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Although Housman's three collections of poems, the third published posthumously, have remained popular, they have not received much serious critical attention. John Bayley makes good the omission in this thorough and comprehensive reappraisal of the whole oeuvre, placing Housman's achievement in the context of the poetry of his own time and of more recent European and American poetry. Close analysis and comparison with other poets - Hardy, Frost, Edward Thomas, Larkin, and Paul Celan - prove illuminating in relation to a poet who has usually been considered something of an odd man out, and even an anachronism in the modern era. Professor Bayley explores and explains the continuing appeal of the poet to present-day readers, and the nature of the craftsmanship and psychology which lie behind its deceptive simplicities. The book will be a valuable introduction to Housman's achievement for the specialist and the poetry-lover alike.
William Dunbar is a poet whose virtuosity is often praised, but rarely analyzed. This first major study of his work to be published in over ten years examines his view of himself as a major poet, or "makar," and the way he handles various poetic genres. It challenges the over-simplified and reductive views purveyed by some critics, that Dunbar is primarily a moralist or no more than a talented virtuoso. New emphasis is placed on the petitions, or begging-poems, and their use for poetic introspection. There is also a particularly full study of Dunbar's under-valued comic poems, and of the modes most congenial to him--notably parody, irony, "flyting" or invective, and black dream-fantasy. Taking account of recent scholarship, Priscilla Bawcutt explores the complex literary traditions available to Dunbar, both in Latin and the vernaculars, including "popular" and alliterative poetry as well as that of Chaucer and his followers. This original, learned, and critically searching book is set to become the leading analysis of one of the most fascinating and accomplished of medieval poets.
The Russian school of modern Orthodox theology has made an immense but undervalued contribution to Christian thought. Neglected in Western theology, and viewed with suspicion by some other schools of Orthodox theology, its three greatest thinkers have laid the foundations for a new ecumenism and a recovery of the cosmic dimension of Christianity. This ground-breaking study includes biographical sketches of Aleksandr Bukharev (Archimandrite Feodor), Vladimir Soloviev and Sergii Bulgakov, together with the necessary historical background. Professor Valliere then examines the creative ideas they devised or adapted, including the ?humanity of God?, sophiology, panhumanity, free theocracy, church-and-world dogmatics and prophetic ecumenism.
Shining Bright Lights in Dark Places is a recount of the time spent in prison by the Television Presenter Ashley Blake. Taken directly from the diary he wrote in prison day by day, capturing his feelings, both personal and those expressed by others at the time. The rights or wrongs of his situation where not the point, but the futility, frustration, and the deprivation of liberty which he experienced he felt compelled to tell in this bare bones autobiography.
Most of us have been led to believe that CFS/ME is untreatable, and that those with the condition have to struggle on with no real hope of a full recovery. But you can return to health from CFS/ME, even if you don't currently believe it is possible. Drawing on cutting-edge science, this empowering book will teach you: ? solution-focused approaches to overcoming your condition based on the world-renowned Emotional Freedom Techniques; ? how to identify and overcome your personal blocks to health; ? techniques that you can use to resolve your physical and emotional symptoms.
Game-changing wisdom from pioneering coach and Nike executive George
Raveling, coauthored by bestselling author Ryan Holiday - with a
foreword by basketball legend Michael Jordan
An annual collection of studies on individuals who have made contributions to the development of geography and geographical thought. Each paper describes the geographer's education, life and work, discusses their influence and spread of academic ideas and includes a bibliography of their work.
’n Oorsig van Breyten Breytenbach se digkuns is 'n voëlvlug oor 'n wye era: vanaf die jare sestig tot vandag, waarin beide Europa en Afrika hulself radikaal herdefinieer het. In hierdie herdefiniering staan Breyten Breytenbach, die digter, mens en denker soos ’n skakelende deurpos. Elke gedig is soos ’n tekening of ’n skildery waarin tekens en betekenis in vloeiende verbande tot mekaar staan en waarin gunstelingtemas weer en weer ter sprake kom – elke keer uniek geskommel soos kwashale op die doeke van Jackson Pollock se skilderye of die stippels in ’n kaleidoskoop wat nooit ophou draai nie. Die gedigte is chronologies gerangskik volgens die digter se lewensgang: jongmenslewe in Kaapstad, Parys, effektiewelike bannelingskap weens sy huwelik, terugkeer en tronkstraf, die buiteland. En oplaas ’n onrustige pendelaarslewe tussen noorde en suide van die aardbol, waarin volledige tuiskoms slegs in die arms van die liefde is.
This original and innovative study is the first systematic exploration of Racine's theatricality. It is based on a close examination of all Racine's plays and on evidence for performance of them from the seventeenth century to the present day. David Maskell considers, with the help of illustrations, the relationship between verbal and visual effects. He shows how the decor in plays such as Andromaque, Britannicus and Berenice is significant for the action, and indicates the rich, often symbolic implication of stage properties and physical gestures, particularly in Mithridate, Phedre, and Athalie. Racine's usually neglected single comedy, Les Plaideurs, is shown to cast light on the theatrical language of his eleven tragedies. Some familiar topics of tragedy - moral ambiguity, error, and transcendence - emerge in a fresh light, and the concept of the tragic genre is critically examined from the theatrical standpoint. This study challenges many long-established views of Racine and lays the foundation for a reassessment of his role in French drama. It also opens new perspectives on his relationship with dramatists writing in other languages.
The Oxford Handbook of Chinese Linguistics offers a broad and comprehensive coverage of the entire field from a multi-disciplinary perspective. All chapters are contributed by leading scholars in their respective areas. This Handbook contains eight sections: history, languages and dialects, language contact, morphology, syntax, phonetics and phonology, socio-cultural aspects and neuro-psychological aspects. It provides not only a diachronic view of how languages evolve, but also a synchronic view of how languages in contact enrich each other by borrowing new words, calquing loan translation and even developing new syntactic structures. It also accompanies traditional linguistic studies of grammar and phonology with empirical evidence from psychology and neurocognitive sciences. In addition to research on the Chinese language and its major dialect groups, this handbook covers studies on sign languages and non-Chinese languages, such as the Austronesian languages spoken in Taiwan.
Jonathan Edwards (1703-58) is widely recognized as America's greatest religious mind. A torrent of books, articles, and dissertations on Edwards have been released since 1949, the year that Perry Miller published the intellectual biography that launched the modern explosion of Edwards studies. This collection offers an introduction to Edwards's life and thought, pitched at the level of the educated general reader. Each chapter serves as a general introduction to one of Edwards's major topics, including revival, the Bible, beauty, literature, philosophy, typology, and even world religions. Each is written by a leading expert on Edwards's work. The book will serve as an ideal first encounter with the thought of "America's theologian."
Augustine's City of God, written in the aftermath of the Gothic sack of Rome in AD 410, is one of the key works in the formation of Western culture. This book provides a detailed running commentary on the text, with chapters on the political, social, literary, and religious background. Through a close reading of Augustine's masterpiece the author provides an accessible guide to the cosmology, political thought, theory of history, and biblical interpretation of the greatest Christian Latin writer of late antiquity.
Today's innovative poets no longer express their dissenting voice on the printed page but in the experimental realm of contemporary media, where holograms, video projections, and even biotechnology form the basis of a new syntax. Celebrated poet and artist Eduardo Kac's" Media Poetry" is the first anthology to document this radically new form, which is taking language beyond the confines of verse and into the non-linear world of digital interactivity and hyperlinkage.This unparalleled volume takes up all the exhilarating incarnations of media poetry, from real-time text generation and spatiotemporal discontinuities to immateriality and visual tempo, exploring the international group of revolutionary poets responsible for such innovations. By embracing the vast possibilities made available by new media, the artists featured in this anthology have become the poetic pioneers of the next millennium.
One of America's most celebrated poets, Emily Dickinson was virtually unpublished in her lifetime. When a slim volume of her poems emerged on the American scene in 1890, her work created shockwaves that have not subsided yet. Famously precise and sparse, Emily Dickinson's poetry is often described as philosophical, both because her poetry grapples with philosophical topics like death, spirituality, and the darkening operations of the mind, and because she approaches those topics in a characteristically philosophical manner: analyzing and extrapolating from close observation, exploring alternatives, and connecting thoughts into cumulative demonstrations. But unlike Lucretius or Pope, she cannot be accused of producing versified treatises. Many of her poems are unsettling in their lack of conclusion; their disparate insights often stand in conflict; and her logic turns crucially on imagery, juxtaposition, assonance, slant rhyme, and punctuation. The six chapters of this volume collectively argue that Dickinson is an epistemically ambitious poet, who explores fundamental questions by advancing arguments that are designed to convince. Dickinson exemplifies abstract ideas in tangible form and habituates readers into productive trains of thought-she doesn't just make philosophical claims, but demonstrates how poetry can make a distinct contribution to philosophy. All essays in this volume, drawn from both philosophers and literary theorists, serve as a counterpoint to recent critical work, which has emphasized Dickinson's anguished uncertainty, her nonconventional style, and the unsettled status of her manuscripts. On the view that emerges here, knowing is like cleaning, mending, and lacemakingL a form of hard, ongoing work, but one for which poetry is a powerful, perhaps indispensable, tool.
Southern Imagining questions and reshapes influential northern
imaginative norms.
Few conversational topics can be as significant as our troubles in life, whether everyday and commonplace, or more exceptional and disturbing. In groundbreaking research conducted with John Lee at the University of Manchester UK, Gail Jefferson turned the microscope on how people talk about their troubles, not in any professional or therapeutic setting, but in their ordinary conversations with family and friends. Through recordings of interactions in which people talk about problems they're having with their children, concerns about their health, financial problems, marital and relationship difficulties (their own or other people's), examination failures, dramatic events such as burglaries or a house fire and other such troubles, Jefferson explores the interactional dynamics and complexities of introducing such topics, of how speakers sustain and elaborate their descriptions and accounts of their troubles, how participants align and affiliate with one another, and finally manage to move away from such topics. The studies Jefferson published out of that remarkable period of research have been collected together in this volume. They are as insightful and informative about how we talk about our troubles, as they are innovative in the development and application of Conversation Analysis. Gail Jefferson (1938-2008) was one of the co-founders of Conversation Analysis (CA); through her early collaboration with Harvey Sacks and in her subsequent research, she laid the foundations for what has become an immensely important interdisciplinary paradigm. She co-authored, with Harvey Sacks and Emanuel Schegloff, two of the most highly cited articles ever published in Language, on turn-taking and repair. These papers were foundational, as was the transcription system that she developed and that is used by conversation analysts world-wide. Her research papers were a distinctive and original voice in the emerging micro-analysis of interaction in everyday life.
Coleridge was a major critic of Shakespeare and a seminal influence on modern criticism. Earlier selections of his Shakespeare criticism are now out of print. This new selection is drawn largely from Professor Foakes' authoritative edition of Coleridge's Literary Lectures and it makes this material available in a format which allows the student to follow the development of Coleridge's ideas and the changes in his critical procedures. There is a considerable Introdcution. Professor Foakes teaches in the Department of English as the University of California in Los Angeles. He is the editor of Coleridge's Literary Lectures (1986) for the new Princeton Collected Coleridge.
Eliot is the rare case of a great poet who was also an academic
philosopher. Donald Childs' study examines the relationship between
Elliot's writing of poetry and his philosophical pursuits, in
particular his lifelong occupation with the work of F.H. Bradley,
Henri Bergson, and William James. This account also considers the
reception of Eliot's writing in philosophy and argues that the
study of this work has significantly entered recent Eliot
criticism. Overall, this volume provides a new reading of Eliot's
famous poems, his literary criticism, and social commentary.
Gustav Stresemann was the exceptional German political figure of his time. His early death in 1929 has long been viewed as the beginning of the end for the Weimar Republic and the opening through which Hitler was able to come to power. Stresemann's personality and talents as a politican held together the coalition that provided the only serious opposition to the Nazi party in the 1920s. On his death this opposition collapsed and along with it the only chance of establishing a stable and democratic Germany at the heart of a stable Europe.
My prayers are my poems are my prayers.
In Readers and Reading Culture in the High Roman Empire, William Johnson examines the system and culture of reading among the elite in second-century Rome. The investigation proceeds in case-study fashion using the principal surviving witnesses, beginning with the communities of Pliny and Tacitus (with a look at Pliny's teacher, Quintilian) from the time of the emperor Trajan. Johnson then moves on to explore elite reading during the era of the Antonines, including the medical community around Galen, the philological community around Gellius and Fronto (with a look at the curious reading habits of Fronto's pupil Marcus Aurelius), and the intellectual communities lampooned by the satirist Lucian. Along the way, evidence from the papyri is deployed to help to understand better and more concretely both the mechanics of reading, and the social interactions that surrounded the ancient book. The result is a rich cultural history of individual reading communities that differentiate themselves in interesting ways even while in aggregate showing a coherent reading culture with fascinating similarities and contrasts to the reading culture of today.
Carl Crow arrived in Shanghai in 1911 and made the city his home for the next quarter of a century, working there as a journalist, newspaper proprietor, and groundbreaking adman. He also did stints as a hostage negotiator, emergency police sergeant, gentleman farmer, go-between for the American government, and propagandist. In the 1930s Crow wrote a pioneering book - 400 Million Customers - that encouraged a flood of businesses into the China market in an intriguing foreshadowing of today's boom.
Calvet's Web is a study of a circle of French antiquarians, naturalists, and bibliophiles in the period 1750-1810. By using the surviving correspondence of its members, Laurence Brockliss assembles a vivid picture of the French Republic of Letters in an era of rapid change, showing how the world of scholarship relates to the movement historians call the Enlightenment and how it is torn apart, then reconstructed, in the social and political turmoil of the French Revolution. |
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