A charming, moving account of one man's race to save a herd of elephants.

When South African conservationist Lawrence Anthony was asked to accept a herd of 'rogue' elephants on his Thula Thula game reserve in Zululand, his common sense told him to refuse. But he was the herd's last chance of survival - dangerous and unpredictable, they would be killed if Anthony wouldn't take them in.

As Anthony risked his life to create a bond with the troubled elephants and persuade them to stay on his reserve, he came to realize what a special family they were, from the wise matriarch Nana, who guided the herd, to her warrior sister Frankie, always ready to see off any threat, and their children who fought so hard to survive.

With unforgettable characters and exotic wildlife, this is an enthralling book that will appeal to animal lovers and adventurous souls everywhere.

Modern European literature has traditionally been seen as a series of attempts to assert successive styles of writing as 'new'. In this groundbreaking study, Ben Hutchinson argues that literary modernity can in fact be understood not as that which is new, but as that which is 'late'. Exploring the ways in which European literature repeatedly defines itself through a sense of senescence or epigonality, Hutchinson shows that the shifting manifestations of lateness since romanticism express modernity's continuing quest for legitimacy. With reference to a wide range of authors-from Mary Shelley, Chateaubriand, and Immermann, via Baudelaire, Henry James, and Nietzsche, to Valery, Djuna Barnes, and Adorno- he combines close readings of canonical texts with historical and theoretical comparisons of numerous national contexts. Out of this broad comparative sweep emerges a taxonomy of lateness, of the diverse ways in which modern writers can be understood, in the words of Nietzsche, as 'creatures facing backwards'. Ambitious and original, Lateness and Modern European Literature offers a significant new model for understanding literary modernity.

Canada's most popular military leader since the Second World War tells his own story about our soldiers at war.

In the summer of 2008, General Rick Hillier resigned his command as Chief of the Defence Staff of the Canadian Forces. You could almost hear the sigh of relief in Ottawa as Canada's most popular, and most controversial, leader since the Second World War left a role in which he'd been as frank-speaking, as unpredictable, and as resolutely apolitical as any military leader this country has ever seen.

Born and raised in Newfoundland, Hillier joined the military as a young man and quickly climbed the ranks. He played a significant role in domestic challenges, such as the 1998 ice story that paralyzed much of eastern Ontario and Quebec, and he quickly became a player on the international scene, commanding an American corps in Texas and a multinational NATO task force in Bosnia-Herzegovina. But it was his role as General Rick Hillier, Canada's Chief of the Defence Staff, that defined him as a Canadian public figure. In Afghanistan, Canada faced its first combat losses since the Korean War and every casualty suddenly became front-page news. A country formerly ambivalent or even angry about its role in the conflict suddenly became gripped by the drama playing out not only in the war zone of a country half-way around the world, but in the unfriendly conference rooms in the country's capital as Hillier pulled no punches, demanding more funding and more troops and more appreciation for the women and men fighting a war on foreign soil.

"A Soldier First" is a hard-hitting, frank account of Hillier's role in his own words. The man who never backed down from the Taliban or Canada's top political leaders tells all in what will be one of the most important books to come out of this country this decade.

The site of William Penn's 'Holy Experiment' in religious toleration and representative government, Philadelphia was home to one of the largest and most influential 'free' African American communities in the United States. The city was seen as a laboratory for social experimentation, one with international consequences. While historians such as Gary B. Nash and Julie Winch have chronicled the distinctive social and political space of early national Philadelphia, no sustained attempt has been made to understand how writers such as Edgar Allan Poe, Charles Brockden Brown, George Lippard, and others were creating a distinctive literary tradition, one shaped by the city itself. Analyzing a sequence of texts written in and about Philadelphia between the Constitution and the Civil War, Otter shows how literary discourse intervened significantly in the period's intense debates about character, race, and nation. The book advances chronologically from the 1790s to the 1850s, and it is organized around the volatile issues the Philadelphia writing tradition responded to: contagion, riots, manners, and freedom. Throughout this exemplary work, Otter reveals how historical events produced a literature that wrestles with specific concerns: the city as specimen, the diagnosis and proper treatment for urban disorder, the effects of position on interpretation, the trials of character, the substance of action, the nature of human difference and similarity, and the vehemence of prejudice. Philadelphia Stories is a work that reveals (1) how the writers of Philadelphia defined the edge between freedom and slavery, altering the course of America's intellectual and national history, and (2) how the figure 'Philadelphia' stands for a place, a history, a tradition of the 'literary' that enriches and even clarifies the whole of American literary history.

This book provides linguists with a clear, critical, and comprehensive overview of theoretical and experimental work on information structure. Leading researchers survey the main theories of information structure in syntax, phonology, and semantics as well as perspectives from psycholinguistics and other relevant fields. Following the editors' introduction the book is divided into four parts. The first, on theories of and theoretical perspectives on information structure, includes chapters on topic, prosody, and implicature. Part 2 covers a range of current issues in the field, including focus, quantification, and sign languages, while Part 3 is concerned with experimental approaches to information structure, including processes involved in its acquisition and comprehension. The final part contains a series of linguistic case studies drawn from a wide variety of the world's language families. This volume will be the standard guide to current work in information structure and a major point of departure for future research.

An exploration of information literacy and ICT skills education from the point of view of social and political theory. The author incorporates theories to argue why the idea of information literacy is so important in the 21st century, and also to develop teaching strategies to this end. The book argues that only through expanding the range of information literacy education taking it beyond just formal school and university education and into homes, friendship networks and workplaces can we construct an effective educational response to information technology in the 21st century. Information literacy includes, but transcends, ICT skills and ultimately is about being politically, socially and communicatively competent in an information society.
Although this is a book about education, it argues that we need to start thinking of education as something done by families, friends, workmates and society as a whole, as well as schools and collegesEach chapter introduces the readers to some social and political theory, but in ways accessible to a lay audienceTo complement each section, think tasks and practical exercises will help the readers apply the insights in their personal contexts "

Dit is 1713. VOC-admiraal Johannes van Steelant bring sy ryklik belaaide retoervloot via die Kaapse diensstasie terug na Nederland uit Batavia. Saam op die vlagskip, sy vyf jong kinders. Op die oop see raak hulle een-een siek. Hete koors, maagpyn, swere – die gevreesde pokke.

Op 12 Februarie gaan die gesin, nou almal gesond, aan land in Tafelbaai. Hul skeepsklere word gewas in die VOC se slawelosie. Enkele maande later is byna die helfte van die Kaapse bevolking dood aan pokke.

In Retoervloot bring VOC-kenner Dan Sleigh dié gegewe, en die verbysterende werkinge van die VOC-retoervlootstelsel, lewend voor die oog. Aan die hand van Van Steelant se nuut-ontdekte skeepsjoernaal, met die agtergrondinkleding wat ’n meesterlike geskiedkundige soos Sleigh kan bied, staan die leser op die dek van vlagskip Sandenburg – ’n magtige skip van ’n roemryke organisasie, dog uitgelewer aan die woedende oseaan. Verder is Retoervloot ’n gedenksteen vir Kaapstad se grootste ramp tot op hede

Nationalism informs our ideas about language, culture, identity, nation, and State--ideas that are being challenged by globalization and an emerging new economy. As language, culture, and identity are commodified, multilingualism becomes a factor in the mobility of people, ideas and goods--and in their value.
In Paths to Post-Nationalism, Monica Heller shows how hegemonic discourses of language, identity, and the nation-State are destabilized under new political and economic conditions. These processes, she argues, put us on the path to post-nationalism. Applying a fine-grained ethnographic analysis to the notion of "francophone Canada" from the 1970s to the present, Heller examines sociolinguistic practices in workplaces, schools, community associations, NGOs, State agencies, and sites of tourism and performance across francophone North America and Europe. Her work shows how the tensions of late modernity produce competing visions of social organization and competing sources of legitimacy in attempts to re-imagine--or resist re-imagining--who we are.

Modernism has long been understood as a radical repudiation of the past. Reading against the narrative of modernism-as-break, Pragmatic Modernism traces an alternative strain of modernist thought that grows out of pragmatist philosophy and is characterized by its commitment to gradualism, continuity, and recontextualization. It rediscovers a distinctive response to the social, intellectual, and artistic transformations of modernity in the work of Henry James, Marcel Proust, Gertrude Stein, Oliver Wendell Holmes, John Dewey, and William James. These thinkers share an institutionally-grounded approach to change which emphasizes habits, continuities, and daily life over spectacular events, heroic opposition, and radical rupture. Pragmatic modernists developed an active, dialectical approach to habit, maintaining a critical stance toward mindless repetitions while refusing to romanticize moments of shock or conflict. Through its analysis of pragmatist keywords, including "habit," "institution," "prediction," and "bigness," Pragmatic Modernism offers new readings of works by James, Proust, Stein, and Andre Breton, among others. It shows, for instance, how Stein's characteristic literary innovation-her repetitions-aesthetically materialize the problem of habit; and how institutions-businesses, museums, newspapers, the law, and even the state itself-help to construct the subtlest of personal observations and private gestures in James's novels. This study reconstructs an overlooked strain of modernism. In so doing, it helps us to reimagine the stark choice between political quietism and total revolution that has been handed down to us as modernism's legacy.

Ernest Starling (1866-1927) was pre-eminent in the golden age of British Physiology. His name is usually associated with his ???Law of the Heart, ??? but his discovery of secretin (the first hormone whose mode of action was explained) and his work on capillaries were more important contributions. He coined the word 'hormone' one hundred years ago. His analysis of capillary function demonstrated that equal and opposite forces move across the capillary wall--an outward (hydrostatic) force and an inward (osmotic) force derived from plasma proteins.
Starling??'s contributions include:
*Developing the "Frank-Starling Law of the Heart," presented in 1915 and modified in 1919.
*The Starling equation, describing fluid shifts in the body (1896)
*The discovery of secretin, the first hormone, with Bayliss (1902) and the introduction of the concept of hormones (1905).

In a long-overlooked diary entry, Franz Kafka admitted to suffering from ''bouts of clairvoyance.'' These bouts of clairvoyance can be seen in his writing, in moments when the solid basis of human cognition totters, the dissolution of matter seems imminent, and objects are jarringly severed from physical referents. June O. Leavitt offers a fascinating examination of the mystical in Kafka's life and writings, showing that Kafka's understanding of the occult was not only a product of his own clairvoyant experiences but of the age in which he lived.
Kafka lived during the modern Spiritual Revival, a powerful movement which resisted materialism, rejected the adulation of science and Darwin, and idealized clairvoyant modes of consciousness. Kafka's contemporaries - such theosophical ideologues as Madame H.P. Blavatsky, Annie Besant, and Dr. Rudolph Steiner - encouraged the counterculture to seek the true, spiritual essence of reality by inducing out-of-body experiences and producing visions of higher disembodied beings through meditative techniques. Leaders of the Spiritual Revival also called for the adoption of certain lifestyles, such as vegetarianism, in order to help transform consciousness and return humanity to its divine nature.
Interweaving the occult discourse on clairvoyance, the divine nature of animal life, vegetarianism, the spiritual sources of dreams, and the eternal nature of the soul with Kafka's dream-chronicles, animal narratives, diaries, letters, and stories, Leavitt takes the reader on a journey through the texts of a great psychic writer and the fascinating epoch of the Spiritual Revival.

The Buddhist monk Tanxu surmounted extraordinary obstacles--poverty, wars, famine, and foreign occupation--to become one of the most prominent monks in China, founding numerous temples and schools, and attracting crowds of students and disciples wherever he went. Now, in Heart of Buddha, Heart of China, James Carter draws on untapped archival materials to provide a book that is part travelogue, part history, and part biography of this remarkable man.
This revealing biography shows a Chinese man, neither an intellectual nor a peasant, trying to reconcile his desire for a bold and activist Chinese nationalism with his own belief in China's cultural and social traditions, especially Buddhism. As it follows Tanxu's extraordinary life, the book also illuminates the pivotal events in China's modern history, showing how one individual experienced the fall of China's last empire, its descent into occupation and civil war, and its eventual birth as modern nation. Indeed, Tanxu lived in a time of almost constant warfare--from the Sino-Japanese War of 1895, to the Boxer Uprising, the Russo-Japanese War, the Japanese occupation, and World War II. He and his followers were robbed by river pirates, and waylaid by bandits on the road. Caught in the struggle between nationalist and communist forces, Tanxu finally sought refuge in the British colony of Hong Kong. At the time of his death, at the age of 89, he was revered as "Master Tanxu," one of Hong Kong's leading religious figures.
Capturing all this in a magnificent portrait, Carter gives first-person immediacy to one of the most turbulent periods in Chinese history.

In addition to thin concepts like the good, the bad and the ugly, our evaluative thought and talk appeals to thick concepts like the lewd and the rude, the selfish and the cruel, the courageous and the kind - concepts that somehow combine evaluation and non-evaluative description. Thick concepts are almost universally assumed to be inherently evaluative in content, and many philosophers claimed them to have deep and distinctive significance in ethics and metaethics. In this first book-length treatment of thick concepts, Pekka Vayrynen argues that all this is mistaken. Through detailed attention to the language of thick concepts, he defends a novel theory on which the relationship between thick words and evaluation is best explained by general conversational and pragmatic norms. Drawing on general principles in philosophy of language, he argues that many prominent features of thick words and concepts can be explained by general factors that have nothing in particular to do with being evaluative. If evaluation is not essential to the sort of thinking we do with thick concepts, claims for the deep and distinctive significance of the thick are undermined. The Lewd, the Rude and the Nasty is a fresh and innovative treatment of an important topic in moral philosophy and sets a new agenda for future work. It will be essential reading to anyone interested in the analysis and the broader philosophical significance of evaluative and normative language. "Vayrynen presents an extremely well researched, highly innovative, and yet very careful and highly polished treatment of an extremely hot area in philosophy. The book is tightly argued but engagingly written. I would hold it up as a model philosophy monograph. There is no doubt in my mind whatsoever that this book will be widely influential and admired. Indeed, it could easily become a classic." - Brad Hooker, University of Reading "For the past few decades thick concepts have received much attention in metaethical discussions, but Vayrynen's book is the first comprehensive treatment of the subject. Vayrynen skillfully uses tools from philosophy of language in order to sharpen and advance the discussion of thick concepts. The book will be essential reading not only to anyone interested in the specific topic of thick concepts but also to anyone who is concerned with the analysis of normative language generally. It is a very good paradigm of linguistically informed metaethics." - Matti Eklund, Cornell University

From the US Capitol to the Lincoln Memorial and the 9/11 Memorial Museum, classical forms and ideas have been central to an American nationalist aesthetic. Beginning with an understanding of this centrality of the classical tradition to the construction of American national identity and the projection of American power, Empire of Ruin describes a mode of black classicism that has been integral to the larger critique of American politics, aesthetics, and historiography that African American cultural production has more generally advanced. While the classical tradition has provided a repository of ideas and images that have allowed white American elites to conceive of the nation as an ideal Republic and the vanguard of the idea of civilization, African American writers, artists, and activists have characterized this dominant mode of classical appropriation as emblematic of a national commitment to an economy of enslavement and a geopolitical project of empire. If the dominant forms of American classicism and monumental culture have asserted the ascendancy of what Thomas Jefferson called an "empire for liberty," for African American writers and artists it has suggested that the nation is nothing exceptional, but rather another iteration of what the radical abolitionist Henry Highland Garnet identified as an "empire of slavery," inexorably devolving into an "empire of ruin."

'People say to me, if you could do it all again, knowing what you know now, would you change anything? I'm like, f*** no. If I'd been clean and sober, I wouldn't be Ozzy. If I'd done normal, sensible things, I wouldn't be Ozzy.'

Husband. Father. Grandfather. Icon.
1948 - 2025

At the age of sixty-nine, Ozzy Osbourne was on a triumphant farewell tour, playing to sold-out arenas and rave reviews all around the world.

Then: disaster.

In a matter of just a few weeks, he went from being hospitalised with a finger infection to having to abandon his tour - and all public life - as he faced near-total paralysis from the neck down.

Last Rites is the shocking, bitterly hilarious, never-before-told story of Ozzy's descent into hell. Along the way are reflections on an extraordinary life and career, including his marriage to wife Sharon, and what it took for him to return to the stage for the triumphant Back to the Beginning concert, streamed around the world, where Ozzy reunited with his Black Sabbath bandmates for the final time.

Unflinching, brutally honest, but surprisingly life-affirming, Last Rites demonstrates once again why Ozzy transcended his status as 'The Godfather of Metal' and 'The Prince of Darkness' to become a modern-day folk hero and national treasure.

This first comprehensive biography of Cecil Rhodes in a generation illuminates Rhodes’s vision for the expansion of imperialism in southern Africa, connecting politics and industry to internal development, and examines how this fueled a lasting white-dominated colonial society.

Rhodes was one of the most influential people in the history of the British Empire. He made a fortune by leading the world’s most important diamond mining company, De Beers, as well as gold-mining concern Consolidated Gold Fields. He was a member of the Cape Colony’s legislature and served as prime minister from 1890 to 1896, a key period for the development of racial discrimination. His British South Africa Company was given a charter to govern what is today Zambia and Zimbabwe.

A complex figure, admired and detested in his own time, Rhodes dreamt to unite Southern Africa’s colonies and republics into one state, dominated by white settlers, with labour provided by Black people who were constrained and pressured by discriminatory laws. In 1895 and 1896, he encouraged a failed plot to overthrow the independent Boer republic in the Transvaal.

Rhodes’ coup helped to precipitate the South African War, which started in 1899 and ended in 1902, the year of Rhodes' death.

This authoritative biography focuses on the relationship between Rhodes’ well-known activities in business and politics and the development of Southern Africa's infrastructure, most famously his plan for a Cape-to-Cairo railway. Rhodes envisioned a region where racism became embedded in the mining, farming, communication, and transportation industries. He pursued this vision in the face of opposition from many quarters.

Understanding the extent of Rhodes’ activities helps us to understand the challenges of modern Africa and the recent Rhodes Must Fall movement. A critical analysis of this contested figure, The Colonialist offers an original portrait of a crucial figure of his era.

Minos and the Moderns considers three mythological complexes that enjoyed a unique surge of interest in early twentieth-century European art and literature: Europa and the bull, the minotaur and the labyrinth, and Daedalus and Icarus. All three are situated on the island of Crete and are linked by the figure of King Minos. Drawing examples from fiction, poetry, drama, painting, sculpture, opera, and ballet, Minos and the Moderns is the first book of its kind to treat the role of the Cretan myths in the modern imagination.
Beginning with the resurgence of Crete in the modern consciousness in 1900 following the excavations of Sir Arthur Evans, Theodore Ziolkowski shows how the tale of Europa-in poetry, drama, and art, but also in cartoons, advertising, and currency-was initially seized upon as a story of sexual awakening, then as a vehicle for social and political satire, and finally as a symbol of European unity. In contast, the minotaur provided artists ranging from Picasso to Durrenmatt with an image of the artist's sense of alienation, while the labyrinth suggested to many writers the threatening sociopolitical world of the twentieth century. Ziolkowski also considers the roles of such modern figures as Marx, Nietzsche, and Freud; of travelers to Greece and Crete from Isadora Duncan to Henry Miller; and of the theorists and writers, including T. S. Eliot and Thomas Mann, who hailed the use of myth in modern literature.
Minos and the Moderns concludes with a summary of the manners in which the economic, aesthetic, psychological, and anthropological revisions enabled precisely these myths to be taken up as a mirror of modern consciousness. The book will appeal to all readersinterested in the classical tradition and its continuing relevance and especially to scholars of Classics and modern literatures.

At the pinnacle of motorsports, a humble young man from Stevenage, England has risen to become the most dominant and influential Formula One driver of his time. This authoritative biography follows Hamilton's pathway from his early days karting on local tracks to the glitz and pressure of the Formula One circuit. Along the way, we witness Hamilton's single-minded determination to reach the top, even as he challenged racial barriers and opposition at every turn. His triumph over adversity is all the more inspiring given Hamilton's pioneering role in making motorsports accessible to marginalized communities.

Beyond his unparalleled on-track exploits - leveling the record books held by the legendary Michael Schumacher – Hamilton has used his platform to advocate for social justice, environmental sustainability, and diversity. Hamilton has emerged as a voice of moral clarity, leveraging his fame to push Formula One and global sports to be a force for positive change.

As Hamilton nears the twilight of his racing career, this book examines his lasting legacy. From shattering stereotypes to inspiring new generations of motor enthusiasts, Hamilton's impact extends far beyond just his championship trophies. The book culminates with Hamilton's potential final act - chasing a record-setting 8th world title at the wheel of the iconic Ferrari team, the ultimate validation of his greatness.