This book investigates the nature of generalization in language and examines how language is known by adults and acquired by children. It looks at how and why constructions are learned, the relation between their forms and functions, and how cross-linguistic and language-internal
generalizations about them can be explained.
Constructions at Work is divided into three parts: in the first Professor Goldberg provides an overview of constructionist approaches, including the constructionist approach to argument structure, and argues for a usage-based model of grammar. In Part II she addresses issues concerning how
generalizations are constrained and constructional generalizations are learned. In Part III the author shows that a combination of function and processing accounts for a wide range of language-internal and cross-linguistic generalizations. She then considers the degree to which the function of
constructions explains their distribution and examines cross-linguistic tendencies in argument realization. She demonstrates that pragmatic and cognitive processes account for the data without appeal to stipulations that are language-specific.
This book is an important contribution to the study of how language operates in the mind and in the world and how these operations relate. It is of central interest for scholars and graduate-level students in all branches of theoretical linguistics and psycholinguistics. It will also appeal to
cognitive scientists and philosophers concerned with language and its acquisition.

This readable book presents a new general theoretical understanding of politeness. It offers an account of a wide range of politeness phenomena in English, illustrated by hundreds of examples of actual language use taken largely from authentic British and American sources. Building on his earlier pioneering work on politeness, Geoffrey Leech takes a pragmatic approach that is based on the controversial notion that politeness is communicative altruism. Leech's 1983 book, Principles of Pragmatics, introduced the now widely-accepted distinction between pragmalinguistic and sociopragmatic aspects of politeness; this book returns to the pragmalinguistic side, somewhat neglected in recent work. Drawing on neo-Gricean thinking, Leech rejects the prevalent view that it is impossible to apply the terms 'polite' or 'impolite' to linguistic phenomena. Leech covers all major speech acts that are either positively or negatively associated with politeness, such as requests, apologies, compliments, offers, criticisms, good wishes, condolences, congratulations, agreement, and disagreement. Additional chapters deal with impoliteness and the related phenomena of irony ("mock politeness") and banter ("mock impoliteness"), and with the role of politeness in the learning of English as a second language. A final chapter takes a fascinating look at more than a thousand years of history of politeness in the English language.

This Handbook provides a comprehensive account of current research on case and the morphological and syntactic phenomena associated with it. The semantic roles and grammatical relations indicated by case are fundamental to the whole system of language and have long been a central concern of descriptive and theoretical linguistics. The book opens with the editors' synoptic overview of the main lines of research in the field, which sets out the main issues, challenges, and debates. Some sixty scholars from all over the world then report on the state of play in theoretical, typological, diachronic, and psycholinguistic research. They assess cross-linguistic work on case and case-systems and evaluate a variety of theoretical approaches. They examine current issues and debates from historical, areal, socio-linguistic, and psycholinguistic perspectives. The final part of the book consists of a set of overviews of case systems representative of some of the world's major language families.
The book includes a detailed index and bibliography as well as copious cross-references. It will be of central interest to all scholars and advanced students of syntax and morphology as well as to those working in associated subjects in semantics, typology, and psycholinguistics.

Mini-set D: Politics re-issues works originally published between 1920 & 1987 and examines the government, political system and foreign policy of Japan during the twentieth century.

The groundbreaking, intimate and inspiring memoir from Pope Francis.

Pope Francis originally intended this exceptional book to appear only after his death, but the needs of our times and the 2025 Jubilee Year of Hope have moved him to make this precious legacy available now.

HOPE is the first autobiography in history ever to be published by a Pope. Written over six years, this complete autobiography starts in the early years of the twentieth century, with Pope Francis’s Italian roots and his ancestors’ courageous migration to Latin America, continuing through his childhood, the enthusiasms and preoccupations of his youth, his vocation, adult life, and the whole of his papacy up to the present day.

In recounting his memories with intimate narrative force (not forgetting his own personal passions), Pope Francis deals unsparingly with some of the crucial moments of his papacy and writes candidly, fearlessly and prophetically about some of the most important and controversial questions of our present times: war and peace (including the conflicts in Ukraine and the Middle East), migration, environmental crisis, social policy, the position of women, sexuality, technological developments, the future of the Church and of religion in general.

HOPE includes a wealth of revelations, anecdotes and illuminating thoughts. It is a thrilling and very human memoir, moving and sometimes funny, which represents the ‘story of a life’ and, at the same time, a touching moral and spiritual testament that will fascinate readers throughout the world and will be Pope Francis’s legacy of hope for future generations.

Since its first publication, The Artist's Way has inspired the genius of Elizabeth Gilbert, Tim Ferriss and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron guides readers in uncovering problems and pressure points that may be restricting their creative flow and offers techniques to open up opportunities for self-growth and self-discovery. The program begins with Cameron's most vital tools for creative recovery: The Morning Pages and The Artist Date. From there, she shares hundreds of exercises, activities, and prompts to help readers thoroughly explore each chapter. A revolutionary programme for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.

The year 2006 marked the centenary of the birth of Nobel-Prize winning playwright and novelist Samuel Beckett. To commemorate the occasion, this collection brings together twenty-three leading international Beckett scholars from ten countries, who take on the centenary challenge of "revolving it all": that is, going "back to Beckett"-the title of an earlier study by critic Ruby Cohn, to whom the book is dedicated-in order to rethink traditional readings and theories; provide new contexts and associations; and reassess his impact on the modern imagination and legacy to future generations. These original essays, most first presented by the Samuel Beckett Working Group at the Dublin centenary celebration, are divided into three sections: (1) Thinking through Beckett, (2) Shifting Perspectives, and (3) Echoing Beckett. As repeatedly in his canon, images precede words. The book opens with stills from films of experimental filmmaker Peter Gidal and unpublished excerpts from Beckett's 1936-37 German Travel Diaries, presented by Beckett biographer James Knowlson, with permission from the Beckett estate.
Renowned director and theatre theoretician Herbert Blau follows with his personal Beckett "thinking through." Others in Part I explore Beckett and philosophy (Abbott), the influences of Bergson (Gontarski) and Leibniz (Mori), Beckett and autobiography (Locatelli), and Agamben on post-Holocaust testimony (Jones). Essays in Part II recontextualize Beckett's works in relation to iconography (Moorjani), film theoretician Rudolf Arnheim (Engelberts), Marshall McLuhan (Ben-Zvi), exilic writing (McMullan), Pierre Bourdieu's literary field (Siess), romanticism (Brater), social theorists Adorno andHorkheimer (Degani-Raz), and performance issues (Rodriguez-Gago). Part III relates Beckett's writing to that of Yeats (Okamuro), Paul Auster (Campbell), Caryl Churchill (Diamond), William Saroyan (Bryden), Minoru Betsuyaku and Harold Pinter (Tanaka) and Morton Feldman and Jasper Johns (Laws). Finally, Beckett himself becomes a character in other playwrights' works (Zeifman). Taken together these essays make a clear case for the challenges and rewards of thinking through Beckett in his second century.

This "York Notes Companion "brings Renaissance drama to life by considering such classic plays as "Hamlet," "Othello" and "Dr Faustus "from the perspective of contemporary theatre-goers.

This "York Notes Companion "brings Renaissance drama to life by considering such classic plays as "Hamlet," "Othello" and "Dr Faustus "from the perspective of contemporary theatre-goers.

• Part of the first literature study guides to cover key literary periods and texts and combine them with historical and cultural contexts
• Contains essential information on relevant literary criticism
• Dr Hugh Mackay is an experienced lecturer who has also written extensively in the field
• Contains various helpful features such as extented commentaries, additional notes, timelines and annotated further reading
  

Cognitive Systems and the Extended Mind surveys philosophical issues raised by the situated movement in cognitive science, that is, the treatment of cognitive phenomena as the joint products of brain, body, and environment. The book focuses primarily on the hypothesis of extended cognition, which asserts that human cognitive processes literally comprise elements beyond the boundary of the human organism. Rupert argues that the only plausible way in which to demarcate cognitions is systems-based: cognitive states or processes are the states of the integrated set of mechanisms and capacities that contribute causally and distinctively to the production of cognitive phenomena--for example, language-use, memory, decision-making, theory construction, and, more importantly, the associated forms of behavior. Rupert argues that this integrated system is most likely to appear within the boundaries of the human organism. He argues that the systems-based view explains the existing successes of cognitive psychology and cognate fields in a way that extended conceptions of cognition do not, and that once the systems-based view has been adopted, it is especially clear how extant arguments in support of the extended view go wrong.
Cognitive Systems and the Extended Mind also examines further aspects of the situated program in cognitive science, including the embedded and embodied approaches to cognition. Rupert asks to what extent the plausible incarnations of these situated views depart from orthodox, computational cognitive science. Here, Rupert focuses on the notions of representation and computation, arguing that the embedded and embodied views do not constitute the radical shifts in perspective they are often claimed to be. Rupert also argues that, properly understood, the embodied view does not offer a new role for the body, different in principle from the one presupposed by orthodox cognitive science.
"Rupert's book is a good read. It is a sustained, systematic, critical examination of the idea that minds are not simply ensconced inside heads, but extend into both bodies and the world beyond the body.... There is much to admire in this book. It is well-structured and well-written, adopting a self-consciously naturalistic perspective on how to understand the mind -- through our best, even if imperfect, empirical sciences in the domain of cognition. By presenting and critiquing a number of explicit arguments for and against the specific views that Rupert considers, Cognitive Systems advances the field."-- Notre Dame Philosophical Reviews
"Rupert's treatment is a state of the art sustained attack on various forms of the 'extended mind hypothesis'. It is rigorous and challenging, and will be of interest to a quite a large audience of researchers (graduates and above) in philosophy and in cognitive science. Rupert studiously avoids the 'straw men' that populate some recent critiques, and raises deep and sympathetic challenges that go to the core of the program."
--Andy Clark, Department of Philosophy, University of Edinburgh

Dr White examines the ways in which Shakespeare uses formal conventions from romance throughout his writing career, especially in giving formal completion to a play without forfeiting the open-ended sense of life's complexity. In his romantic comedies these conventions are modified to imply that the cosy womb of marriage is not the end of lovers lives; in the problem comedies they are used to challenge the artifice of the comic ending; in some tragedies they are used to provide an ideal of fulfilment which has been destroyed by the tragic events and in the last plays or romances they are used to invoke the full sense of life;s continuing comprehensiveness.

‘Nozipho’s story shows how all our experiences are rehearsals getting us ready for the big stages of life. It’s a wonderful piece of work!’ – Dr Phumzile Mlambo-Ngcuka, former Deputy President of South Africa

When the flames of life’s challenges have swept through you, who do you become from the ashes?

Nozipho Tshabalala is a high-performing, excellence-driven, successful black woman. Being in control of everything in her life was crucial to her survival and success. For the most part, it had always served her well – until it didn’t.

In this captivating and deeply personal memoir, conversation strategist Nozipho invites you into her world – one shaped by political violence, professional triumphs on global stages and the intimate battles with loss that would test her most fundamental beliefs. Now in her 40s, she has realised that what she needed most to survive may not be what she needs to thrive.

After the Fires is a call to reclaim the narrative amid life’s unexpected turns. It honours the complexity of womanhood while celebrating the possibility of becoming exactly who you were meant to be, even when that person looks nothing like what you imagined.

With vulnerability and wisdom, Nozipho demonstrates how surrender becomes not an act of defeat but a pathway to freedom. Her story reminds us that sometimes our greatest strength lies not in holding tighter but in opening our hands to release what no longer serves us.

’n Oorsig van Breyten Breytenbach se digkuns is 'n voëlvlug oor 'n wye era: vanaf die jare sestig tot vandag, waarin beide Europa en Afrika hulself radikaal herdefinieer het. In hierdie herdefiniering staan Breyten Breytenbach, die digter, mens en denker soos ’n skakelende deurpos.

Elke gedig is soos ’n tekening of ’n skildery waarin tekens en betekenis in vloeiende verbande tot mekaar staan en waarin gunstelingtemas weer en weer ter sprake kom – elke keer uniek geskommel soos kwashale op die doeke van Jackson Pollock se skilderye of die stippels in ’n kaleidoskoop wat nooit ophou draai nie.

Die gedigte is chronologies gerangskik volgens die digter se lewensgang: jongmenslewe in Kaapstad, Parys, effektiewelike bannelingskap weens sy huwelik, terugkeer en tronkstraf, die buiteland. En oplaas ’n onrustige pendelaarslewe tussen noorde en suide van die aardbol, waarin volledige tuiskoms slegs in die arms van die liefde is.

The Russian school of modern Orthodox theology has made an immense but undervalued contribution to Christian thought. Neglected in Western theology, and viewed with suspicion by some other schools of Orthodox theology, its three greatest thinkers have laid the foundations for a new ecumenism and a recovery of the cosmic dimension of Christianity. This ground-breaking study includes biographical sketches of Aleksandr Bukharev (Archimandrite Feodor), Vladimir Soloviev and Sergii Bulgakov, together with the necessary historical background. Professor Valliere then examines the creative ideas they devised or adapted, including the ?humanity of God?, sophiology, panhumanity, free theocracy, church-and-world dogmatics and prophetic ecumenism.

Although Housman's three collections of poems, the third published posthumously, have remained popular, they have not received much serious critical attention. John Bayley makes good the omission in this thorough and comprehensive reappraisal of the whole oeuvre, placing Housman's achievement in the context of the poetry of his own time and of more recent European and American poetry. Close analysis and comparison with other poets - Hardy, Frost, Edward Thomas, Larkin, and Paul Celan - prove illuminating in relation to a poet who has usually been considered something of an odd man out, and even an anachronism in the modern era. Professor Bayley explores and explains the continuing appeal of the poet to present-day readers, and the nature of the craftsmanship and psychology which lie behind its deceptive simplicities. The book will be a valuable introduction to Housman's achievement for the specialist and the poetry-lover alike.

Kha bugu iyi yavhudi i neaho mafulufulu, Mufumakadzana wa lunako wa Afrika Tshipembe, Shudufhadzo Musida, u ri anetshela tshiori tsha he a thoma hone; tsha u imba na u tshina na musidzana a ambesaho a bvaho kusini ku vhidzwaho nga la Ha Vhangani, o tangwaho nga lufuno nahone zwihulusa nga mme awe na makhulu wawe.

Zwithu zwo khakhea kha Shudu musi a tshi pfulutshela doroboni ntswa he a do tambudzwa nga vhane a dzhena navho kilasini.

Vhalani uri Shudu o kunda hani matungu awe na dzikhaedu, na uri a vha musidzana, mualuwa, we a guda u difuna ene mune!

William Dunbar is a poet whose virtuosity is often praised, but rarely analyzed. This first major study of his work to be published in over ten years examines his view of himself as a major poet, or "makar," and the way he handles various poetic genres. It challenges the over-simplified and reductive views purveyed by some critics, that Dunbar is primarily a moralist or no more than a talented virtuoso. New emphasis is placed on the petitions, or begging-poems, and their use for poetic introspection. There is also a particularly full study of Dunbar's under-valued comic poems, and of the modes most congenial to him--notably parody, irony, "flyting" or invective, and black dream-fantasy. Taking account of recent scholarship, Priscilla Bawcutt explores the complex literary traditions available to Dunbar, both in Latin and the vernaculars, including "popular" and alliterative poetry as well as that of Chaucer and his followers. This original, learned, and critically searching book is set to become the leading analysis of one of the most fascinating and accomplished of medieval poets.