"From the classic fairy tale. Cinderella's stepmother and stepsisters won't let her go to the Prince's ball. Her fairy godmother appears and transforms her rags into a magnificent balldress. The Prince falls in love with the stranger, but she disappears at midnight, leaving one glass slipper behind. The Usborne English Readers series is a new range of graded readers in simplified English for younger learners. They include activities, glossaries and a full audio recording of the text in both British English and American English."

Archbishop Njongonkulu Ndungane holds a pivotal place in the history of South Africa. As a childhood friend of Chris Hani and inspired by the thinking of Robert Mangaliso Sobukwe, he became a political activist in the liberation struggle against apartheid. Preceding Nelson Mandela to Robben Island, he was in fact one of the prisoners responsible for building Mandiba’s prison cell. Once released from ‘the island’ he became a champion of the poor and oppressed - speaking out against segregation, fighting for the rights of HIV positive people, and acknowledging the equal role of women in society. On becoming Archbishop of Cape Town he succeeded Desmond Tutu, and was responsible for continuing implementation of change within the Church. During his eleven years residence in Bishopscourt, Archbishop Njongo, as he was affectionately known, was a bridge-builder linking divergent views and a catalyst for change.

"Staying Alive", "Being Alive" and "Being Human" have introduced many thousands of new readers to contemporary poetry, and have helped poetry lovers to discover the little known riches of world poetry. Each anthology in the Staying Alive trilogy has 500 poems to touch the heart, stir the mind and fire the spirit. These books have been enormously popular with readers, especially as gift books and bedside companions. The poems - by writers from many parts of the world - have emotional power, intellectual edge and playful wit. This new pocketbook selection of 100 essential poems from the trilogy is a Staying Alive travel companion (also available as an e-book). As well as selecting favourite poems from the trilogy - readers' and writers' choices as well as his own favourites - editor Neil Astley provides background notes on the poets and poems. This format makes it even more suitable as a gift book for all those people you're sure would love modern poetry if only they were familiar with these kinds of poems. These essential poems are all about being human, being alive and staying alive: about love and loss; fear and longing; hurt and wonder; war and death; grief and suffering; birth, growing up and family; time, ageing and mortality; memory, self and identity; faith, hope and belief; acceptance of inadequacy and making do - all of human life in a hundred highly individual, universal poems.

A child of the Jamaican diaspora, Lenny Henry was one of seven children in a boisterous, complicated family. With honesty, tenderness and a glorious sense of humour, he conducts a jam session of memories - growing up in the Black Country, puberty, school, friendship, family secrets and unashamed racism. With his mother's mantra of 'H'integration' echoing in his ears, Henry set out on a glittering career - but at every stage wondering: Am I good enough? Is this what they want? Who am I, again? This book answers those questions.

Maak ‘n toespraak. Ontydig en dikwels sonder waarskuwing word mens gevra om “iets te se”. Waar begin jy? Selfs ervare sprekers vrees soms openbare optrede, hetsy dit ‘n leerling, onderwyser, predikant, advokaat, politikus of sakeman is; hetsy die geleentheid ‘n huwelik, herdenking of voorlegging is. Iemand moet dit skryf en lewer. Hierdie boek is die ideale bron vir die skrywer en spreker. Dit bied antwoorde op vrae en raad vir enige geleentheid.

In this follow-up to her critically acclaimed memoir, Home, Julie Andrews shares reflections on her astonishing career, including such classics as Mary Poppins, The Sound of Music, and Victor/Victoria.

In Home, the number one New York Times international bestseller, Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage.

With this second memoir, Home Work: A Memoir of My Hollywood Years, Andrews picks up the story with her arrival in Hollywood and her phenomenal rise to fame in her earliest films–Mary Poppins and The Sound of Music. Andrews describes her years in the film industry — from the incredible highs to the challenging lows. Not only does she discuss her work in now-classic films and her collaborations with giants of cinema and television, she also unveils her personal story of adjusting to a new and often daunting world, dealing with the demands of unimaginable success, being a new mother, the end of her first marriage, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. The pair worked together in numerous films, including Victor/Victoria, the gender-bending comedy that garnered multiple Oscar nominations.

Cowritten with her daughter, Emma Walton Hamilton, and told with Andrews’s trademark charm and candor, Home Work takes us on a rare and intimate journey into an extraordinary life that is funny, heartrending, and inspiring.

Iets heerliks gebeur. Dis asof ek nie meer Lanie-op-’n-fiets op ’n mission is nie, maar een word met die natuur om my; of ek nog van altyd af hier was, hier hoort. Asof die lewe nog altyd eenvoudig was. Ek klim af en gaan lê op my rug en kyk deur die herfsblare wat goud aan die bome hang tot by die ysblou lug ver bo. Ek wil iets gee, iets sê…

Net mooi fine is die opvolg van Lanie van Reenen se suksesvolle boek C’est la Vie. Hierin beskryf sy wat gebeur het sedert haar hotelprojek in Frankryk gefaal het; hoe sy die nuwe realiteite van haar eie gestroopte lewe te bowe moet kom terwyl sy ook die verwerende château moet probeer red of verkoop.

Op haar pad na heling onderneem Lanie vele avonture: soms alleen per fiets, soos wanneer sy die Camino Portuguese voltooi; maar ook te voet, soos die tog na die berg Everest se basiskamp wat sy ter wille van liefdadigheid onderneem.

In hierdie ontroerende omstandighede ontstaan die vraag: Wat is die somtotaal van verlies? En hoe groot is die wins wat verlies tot gevolg kan hê as jy bewustelik daarmee omgaan, sodat ʼn mens ten slotte kan sê: “Eintlik is alles net mooi fine”?

An intimate portrait of the reclusive and brilliant author, written by his step-son Nikolai Tolstoy. The English novelist Patrick O'Brian is much admired for his best-selling Aubrey-Maturin series of sea novels - the unexpected success of the series secured his place in literary history. Far less is known about O'Brian's personal life, largely because he preferred to keep it that way. In A Very Private Life, O'Brian's step-son Nikolai Tolstoy draws upon his step-father's archives and papers to faithfully capture a life dedicated to the written word. This biography covers the latter part of O'Brian's life, from the moment of his arrival at Collioure in the south of France in 1949, where he wrote all his major works, to his death in 2000. Throughout his career, O'Brian's writing was supplemented by his translation work, which saw him translate the likes of Simone de Beauvoir and Henri Charriere. Tolstoy also captures O'Brian as he conducted research for the biography of his close friend and neighbour, Pablo Picasso. Tolstoy maps his step-father's literary career, from its poverty-stricken beginnings to the remarkable success O'Brian enjoyed later in life. He notes how through a cruel irony of fate, just as his step-father's literary career attained greater acclaimed, O'Brian's pleasure in his achievement began to diminish. This truthful, warm and insightful biography is a testimony to Tolstoy's respect and admiration for his step-father, one of Britain's most loved literary figures.

Ian Robertson joined the BBC during the golden age of radio broadcasting and was given a crash course in the art of sports commentary from some of the greatest names ever to sit behind a microphone: Cliff Morgan and Peter Bromley, Bryon Butler and John Arlott. Almost half a century after being introduced to the rugby airwaves by his inspiring mentor Bill McLaren, the former Scotland fly-half looks back on the most eventful of careers, during which he covered nine British and Irish Lions tours and eight World Cups, including the 2003 tournament that saw England life the Webb Ellis Trophy and "Robbo" pick up awards for his spine-tingling description of Jonny Wilkinson's decisive drop goal. He reflects on his playing days, his role in guiding Cambridge University to a long spell of Varsity Match supremacy and his relationships with some of the union code's most celebrated figures, including Sir Clive Woodward and Jonah Lomu. He also writes vividly and hilariously of his experiences as a horse racing enthusiast, his meetings with some of the world's legendary golfers and his dealings with a stellar cast of sporting outsiders, from Richard Burton and Elizabeth Taylor to Nelson Mandela. It is a hugely entertaining story that begins in a bygone rugby age, yet has much to say about the game in the here and now.

From Prince himself comes the brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death.

Prince was a musical genius, one of the most talented, beloved, accomplished, popular, and acclaimed musicians in pop history. But he wasn't only a musician—he was also a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of his early records to the mythical landscape of Purple Rain to the psychedelia of Paisley Park. But his greatest creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, the greatest pop star of his era.

The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is composed of the memoir he was writing before his tragic death, pages that brings us into Prince's childhood world through his own lyrical prose. The second part takes us into Prince's early years as a musician, before his first album released, through a scrapbook of Prince's writing and photos. The third section shows us Prince's evolution through candid images that take us up to the cusp of his greatest achievement, which we see in the book's fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince's self-creation, as he retells the autobiography we've seen in the first three parts as a heroic journey.

The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his short but profound collaboration with Prince in his final days—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to each of the book’s images.

This work is not just a tribute to Prince, but an original and energizing literary work, full of Prince’s ideas and vision, his voice and image, his undying gift to the world.

From much-loved documentary maker Louis Theroux comes a funny, heartfelt and entertaining account of his life and weird times in TV.

In 1994 fledgling journalist Louis Theroux was given a one-off gig on Michael Moore’s TV Nation, presenting a segment on apocalyptic religious sects. Gawky, socially awkward and totally unqualified, his first reaction to this exciting opportunity was panic. But he’d always been drawn to off-beat characters, so maybe his enthusiasm would carry the day. Or, you know, maybe it wouldn’t . . .

In Gotta Get Theroux This, Louis takes the reader on a joyous journey from his anxiety-prone childhood to his unexpectedly successful career. Nervously accepting the BBC’s offer of his own series, he went on to create an award-winning documentary style that has seen him immersed in the weird worlds of paranoid US militias and secretive pro-wrestlers, get under the skin of celebrities like Max Clifford and Chris Eubank and tackle gang culture in San Quentin prison, all the time wondering whether the same qualities that make him good at documentaries might also make him bad at life.

As Louis woos his beautiful wife Nancy and learns how to be a father, he also dares to take on the powerful Church of Scientology. Just as challenging is the revelation that one of his old subjects, Jimmy Savile, was a secret sexual predator, prompting him to question our understanding of how evil takes place. Filled with wry observation and self-deprecating humour, this is Louis at his most insightful and honest best.

In this follow-up to her critically acclaimed and bestselling memoir Home, the enchanting Julie Andrews picks up her story with her arrival in Hollywood, sharing the career highlights, personal experiences and reflections behind her astonishing career, including such classics as Mary Poppins, The Sound of Music, Victor/Victoria and many others. In Home, Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage. In her new memoir, Julie picks up the story with her arrival in Hollywood and her astonishing rise to fame as two of her early films -Mary Poppins and The Sound of Music- brought her instant and enormous success, including an Oscar. It was the beginning of a career that would make Julie Andrews an icon to millions the world over. In Home Work, Julie describes her years in Hollywood - from the incredible highs to the challenging lows. Not only does she detail her work in now-classic films and her collaborations with giants of cinema and television; she also unveils her personal story of adjusting to a new and often daunting world, dealing with the demands of unimaginable success, being a new mother, moving on from her first marriage, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. The pair worked together in numerous films, culminating in Victor/Victoria, the gender-bending comedy that garnered multiple Oscar nominations. Told with her trademark charm and candour, Julie Andrews takes us on a rare and intimate journey into an astonishing life that is funny, heartbreaking and inspiring.

'I am their daughter. They are me. I am my Baba's stubborn back bone and his great brows. I am my mum's resilience and wide birthing hips. I am their profanity, their nerves, I am their traditions, their hang ups, their loss, their tears. I am their human, their child, their daughter.' Born to parents who had emigrated to Britain from Bangladesh, Nadiya Hussain's first roles were those of daughter and sister. Considering her later roles as a devout Muslim entering an arranged marriage and becoming a wife and mother herself, Nadiya questions the barriers that many women, no matter who they are or where they live, have to cross in order to be accepted or heard. Importantly, she shows us how, at the core of it all, we are essentially tackling the same issues throughout our lives despite our cultural, social and religious differences. Each chapter deals with a different role, and Nadiya writes with warmth, humour, honesty and deep emotion about what each one means to her and how she embodies all the different expectations of these roles in her life. Writing about growing up in a large family, who were culturally torn between two countries, to her thoughts on becoming a celebrity, after winning The Great British Bake Off, the later chapters cover her more recent roles of 'baker', 'Twitter handle' and 'TV presenter'.

"From the classic novel by Charles Dickens. Oliver Twist barely survives childhood in the workhouse. When he runs away to London, he is taken in by a gang of thieves. Wealthy Mr. Brownlow rescues him, but the thieves snatch Oliver back, and it seems that he has no hope of escaping a life of crime. The Usborne English Readers series is a new range of graded readers in simplified English for younger learners. They include activities, glossaries and a full audio recording of the text in both British English and American English."

Immerse yourself in some truly festive magic with this brand-new collection of the finest Christmas stories, prose, songs and poetry from some of the greatest writers in the English language. Inspired by the approach and style of the British Library's 2018 bestseller A Literary Christmas, this carefully chosen anthology moves its focus to those most deeply involved in the wonders of Christmas, the Christmas girls and Christmas boys. Twenty-four seasonal chapters allow the excitement to build as parents and grandparents can share pages of unforgettable adventures, festive traditions, tales of elves, snowmen and reindeer, fairytales, folklore and family fun. Age-old pleasures from those essential Christmas favourites, including Dickens, Kenneth Grahame, George Mackay Brown, Robert L. May and Ezra Jack Keats, are presented alongside charming, but often more edgy, award-wining contemporary voices. This treasure trove of stories is brought to life by an equally beautiful selection of seasonal illustrations from the collections of the Library and the artwork of some of the great modern book illustrators.

Julia Fox Garrison refused to listen to the professionals she called Dr. Jerk and Dr. Panic, who--after she suffered a massive, debilitating stroke at age thirty-seven--told her she'd probably die, or to Nurse Doom, who ignored her emergency call button. Instead she heeded the advice of kind, gifted Dr. Neuro, who promised her he would "treat your mind as well as your body." Julia figured if she could somehow manage to get herself into a wheelchair, at least she'd always find parking. But after many, many months of hospitalization and rehab--with the help of family, friends, and her own indomitable spirit--Julia not only got into a wheelchair, but she got back out.

Don't Leave Me This Way is the funny, inspiring, profoundly moving true story of a woman's fight for her life and dignity--and her determined quest to awaken an entrenched, unfeeling medical community to the fact that there's always a human being inside every patient.

In 1920 skilder Paul Klee die olieverf-skildery, Angelus Novus. In 1940 vertolk Walter Benjamin in sy geskrif, “Uber den Begriff der Geschichte”, dat dit is hoe die engel van die geskiedenis moet lyk: met oopgesperde vlerke, op die punt om weg te vlieg, kyk hy om. Hy sien ’n katastrofiese verlede, wil terug, die wrakstukke wat hy daar sien opruim, maar ’n storm uit die paradys het hom aan die vlerke beet, waai hom genadeloos die toekoms in. In die eerste gedeelte van Tweespoor word ’n spesifieke suider-afrikaanse verlede ontgin, en in die tweede ’n stormagtige eietydse werklikheid. Benewens die twee spore waarop die bundel kortprosa loop, veroorsaak die geskiedenis wat ingesement in die psiges van karakters le, en die opsies wat die hede bied, ’n turbulensie wat mense in twee rye spore laat loop.

"A story is a living thing." So begins "Way of the Screenwriter, " a book with a novel, refreshing approach to the long-practiced art of screenwriting. Amnon Buchbinder brilliantly reinterprets screenwriting as a way for writers to capture a story's essence, thus giving it greater meaning and fascination for the audience. Full of practical examples and exercises to enhance the skills of both beginning and experienced screenwriters, the guide is far more than a how-to book. It is a comprehensive work that covers screenwriting from virtually every conceivable angle, while also offering a different, compelling approach. It is a book that illuminates the why behind the how and points the way toward a deeper understanding of how stories work on the screen. Perhaps most importantly, "Way of the Screenwriter" treats screenwriting not as some disreputable task, but rather as the fine art it is: the convergence of storytelling, writing, and filmmaking.

The Sunday Times bestseller Thinking About It Only Makes It Worse, which we published back in 2014, must have really made people think. Because everything's got worse. We've gone from UKIP to Brexit, from horse lasagne to fatbergs, from big society to food banks. The only possible way to cheer up in 2019 is to dive into David Mitchell's terrifically clever and witty analysis of the farce of recent years. Here he takes on the utter nonsense rained down on us from corporate PRs, governments in the thrall of lobbyists, customers being preyed upon by algorithm-wielding corporations, evil interest groups tricking electors with targeted lies, flat-earthers and Eton boys. No other writer is a match for the dumbfounding times we live in.

Adultery, alcoholism, drugs and murder on the suburban streets of Bournemouth. The Rattenbury case of 1935 was one of the great tabloid sensations of the interwar period. The glamorous femme fatale at the heart of the story dominated the front pages for months, somewhere between the rise of Hitler and the launch of the Queen Mary. With painstaking research and access to brand new evidence, Sean O'Connor vividly brings this epic story to life, from its beginnings in the south London slums of the 1880s and the open vistas of the British Columbian coast to its bloody climax in a respectable English seaside resort. The Fatal Passion of Alma Rattenbury is a gripping murder tale and a heartbreaking romance, as well as the biography of a vital, modern woman trapped between the freedoms of two world wars and suffocated by the conformity of peacetime. A startlingly prescient parable for our times, it is the story of a protagonist who dared to challenge the status quo only to be crucified by public opinion, pilloried by the press and punished by the relentless machinery of the British legal system. With a wealth of fascinating period detail, from its breathtaking opening to its shocking conclusion, The Fatal Passion of Alma Rattenbury is a true story as enthralling, provocative and moving as any work of fiction.