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Through life-changing stories, respected thinkers and authentic presentations, Keynote promotes a deeper understanding of the world and gives students the courage and means to express themselves in English. Communication, collaboration and creative thinking drive students towards real 21st century outcomes and encourage them to respond to ideas and find their own voice. Both students and teachers will emerge with new confidence, new ideas and a new determination to communicate in this increasingly information-rich world of Global English.
KwaZulu-Natal is culturally rich, offering a wide range of writers - writing mainly in English and Zulu - who are linked through their lives and their writing to this province of South Africa. The writers include, to name just a few, Alan Paton, Roy Campbell, Lewis Nkosi, Ronnie Govender, Wilbur Smith, Daphne Rooke, Credo Mutwa and Gcina Mhlophe. And how better to understand a writer than to know about the places they are linked to? For example, who, after reading the lyrical opening sentences of Paton's famous book Cry, the Beloved Country (1948) has not wanted to see this scene in reality? There is a lovely road that runs from Ixopo into the hills. These hills are grass-covered and rolling, and they are lovely beyond any singing of it. A Literary Guide to KwaZulu-Natal introduces you to the regions and writers through word and image, leading you imaginatively through this beautiful province. This could include following the route a fictional character charts in a novel, visiting particular settings from a story or tracking down the places linked to a writer, whether a birthplace, home, burial site or significant setting. Literary tourists are interested in how places have influenced writing and at the same time how writing has created place. This is also a way of reflecting upon and understanding historic and contemporary identities in a changing cultural and political South African landscape.
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13 Augustus 2017. Ansja vat haar twee dogtertjies kerk toe. Heeldag het sy ʼn naar gevoel op die krop van haar maag, asof iemand haar wind uitgeskop het. Sy hou by ʼn stopstraat naby hul huis stil en ʼn motor jaag van agter in hulle vas. Haar jongste dogtertjie, Larissa, se kop word met die impak vergruis soos ʼn waatlemoen. Met bomenslike krag sleep sy haar dogters uit die kar en sit hulle op die sypaadjie neer. Dan verloor sy haar bewussyn en sien haarself en haar kinders van bo. Alles word lig. Daar is lieflike musiek en reënboogkleure. Vrede en liefde heers en niks maak meer saak nie. Sy dryf weg. Maar dan hoor sy haar oudste dogtertjie na haar roep. En sy moet terug. Na die pyn van ʼn gebreekte lyf en gebroke hart. Hoe hervat sy haar lewe?
Impact helps teenage learners to better understand themselves, each other, and the world they live in. By encouraging self-expression, global citizenship, and active participation, Impact motivates students to explore who they are and who they want to be, all while learning English!
The Tenth Edition introduces diverse, compelling, relevant texts-from Civil War songs and stories to The Turn of the Screw to The Great Gatsby to poems by Juan Felipe Herrera and Claudia Rankine to a science fiction cluster featuring Octavia Butler and N. K. Jemisin. And continuing its course of innovative and market-responsive changes, the anthology now offers resources to help instructors meet today's teaching challenges. Chief among these resources is InQuizitive, Norton's award-winning learning tool, which includes interactive questions on the period introductions and often-taught works in the anthology. In addition, the Tenth Edition maintains the anthology's exceptional editorial apparatus and generous and diverse slate of texts overall. Available in print and as an annotatable ebook, the anthology is ideal for online, hybrid or in-person teaching.
Once in a while a publisher receives a book submission that makes them sit back in their chair, read out loud what is in front of them and laugh at the pure joy the writing and imagery evoke. This was the case with the first three short stories author Yusuf Daniels submitted to Jacana Media. They were instantly recognisable. They were funny as hell. The nostalgia, triggered by the mere mention of a sight, sound or smell, instantly transported the reader to a time and place that spoke to Coloured culture and lived experiences on the Cape Flats and surrounding townships. There was something magical about the way Daniels recollected his memories from his childhood in those first three stories, which he had also posted on Facebook, eliciting a slew of likes, shared experiences and feedback from his followers to “write more” and “do you remember, Yussie …”. Living Coloured (because Black and White were Already Taken) is a compilation of short stories that is an ode to an era all Cape Coloured people will instantly recognise – from the nightclubbing at Space Odyssey and the shenanigans at the Mitchells Plain public swimming pool, to the traditions of delectable food exchanges during Ramadan among Muslims and Christians, alike. This book truly is a tribute to all that the Coloured community holds dear and sings of the spirit which helped them eek out an existence on the dusty flat plains of the Cape. But as you read story after story, you will also be confronted with the blatant racism that was the Group Areas Act, the legacy of a people removed and dumped in this windswept place that wasn’t of their own making, and the constant forging ahead to make life worthwhile under very harsh political and economic circumstances. The stories will also leave you seething with anger at the sheer brutality of what this community had to endure (and still do), while their black counterparts in the township next door lived even harsher realities.
'n Postume versameling van werk uit die geliefde Namibiese jagter-skrywer se pen. Sy persoonlike geskiedenis en herinneringe vloei kleurryk deur sy byna tasbare vertellinge heen. Op kenmerkende Immelman-wyse word verklaar waarom kameelry geen grap is nie, wonder waarom sommiges ryk is of oud word, waarom mans en vroue verskil, terwyl sy histeriese blik op fotoverhale, handleidings en tikfoute die leser sal laat skater.
A captivating and insightful account of Dr Max Price’s journey at the helm of a major South African university during a period of immense upheaval. As Vice-Chancellor of the University of Cape Town for two terms from 2008 to 2018, he offers a candid look at the challenges he faced during his time including transformation, rights of artistic expression, institutional culture, clemencies and amnesties, restorative justice and ethical decision, and of course, #FeesMustFall protests – which shook the country's higher education sector to its core. Drawing on his experiences, Price delves into the complexities of multi-stakeholder decision-making, crisis management, and the importance of values such as academic freedom in an increasingly polarised world. Part memoir, part insider's view of history, and part leadership guide, Statues and Storms is a must-read for anyone interested in higher education, South African history, or the art of leadership during times of crisis.
This is the life story of a South African political detainee who underwent 104 days of solitary confinement under Section 29 of the draconian apartheid-era Terrorism Act before being brought to trial with 13 other political activists in what became known as the "Yengeni Trial". Gertrude Fester begins her story with her childhood and young adult life in Cape Town until she becomes politically active in the city's progressive women's organisation before focusing on her above-ground and underground work for the liberation struggle that led to her detention in the second half of the 1980s. It is in her depictions of her recollections of the daily experiences of solitary confinement and use of poetry written during this period that Gertrude takes the reader through the physically and emotionally draining experience of solitary confinement in apartheid South Africa during the height of repression and resistance.
Tiertjie en Beertjie is beste vriende. Hulle beleef allerhande wonderlike avonture saam. En hulle is vir niks bang nie, want saam is hulle sterker as enigiets op aarde. “As mens ’n vriend het, hoef mens vir niks op aarde bang te wees nie!” Beer en Tier woon gelukkig en tevrede in ’n snoesige, klein huisie aan die rivier. Maar wanneer daar eendag ’n krat uit die rivier spoel, met Panama op geskryf, gaan die twee op reis na die land van hul drome. Saam pak hulle allerhande avonture aan: hulle gaan op ’n skattejag, vind die posdiens uit, hou groot partytjies en arme Tier beland selfs in die dierehospitaal. Hierdie bundel bevat ses van die welbekende Duitse skrywer se tydlose Ben en Tiertjie-stories.
No other description available.
In 1920 skilder Paul Klee die olieverf-skildery, Angelus Novus. In 1940 vertolk Walter Benjamin in sy geskrif, “Uber den Begriff der Geschichte”, dat dit is hoe die engel van die geskiedenis moet lyk: met oopgesperde vlerke, op die punt om weg te vlieg, kyk hy om. Hy sien ’n katastrofiese verlede, wil terug, die wrakstukke wat hy daar sien opruim, maar ’n storm uit die paradys het hom aan die vlerke beet, waai hom genadeloos die toekoms in. In die eerste gedeelte van Tweespoor word ’n spesifieke suider-afrikaanse verlede ontgin, en in die tweede ’n stormagtige eietydse werklikheid. Benewens die twee spore waarop die bundel kortprosa loop, veroorsaak die geskiedenis wat ingesement in die psiges van karakters le, en die opsies wat die hede bied, ’n turbulensie wat mense in twee rye spore laat loop. |
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