The Russian school of modern Orthodox theology has made an immense but undervalued contribution to Christian thought. Neglected in Western theology, and viewed with suspicion by some other schools of Orthodox theology, its three greatest thinkers have laid the foundations for a new ecumenism and a recovery of the cosmic dimension of Christianity. This ground-breaking study includes biographical sketches of Aleksandr Bukharev (Archimandrite Feodor), Vladimir Soloviev and Sergii Bulgakov, together with the necessary historical background. Professor Valliere then examines the creative ideas they devised or adapted, including the ?humanity of God?, sophiology, panhumanity, free theocracy, church-and-world dogmatics and prophetic ecumenism.

A powerful, candid, and richly detailed memoir from an American icon, revealing what life looks like after the presidency: triumphs, tribulations, and all.

On January 20, 2001, after nearly thirty years in politics—eight of them as president of the United States—Bill Clinton was suddenly a private citizen. Only fifty-four years old, full of energy and ideas, he wanted to make meaningful use of his skills, his relationships with world leaders, and all he’d learned in a lifetime of politics, but how? Just days after leaving the White House, the call came to aid victims of a devastating earthquake in India, and Clinton hit the ground running. Over the next two decades, he would create an enduring legacy of public service and advocacy work, from Indonesia to Louisiana, Northern Ireland to South Africa, and in the process reimagine philanthropy and redefine the impact a former president could have on the world.

Citizen is Clinton’s front-row, first-person chronicle of his postpresidential years and the most significant events of the twenty-first century, including 9/11 and the runup to the Iraq War, the Haiti earthquake, the Great Recession, the January 6 insurrection, and the enduring culture wars of our times. With clarity and compassion, he also weighs in on the unprecedented challenges brought on by a global pandemic, ongoing income inequality, a steadily warming planet, and authoritarian forces dedicated to weakening democracy. Yet Citizen is more than a political memoir. These pages capture Clinton in a rare and unforgettable light: not only as a celebrated former president and a foundation leader, but as a father, grandfather, and husband. He recounts his support for Hillary Clinton during her time as senator, secretary of state, and presidential candidate, and shares the frustration and pain of the 2016 election.

In this landmark publication, the highly anticipated follow-up to the best-selling My Life, Clinton pens an illuminating account of American democracy on a global stage, offering a frank reflection on the past and, with it, a fearless embrace of our future. Citizen is a self-portrait of equal parts eloquence, insight, and candor, a testament to one man’s unwavering commitment to family and nation.

William Dunbar is a poet whose virtuosity is often praised, but rarely analyzed. This first major study of his work to be published in over ten years examines his view of himself as a major poet, or "makar," and the way he handles various poetic genres. It challenges the over-simplified and reductive views purveyed by some critics, that Dunbar is primarily a moralist or no more than a talented virtuoso. New emphasis is placed on the petitions, or begging-poems, and their use for poetic introspection. There is also a particularly full study of Dunbar's under-valued comic poems, and of the modes most congenial to him--notably parody, irony, "flyting" or invective, and black dream-fantasy. Taking account of recent scholarship, Priscilla Bawcutt explores the complex literary traditions available to Dunbar, both in Latin and the vernaculars, including "popular" and alliterative poetry as well as that of Chaucer and his followers. This original, learned, and critically searching book is set to become the leading analysis of one of the most fascinating and accomplished of medieval poets.

Although Housman's three collections of poems, the third published posthumously, have remained popular, they have not received much serious critical attention. John Bayley makes good the omission in this thorough and comprehensive reappraisal of the whole oeuvre, placing Housman's achievement in the context of the poetry of his own time and of more recent European and American poetry. Close analysis and comparison with other poets - Hardy, Frost, Edward Thomas, Larkin, and Paul Celan - prove illuminating in relation to a poet who has usually been considered something of an odd man out, and even an anachronism in the modern era. Professor Bayley explores and explains the continuing appeal of the poet to present-day readers, and the nature of the craftsmanship and psychology which lie behind its deceptive simplicities. The book will be a valuable introduction to Housman's achievement for the specialist and the poetry-lover alike.

Tracy Going‘s powerful memoir, Brutal Legacy (originally published in 2018), was first adapted for stage by the award-winning theatre maker, Lesedi Job, with a cast including Natasha Sutherland, Charlie Bougenon and Jessica Wolhuter, and it has now inspired a documentary, That’s What She Said – A social inquiry: in it, Tracy offers up her story to be scrutinised by a random group of men in the present. They watch her account as it is displayed in a theatre production adaptation of her book. The film documents this process and the frank discussions that follow the performance. Offering a unique social dialogue, to bring an important message across as a relatable film without diminishing the abused, or men / women in general.

When South Africa’s golden girl of broadcasting, Tracy Going’s battered face was splashed across the media back in the late 1990s, the nation was shocked. South Africans had become accustomed to seeing Going, glamorous and groomed on television or hearing her resonant voice on Radio Metro and Kaya FM. Sensational headlines of a whirlwind love relationship turned horrendously violent threw the “perfect” life of the household star into disarray. What had started off as a fairy-tale romance with a man who appeared to be everything that Going was looking for – charming, handsome and successful – had quickly descended into a violent, abusive relationship.

“As I stood before him all I could see were the lies, the disappearing for days without warning, the screaming, the threats, the terror, the hostage-holding, the keeping me up all night, the dragging me through the house by my hair, the choking, the doors locked around me, the phones disconnected, the isolation, the fear and the uncertainty.”

The rosy love cloud burst just five months after meeting her “Prince Charming” when she staggered into the local police station, bruised and battered. A short relationship became a two-and-a-half-year legal ordeal played out in the public eye. In mesmerising detail, Going takes us through the harrowing court process – a system seeped in injustice – her decline into depression, the immediate collapse of her career due to the highly public nature of her assault and the decades-long journey to undo the psychological damages in the search for safety and the reclaiming of self. The roots of violence form the backdrop of the book, tracing Going’s childhood on a plot in Brits, laced with the unpredictable violence of an alcoholic father who regularly terrorised the family with his fists of rage.

“I was ashamed of my father, the drunk. If he wasn’t throwing back the liquid in the lounge then he’d be finding comfort and consort in his cans at the golf club. With that came the uncertainty as I lay in my bed and waited for him to return. I would lie there holding my curtain tight in my small hand. I would pull the fabric down, almost straight, forming a strained sliver and I would peer into the blackness, unblinking. It seemed I was always watching and waiting. Sometimes I searched for satellites between the twinkles of light, but mostly the fear in my tummy distracted me.”

Brilliantly penned, this highly skilled debut memoir, is ultimately uplifting in the realisation that healing is a lengthy and often arduous process and that self-forgiveness and acceptance is essential in order to fully embrace life.

From challenging expectations as a bright and restless child of the Windrush generation to making history as the first elected Black female MP in the UK, Diane Abbott has seen it all.

A Woman Like Me takes readers through Diane’s incredible journey, painting a vivid picture of growing up in 1960s North London with her working-class Jamaican parents, before entering the hallowed halls of Cambridge University to study history. Ever since the day she first walked through the House of Commons as the first Black woman MP, she has been a fearless and vocal champion for the causes that have made Britain what it is today, whether it’s increasing access to education for Black children and speaking out against the Iraq war or advocating tirelessly for refugees and immigrants.

A unique figure in British public life, Diane has often had nothing but the courage of her convictions to carry her through incredibly hostile environments, from torrential abuse in the mainstream media and on social media, to being shunned by the political establishment, including by her own party. Written with frankness and wry humour, A Woman Like Me is an inspirational account that celebrates how one woman succeeded against massive odds and built an extraordinary legacy.

Shining Bright Lights in Dark Places is a recount of the time spent in prison by the Television Presenter Ashley Blake. Taken directly from the diary he wrote in prison day by day, capturing his feelings, both personal and those expressed by others at the time. The rights or wrongs of his situation where not the point, but the futility, frustration, and the deprivation of liberty which he experienced he felt compelled to tell in this bare bones autobiography.

Africa Writes Back was published in 2008 to coincide with the 50th anniversary of the publication of Chinua Achebe's Things Fall Apart - the novel which provided the impetus for the foundation of the Heinemann African Writers Series in 1962 with Chinua Achebe as the Editorial Adviser. With the 50th anniversary of the AWS being celebrated in 2012, James Currey's book has a new resonance. '... not only the story of a publishing enterprise of great significance; it is also a large part of the story of African literature and its dissemination in the latter half of the twentieth century. The manuscript is full of the drama of that enterprise, the drama of dealing with the mother house, William Heinemann, of dealing with the often intractable political constraints dominating the intellectual space across Africa, and not least of all dealing with the writers themselves - with their ambitions, their temperaments, their financial needs and, at time, their perception of a colonial relationship between themselves and a European publishing house.' - Clive Wake, Emeritus Professor of Modern Languages, University of Kent at Canterbury. North America: Ohio U Press; South Africa: Wits U Press; Nigeria: HEBN; Kenya: EAEP; Zimbabwe: Weaver Press

The Oxford Handbook of Chinese Linguistics offers a broad and comprehensive coverage of the entire field from a multi-disciplinary perspective. All chapters are contributed by leading scholars in their respective areas. This Handbook contains eight sections: history, languages and dialects, language contact, morphology, syntax, phonetics and phonology, socio-cultural aspects and neuro-psychological aspects. It provides not only a diachronic view of how languages evolve, but also a synchronic view of how languages in contact enrich each other by borrowing new words, calquing loan translation and even developing new syntactic structures. It also accompanies traditional linguistic studies of grammar and phonology with empirical evidence from psychology and neurocognitive sciences. In addition to research on the Chinese language and its major dialect groups, this handbook covers studies on sign languages and non-Chinese languages, such as the Austronesian languages spoken in Taiwan.

Our World Phonics with ABC, Second Edition, is a three-level series plus alphabet book that uses National Geographic content to introduce young learners to the English alphabet and help them learn, practice, and understand the sounds of English and sound/spelling relationships.

With social and political issues providing the foreground of literary studies over the past several years, William Dean Howells has re-emerged as a major author. Yet, among canonical American writers, Howells simultaneously attracts both significant attention and curious neglect. While studies devoted to his novels, The Rise of Silas Lapham and A Hazard of New Fortunes, are proliferating, the attention paid to his later writing, particularly his short fiction, is not only far less sustained but often dismissive, promoting a continuous inattention to the process by which the author discovers new forms and expression. William Dean Howells and the American Memory Crisis confronts the frequent refusal to see Howells as a writer whose lifelong engagement with literature pushed him through generic boundaries in search of new ways of shaping his fiction and questioning American identity. By focusing on Howellss preoccupation with tropes of memory and amnesia, this book positions his work within the American memory crisis, the turn-of-the-centurys pervasive feelings of fragmentation, loss, and dislocation that followed breathtaking transformations in the pace of everyday life and traditional social structures, which contributed to the sense that the linear inheritance of the past was severely weakened, if not broken beyond repair. As Americans engaged in a politics of memorywith various groups battling for their stake in shaping Americas present and future by defining its pastHowellss work interacts with a number of social discourses and practices through which national identity was being (re)constructed and debated. The book explores these sites of memory, including historiography, therhetoric of imperialism, the revival in historical romantic fiction, the rise of photography, the boom in monument construction, the beginnings of modern advertising, the interest in spiritualism and the occult, and literary history itself. By focusing on two neglected areas of Howells studieshis late short fiction and his engagement in the politics of memoryWilliam Dean Howells and the American Memory Crisis clarifies the convergence of his aesthetic and political goals and challenges recent innovative studies that situate Howells and literary realism as reinforcing late-nineteenth-century hierarchies of race, class, and gender. As a major figure of the traditional canon, Howells routinely has been positioned as a powerful cultural authority who was either deceptive of his real goals, willfully hypocritical, or ignorant of the actual political scene in which he was working. Rubins book complicates some of these accepted views by arguing that, while not apolitical, Howells was not as nave or as reactionary as some have claimed. By not accounting for the direction Howells takes in his later work, particularly as it imagines and represents memory, previous studiesso reliant on postmodern-influenced criticism seem to have often overlooked Howellss own postmodern leanings. Tropes of memory and amnesia have become prominent in postmodern theories of history and subjectivity, registering anxiety about the stability of the self and serving as metaphors for the impossibility of objective and secure historical narratives. Howellss work, this book maintains, consistently gestures toward these and other characteristics of the postmodern in its approach to history and questions the versions ofliterary realism that have become sacrosanct within the academy. Ultimately, this book provides other teachers, researchers, and students with a new framework with which to approach Howells and American realism. As his discussion draws on a variety of discourse in its exploration of Americas politics of memory, a secondary, more interdisciplinary audience includes those interested in political and social theory, history, and cultural studies. This is an important book for scholars, students, and te

This original and innovative study is the first systematic exploration of Racine's theatricality. It is based on a close examination of all Racine's plays and on evidence for performance of them from the seventeenth century to the present day. David Maskell considers, with the help of illustrations, the relationship between verbal and visual effects. He shows how the decor in plays such as Andromaque, Britannicus and Berenice is significant for the action, and indicates the rich, often symbolic implication of stage properties and physical gestures, particularly in Mithridate, Phedre, and Athalie. Racine's usually neglected single comedy, Les Plaideurs, is shown to cast light on the theatrical language of his eleven tragedies. Some familiar topics of tragedy - moral ambiguity, error, and transcendence - emerge in a fresh light, and the concept of the tragic genre is critically examined from the theatrical standpoint. This study challenges many long-established views of Racine and lays the foundation for a reassessment of his role in French drama. It also opens new perspectives on his relationship with dramatists writing in other languages.

Augustine's City of God, written in the aftermath of the Gothic sack of Rome in AD 410, is one of the key works in the formation of Western culture. This book provides a detailed running commentary on the text, with chapters on the political, social, literary, and religious background. Through a close reading of Augustine's masterpiece the author provides an accessible guide to the cosmology, political thought, theory of history, and biblical interpretation of the greatest Christian Latin writer of late antiquity.

A biography of the late spiritual pioneer Dr. David R. Hawkins, or "Doc" as he was known to many of his devotees.

"This is more than a biography; it’s a heartfelt journey, an invitation to experience his life and witness the extraordinary legacy he left behind."

Dr. David R. Hawkins, a man whose existence was a symphony of curiosity, discovery, and transformation, a man, who not only was a brilliant thinker, but a man of deep compassion and love, dedicated to the upliftment of all of humanity.

From his discoveries as a science-based psychiatrist to the confirmed reality of his own unique spiritual experiences, David R. Hawkins has gifted us with a treasure trove of insights into the human psyche and consciousness itself, that are as mind-blowing as they are soul-nourishing. He handed us a road map to Truth with his visionary Map of Consciousness®, an extremely useful guide in gaining profound insights into the nature or our existence and purpose on earth.

In this book, you will come face to face with the revelations that turned his world upside down and elevated the consciousness of anyone fortunate enough to encounter his work.

Let’s begin this journey of Dr. David R. Hawkins, an extraordinary yet ordinary life whose imprint on the world stands for Truth as the highest endeavor, embraces compassion for all sentient beings, and in complete surrender and devotion to God as the Ultimate Reality.

On 11 June 2011, three days short of his sixth-ninth birthday, Jonathan Raban suffered a stroke which left him unable to use the right side of his body, wheelchair-bound in a rehab facility and endlessly frustrated by his newfound physical limitations. As he resisted the overbearing ministrations of the nurses helping him along the road to recovery, Raban began to reflect not only on the measure of his own life but the extraordinary story of his parents’ early marriage, conducted for three years by letter while his father fought in the Second World War.