Luthando Dyasop’s memoir starts with an account of his young life as a black artist in apartheid South Africa. He eventually joins uMkhonto we Sizwe, the banned ANC’s military wing.

Soon he falls out of favour with the powers that be and is sent to the Quatro detention centre. After years of torture, he is eventually released, when he begins his battle for vindication.

Out of Quatro is a story not only about Dyasop’s extraordinary life, but also about a tumultuous time in ANC history.

How the three independent asset managers Coronation, Allan Gray and Investec (later Ninety One) , dubbed the CIA, came to dominate and continue to dominate the South African asset management industry, particularly the pension fund market.

There are plenty of colourful big ego personalities such as Hendrik du Toit at Ninety One, Leon Campher at Coronation and the late Allan Gray plus kingmakers reshaping thr industry such as Patrice Motsepe.

A recent wave of research has explored the link between wh- syntax and prosody, breaking with the traditional generative conception of a unidirectional syntax-phonology relationship. In this book, Jason Kandybowicz develops Anti-contiguity Theory as a compelling alternative to Richards' Contiguity Theory to explain the interaction between the distribution of interrogative expressions and the prosodic system of a language. Through original and highly detailed fieldwork on several under-studied West African languages (Krachi, Bono, Wasa, Asante Twi, and Nupe), Kandybowicz presents empirically and theoretically rich analyses bearing directly on a number of important theories of the syntax-prosody interface. His observations and analyses stem from original fieldwork on all five languages and represent some of the first prosodic descriptions of the languages. The book also considers data from thirteen additional typologically diverse languages to demonstrate the theory's reach and extendibility. Against the backdrop of data from eighteen languages, Anti-contiguity offers a new lens on the empirical and theoretical study of wh- prosody.

Global icon Liza Minnelli shares her inspiring story: stepping out from the long shadow of a mega-star mother and legendary film director father, fighting a lifetime battle with addiction, and emerging from it all to become a once-in-a-lifetime artist.

Kids, Wait Till You Hear This! is the autobiography of EGOT icon Liza Minnelli. This fascinating, untold story reveals the intimate truth of the only child born to Hollywood legends Vincente Minnelli and Judy Garland. For the first time, here is Liza up close: Raw, strong, sexy, hilarious and heartbreaking.

Liza decided at the age of 16  that “sympathy is my mother’s business. I give people joy.” That veil of joy, however, masks a lifelong struggle with Substance Use Disorder ("SUD," which Liza inherited from her mother's branch of her family), boundless love to give and an equal need to receive it, broken marriages, multiple miscarriages, and hospitalizations—the highs and lows of unparalleled artistic success and lifelong friendships, as well as chronic anxiety and the threat of financial ruin. 

Despite every challenge, Liza’s is a life wrapped in laughter and her tremendous capacity to give and receive love. Today at nearly 80, she opens her heart, mind and memories, sharing secrets we never knew. Liza’s book celebrates supreme artistry and, more importantly, her human rights activism.

“It’s time to tell the truth," Liza says, “and help people heal, as I have, one day at a time.”

Kaizer Nyatsumba, renowned journalist and commentator turned senior business executive, tells his remarkable story of transition and integrity. From his birth in poverty on a farm at White River in Mpumalanga, to his studies at the University of Zululand, Georgetown University in the United States and the University of Hull in the United Kingdom, becoming a journalist and newspaper editor, and finally a senior business executive on listed and non-listed companies in South Africa.

Haunting Hands looks closely at the consequences of digital media's ubiquitous presence in our lives, in particular the representing, sharing, and remembering of loss. From Facebook tribute pages during public disasters to the lingering digital traces on a smartphone of the deceased, the digital is both extending earlier memorial practices and creating new ways in which death and loss manifest themselves. The ubiquity of digital specters is particularly evident in mobile media spanning smartphones, iPads, iPhones, or tablets. Mobile media entangle various forms of social, online and digital media in specific ways that are both intimate and public, and yet the use of mobile media in contexts of loss has been relatively overlooked. Haunting Hands seeks to address this growing and important area by helping us to understand the relationship between life, death, and our digital after-lives.

English Vocabulary Elements draws on the tools of modern linguistics to help students acquire an effective understanding of learned, specialized, and scientific vocabulary. This fully refined and updated edition helps develop familiarity with over 500 Latin and Greek word elements in English and shows how these roots are the building blocks within thousands of different words. Along the way, the authors introduce and illustrate many of the fundamental concepts of linguistics, sketch word origins going back to Latin, Greek, and even Proto-Indo-European, and discuss issues around meaning change and correct usage. Moreover, the volume adds new illustrative examples, self-help tests, and study questions. A companion website provides supplementary materials including an Instructor's Manual with an answer key. Offering a thorough approach to the expansion of vocabulary, English Vocabulary Elements is an invaluable resource that provides students a deeper understanding of the language.

Duduza. Bopha. Imbiza. Phapha. Asixoliseni. Amapopeye . . . What is the power of a single word?

Six days a week, advertising creative Melusi Tshabalala posts a Zulu word on his Everyday Zulu Facebook page and tells a story about it. His off-beat sense of humour, razor-sharp social observations and frank political commentary not only teaches his followers isiZulu but also offer insight into the world Melusi inhabits as a 21st century Zulu man.

Over the past few months he has built up a big and a loyal following that include radio host Jenny Crwys-Williams and Afrikaans author Marita van der Vyfer. He pokes fun at our differences and makes us laugh at ourselves and each other.

Melusi asks critical questions of everyone, from Aunty Helen, Dudu-Zille to Silili (Cyril Ramaphosa) and even Woolworths (why are their aircons always set on ‘jou moer’?). His fans love him for his honesty and commitment to pointing out subtle and overt forms of prejudice and racism.

Melusi’s Everyday Zulu holds up a mirror that shows South African society in all its flaws and its sheer humanity. Most importantly, he shows the power of words and that there’s umzulu in all of us!

This volume brings together distinguished scholars from all over the world to present an authoritative, thorough, and yet accessible state-of-the-art survey of current issues in pragmatics. Following an introduction by the editor, the volume is divided into five thematic parts. Chapters in Part I are concerned with schools of thought, foundations, and theories, while Part II deals with central topics in pragmatics, including implicature, presupposition, speech acts, deixis, reference, and context. In Part III, the focus is on cognitively-oriented pragmatics, covering topics such as computational, experimental, and neuropragmatics. Part IV takes a look at socially and culturally-oriented pragmatics such as politeness/impoliteness studies, cross- and intercultural, and interlanguage pragmatics. Finally, the chapters in Part V explore the interfaces of pragmatics with semantics, grammar, morphology, the lexicon, prosody, language change, and information structure. The Oxford Handbook of Pragmatics will be an indispensable reference for scholars and students of pragmatics of all theoretical stripes. It will also be a valuable resource for linguists in other fields, including philosophy of language, semantics, morphosyntax, prosody, psycholinguistics, and sociolinguistics, and for researchers and students in the fields of cognitive science, artificial intelligence, computer science, anthropology, and sociology.

The turbulent decade of the 60s CE brought Rome to the brink of collapse. It began with Nero's ruthless elimination of Julio-Claudian rivals and ended in his suicide and the civil wars that followed. Suddenly Rome was forced to confront an imperial future as bloody as its Republican past and a ruler from outside the house of Caesar. The anonymous historical drama Octavia is the earliest literary witness to this era of uncertainty and upheaval. In this book, Ginsberg offers a new reading of how the play intervenes in the wars over memory surrounding Nero's fall. Though Augustus and his heirs had claimed that the Principate solved Rome's curse of civil war, the play reimagines early imperial Rome as a landscape of civil strife in which the ruling family waged war both on itself and on its people. In doing so, the Octavia shows how easily empire becomes a breeding ground for the passions of discord. In order to rewrite the history of Rome's first imperial dynasty, the Octavia engages with the literature of Julio-Claudian Rome, using the words of Rome's most celebrated authors to stage a new reading of that era and its ruling family. In doing so, the play opens a dialogue about literary versions of history and about the legitimacy of those historical accounts. Through an innovative combination of intertextual analysis and cultural memory theory, Ginsberg elucidates the roles that literature and the literary manipulation of memory play in negotiating the transition between the Julio-Claudian and Flavian regimes. Her book claims for the Octavia a central role in current debates over both the ways in which Nero and his family were remembered as well as the politics of literary and cultural memory in the early Roman empire.

The Discourse of News Values breaks new ground in multimodal news discourse, offering the first book-length treatment of the discursive analysis of news values and the construction of newsworthiness. The book explores how the news is "sold" (made newsworthy) to audiences through the semiotic resources of language and image, providing a new analytical framework which can be used by other researchers in their own subsequent studies. It combines in-depth theoretical discussion with analyses of authentic news discourse (both language and images) from around the English-speaking world, including three empirical case studies: one that analyzes news values around the topic of cycling across different English-speaking cultures; one that analyzes images disseminated by news media organizations via Facebook; and a third that focuses on the 100 "most shared" news items.

Janet Hodgson traces the life of Xhosa prophet Ntsikana (1780–1821) from his birth through his years as a Christian convert, evangelist, and composer of enduring hymns.

Ntsikana is known as one of the first Christians to adapt Christian ideas to African culture, writing hymns in isiXhosa and translating concepts into terms that resonated with his Xhosa community.

Even today, his hymns are among the most important in the amaXhosa churches, and he is regarded as an important symbol of both African unity and Black Consciousness.