Between 1960 and 1989 in South Africa, more than 130 people were executed for crimes that had a political motive. Who were they, what did they do, and why did they do it?

While many people have heard of Solomon Mahlangu, John Harris or even Vuyisile Mini, the vast majority of executed activists remain very much unknown, even though they paid the ultimate price for their actions.

This book tells their stories, drawing on the author’s interviews with fellow activists, the families left behind, lawyers on both sides, judges who passed sentence, warders on death row, and even functionaries tasked with informing the condemned of their impending fate.

In the process, the book sheds light on forgotten aspects of South African history, such as the actions of the PAC/Poqo in the 1960s, which resulted in dozens of executions, and people who heeded the ANC’s call to make the country ungovernable in the 1980s and who were then disowned by the organisation. The book also makes startling revelations about miscarriages of justice, defence attorneys working against their clients, and, sadly, the post-apartheid state’s neglect of those who suffered as a result of political executions.

Press both feet to the ground.
Place your hand on your heart.
You are brave and capable.
It will always be your time.

An empowering and uplifting collection of poems from groundbreaking and award- winning poet Koleka Putuma, about figuring out who you are and embracing it. With words to affirm, this is the ideal companion to hold your hand while you navigate all the big questions, discoveries and transitions of young adulthood.

The perfect gift for fans of Rupi Kaur, Nikita Gill and Elizabeth Acevedo.

In the heart of a village untouched by the world’s chaos, five-year-old Popina took solace in the simple joys of childhood – climbing mango trees, chasing baby baboons, and exploring the fields. But her innocence was shattered in an instant when a group of strangers invaded the village, bringing with them a terror that a young girl could never have imagined.
 
The Smallest Ones  is a harrowing and powerful account of survival and resilience in the war-torn Democratic Republic of Congo in the early 2000s. Popina, her family and friends were captured by rebel soldiers and were subjected to torture and rape. After several years of captivity, Popina and her older sister managed to escape, and began an epic journey all the way to South Africa. But even there, their nightmare was not over.
 
Written with raw emotion and unflinching honesty,  The Smallest Ones  takes readers on a journey through the darkest corners of human experience, yet it is also a testament to the enduring power of hope and the will to survive. This is not just a story of tragedy, but a poignant exploration of the human spirit’s capacity to endure and overcome.
 
After eventually finding refuge in a children’s home in Despatch in the Eastern Cape, Popina started building the life she dreamt of as a child. Having had no schooling, she now found herself in a classroom and held a pen for the first time. And so began her journey to education and freedom.

A charming, moving account of one man's race to save a herd of elephants.

When South African conservationist Lawrence Anthony was asked to accept a herd of 'rogue' elephants on his Thula Thula game reserve in Zululand, his common sense told him to refuse. But he was the herd's last chance of survival - dangerous and unpredictable, they would be killed if Anthony wouldn't take them in.

As Anthony risked his life to create a bond with the troubled elephants and persuade them to stay on his reserve, he came to realize what a special family they were, from the wise matriarch Nana, who guided the herd, to her warrior sister Frankie, always ready to see off any threat, and their children who fought so hard to survive.

With unforgettable characters and exotic wildlife, this is an enthralling book that will appeal to animal lovers and adventurous souls everywhere.

In this captivating collection of essays, Tinyiko Maluleke invites his readers on a journey that begins with his eventful boyhood in Soweto and his life-changing sojourn in Limpopo. His reflections on the roles of his mother, maternal grandmother and aunts in his upbringing will melt many hearts. In a deep sense of the word, this is a ‘feminist’ book with large sections profiling and promoting the contribution of women in national development.

Included in this memoir is the story of Maluleke’s journey through academia, his rise through the ranks, and the many lessons he learnt along the way. All the while, Maluleke presents his story as a microcosm of the human story of all South Africans, challenging his readers to rethink the history of the country, villages, townships and their own selves.

Maluleke does not pull any punches in the essays where he provides analysis of critical issues facing the country. Deploying solid scholarship, to undergird a variety of literary genres and writing strategies, Maluleke’s book is also a compendium of and an ode to the moments, places and people – celebrated and ordinary – who have shaped and continue to shape his outlook. His profiling of a few fellow university leaders is particularly riveting.

Faces and Phases of Resilience will make you think, laugh, yell and cry. In a way, this book is not merely an individual memoir, it is the memoir of a country, a memoir of a historical epoch and a memoir of a people – it is an invitation to the tragedy, the beauty and the hope that define South Africa.

The book ends, forty-nine chapters later, with a heart-rending essay on the bane of xenophobia, foretelling the death of Maluleke, chillingly titled, ‘The Day I Die’.

The son of pastors and gospel artists, PJ Morton grew up in church, singing gospel music, grounded by its soulful sound. As he was drawn to R&B and pop, PJ experimented in combining genres to create his own sound that record labels struggled to categorize. Pressured to align with industry standards but committed to his own dream of his original music, he defied expectations and risked launching his own label, Morton Records. Under it, he developed six self-released and self-produced albums that garnered twenty Grammy nominations and awards, and included collaborations with such acclaimed artists as Stevie Wonder, Kirk Franklin, and Lil Wayne.

PJ Morton is the rare artist who has straddled the tensions of life, whether in music or faith expressions, or in racial and cultural identities, while staying true to his New Orleans and Christian roots. A pioneer blazing his own path, he developed an independent sound without even knowing what that was in an industry he didn't fully understand, setting the way for artists who follow him. Saturday Night, Sunday Morning captures his powerful, courageous journey of combining his two worlds, showing readers how to overcome obstacles as they seek their own dreams.

From the day that Bobby Zimmerman first turned on the radio in his parents' home in Hibbing, he'd had a pretty good idea that big things were happening, that old values were changing, that something new was on the way.

Bob Dylan arrived in New York one winter morning in 1961. His music and spirit would go on to capture the hearts and minds of a generation, but what no one knew then was that, like so many before him, Dylan was concealing his Jewish origins.

For Harry Freedman, Dylan's roots are the key to grasping how this complete unknown burst onto the scene and reinvented not only himself, but popular music. The instinct for escape and reinvention has defined Dylan's long career.

In this insightful biography Freedman traces the heady atmosphere of the 1960s and the folk-rock revolution spearheaded by Dylan. Right up until the moment in 1966 when Dylan stepped out onto the stage and went electric – exploring how his musical decisions, genius for reinvention and his Jewishness go inescapably hand in hand.

No murderer should ever be the keeper of their victim's story …

On 1 February, 1910, vivacious music-hall performer, Belle Elmore, suddenly vanished from her north London home, causing alarm among her circle of female friends, the entertainers of the Music Hall Ladies’ Guild who demanded an immediate investigation.

They could not have known what they would provoke: the unearthing of a gruesome secret, followed by a fevered manhunt for the prime suspect: Belle’s husband, medical fraudster, Dr Hawley Harvey Crippen.

Hiding in the shadows of this evergreen tale is Crippen’s typist and lover, Ethel Le Neve – was she really just ‘an innocent young girl’ in thrall to a powerful older man as so many people have since reported?

In this epic examination of one of the most infamous murders of the twentieth century, prizewinning social historian Hallie Rubenhold gives voice to those who have never properly been heard – the women.

Featuring a carnival cast of eccentric entertainers, glamorous lawyers, zealous detectives, medics and liars, STORY OF A MURDER is meticulously researched and multi-layered, offering the reader an electrifying snapshot of Britain and America at the dawn of the modern era.

As Samsung Africa’s former President and CEO, Sung Yoon was a first-hand witness to the company’s journey to becoming a global brand. Despite challenges, he turned Samsung’s Africa business into a success over four years.

In a career spanning more decades, he contributed in numerous capacities, heading up sales not only in Africa but in three different overseas assignments.

Yoon offers insights that shed light on the challenges of making business decisions and taking calculated risks.

Jonathan Ball, the founder of Jonathan Ball Publishers, died on 3 April 2021 after a short illness. This collection of essays, commissioned in tribute to him, is edited by Michele Magwood.

Jonathan Ball left a deep impression on many different people in different ways. The forty or so essays reflect the many facets of Jonathan. The chapter headings would read husband, father, businessman, friend, brother, colleague. But it is in the subheads that we begin to understand the shape of him: publisher extraordinaire, history expert, gourmand, liberal thinker, suitor, philosemite and so on.

It cannot be exaggerated how deep an imprint Jonathan has left on the political and cultural life of South Africa, too. The shelves of Jonathan Ball Publishers are weighted with serious history and biographies of eminent figures, with books that other publishers didn’t have the boldness, the sheer guts, to take on. But there are many smaller, more finespun stories that tell us too who we are as a people and as a nation.

Baek Sehee could never have predicted how many people I Want to Die but I Want to Eat Tteokbokki would reach across the world. A runaway bestseller in South Korea, Japan, China, Indonesia and the UK, this record of conversations with her therapist demonstrated the realities of anxiety and depression in a uniquely intimate way.

But Baek's battle with dysthymia did not end there. Grappling with mental health is an everyday struggle.

In I Want to Die but I Still Want to Eat Tteokbokki, Baek's experiences become more complex, as she demonstrates that striving contentment is an ongoing journey.

Samuel Daniell can be described as one of the most accomplished yet least-known artists from the era of British exploration. He travelled around southern Africa between 1800 and 1803, and lived in Ceylon until his death in 1811.

His vivid sketches, drawings and watercolours are individuated and accomplished art works. Daniell’s representations of people of colour are remarkable for their perceptiveness and are perhaps unmatched in their sensitivity in the colonial era.

He also produced many drawings and paintings of animals that are noteworthy for their accuracy. His biography is a fascinating example of how art contributed to the accumulation of scientific knowledge and the extension of British imperial power.

Daniell’s drawings are widely scattered, and mostly unpublished. This biography reconstructs his life and travels by bringing together his known works from collections across the world.

This is the first full biography from childhood of the eminent British Architect Sir Herbert Baker. Written with the full cooperation of his family and with access to his archive and private papers, it gives an account of his remarkable life as the leading architect to the British Empire. From London, through the commemoration of the empire's war dead in France, via South Africa and Australia to India, he celebrated the might of an empire that once ruled a quarter of the world. He was an intimate friend of many of most fascinating men of his age, including Cecil Rhodes, Lawrence of Arabia, John Buchan, Jan Smuts and, of course, his fellow architect Sir Edwin Lutyens. After a Victorian architectural apprenticeship in London and on to becoming the most prolific architect of his age in South Africa, he built the new imperial capital of New Delhi in India with Lutyens, before returning to London. These built or rebuilt such landmark buildings as the Bank of England, South Africa House, India House, Rhodes House, and the stands for Lords Cricket Ground, as well as numerous churches and private houses.

We Two from Heaven is a singular memoir, a four-part fugue on the tricks and traps of memory, a shuffling of the cards of time. Episodes from the early life of writer James Whyle are interwoven with the letters of his father from the Western Front during the First World War. Their formative experiences – war, conscription, injury, desertion – flash by, juxtaposed, as if in counterpoint.

How do we know who we are? Upending the reader’s expectations of a memoir, Whyle then explores the violence and madness of apartheid society as the narrator passes through boarding school and university and takes his first steps to become a writer. Raw and rhythmic, lyrical and caustic, this is an unsparing, formally inventive dissection of human vanities and illusions.

At the end of history, on the shores of a blue bay, the voices of the past can be heard as we await the arrival of the barbarians – or the baboons, whoever comes first.

Tony Blair learnt the precepts of governing the hard way: by leading a country for over ten years. In that time he came to understand that there are certain key characteristics of successful government that he wished he had known about when he started.

Now he has written the manual on political leadership that he would have wanted when he first took office in 1997, sharing the insights he has gained from his personal experience and from observing other world leaders at first hand, both while he was prime minister and since, through his Institute’s work with political leaders and governments globally.

Written in short, pithy chapters, packed with examples drawn from all forms of political systems from around the world, the book answers the key questions: How should a leader organise the centre of government and their office? How should they prioritise and develop the right plan and hire the right personnel, cope with unforeseen events and crises, and balance short-term wins with longterm structural change? What’s the best way to deal with an obstructive or inert bureaucracy, to attract investment, to reform healthcare or education, and to ensure security for the citizen? And how should governments harness the massive opportunities of the 21st-century technological revolution?

This is a masterclass on leadership in general, and political leadership in particular, from a master statesman.

This first comprehensive biography of Cecil Rhodes in a generation illuminates Rhodes’s vision for the expansion of imperialism in southern Africa, connecting politics and industry to internal development, and examines how this fueled a lasting white-dominated colonial society.

Rhodes was one of the most influential people in the history of the British Empire. He made a fortune by leading the world’s most important diamond mining company, De Beers, as well as gold-mining concern Consolidated Gold Fields. He was a member of the Cape Colony’s legislature and served as prime minister from 1890 to 1896, a key period for the development of racial discrimination. His British South Africa Company was given a charter to govern what is today Zambia and Zimbabwe.

A complex figure, admired and detested in his own time, Rhodes dreamt to unite Southern Africa’s colonies and republics into one state, dominated by white settlers, with labour provided by Black people who were constrained and pressured by discriminatory laws. In 1895 and 1896, he encouraged a failed plot to overthrow the independent Boer republic in the Transvaal.

Rhodes’ coup helped to precipitate the South African War, which started in 1899 and ended in 1902, the year of Rhodes' death.

This authoritative biography focuses on the relationship between Rhodes’ well-known activities in business and politics and the development of Southern Africa's infrastructure, most famously his plan for a Cape-to-Cairo railway. Rhodes envisioned a region where racism became embedded in the mining, farming, communication, and transportation industries. He pursued this vision in the face of opposition from many quarters.

Understanding the extent of Rhodes’ activities helps us to understand the challenges of modern Africa and the recent Rhodes Must Fall movement. A critical analysis of this contested figure, The Colonialist offers an original portrait of a crucial figure of his era.

In her first-ever memoir, Knowles presents a celebration of feminism, identity and pursuing your dreams.

To understand the icons Beyonce, Solange and Kelly, you have to understand where they came from... A deeply personal and revelatory memoir by Ms Tina Knowles - as you've never seen her before.

Tina Knowles, the mother of icons Beyonce Knowles-Carter, Solange Knowles and bonus daughter Kelly Rowland, is known the world over as a Matriarch with a capital M: the woman who raised and inspired some of the great artists of our time. But this story is about so much more than that.

For the first time ever, Tina Knowles shares her remarkable story in Matriarch. A life of grief and tragedy, love and heartbreak, the nurturing of her superstar daughters - and the perseverance and audacity it takes for a girl from Galveston, Texas to change the world.

This intimate and revealing memoir is a multigenerational family saga and a celebration of the wisdom that women, mothers and daughters pass on to each other across generations.

A glorious chronicle of a life like none other and a testament to the world-changing power of Black motherhood.

Maria is a young woman raised as a Jehovah’s Witness in South Africa, and this book documents her experiences of gender victimisation, sexual abuse and cover-ups within the church, as well as her eventual ‘escape’ from its doctrines and control. Maria’s freedom came at a price, however – she can never see her mother and sister again.

A worldwide, Christian-based religious group that professes an unparalleled dedication to Jehovah (God), the Jehovah’s Witnesses have a strong sense of community and appear to embrace a disciplined yet loving way of life with the promise of eternal salvation for those who follow the way of Jehovah. It is a seemingly benign religious movement, claiming to be politically neutral, racially and ethnically transcendent, with a membership of eight million people worldwide. Yet, at its core, many former Witnesses claim that it is a fear-based doomsday cult that considers itself above all other belief systems.

Allegations of secular, cultish behaviour, homophobia, money laundering, brainwashing and countless accusations of institutionalised sexual abuse abound. It seems that membership is managed and retained mostly by way of information control and manipulation, extending to the shunning of higher education and preaching their own version of the Bible.

Entering the church is easy, but leaving it can be a matter of life or death, as Maria and countless others discovered...

If a Shakespearean actor, a Christian missionary and an isiXhosa praise poet walked into a bar, their conversation would sound something like the poems in this collection.

Siphokazi Jonas is a weaver of seemingly discordant worlds; growing up in an Afrikaans dorpie during the transition years of a newly democratic South Africa and going on annual holidays to a village made this a necessity. Her work as a spoken word poet often fuses poetry, theatre and film, and she brings this genre-mixing to the page by using the intsomi form to weave the narrative of her poems together.

Jonas’s poems explore the impact of linguistic and cultural alienation as a black learner in former Model C schools in the 1990s and early 2000s. She is not only a referee of the internal war between isiXhosa and English within her, but she pieces together a language for leaving and returning between the past and the present, and a possible future. Her poems ask questions about navigating tradition, religion, migration between rural and urban spaces, and how families choose to make their own culture. Weeping Becomes a River is a timely reflection on the cost of being the early test subjects of South Africa’s democratic project.

An updated and abridged edition of Bono’s bestselling memoir, including a new introduction by the author, Stories of Surrender is an unforgettable love story, a tribute to fatherhood, friendship, faith and music. Honest, irreverent, and intimate, it’s a backstage pass to a frontman's remarkable life, from Bono’s childhood in Dublin to the rise of U2. A companion to the Apple Original Film of his critically acclaimed solo theatre show, Stories of Surrender is a luminous autobiography of one of the great voices of our time.

Bono: Stories of Surrender, An Apple Original Film is streaming on Apple TV+ this May.

‘I wanted to be who I felt I was. Broken. A wreck. A nobody.’

There’s a moment where life happens. It’s the moment just before making a good decision, or a bad one. For Milton Schorr, just such a moment took place at the age of seventeen, when he found himself squatting on his haunches in a Cape Town flat with a heroin needle in his arm.

A friend sat with him, his thumb on the plunger, and a decision was to be made. Let the heroin slip inside, and take the road the drug offered, or turn away, and find a new life not defined by the endless quest for oblivion.

For Schorr, the path was already set, as it had been at his first taste of shoplifting, porn, cigarettes, alcohol, marijuana, Mandrax, LSD, Ecstasy and sex. No decision is separate from any other, each one is a continuation of all that have gone before, and it is only by a monumental reckoning with the self that the course can be altered.

This book is the story of Milton Schorr’s life as a drug addict, both in active addiction and recovery. Today, two decades sober, he relates the pivotal points in his own journey toward death, and back to life.

This is a memoir about the life of an extraordinary South African poet, educator, and activist that tells a lesser-known social history of people, families, communities and places.

Poli Poli is intentional in grounding Masekela’s experiences in a social history of the country over generations. Masekela uses her life story to illustrate the features and characteristics that typified life in particular places, like Kwa-Guqa in the 1940s, Johannesburg, Alexandra Township, and Inanda Seminary School (for Coloured girls) in Mpumalanga.

This memoir is filled with intimate details about the growing pains of a childhood inhibited by strict beliefs and systems, first-hand experiences of struggle and sacrifice, violence and other forms of inhumanity and the deep scars they etch, while also telling the story of the author’s life-giving relationship with her siblings. Poli Poli is a remarkable history that speaks to issues of then and now – belonging, African identity, women’s rights, and femininity, and is written in the lyricism and transporting detail of one of the country’s greatest wordsmiths.

In The Eight Zulu Kings, well-respected and widely published historian John Laband examines the reigns of the eight Zulu kings from 1816 to the present.

Starting with King Shaka, the renowned founder of the Zulu kingdom, he charts the lives of the kings Dingane, Mpande, Cetshwayo, Dinuzulu, Solomon and Cyprian, to today’s King Goodwill Zwelithini whose role is little more than ceremonial.

In the course of this investigation Laband places the Zulu monarchy in the context of African kingship and tracks and analyses the trajectory of the Zulu kings from independent and powerful pre-colonial African rulers to largely powerless traditionalist figures in post-apartheid South Africa.

Discover the tales behind the ties in Stephen Fry's witty companion to our most distinguished accessory, the perfect gift for the tie-wearer in your life.

'A well-tied tie is the first serious step in life' Oscar Wilde

'What do ties matter, Jeeves, at a time like this?' 'There is no time, sir, at which ties do not matter' P.G. Wodehouse

Every single one of Stephen Fry's ties - whether floral, fluorescent, football themed; striped or spotty, outrageous or simply debonair - tells an intimate tale about a moment in Stephen's life. Inspired by Stephen's hugely popular Instagram posts, this book will feature beautiful, hand-drawn illustrations and photographs to celebrate his expansive collection of man's greatest clothing companion: The Tie, in all its sophisticated glory.

Distinctively funny and offering witty asides, facts and personal stories, this book will make the perfect gift for anyone who has ever worn a tie.