Heralding a new era in literary studies, the Oxford English Literary History breaks the mould of traditional approaches to the canon by focusing on the contexts in which authors wrote and how their work was shaped by the times in which they lived. These are books that every serious student and scholar of the period will need on their shelves.

James Simpson covers both high medieval and Tudor writing, showing how the coming of the Renaissance and Reformation displaced the earlier, hospitably diverse literary culture. Out went the flourishing variousness of medieval writing (Chaucer, Langland, the 'mystery' plays, feminine visionary writing); in came writing - by Wyatt, Surrey, and others - that prized coherence and unity, even while reflecting a sense of what had been lost.

Repetition and Race explores the literary forms and critical frameworks occasioned by the widespread institutionalization of liberal multiculturalism by turning to the exemplary case of Asian American literature. Whether beheld as "model minorities" or objects of "racist love," Asian Americans have long inhabited the uneasy terrain of institutional embrace that characterizes the official antiracism of our contemporary moment. Repetition and Race argues that Asian American literature registers and responds to this historical context through formal structures of repetition. Forwarding a new, dialectical conception of repetition that draws together progress and return, motion and stasis, agency and subjection, creativity and compulsion, this book reinterprets the political grammar of four forms of repetition central to minority discourse: trauma, pastiche, intertextuality, and self-reflexivity. Working against narratives of multicultural triumph, the book shows how texts by Theresa Cha, Susan Choi, Karen Tei Yamashita, Chang-rae Lee, and Maxine Hong Kingston use structures of repetition to foreground moments of social and aesthetic impasse, suspension, or hesitation rather than instances of reversal or resolution. Reading Asian American texts for the way they allegorize and negotiate, rather than resolve, key tensions animating Asian American culture, Repetition and Race maps both the penetrating reach of liberal multiculturalism's disciplinary formations and an expanded field of cultural politics for minority literature.

For all its concern with change in the present and future, science fiction is deeply rooted in the past and, surprisingly, engages especially deeply with the ancient world. Indeed, both as an area in which the meaning of "classics" is actively transformed and as an open-ended set of texts whose own 'classic' status is a matter of ongoing debate, science fiction reveals much about the roles played by ancient classics in modern times. Classical Traditions in Science Fiction is the first collection dedicated to the rich study of science fiction's classical heritage, offering a much-needed mapping of its cultural and intellectual terrain. This volume discusses a wide variety of representative examples from both classical antiquity and the past four hundred years of science fiction, beginning with science fiction's "rosy-fingered dawn" and moving toward the other-worldly literature of the present day. As it makes its way through the eras of science fiction, Classical Traditions in Science Fiction exposes the many levels on which science fiction engages the ideas of the ancient world, from minute matters of language and structure to the larger thematic and philosophical concerns.

This study explores Walt Whitman's contradictory response to and embrace of several great prior British poets: Shakespeare, Milton, Burns, Blake, and Wordsworth (with shorter essays on Scott, Carlyle, Tennyson, Wilde, and Swinburne). Through reference to his entire oeuvre, his published literary criticism, and his private conversations, letters and manuscripts, it seeks to understand the extent to which Whitman experienced the anxiety of influence as he sought to establish himself as America's poet-prophet or bard (and the extent to which he sought to conceal such influence). An attempt is also made to lay out the often profound aesthetic, cultural, political, and philosophical affinities Whitman shared with these predecessors. It also focuses on all of Whitman's extant comments on these iconic authors. Because Whitman was a deeply autobiographical writer, attention is also paid to how his comments on other poets reflect on his image of himself and on the ways he shaped his public image. Attention is also given to how Whitman's attitudes to his British fore-runners changed over the nearly fifty years of his active career.

For courses in Elementary French. Building on the success of earlier editions and anchored in the most current innovations in language instruction, the Fourth Edition of Chez nous offers a richly nuanced focus on the Francophone world through a highly integrative and process-oriented approach to the development of language skills that emphasizes the Five C's and is consistent with the National Standards. The Fourth Edition Chez nous is a complete elementary French program designed for use at colleges and universities, over two or three terms or semesters. Using a careful progression from skill-developing to skill-using activities and a sophisticated treatment of Francophone culture, the text and its full complement of supplementary materials help students develop listening, reading, speaking, and writing skills as well as insights into other cultures by exposing them to authentic, contemporary French and encouraging them to express themselves on a variety of topics.

Idiomantics is a unique exploration of the world of idiomatic phrases. The very etymology of the word 'idiom' reveals what's so endlessly fascinating about the wide range of colourful phrases we use in everyday speech: their peculiarity. They're peculiar both in the sense of being particular or unique to the culture from which they originate, and in the sense of being downright odd. To cite three random examples - from American English, Dutch and Italian - what on Earth are a snow job, a monkey sandwich story, and Mr Punch's secret? Fascinating and illuminating, Idiomantics explains all... The ideal gift for word buffs and in fact, anyone who enjoys a good yarn, this playful book looks at 12 groups of idioms around the world, looking at subjects such as fun and games, gastronomic delights and the daily grind.

Oliver Sacks, one of the great humanists of our age – who describes himself in these pages as a ‘philosophical physician’ and an ‘astronomer of the inward’ – wrote to an eclectic array of family and friends. Most were scientists, artists, and writers, even statesmen: Francis Crick, Antonio Damasio, Jane Goodall, W. H. Auden, Susan Sontag, Stephen Jay Gould, Björk, and his first cousin, Abba Eban. But many of the most eloquent letters in this collection are addressed to the ordinary people who wrote to him with their odd symptoms and questions, to whom he responds with a sense of generosity and wonder.

With some correspondents, Sacks shares his struggle for recognition and acceptance both as a physician and as a gay man, providing intimate accounts as well of his passions for competitive weightlifting, motorcycles, botany, and music. With others, he chronicles his penchant for testing the boundaries of authority, the discovery of his writer’s voice, and his explosive seasons of discovery with the patients who populate his book Awakenings.

His descriptions of travels as a young man and the extraordinary people he encounters can be lyrical, ferocious, penetrating and hilarious. Many of his musings include the first detailed sketches of an essay forming in his mind, or miniature case histories rivalling those in his beloved essay collections.

Sensitively selected and introduced by Kate Edgar, Sacks’s longtime editor, the letters trace the arc of a remarkable life and reveal an often surprising portrait of Sacks as he wrestles with the workings of his own brain and mind.

Multiple (or extended) exponence is the occurrence of multiple realizations of a single morphosemantic feature, bundle of features, or derivational category within a word. This book provides data and direction to the discussion of ME, which has gone in a variety of directions and suffers from lack of evidence. Alice Harris addresses the question of why ME is of interest to linguists and traces the discussion of this concept in the linguistic literature. The four most commonly encountered types of ME are characterized, with copious examples from a broad variety of languages; these types form the basis for discussion of the processing of ME, the acquisition of ME, the historical development of ME, and analysis of ME. The book addresses some of the most important questions involving ME, including why it exists at all.

The Old English Heptateuch is a translation of much of the first seven books of the Old Testament from the Latin Vulgate into Old English, done in the first years of the eleventh century. It is the earliest known attempt at continuous translation of the Old Testament into English, and is of particular interest as a witness to the dynamic, but not yet fully understood relationship between Latin and the vernacular in the monasteries of late Anglo-Saxon England. The Heptateuch is a composite work, but much of the translation was done by Abbot AElfric of Eynsham. The edition includes his preface to the translation of Genesis, and also his Libellus de veteri testamento et novo, a tract in which he presents an exegetical survey of the Bible. This first volume contains the general Introduction and the text; volume II will provide the notes and glossary. This new critical edition, based on Bodleian Library MS Laud misc. 509, replaces the EETS' original series 160, edited by S.J. Crawford and based on a different manuscript; it collates manuscripts and adds readings not then known. Richard Marsden is Senior Lecturer in the School of English Studies at the University of Nottingham.

Rebecca J. Manring offers an illuminating study and translation of three hagiographies of Advaita Acarya, a crucial figure in the early years of the devotional Vaisnavism which originated in Bengal in the fifteenth century. Advaita Acarya was about fifty years older than the movement's putative founder, Caitanya, and is believed to have caused Caitanya's advent by ceaselessly storming heaven, calling for the divine presence to come to earth. Advaita was a scholar and highly respected pillar of society, whose status lent respectability and credibility to the new movement.
A significant body of hagiographical and related literature about Advaita Acarya has developed since his death, some as late as the early twentieth century. The three hagiographic texts included in The Fading Light of Advaita Acarya examine the years of Advaita's life that did not overlap with Caitanya's lifetime, and each paints a different picture of its protagonist. Each composition clearly advocates the view that Advaita was himself divine in some way, and a few go so far as to suggest that Advaita reflected even greater divinity than Caitanya, through miraculous stories that can be found nowhere else in Bengali Vaisnava literature. Manring provides a detailed introduction to these texts, as well as remarkably faithful translations of Haricarana Dasa's Advaita Mangala, Laudiya Krsnadasa's Balya-lila-sutra, and Isana Nagara's Advaita Prakasa.

Mourning Becomes Electra is a play written by the American playwright Eugene O'Neill. It premiered on Broadway in 1931 and ran for 150 performances. The story is an updated Greek tragedy and features murder, adultery, incestuous love and revenge. O'Neill's characters have motivations that are influenced by the psychological theories of the 1930s. Hence, it can be understood from a Freudian perspective, with characters displaying Oedipus and Electra complexes. Mourning Becomes Electra is divided into three plays entitled Homecoming, The Hunted, and The Haunted, with themes corresponding to The Oresteia trilogy by Aeschylus. These plays are normally shown together and, as they each have four or five acts, it is extraordinarily lengthy, often being cut down when produced.

At the beginning of the twentieth century, many in Britain believed their nation to be a dominant world power that its former colony, the United States, could only hope to emulate. Yet by the interwar years, the United States seemed to some to embody a different type of global eminence, one based not only on political and economic stature but also on new forms of mass culture like jazz and the Hollywood film. Britain's fraught transition from formidable empire to victim of Americanization is rarely discussed by literary scholars. However, the dawn of the "American century " is the period of literary modernism and, this book argues, the signs of Americanization-from jazz records to Ford motorcars to Hollywood films-helped to establish the categories of elite and mass culture that still inspire debate in modernist studies. This book thus brings together two major areas of modernist scholarship, the study of nation and empire and the study of mass culture, by suggesting that Britain was reacting to a new type of empire, the American entertainment empire, in its struggles to redefine its national culture between the wars. At the same time, British anxieties about American influence contributed to conceptions of Britain's imperial scope, and what it meant to have or be an empire. Through its treatment of a wide range of authors and cultural phenomena, the book explores how Britain reinvented itself in relation to its ideas of America, and how Britain's literary modernism developed and changed through this reinvention.

In this perceptive and original study of one of the most popular of English poets, Douglas Kerr has written the life of Wilfred Owen's language. The book explores the meaning in Owen's life of the family, the Church, the army, and English poets of the past. It examines the language of these four communities, and shows how their discourses helped to mould the poet's own. The language in which Owen's extraordinary poems and letters are written was learned in and from these communities which shaped his short career. But there were times too when he hated each of them. As Douglas Kerr shows, much of the power of Owen's writing derives from his desire to transform the communities which formed him. Accessible and lucid, and informed by the insights of recent theory, Wilfred Owen's Voices throws important new light on the best-known of the English war poets, and on both the cultural history and intense personal drama to be read in his work.

A portrait of the writer Mikhail Bulgakov, fighting for his work and his life in a society riven with fear of Stalin's tyranny Mikhail Bulgakov was born in Kiev in 1891. He started as a career writing articles and satiric short stories about the revolution and the economic reconstruction in the young Soviet state. He drew on these writings in many of his stage plays which brought him into conflict with the authorities. He died in 1940.

Neelima Shukla-Bhatt offers an illuminating study of Narsinha Mehta, one of the most renowned saint-poets of medieval India and the most celebrated bhakti (devotion) poet from Gujarat, whose songs and sacred biography formed a vital source of moral inspiration for Gandhi. Exploring manuscripts, medieval texts, Gandhi's more obscure writings, and performances in multiple religious and non-religious contexts, including modern popular media, Shukla-Bhatt shows that the songs and sacred narratives associated with the saint-poet have been sculpted by performers and audiences into a popular source of moral inspiration.
Drawing on the Indian concept of bhakti-rasa (devotion as nectar), Narasinha Mehta of Gujarat reveals that the sustained popularity of the songs and narratives over five centuries, often across religious boundaries and now beyond devotional contexts in modern media, is the result of their combination of inclusive religious messages and aesthetic appeal in performance. Taking as an example Gandhi's perception of the songs and stories as vital cultural resources for social reconstruction, the book suggests that when religion acquires the form of popular culture, it becomes a widely accessible platform for communication among diverse groups. Shukla-Bhatt expands upon the scholarship on the embodied and public dimension of bhakti through detailed analysis of multiple public venues of performance and commentary, including YouTube videos.
This study provides a vivid picture of the Narasinha tradition, and will be a crucial resource for anyone seeking to understand the power of religious performative traditions in popular media.

What is the relationship between past and present in performance, given that the performing body is tangibly present in the here and now? What is the relationship between performance and authenticity? Between live, apparently 'confessional' performance and supposedly 'reality' television? Autobiography in Performance will provide a broad overview of the key concepts pertaining to 'autobiography' in the field of performance. Heddon's engaging style seamlessly blends the theoretical and the personal, raising and pursuing provactive questions around issues of 'truth', 'identity', personal history and political agency, confession, voyeurism and ethics. The book provides case studies of key international practitioners, including Tim Miller, Lisa Kron, Bobby Baker and Curious.

From the moment RoseMarie Terenzio unleashed her Italian temper on the entitled nuisance commandeering her office in a downtown New York PR firm, an unlikely friendship bloomed between the blue-collar girl from the Bronx and John F. Kennedy Jr.
Many books have sought to capture John F. Kennedy Jr.'s life. None has been as intimate or as honest as "Fairy Tale Interrupted." Recalling the adventure of working as his executive assistant for five years, RoseMarie portrays the man behind the icon--patient, protective, surprisingly goofy, occasionally thoughtless and self-involved, yet capable of extraordinary generosity and kindness. She reveals how he dealt with dating, politics, and the paparazzi, and describes life behind the scenes at "George "magazine. Captured here are her memories of Carolyn Bessette, how she orchestrated the ultra-secretive planning of John and Carolyn's wedding on Cumberland Island--and the heartbreak of their deaths on July 16, 1999, after which RoseMarie's whole world came crashing down around her. Only now does she feel she can tell her story in a book that stands as "a fitting personal tribute to a unique boss . . . deliriously fun and entertaining" ("Kirkus Reviews").

Pringle's autobiography offers a graphic and often painful account of his experiences with major marathons, including the Marathon des Sables and the Yukon Arctic Ultra. Journalists and scientists monitor his progress as he pushes his body to the very limits, as he competes in extreme sporting events which have already claimed lives. A growing sense of self-knowledge and a sense of unity with the natural world lead him to overcome his inner demons, and to find a distinctive and transformational spiritual path.

The past twenty years have seen an extraordinary and exciting growth in Canadian theater. Today, 200 professional theater companies span the country and more than 10,000 published plays appear in bibliographies. The Oxford Companion to Canadian Theatre is the first reference book to document the growth and development of Canadian drama and theater in English and French--from its beginnings to the present day. The book offers 680 entries written by 155 contributors that provide biographies of actors, playwrights, directors, and designers; major theaters, including 19th-century theaters, and companies; major plays; and numerous miscellaneous subjects such as collective theater, design, directing, ethnic theater, musical theater, radio and television drama, and local theater. The result of almost four years' research, this authoritative reference offers a wealth of fascinating and important information, as well as over 200 beautiful illustrations.

This volume consists of nine original chapters on central issues in theoretical syntax, all written by distinguished authors who have made major contributions to generative syntax, plus an introductory chapter by the editor. Dedicated to Tarald Taraldsen, the collection reflects the diverse energies that have pushed the cartographic program forward over the last decade. The first three papers deal with subject extraction, the que/qui alternation, and relative clause formation. Luigi Rizzi presents arguments that subjects are 'criterial' and that subject extraction is highly restricted. Hilda Koopman and Dominique Sportiche concur, suggesting that what appears to be subject extraction in French has been misanalyzed, and involves a relative structure. Adriana Belletti shows that children avoid using object relatives, preferring subject relatives, even when it requires passivization. The fourth paper, by Ian Roberts, analyzes the loss of pro-drop in the history of French and Brazilian Portuguese. The papers by M. Rita Manzini and Richard S. Kayne both present novel analyses of complementizers, suggesting that they are essentially nominal, rather than verbal. The final three papers address the relationship of morphology to syntax. The first two argue for a syntactic approach to word formation, Guglielmo Cinque's in a typological context and Anders Holmberg's within an analysis of Finnish focus constructions. The final paper, by Edwin Williams, presents an argument for the limitations of the syntactic approach to word formation.

This is the inside story of one of the most extraordinary brands in the corporate world, the rare company that is driven by environmental activism instead of cutthroat capitalism. Founded in 1973, Patagonia has grown into a wildly popular producer of jackets, hats, and fleece vests, with a cult-like following among hardcore alpinists and Wall Street traders alike, posting sales of more than $1 billion a year.

But it's not just the clothes that make Patagonia unique. For decades, the company has distinguished itself as a singular beacon for socially responsible business, the rare company that can legitimately claim to be doing its damnedest to make the world a better place, while also making a profit. From its early efforts to take exemplary care of its employees, to its extensive work trying to clean up its supply chain, to its controversial activism, Patagonia has set itself apart from its peers with one unorthodox decision after another, proving that there is another way to do capitalism.

At the heart of the story is Patagonia's founder, the legendary rock climber Yvon Chouinard. A perennial outsider who forged one of the most impressive resumes in the outdoor world, Chouinard also established himself as a pivotal figure in the history of American business. Guided by his anti-authoritarian streak and his unwavering commitment to preserving the natural world, Patagonia came to exert a powerful influence on other companies, paving the way for a new era of social and environmental responsibility. He started out as a dirtbag-a term affectionately bestowed on poor, itinerant outdoorsmen so uninterested in material possessions they are happy to sleep in the dirt-and he became a billionaire.

Chouinard also proved that there was another way to be a philanthropist. In the twilight of his career, he gave away Patagonia, renouncing his wealth and committing all its future profits to fighting the climate crisis.

Drawing on exclusive access to Chouinard and the Patagonia team, Dirtbag Billionaire offers new insights into the key moments that informed their priorities, shaped the company, and sent ripples across the corporate world.