This first comprehensive biography of Cecil Rhodes in a generation illuminates Rhodes’s vision for the expansion of imperialism in southern Africa, connecting politics and industry to internal development, and examines how this fueled a lasting white-dominated colonial society.

Rhodes was one of the most influential people in the history of the British Empire. He made a fortune by leading the world’s most important diamond mining company, De Beers, as well as gold-mining concern Consolidated Gold Fields. He was a member of the Cape Colony’s legislature and served as prime minister from 1890 to 1896, a key period for the development of racial discrimination. His British South Africa Company was given a charter to govern what is today Zambia and Zimbabwe.

A complex figure, admired and detested in his own time, Rhodes dreamt to unite Southern Africa’s colonies and republics into one state, dominated by white settlers, with labour provided by Black people who were constrained and pressured by discriminatory laws. In 1895 and 1896, he encouraged a failed plot to overthrow the independent Boer republic in the Transvaal.

Rhodes’ coup helped to precipitate the South African War, which started in 1899 and ended in 1902, the year of Rhodes' death.

This authoritative biography focuses on the relationship between Rhodes’ well-known activities in business and politics and the development of Southern Africa's infrastructure, most famously his plan for a Cape-to-Cairo railway. Rhodes envisioned a region where racism became embedded in the mining, farming, communication, and transportation industries. He pursued this vision in the face of opposition from many quarters.

Understanding the extent of Rhodes’ activities helps us to understand the challenges of modern Africa and the recent Rhodes Must Fall movement. A critical analysis of this contested figure, The Colonialist offers an original portrait of a crucial figure of his era.

Minos and the Moderns considers three mythological complexes that enjoyed a unique surge of interest in early twentieth-century European art and literature: Europa and the bull, the minotaur and the labyrinth, and Daedalus and Icarus. All three are situated on the island of Crete and are linked by the figure of King Minos. Drawing examples from fiction, poetry, drama, painting, sculpture, opera, and ballet, Minos and the Moderns is the first book of its kind to treat the role of the Cretan myths in the modern imagination.
Beginning with the resurgence of Crete in the modern consciousness in 1900 following the excavations of Sir Arthur Evans, Theodore Ziolkowski shows how the tale of Europa-in poetry, drama, and art, but also in cartoons, advertising, and currency-was initially seized upon as a story of sexual awakening, then as a vehicle for social and political satire, and finally as a symbol of European unity. In contast, the minotaur provided artists ranging from Picasso to Durrenmatt with an image of the artist's sense of alienation, while the labyrinth suggested to many writers the threatening sociopolitical world of the twentieth century. Ziolkowski also considers the roles of such modern figures as Marx, Nietzsche, and Freud; of travelers to Greece and Crete from Isadora Duncan to Henry Miller; and of the theorists and writers, including T. S. Eliot and Thomas Mann, who hailed the use of myth in modern literature.
Minos and the Moderns concludes with a summary of the manners in which the economic, aesthetic, psychological, and anthropological revisions enabled precisely these myths to be taken up as a mirror of modern consciousness. The book will appeal to all readersinterested in the classical tradition and its continuing relevance and especially to scholars of Classics and modern literatures.

At the pinnacle of motorsports, a humble young man from Stevenage, England has risen to become the most dominant and influential Formula One driver of his time. This authoritative biography follows Hamilton's pathway from his early days karting on local tracks to the glitz and pressure of the Formula One circuit. Along the way, we witness Hamilton's single-minded determination to reach the top, even as he challenged racial barriers and opposition at every turn. His triumph over adversity is all the more inspiring given Hamilton's pioneering role in making motorsports accessible to marginalized communities.

Beyond his unparalleled on-track exploits - leveling the record books held by the legendary Michael Schumacher – Hamilton has used his platform to advocate for social justice, environmental sustainability, and diversity. Hamilton has emerged as a voice of moral clarity, leveraging his fame to push Formula One and global sports to be a force for positive change.

As Hamilton nears the twilight of his racing career, this book examines his lasting legacy. From shattering stereotypes to inspiring new generations of motor enthusiasts, Hamilton's impact extends far beyond just his championship trophies. The book culminates with Hamilton's potential final act - chasing a record-setting 8th world title at the wheel of the iconic Ferrari team, the ultimate validation of his greatness.

What does modern British and Irish literature have to do with French impressionist painting? And what does Henry James have to do with the legal dispute between John Ruskin and J.M.W. Whistler? What links Walter Pater with Conrad's portrait of a genocidal maniac in Heart of Darkness? Or George Moore with Irish nationalism, Virginia Woolf with modern distraction, and Ford Madox Ford with the Great Depression?
Adam Parkes argues that we must answer such questions if we are to appreciate the full impact of impressionist aesthetics on modern British and Irish writers. Complicating previous accounts of the influence of painting and philosophy on literary impressionism, A Sense of Shock highlights the role of politics, uncovering new and deeper linkages. In the hands of such practitioners as Conrad, Ford, James, Moore, Pater, and Woolf, literary impressionism was shaped by its engagement with important social issues and political events that defined the modern age. As Parkes demonstrates, the formal and stylistic practices that distinguish impressionist writing were the result of dynamic and often provocative interactions between aesthetic and historical factors.
Parkes ultimately suggests that it was through this incendiary combination of aesthetics and history that impressionist writing forced significant change on the literary culture of its time. A Sense of Shock will appeal to students and scholars of nineteenth- and twentieth-century literature, as well as the growing readership for books that explore problems of literary history and interdisciplinarity.

In languages with aspect-based split ergativity, one portion of the grammar follows an ergative pattern, while another shows a "split." In this book, Jessica Coon argues that aspectual split ergativity does not mark a split in how case is assigned, but rather, a split in sentence structure. Specifically, the contexts in which we find the appearance of a nonergative pattern in an otherwise ergative language involve added structure - a disassociation between the syntactic predicate and the stem carrying the lexical verb stem. This proposal builds on the proposal of Basque split ergativity in Laka 2006, and extends it to other languages. The book begins with an analysis of split person marking patterns in Chol, a Mayan language of southern Mexico. Here appearance of split ergativity follows naturally from the fact that the progressive and the imperfective morphemes are verbs, while the perfective morpheme is not. The fact that the nonperfective morphemes are verbs, combined with independent properties of Chol grammar, results in the appearance of a split. In aspectual splits, ergativity is always retained in the perfective aspect. This book further surveys aspectual splits in a variety of unrelated languages and offers an explanation for this universal directionality of split ergativity. Following Laka's (2006) proposal for Basque, Coon proposes that the cross-linguistic tendency for imperfective aspects to pattern with locative constructions is responsible for the biclausality which causes the appearance of a nonergative pattern. Building on Demirdache and Uribe-Etxebarria's (2000) prepositional account of spatiotemporal relations, Coon proposes that the perfective is never periphrastic - and thus never involves a split - because there is no preposition in natural language that correctly captures the relation of the assertion time to the event time denoted by the perfective aspect.

This edited volume provides new insights into the architecture of Chinese grammar from a comparative perspective, using principles of cartography. Cartography is a research program within syntactic theory that is guided by the view that syntactic structures contain grammatical and functional information that is ideal for semantic interpretation - by studying the syntactic structures of a particular language, syntacticians can better understand the semantic issues at play in that language. The chapters in this book map out the "topography" of a variety of constructions in Chinese, specifically information structure, wh-question formation, and peripheral functional elements. The syntactic structure of Chinese makes it an ideal language for this line of research, because functional elements are often spread throughout sentences rather than clumped together as is usually dictated by language-specific morphology. Mapping Chinese syntactic structures therefore offers a window into the origin of heavily "scrambled" constructions often observed in other languages. The book includes a preface that will discusses the goal of cartography and explains how the collection contributes towards our understanding of this approach to syntax. The subsequent seven original articles all contain original syntactic data that is invaluable for future research in cartography, and the collection as a whole paints a broader picture of how the alignment between syntax and semantics works in a principled way.

An introductory guide to "King Lear" in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of film and TV adaptations, a sampling of critical opinion and annotated further reading.

Few heirs to the throne have suffered as much humiliation as Prince Charles. Despite his hard work and genuine concern for the disadvantaged, he has struggled to overcome his unpopularity. After Diana's death, his approval rating crashed to 4% and has been only rescued by his marriage to Camilla. Nevertheless, just one third of Britons now support him to be the next king.

Many still fear that his accession to the throne will cause a constitutional crisis. That mistrust climaxed in the aftermath of the trial of Paul Burrell, Diana's butler, acquitted after the Queen's sensational ‘recollection'. In unearthing many secrets surrounding that and many other dramas, Bower's book, relying on the testimony from over 120 people employed or welcomed into the inner sanctum of Clarence House, reveals a royal household rife with intrigue and misconduct.

The result is a book which uniquely will probe into the character and court of the Charles that no one, until now, has seen.

In fifteen essays-one new, two newly revised and expanded, three with new postscripts-Kendall L. Walton wrestles with philosophical issues concerning music, metaphor, empathy, existence, fiction, and expressiveness in the arts. These subjects are intertwined in striking and surprising ways. By exploring connections among them, appealing sometimes to notions of imagining oneself in shoes different from one's own, Walton creates a wide-ranging mosaic of innovative insights.

Adapted for younger readers from Born a Crime: And Other Stories- the #1 South African and New York Times bestseller

‘If my mother had one goal, it was to free my mind. My mother spoke to me like an adult. She was big into Psalms. I had to read Psalms every day. She would quiz me on it. “What does the passage mean? What does it mean to you? How do you apply it to your life:” That was every day of my life. My mom did what the school didn’t. She taught me how to think.

In Born a Crime, Trevor Noah shares his remarkable story of growing up in South Africa with a black South African mother and a white European father at a time when it was against the law for a mixed-race child to exist. But he did exist and from the beginning, the often-misbehaved Trevor used his quick wits and humour to navigate a harsh life.

This edition of Trevor’s fascinating memoir blends drama, comedy and tragedy to depict the day-to-day trials that turned a mischievous young boy into a restless young man. Against all the odds, and supported his mom’s unwavering love and indomitable will, Trevor overcame many obstacles and created a promising future for himself.

Born a Crime provides a fascinating and honest perspective on South Africa’s racial history and it will also inspire readers looking to improve their own lives.

TREVOR NOAH is a much-loved South African comedian, who is currently the host of The Daily Show.

This volume offers a representative selection of Sally McConnell-Ginet's publications on language, gender and sexuality, which circle around the following themes: language users are actively engaged in making meanings, both as speakers and listeners; languages and socio-political institutions constrain, but do not determine, communicative possibilities; attention to language deepens understanding of gender and sexuality, including connections to ethnicity, class, race, and other dimensions of social identity and inequality.

Ernest Lepore and Kirk Ludwig examine the foundations and applications of Davidson's influential program of truth-theoretic semantics for natural languages. The program uses an axiomatic truth theory for a language, which meets certain constraints, to serve the goals of a compositional meaning theory. Lepore and Ludwig explain and clarify the motivations for the approach, and then consider how to apply the framework to a range of important natural language constructions, including quantifiers, proper names, indexicals, simple and complex demonstratives, quotation, adjectives and adverbs, the simple and perfect tenses, temporal adverbials and temporal quantifiers, tense in sentential complement clauses, attitude and indirect discourse reports, and the problem of interrogative and imperative sentences. They not only discuss Davidson's own contributions to these subjects but consider criticisms, developments, and alternatives as well. They conclude with a discussion of logical form in natural language in light of the approach, the role of the concept of truth in the program, and Davidson's view of it. Anyone working on meaning will find this book invaluable.

Prof. Fransjohan Pretorius se rubrieke oor die geskiedenis van Suid-Afrika van voor Jan van Riebeeck se landing tot die jongste tye wat in die dagblad Beeld verskyn het.

Maak kennis met die helde en hendsoppers, die skurke en sterre van die land se verlede in kort en boeiende rubrieke wat die leser se geheue sal verfris oor al die grootste momente in ons geskiedenis asook 'n paar minder bekende maar ewe interessante gebeure.

Kenneth Steven's poems are inspired first and foremost by wildscape, by the places and people of Highland Perthshire and of the Celtic west - Iona and the Hebrides. But they are inspired by faith too, by the struggle to see God in the complexities of this world's turmoil and find light in the darkness. This is a completely new collection.

The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse, the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period--Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others--serve as touchstones along the tour of the poetic landscape.

This intriguing study examines the truth behind the myths and misconceptions that defined the Roaring Twenties, as portrayed through the popular literary works of the time. This one-stop reference to the "Jazz Age"-the period that began after the First World War and ended with the stock market crash of 1929-digs into the cultural, historical, and literary contexts of the era. Author Linda De Roche examines the writing of the time to look beyond the common conceptions of the Roaring Twenties and instead reflect on the era's complexities and contradictions, including how gender and race influenced social mores. The book profiles key American literature of the time, including F. Scott Fitzgerald's The Great Gatsby, Ernest Hemingway's The Sun Also Rises, Sinclair Lewis's Babbit, Anita Loos's Gentlemen Prefer Blondes, and Nella Larsen's Passing. Filled with essays that offer historical explorations of each work as well as suggested learning activities, chapters also feature study questions, primary source documents, and chronologies. Support materials include activities, lesson plans, discussion questions, topics for further research, and suggested readings. Outlines key events and developments and provides context for the historical period and work Aligns with Common Core standards in English language arts and social studies Discusses five major writers of the Jazz Age Provides numerous suggestions for class activities and further individual exploration Supplies educators with ready reference work that aligns with Common Core Standards in English Language Arts (ELA) in Social Studies Gives readers insight into how literature and other art forms reflect the social conditions and are inspired by events of the time

Leonidas Polk is one of the most fascinating figures of the Civil War. Consecrated as a bishop of the Episcopal Church and commissioned as a general into the Confederate army, Polk's life in both spheres blended into a unique historical composite. Polk was a man with deep religious convictions but equally committed to the Confederate cause. He baptized soldiers on the eve of bloody battles, administered last rites and even presided over officers' weddings, all while leading his soldiers into battle. Historian Cheryl White examines the life of this soldier-saint and the legacy of a man who unquestionably brought the first viable and lively Protestant presence to Louisiana and yet represents the politics of one of the darkest periods in American history.

Abstract objects have been a central topic in philosophy since antiquity. Philosophers have defended various views about abstract objects by appealing to metaphysical considerations, considerations regarding mathematics or science, and, not infrequently, intuitions about natural language. This book pursues the question of how and whether natural language allows for reference to abstract objects in a fully systematic way. By making full use of contemporary linguistic semantics, it presents a much greater range of linguistic generalizations than has previously been taken into consideration in philosophical discussions, and it argues for an ontological picture is very different from that generally taken for granted by philosophers and semanticists alike. Reference to abstract objects such as properties, numbers, propositions, and degrees is considerably more marginal than generally held. Instead, natural language is rather generous in allowing reference to particularized properties (tropes), the use of nonreferential expressions in apparent referential position, and the use of "nominalizing expressions," such as quantifiers like "something." Reference to abstract objects is achieved generally only by the use of 'reifying terms', such as "the number eight."

"Riku Lätti se poësie-debuut is meer as net nog ’n oulike digbundeltjie in Afrikaans; ek sien dit as ’n monumentale en omvattende deurgronding van alle fasette van die moderne mens se soeke na betekenis en — hier kom die grootste verrassing — selfs ons opvattings oor die teologie." – Koos Kombuis

"Aangrypende meditasies oor die heiligheid van onsekerheid. ’n Boek waarna ek telkens sal terugkeer om naby die aarde en werklikheid te bly om nie te gryp na die warm lug van dogma en onwetenskaplike verduidelikings van bestaan nie. – Dana Snyman

A surging movement for Catalan political independence from Spain has brought renewed urgency to questions about what it means, personally and politically, to speak or not to speak Catalan and to claim Catalan identity. This book develops a framework for analyzing ideologies of linguistic authority and uses it to illuminate the politics of language in Catalonia, where Catalan jostles with Castilian for legitimacy. Kathryn Woolard's longitudinal research across decades of political autonomy contextualizes this ethnographic study of the social meaning of Catalan in the 21st century. Part I lays out the ideologies of linguistic authenticity, anonymity, and naturalism that underpin linguistic authority in the modern western world, and gives an overview of a shift in the ideological grounding of linguistic authority in contemporary Catalonia. Part II examines discourses in the media surrounding three public linguistic controversies: an immigrant president's linguistic competence, a municipal festival, and an international book fair. Part III explores individuals' linguistic practices and views, drawing on classroom ethnographies and interviews with two generations of young people from the same high school. Woolard argues that there is an ongoing shift at both public and personal levels away from the ethnolinguistic authenticity that powered relations in the early transition to political autonomy, and toward new discourses of anonymity, rooted cosmopolitanism, and authenticity understood as a project rather than a matter of origins and essence.

In Running from the Shadows Stephanie Hickey tells, in her own words, how she survived abuse at the hands of a trusted family member and of how running, a simple physical activity helped her achieve mindfulness, but also to rediscover love and faith in her body - to reclaim it. Charting her life growing up in the rolling countryside of Waterford in the safety of her beloved family to the moment her childhood was shattered, to the court case where she waived her anonymity, to how she was able to reclaim a sense of herself through the sport which became like a therapy, Running from the Shadows is told with humour, strength and incredible courage -- a book that reveals how, even when things seem at their bleakest, a run through the Irish countryside, can bring you back into the light.

Ideographic Modernism offers a critical account of the ideograph (Chinese writing as imagined in the West) as a modernist invention. Rather than focusing on the accuracy of this ideograph as a kind of representation of China (a focus that would yield predictable results), Christopher Bush reconstructs the specific history of the ideograph in order to explore the question of representation in more fundamental ways, ways that reflect the diversity and complexity of literary modernism itself.
On one level, the book makes an argument about the meaning and function of the ideograph during the modernist period, namely that this imagined Chinese writing was a complex response to the various writings of such technological media as the photograph, the phonograph, the cinematograph, and the telegraph. Through analyses of works by Claudel, Pound, Kafka, Benjamin, Segalen, and Valery, among others, Ideographic Modernism traces the interweaving of Western modernity's ethnographic and technological imaginaries, in which the cultural effects of technological media assumed "Chinese" forms, even as traditional representations of "the Orient" lived on in modernist-era responses to media.
On another level, the book makes a methodological argument, demonstrating new ways of recovering the generally overlooked presence of China in the text of Western modernism. In addition to being its subject matter, then, ideographic modernism is also the book's method: a polemically "literal" way of reading that calls for reevaluations both of how modernist literature related to its historical contexts and of the ways in which we can understand that relationship today."