to redefine its national culture between the wars. At the same time, British anxieties about American influence contributed to conceptions of Britain's imperial scope, and what it meant to have or be an empire. Through its treatment of a wide range of authors and cultural phenomena, the book explores how Britain reinvented itself in relation to its ideas of America, and how Britain's literary modernism developed and changed through this reinvention.

In this perceptive and original study of one of the most popular of English poets, Douglas Kerr has written the life of Wilfred Owen's language. The book explores the meaning in Owen's life of the family, the Church, the army, and English poets of the past. It examines the language of these four communities, and shows how their discourses helped to mould the poet's own. The language in which Owen's extraordinary poems and letters are written was learned in and from these communities which shaped his short career. But there were times too when he hated each of them. As Douglas Kerr shows, much of the power of Owen's writing derives from his desire to transform the communities which formed him. Accessible and lucid, and informed by the insights of recent theory, Wilfred Owen's Voices throws important new light on the best-known of the English war poets, and on both the cultural history and intense personal drama to be read in his work.

A portrait of the writer Mikhail Bulgakov, fighting for his work and his life in a society riven with fear of Stalin's tyranny Mikhail Bulgakov was born in Kiev in 1891. He started as a career writing articles and satiric short stories about the revolution and the economic reconstruction in the young Soviet state. He drew on these writings in many of his stage plays which brought him into conflict with the authorities. He died in 1940.

What is the relationship between past and present in performance, given that the performing body is tangibly present in the here and now? What is the relationship between performance and authenticity? Between live, apparently 'confessional' performance and supposedly 'reality' television? Autobiography in Performance will provide a broad overview of the key concepts pertaining to 'autobiography' in the field of performance. Heddon's engaging style seamlessly blends the theoretical and the personal, raising and pursuing provactive questions around issues of 'truth', 'identity', personal history and political agency, confession, voyeurism and ethics. The book provides case studies of key international practitioners, including Tim Miller, Lisa Kron, Bobby Baker and Curious.

Pringle's autobiography offers a graphic and often painful account of his experiences with major marathons, including the Marathon des Sables and the Yukon Arctic Ultra. Journalists and scientists monitor his progress as he pushes his body to the very limits, as he competes in extreme sporting events which have already claimed lives. A growing sense of self-knowledge and a sense of unity with the natural world lead him to overcome his inner demons, and to find a distinctive and transformational spiritual path.

The past twenty years have seen an extraordinary and exciting growth in Canadian theater. Today, 200 professional theater companies span the country and more than 10,000 published plays appear in bibliographies. The Oxford Companion to Canadian Theatre is the first reference book to document the growth and development of Canadian drama and theater in English and French--from its beginnings to the present day. The book offers 680 entries written by 155 contributors that provide biographies of actors, playwrights, directors, and designers; major theaters, including 19th-century theaters, and companies; major plays; and numerous miscellaneous subjects such as collective theater, design, directing, ethnic theater, musical theater, radio and television drama, and local theater. The result of almost four years' research, this authoritative reference offers a wealth of fascinating and important information, as well as over 200 beautiful illustrations.

The self-righteous, headstrong lawyering mother has a new and greater challenge. No longer seeking the approval of her successful mother, one of South Africa’s first women judges, Niki is out to find that elusive concept of the ‘work/life’ balance and some real, sustainable solutions.

Her journey takes her deep into feminist philosophies as she struggles to understand the unfolding media-driven drama of the Oscar Pistorius trial while researching issues of ethics in the legal profession. But in between life and children, Niki is also determined to navigate her own way around the new world of print and publishing and connect with her own identity as a writer. How is she going to survive all this?

Something In Between is a light-hearted non-fiction narrative about real issues in a changing world: issues of parenting and the legal profession, tertiary institutions and marriage institutions; issues about the old feminist debate and why it’s still unresolved and some lessons learnt about the world of books and book publishing. A memoir of her last three years and all of it absolutely true.

This volume consists of nine original chapters on central issues in theoretical syntax, all written by distinguished authors who have made major contributions to generative syntax, plus an introductory chapter by the editor. Dedicated to Tarald Taraldsen, the collection reflects the diverse energies that have pushed the cartographic program forward over the last decade. The first three papers deal with subject extraction, the que/qui alternation, and relative clause formation. Luigi Rizzi presents arguments that subjects are 'criterial' and that subject extraction is highly restricted. Hilda Koopman and Dominique Sportiche concur, suggesting that what appears to be subject extraction in French has been misanalyzed, and involves a relative structure. Adriana Belletti shows that children avoid using object relatives, preferring subject relatives, even when it requires passivization. The fourth paper, by Ian Roberts, analyzes the loss of pro-drop in the history of French and Brazilian Portuguese. The papers by M. Rita Manzini and Richard S. Kayne both present novel analyses of complementizers, suggesting that they are essentially nominal, rather than verbal. The final three papers address the relationship of morphology to syntax. The first two argue for a syntactic approach to word formation, Guglielmo Cinque's in a typological context and Anders Holmberg's within an analysis of Finnish focus constructions. The final paper, by Edwin Williams, presents an argument for the limitations of the syntactic approach to word formation.

Eoin O'Duffy was one of the most controversial figures of modern Irish history. A guerrilla leader and protege of Michael Collins, he rose rapidly through the ranks of the republican movement. By 1922 he was chief of staff of the IRA, a member of the Irish Republican Brotherhood's Supreme Council, and a Sinn Fein deputy in Dail Eireann. As chief of police, O'Duffy was the strongest defender of the Irish Free State only to become, after his emergence as leader of the Blueshirt movement in 1933, the greatest threat to its survival. Increasingly drawn to international fascism, he founded Ireland's first fascist party, and led an Irish Brigade to fight under General Franco in the Spanish Civil War. He died in wartime Dublin, a Nazi collaborator, and a broken man. This study, the first ever biography of Eoin O'Duffy, draws on unpublished archival and personal papers to trace his journey from revolutionary republicanism to fascism. It examines the importance of cultural forces, including the legacy of the Irish-Ireland movement, Catholicism, anti-communism, and O'Duffy's ideas on sports, morality, and masculinity to explain his descent into extremism. McGarry peels away the public persona to reveal a complex picture of the motives which drove this extraordinary career. A crusading moralist and advocate of teetotalism, obsessed with the need to counter public immorality, who was at the same time a closet homosexual and alcoholic, O'Duffy's remarkable life was characterised by self-aggrandisement, fantasy, and contradiction. This fascinating biography explores themes as diverse as cultural nationalism, violence, sectarianism, militarism, and masculinity to shed new light on Irish republicanism and the politics of interwar European fascist movements. It is essential reading for anyone seeking to understand the complexities of culture, politics, and society in interwar Ireland.

"The book is the product of a protracted, laborious and scrupulous research and draws on a most extensive and varied assembly of documents. But the archival evidence, factual accounts and even personal narratives would have remained remote, dry and cold if not for the author's remarkable gift of empathy. Barbara Engelking gives the witnesses of the Holocaust a voice which readers of this book will understand....Under her pen memories come alive again."--from the Foreword by Zygmunt BaumanOriginally published in Polish to great acclaim and based on interviews with survivors of the Holocaust in Poland, Holocaust and Memory provides a moving description of their life during the war and the sense they made of it. The book begins by looking at the differences between the wartime experiences of Jews and Poles in occupied Poland, both in terms of Nazi legislation and individual experiences. On the Aryan side of the ghetto wall, Jews could either be helped or blackmailed by Poles. The largest section of the book reconstructs everyday life in the ghetto. The psychological consequences of wartime experiences are explored, including interviews with survivors who stayed on in Poland after the war and were victims of anti-Semitism again in 1968. These discussions bring into question some of the accepted survivor stereotypes found in Holocaust literature. A final chapter looks at the legacy of the Holocaust, the problems of transmitting experience and of the place of the Holocaust in Polish history and culture.

New York City, 1930. Following a decade of explosive creativity, the Harlem Renaissance is starting to feel the bite of the Great Depression. In the face of hardship and dwindling opportunity, Angel and her friends battle to keep their artistic dreams alive. But, when Angel falls for a stranger from Alabama, their romance forces the group to make good on their ambitions, or give in to the reality of the time. Pearl Cleage's Blues for an Alabama Sky was first performed in Atlanta, Georgia, in 1995. It was revived at the National Theatre, London, in 2022, directed by Lynette Linton, with a cast including Samira Wiley and Giles Terera. Pearl Cleage is a celebrated American playwright, novelist, poet and political activist, and was one of the first Black women in America to achieve national recognition as a dramatist. Her plays, also including Flyin' West and Bourbon at the Border, provide a remarkable and penetrating look at the African-American experience over the last century. 'As a woman, as an African-American, her artistic objectivity and sensitivity to history combine with her capacity to dig for truth' Ruby Dee 'One of the voices singing in the wilderness' Ossie Davis

When Evan, twenty-six, is suddenly called home to the secluded farmhouse where he was raised by his mother, June, there is so much he does not yet know. He doesn't know the extent of his mother's illness. He doesn't know the identity of his biological father or the elusive story of his mother's creatively intense, emotionally turbulent romance with Bob Dylan, whom Evan reveres as an artist and whom strangers have long insisted he resembles. He doesn't know what drove his mother to leave New York City for a completely different existence.

In this deeply moving debut novel, inspired by the author's own uncertain celebrity paternity, Sam Sussman writes one of the most tender and intimate mother-son relationships of our era. Caring for his mother as her condition worsens, and as she begins to tell him truths he has waited so long to hear, Evan comes to understand the startling gift this extraordinary woman has bequeathed him. Boy from the North Country is an emotionally searing meditation on the most essential human themes: loss, healing, memory and the redemptive power of love.

Gidon Lev, an 89-year-old Holocaust survivor, has lived an extraordinary life. At the age of six, he was imprisoned in the concentration camp of Theresienstadt. Liberated when he was ten, he lost at least 26 members of his family, including his father and grandfather.

But Gidon’s life is extraordinary not only because he is one of the few living survivors remaining but because of his lessons learned over nearly a century. His enduring message is of hope and opportunity – to make things better. By sharing his timeless simple belief and truths, Gidon reminds us that we have the power to incrementally improve what is in front of us and leave something better behind us.

His life is a lesson of how to do it, even in the face of astonishing adversity, and Let’s Make Things Better is the calling card of an indomitable spirit.

Derived from the word "to propagate," the idea and practice of propaganda concerns nothing less than the ways in which human beings communicate, particularly with respect to the creation and widespread dissemination of attitudes, images, and beliefs. Much larger than its pejorative connotations suggest, propaganda can more neutrally be understood as a central means of organizing and shaping thought and perception, a practice that has been a pervasive feature of the twentieth century and that touches on many fields. It has been seen as both a positive and negative force, although abuses under the Third Reich and during the Cold War have caused the term to stand in, most recently, as a synonym for untruth and brazen manipulation. Propaganda analysis of the 1950s to 1989 too often took the form of empirical studies about the efficacy of specific methods, with larger questions about the purposes and patterns of mass persuasion remaining unanswered. In the present moment where globalization and transnationality are arguably as important as older nation forms, when media enjoy near ubiquity throughout the globe, when various fundamentalisms are ascendant, and when debates rage about neoliberalism, it is urgent that we have an up-to-date resource that considers propaganda as a force of culture writ large. The handbook will include twenty-two essays by leading scholars from a variety of disciplines, divided into three sections. In addition to dealing with the thorny question of definition, the handbook will take up an expansive set of assumptions and a full range of approaches that move propaganda beyond political campaigns and warfare to examine a wide array of cultural contexts and practices.

Krog is ’n internasionaal gerekende digter maar ook plaaslik geliefd. Vyftig jaar ná haar opspraakwekkende debuut, Dogter van Jefta, verskyn daar ’n splinternuwe versameling waarin meer as honderd gedigte uit haar elf bundels saampraat. Verse oor eerste liefde, oor moederskap, oor die landskap, en oor onreg; oplaas ook oor ouer word.

'n Vry vrou bevat gunstelinge uit Krog se oeuvre maar ook minder bekende dog ewe verrassende verse. Saamgestel deur Karen de Wet.

Marion is proverbially the great master of strategy?the wily fox of the swamps?never to be caught, never to be followed, ?yet always at hand, with unconjectured promptness, at the moment when he is least feared and is least to be expected. South Carolina's ?Swamp Fox, ? Francis Marion, is one of the most celebrated figures of the American Revolution. Marion's cunning exploits in the Southern theater of the Revolution earned him national renown and a place in history as an American hero and master of modern guerilla warfare. Although dozens of works have been written about Marion's life over the years, this biography -- written by William Gilmore Simms, South Carolina's greatest author -- remains the best. First published in 1844, The Life of Francis Marion was Simms's most commercially successful work of nonfiction. It offers a treatment of Marion's life that is unparalleled in its scope and accuracy, all in Simms's inimitable style.