Your students will engage in their first guided practice with fresh reading selections every week! Students can directly interact with text by underlining, circling, and highlighting text to support answers with text evidence.

Byron's poetic reputation has been established in his comic epic Don Juan and its cognates Beppo and The Vision of Judgment. Poems lying outside this group are still regarded with some uncertainty. This study demonstrates that some of Byron's most deeply held critical and political convictions - but also certain aspects of his experience over which he had comparatively little conscious control - found expression in his historical dramas of 1820-21: Marino Faliero, Sardanapalus, and The Two Foscari. In these plays we find Byron responding with the fullest degree of imaginative intelligence to his work on the management subcommittee at the Theatre Royal, Drury Lane, the background to which is given its most extensive treatment yet; to his involvement with the Italian nationalist movement; to his advocacy of neo-classical dramatic form and above all to his understanding of Shakespeare and of Shakespeare's reputation among Romantic critics. In this pioneering study Richard Lansdown sheds fresh critical and biographical light on Byron's contribution to the theatre, which will be of great interest to many studying the Romantics.

A selection of sharp, witty, and impeccably crafted poems from A. E. Stallings, the award-winning poet and translator.

This Afterlife: Selected Poems brings together poetry from A. E. Stallings’s four acclaimed collections, Archaic Smile, Hapax, Olives, and Like, as well as a lagniappe of outlier poems. Over time, themes and characters reappear, speaking to one another across years and experience, creating a complex music of harmony, dissonance, and counterpoint. The Underworld and the Afterlife, ancient history and the archaeology of the here and now, all slant rhyme with one another. Many of these poems unfold in the mytho-domestic sphere, through the eyes of Penelope or Pandora, Alice in Wonderland or the poet herself. Fulfilling the promise of the energy and sprezzatura of Stallings’s earliest collection, her later technical accomplishments rise to meet the richness of lived experience: of marriage and motherhood, of a life lived in another language and country, of aging and mortality. Her chosen home of Greece adds layers of urgency to her fascination with Greek mythology; living in an epicenter of contemporary crises means current events and ancient history are always rubbing shoulders in her poems.

Expert at traditional received forms, Stallings is also a poet of restless experiment, in cat’s-cradle rhyme schemes, nonce stanzas, supple free verse, thematic variation, and metaphysical conceits. The pleasure of these poems, fierce and witty, melancholy and wise, lies in a timeless precision that will outlast the fickleness of fashion.

Across scholarship on gender and sexuality, binaries like female versus male and gay versus straight have been problematized as a symbol of the stigmatization and erasure of non-normative subjects and practices. The chapters in Queer Excursions offer a series of distinct perspectives on these binaries, as well as on a number of other, less immediately apparent dichotomies that nevertheless permeate the gendered and sexual lives of speakers. Several chapters focus on the limiting or misleading qualities of binaristic analyses, while others suggest that binaries are a crucial component of social meaning within particular communities of study. Rather than simply accepting binary structures as inevitable, or discarding them from our analyses entirely based on their oppressive or reductionary qualities, this volume advocates for a re-theorization of the binary that affords more complex and contextually-grounded engagement with speakers' own orientations to dichotomous systems. It is from this perspective that contributors identify a number of diverging conceptualizations of binaries, including those that are non-mutually exclusive, those that liberate in the same moment that they constrain, those that are imposed implicitly by researchers, and those that re-contextualize familiar divisions with innovative meanings. Each chapter offers a unique perspective on locally salient linguistic practices that help constitute gender and sexuality in marginalized communities. As a collection, Queer Excursions argues that researchers must be careful to avoid the assumption that our own preconceptions about binary social structures will be shared by the communities we study.

At eight, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion's legendary LA launch party for Tom Wolfe's The Electric Kool-Aid Acid Test. In his early twenties, he shared a Manhattan apartment with his best friend and soulmate Carrie Fisher while she was filming some sci-fi movie called Star Wars and he was a struggling actor selling popcorn at Radio City Music Hall. A few years later, he produced and starred in the now-iconic film After Hours, directed by Martin Scorsese.

In the midst of it all, Griffin's twenty-two-year-old sister, Dominique, a rising star in Hollywood, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s. The outcome was a travesty of justice that marked the beginning of their father Dominick Dunne's career as a bestselling author of true crime narratives.

And yet, for all its boldface cast of characters and jaw-dropping scenes, The Friday Afternoon Club is no mere celebrity memoir. It is, down to its bones, a family story that embraces the poignant absurdities and best and worst efforts of its loveable, infuriating, funny and moving characters - its author most of all.

Julian Jansen, author of bestselling true crime books like The De Salze Murders, tells the Devené Nel story.

As Rapport’s crime reporter, Julian Jansen has written about the case from the start. He draws on his extensive contacts in the police and interviews with friends and family to reconstruct the events leading to the tragedy, and to honour the murdered young girl. He also investigates the failures of the state and draws lessons on how it can be prevented from happening again.

In this "utterly unhinged, hilarious" memoir, a son pays tribute to his larger than life 'zaftig good time gal' mother and his unusual childhood.

“Because she was my mother, the death of zaftig good-time gal Renay Corren is newsworthy to me, and I treat it with the same respect and reverence she had for, well, nothing. A more disrespectful, trash talking woman was not to be found.”

So began Andy Corren's unforgettable obituary for his mother, Renay Mandel Corren, a tribute that went on to touch the hearts of millions around the globe. In his brief telling of the life and legend that was Renay, a “loud, filthy‑minded (and filthy‑mouthed) Jewish lady redneck who birthed six kids,” Andy captured only a slice of his loving and fabulously unconventional mother.

In this uproariously funny, deeply moving family portrait, readers meet the rest of his absurd clan: his brothers, affectionately nicknamed Asshole, Twin, and Rabbi; his one-eyed pirate queen of a sister, Cathy Sue; and then there’s Bonus, who Andy isn’t aware of until later in life since this mysterious oldest brother grew up at the Green Valley School for Emotionally Disturbed and Delinquent Children.

A story of love and forgiveness, as well as a celebration of a woman who was “great at dyeing her red roots, weekly manicures, filthy jokes, pier fishing, rolling joints and buying dirty magazines," Dirtbag Queen is an entertaining and poignant portrayal of the complex and heartfelt humanity that unites us all—especially family.

Do you spend your days working with students who struggle to comprehend reading in literacy and content classes? Are you looking for a way to establish comprehensive literacy instruction in your school or classroom so all students receive support in becoming competent and confident readers?

In "Yellow Brick Roads, " Janet Allen offers research-based methods for helping teachers move toward these goals. This book provides research, practical methods, detailed strategies, and resources for read-aloud, shared, guided, and independent reading. In addition, Janet outlines solutions for many of the literacy dilemmas that teachers face every day:

• understanding what gets in the way of reading;
• rethinking and reorganizing time and resources;
• providing support for content literacy;
• developing assessment practices that inform instruction;
• supporting reading as a path to writing instruction;
• establishing professional communities to support individual and school-wide needs-based research.

The appendixes include graphic organizers to support strategy lessons, suggestions of titles for building classroom libraries, as well as web sites and professional resources that support the teaching of reading.

"Yellow Brick Roads"will give you rich ideas, detailed strategies, and literature support for implementing those strategies. At a time when many are looking for that elusive wizard to solve students' reading problems, this book helps you create your own paths to effective literacy environments.

Hello to you, I am with news. I have a new book: I Haven’t Been Entirely Honest With You. I know – what an intriguing title!

Basically, I have had an unexpectedly difficult decade – there have been surprising joys, but also deep revelations and challenging lows. I shall be honest about those, because what I discovered in the difficult times were my, what I call, treasures. Treasures – practical tools, values, ways, answers researched from some great scientists, neuroscientists, therapists, sociologists (all the ‘ists’) out there, that have genuinely led to a sense of freedom, joy, peace and physical recovery I never would have thought possible. Life now, amazingly, with what I will share, is – SUCH FUN! (always important to quote your own catch phrases. . .)

If you fancy having a read, then I hope my story might help your story. After all, we are in this beautiful, mysterious, challenging life together. Rest assured there are funny stories along the way – we will have a laugh too, my dear reader chum. Oh, and I couldn’t possibly say if there is a love story in it . . . (There is - shush) Exciting.

These essays on representative Jewish and Irish writers are true to the form's definition as an attempt or experiment rather than a credo. Wohlgelernter defines the author's "excited imagination" by thoroughgoing analysis of the work's constituent parts. He gives particular emphasis to the author's own words and expressions, those verbal inventions that linger in the mind long after the act of reading or criticism. He finds a passionate love of words and language forging a powerful link between Jewish and Irish literature, rooted as they are in similar historical experience. Both literatures engage the human struggle with life and death, virtue and weakness, success and failure, dreams and nightmares, all under the constant surveillance of tradition. Wohlgelernter divides his book into four general categories: the Holocaust, Jewish-American writers, Irish writers, and memoirs and autobiography. His chapters on Holocaust literature engage a range of literary perspectives that combine memoir, journalism, fiction, and philosophical reflection in the writings of Ladislas Fuks, Lucy Dawidowicz, Sabine Reichel, and Primo Levi. Chapters on postwar Jewish writers including Saul Bellow, Bernard Malamud, and Philip Roth explore the ambivalences of assimilation with its encroachments of a provincial past and dissatisfactions with mainstream culture. Wohlgelernter notes how all yoke street raciness and high cultural mandarin in a distinctive contribution to American prose style. A similar richness of language and preoccupation with the political and cultural claims of the past characterize the chapters on the great short story writer Frank O'Connor, the playwright Brendan Behan, and the Irish-American journalist and novelist Pete Hamill. The last decades of the twentieth century have seen a prolific outpouring of autobiographical writing, and in the concluding section of the book the author treats representative examples that amplify or reflect on the personal and historical themes encountered in Jewish and Irish fiction: assimilation, personal ambition, intermarriage, and political allegiance. Among the writers treated here are Norman Podhoretz, Calvin Trillin, James McBride, Ari Goldman, and Howard Shack. Wohlgelernter's emphasis on the timeless, recurring themes of literature is matched by a lucidity of style and soundness of method that yield what is central to all criticism, namely insight. "Jewish Writers/Irish Writers" will be of interest to literary scholars, Jewish studies specialists, and cultural historians.

If there's a God, which at the moment I DOUBT, I want you to curse him. If there's any justice, I want them - both of them - in a car crash. Her husband's gone and her future isn't bright. Imprisoned in her marital home, Medea can't work, can't sleep and increasingly can't cope. While her child plays, she plots her revenge. This startlingly modern version of Euripides' classic tragedy explores the private fury bubbling under public behaviour and how in today's world a mother, fuelled by anger at her husband's infidelity, might be driven to commit the worst possible crime. The production is written and directed by one of the UK's most exciting and in-demand writers, Mike Bartlett, who has received critical acclaim for his plays including Earthquakes in London; Cock (Olivier Award), a new stage version of Chariots of Fire, and Love Love Love. This programme text coincides with a run at the Headlong Theatre in London from the 27th of September to the 1st of December 2012.

This delightful memoir of Mike Williams life and times will stir many memories. Cranwellians of the late 1950s and early 60s engaged in their jet conversion to Vampires will recall a good looking and sympathetic instructor who had the time and sense to make this testing time a pleasure rather than a trial. Mike stood out then as a man with charm and style. Throughout his career, Mike retained that charm and easy going approach which made him so popular in the Royal Air Force, with the other services and in the civilian world. But behind that aura lay a great professionalism and strength of character, so necessary for a test pilot, the operations floor at the Ministry of Defence and Station Commander at the Central Flying School. Without that inner core of steel, it is unlikely he would have continued to fly after the loss of one eye, and in the process become something of a legend. Looking through his Record of Service, from 1954 Initial Training at Kirton Lindsey to his retirement as Deputy Commandant at Cranwell 1984, one is struck by the number of bases no longer in being with the RAF. Kirton Lindsey, Middleton St George, Chivenor, Stradishall, Waterbeach, Little Rissington, Aden, Manby-all of them in their day lively, important stations and ones which had a profound influence on the many young men and women who spent time there. The ghosts of those days peep out from the pages of this book. They bear witness to just how great the changes have been to the RAF and how much smaller it is today. It would be easy to suggest that the era Mike Williams describes was more fun, more varied and more interesting than the essentially UK based service of today despite the fact that the RAF has been almost permanently on operations abroad since 1991. In reality, the world has changed and the armed services have had to change with it. But young men and women still join the military for much the same reason as did Mike, and they still get the satisfaction from achievements in the air and on the ground as did he. What I hope those of the modern generation who read this book will learn is that professionalism can accommodate graciousness and charm, a life outside the service without in any way compromising excellence.

Over the past twenty years or so, the work on Japanese within generative grammar has shifted from primarily using contemporary theory to describe Japanese to contributing directly to general theory, on top of producing extensive analyses of the language. The Oxford Handbook of Japanese Linguistics captures the excitement that comes from answering the question, "What can Japanese say about Universal Grammar?" Each of the eighteen chapters takes up a topic in syntax, morphology, acquisition, processing, phonology, or information structure, and, first of all, lays out the core data, followed by critical discussion of the various approaches found in the literature. Each chapter ends with a section on how the study of the particular phenomenon in Japanese contributes to our knowledge of general linguistic theory. This book will be useful to students and scholars of linguistics who are interested in the latest studies on one of the most extensively studied languages within generative grammar.

As the seas rise, the fight intensifies to save the Pacific Ocean's Marshall Islands from being devoured by the waters around them. At the same time, activists are raising their poetic voices against decades of colonialism, environmental destruction, and social injustice. Marshallese poet and activist Kathy Jetn-il-Kijiner's writing highlights the traumas of colonialism, racism, forced migration, the legacy of American nuclear testing, and the impending threats of climate change. Bearing witness at the front lines of various activist movements inspires her work and has propelled her poetry onto international stages, where she has performed in front of audiences ranging from elementary school students to more than a hundred world leaders at the United Nations Climate Summit. The poet connects us to Marshallese daily life and tradition, likening her poetry to a basket and its essential materials. Her cultural roots and her family provides the thick fiber, the structure of the basket. Her diasporic upbringing is the material which wraps around the fiber, an essential layer to the structure of her experiences. And her passion for justice and change, the passion which brings her to the front lines of activist movements-is the stitching that binds these two experiences together. Iep Jaltok will make history as the first published book of poetry written by a Marshallese author, and it ushers in an important new voice for justice.

An enhanced exam section: expert guidance on approaching exam questions, writing high-quality responses and using critical interpretations, plus practice tasks and annotated sample answer extracts. Key skills covered: focused tasks to develop analysis and understanding, plus regular study tips, revision questions and progress checks to help students track their learning. The most in-depth analysis: detailed text summaries and extract analysis to in-depth discussion of characters, themes, language, contexts and criticism, all helping students to reach their potential.

This accessible textbook offers students the opportunity to explore for themselves a wide range of sociolinguistic issues relating to the German language and its role in societies around the world. It is written for undergraduate students who have a sound practical knowledge of German but who have little or no knowledge of linguistics or sociolinguistics. It combines text with practical exercises and discussion questions to stimulate readers to think for themselves and to tackle specific problems.
In Part One Patrick Stevenson invites readers to investigate and reflect on issues about the status and function of the German language in relation to its speakers and to speakers of other languages with which it comes into contact. In Part Two the focus shifts to the forms and functions of individual features of the language. This involves, for example, identifying features of regional speech forms, analysing similarities and differences between written and spoken German, or looking at the 'social meaning' underlying different forms of address. Part Three explores the relationship between the German language and the nature of 'Germanness'. It concentrates on people's attitudes towards the language, the ways in which it is changing, and their views on what it represents for them.
Features and benefits of using this book:
* Comprehensive: provides the basis for a typical one-semester course
* Informative and practical: combines a review of current themes with graded exercises and relevant reading, plus an index of terms
* Topical and contemporary: deals with current situations with the most up-to-date information
* Has a workbook character: encourages students to think and work for themselves.
Patrick Stevenson is a lecturer in German in the School of Modern Languages, Southampton University.

In setting the poets side by side, this volume also highlights the two main faith traditions of the West: Deane with his Roman Catholic background, rooted in the landscape of Mayo; and Harpur with his Protestant (Church of Ireland and Quaker) heritage, influenced by myth, medieval history and mystics. Their two approaches to everyday life and ultimate reality - including nature, saints and mystics, music, art, prayer, and issues of faith and doubt - combine to make a single volume full of lyrical beauty and powerful witness. In addition, an afterword consisting of an informal dialogue between the two poets complements in prose the themes their poems explore. This is a book to challenge, console, delight and make its readers think again about their own journeys through this "vale of soul-making".

Fasten your seatbelts as Formula 1's favourite underdog, Guenther Steiner, takes you on a wild ride through his ten years at Team Haas.

From the first seeds of his idea to establish a new F1 team to the challenges of funding and building that team from the ground up, Guenther shares the real story of the origins of Team Haas, immerses readers in the high and lows of its first decade on the grid, and opens up about his departure from the team at the end of 2023.

As Guenther recalls his proudest achievements and the many, many disasters he has faced, he takes readers behind the scenes, into the pit lanes and garages, and out on to the circuits of the world's greatest race tracks. We spend time with drivers, mechanics, executives, sponsors, commentators and fans, and take in many personal moments too, all the while grappling with the big challenges and small details that keep the wheels of a Formula 1 team turning.

Told in his inimitable style, packed with hugely entertaining stories, outspoken opinions and unvarnished truths, this is Guenther at his very best – insightful, opinionated and completely unfiltered.