Instantly create hundreds of sentences for communication in Japanese whether for a language course, travel or business. This 6 page laminated guide provides sample sentences with color-coded nouns verbs and adjectives within those sentences that can be replaced with words of the same color from a color coded bank of words that can be plugged into those sentences. To change the sentence, pick a different color-coded noun, verb or adjective for a wide range of sentences for communication. Categories follow those of beginner and intermediate Japanese language courses, which are the same categories that cover those subjects that are helpful to a traveler on vacation or on a business trip. 6-page laminated guide includes: Japanese Hiragana Syllables Chart Katakana Syllables Chart Greetings Common Helpful Words Common Helpful Phrases Adjectives Basic Question Words Introductions Polite Phrases Personal Family Titles for Addressing People Colors Months, Days & Dates, Time Measurements Numbers, Counters Seasons & Holidays Weather Money, Shopping Transportation & Travel Directions Daily Living Entertainment & Hobbies Food, Dining Out Workplace & School Communications Health & Medical Care Emergencies Geography

The behind-the-scenes story of a four-year investigation into Andrew Tate, exploring how a failed reality TV star turned accused organised criminal managed to become one of the most famous influencers in the world.

In 2022, Andrew Tate went from a little-known kickboxer and failed reality TV star to a lifestyle icon for legions of men and boys, and a figure that would define a new era of misogyny. Tate started the year as a fringe internet celebrity, but by August he was the most googled man in the world. In that same month, Matt Shea and Jamie Tahsin gained access to his Bucharest compound and infamous War Room, making a documentary that would result in the first women coming forward to accuse him publicly of sexual and physical violence. Tate would end the year in a Romanian jail, facing charges of human trafficking, rape and being part of an organised crime group. But the investigations wouldn't stop there.

Part Gonzo journalism, part masculinity rabbit hole, this book takes you on Shea and Tahsin's journey to reveal the dark secrets of Andrew Tate, the machine that brought him here, and the ideology he has unleashed on a generation of young men.

A quest is never what you expect it to be.

Elizabeth Madeline Martin spends her days in a retirement home in Cape Town, watching the pigeons and squirrels on the branch of a tree outside her window. Bedridden, her memory fading, she can recall her early childhood spent in a small wood-and-iron house in Blackridge on the outskirts of Pietermaritzburg. Though she remembers the place in detail – dogs, a mango tree, a stream – she has no idea of where exactly it is. ‘My memory is full of blotches,’ she tells her daughter Julia, ‘like ink left about and knocked over.’

Julia resolves to find the Blackridge house: with her mother lonely and confused, would this, perhaps, bring some measure of closure? A journey begins that traverses family history, forgotten documents, old photographs, and the maps that stake out a country’s troubled past – maps whose boundaries nature remains determined to resist. Kind strangers, willing to assist in the search, lead to unexpected discoveries of ancestors and wars and lullabies. Folded into this quest are the tender conversations between a daughter and a mother who does not have long to live.

Taken as one, The Blackridge House is a meditation on belonging, of the stories we tell of home and family, of the precarious footprint of life.

This accessible textbook offers students the opportunity to explore for themselves a wide range of sociolinguistic issues relating to the German language and its role in societies around the world. It is written for undergraduate students who have a sound practical knowledge of German but who have little or no knowledge of linguistics or sociolinguistics. It combines text with practical exercises and discussion questions to stimulate readers to think for themselves and to tackle specific problems.
In Part One Patrick Stevenson invites readers to investigate and reflect on issues about the status and function of the German language in relation to its speakers and to speakers of other languages with which it comes into contact. In Part Two the focus shifts to the forms and functions of individual features of the language. This involves, for example, identifying features of regional speech forms, analysing similarities and differences between written and spoken German, or looking at the 'social meaning' underlying different forms of address. Part Three explores the relationship between the German language and the nature of 'Germanness'. It concentrates on people's attitudes towards the language, the ways in which it is changing, and their views on what it represents for them.
Features and benefits of using this book:
* Comprehensive: provides the basis for a typical one-semester course
* Informative and practical: combines a review of current themes with graded exercises and relevant reading, plus an index of terms
* Topical and contemporary: deals with current situations with the most up-to-date information
* Has a workbook character: encourages students to think and work for themselves.
Patrick Stevenson is a lecturer in German in the School of Modern Languages, Southampton University.

Cecil John Rhodes lived from 1853 to 1902, a brief span, and was the renowned and world-famous founder of Rhodesia (1890-1980), the leading personality and figure in the Victorian world’s late nineteenth-century Africa empire.

Rhodes’ endeavours shaped the domains of late nineteenth- and twentieth-century Zambesia, and set down the trajectories marking southern Africa, while the Great Powers’ record of empire in Africa proved greatly inferior to Rhodesia’s. Zambesia’s long history of continuous turbulence on a troubled plateau was reversed by Rhodes’ Pioneer Column in 1890 when the ‘First Rhodesians’ arrived following five decades of itinerant white presence in Zambesia. The Occupation of Mashonaland in 1890, conquest of Matabeleland in 1893 and the end of native rebellions in 1896-97 set the stage for decades of enduring prosperity in Rhodesia, Rhodes’ most enduring legacy. Pax Rhodesiana lasted ninety years, ending in a civil war.

Then, Rhodes’ memorabilia and many memorials were subjected to modern cultural cleansing, the inheritor state in time eroding and declining into a failing state.

Eleanor Roosevelt's character was shaped by the history and culture of the Hudson Valley. More than that, Eleanor Roosevelt loved the Hudson Valley. A woman who knew and cared for the whole world chose this place, Val-Kill, as her home in a cottage by a stream. Eleanor Roosevelt: A Hudson Valley Remembrance reflects her unaffected simplicity and caring interest in her neighbors' concerns. Remembered by friends, colleagues, neighbors, and young people, these qualities inspired a community-based group to lead efforts to save her home in 1977 as the country's first national historic site dedicated to a First Lady. The Eleanor Roosevelt Center at Val-Kill continues her work on issues that affect life today.

Exam board: AQA A, Cambridge Assessment International Education Level & Subject: AS and A Level English Literature First teaching: September 2015 First examination: June 2017, 2021 This edition of Persuasion provides depth and context for A Level students, with the complete novel in an easy to read format, and a detailed introduction and bespoke glossary written by an experienced A Level teacher with academic expertise in the area. * Affordable high quality complete text of Persuasion, ideal for AS and A Level Literature * Perfectly pitched introductions provide the depth and demand required by AS and A Level * Explore the contemporary context, Jane Austen's writing, the novel's critical reception and subsequent interpretations for a deeper reading of the text * Expand your further reading with a list of key articles and critical and theoretical texts * Improve your understanding of the novel with unfamiliar concepts and culturally-specific terms defined in the glossary

Caustically humorous and polemically compulsive, Trump Rant is a work of meticulous political portraiture: a deep-delving and epoch-spanning investigation into the nature of power in American life, made luminous by Agee's nuanced, exploratory understanding of authoritarian drift and thwarted democratic aspiration in a number of world-historical contexts, from Belfast to the Balkans to the formerly Confederate South. Free-roaming in its breadth of reference and tonal range, the Rant is at once viscerally personal and unsettlingly resonant, infused throughout with an almost hypnotic sense of scale, largesse, and historical moment. Already renowned as a poet of emotional delicacy and singular stylistic vision, Agee's hallmark gifts of writerly intimacy and ethical resolve are here expanded and reconfigured on a panoramic canvas - moving from a pared-back opening section to the accelerating pace and barrage-like linguistic assaults of the latter addenda. But for all its freewheeling furies, shifting emotional registers and Kubrick-like black humour, it remains a remarkably formal work, moored to the relentlessly dangerous drumbeat of Donald J. Trump. The result is a combination of long-form radicalism and eclectic satire, startingly unique in its blend of aphorism, acuity and epic cultural imagining. Composed chronologically for nearly four years (from early 2017 until Election Day 2020), Trump Rant is a triumph of artistic witness and denunciation; an urgent retort to a global culture of imperilled legal standards and depleted literary response; and an incisive model of enlightenment and outrage in a "post-truth" world being visibly darkened by its criminal shadows.

From the acclaimed, controversial singer-songwriter Sinéad O’Connor comes a revelatory memoir of her fraught childhood, musical triumphs, struggles with illness, and of the enduring power of song.

Blessed with a singular voice and a fiery temperament, Sinéad O’Connor rose to massive fame in the late 1980s and 1990s with a string of gold records. By the time she was twenty, she was world-famous—living a rock-star life out loud. From her trademark shaved head to her 1992 appearance on Saturday Night Live when she tore up Pope John Paul II’s photograph, Sinéad has fascinated and outraged millions.

In Rememberings, O’Connor recounts her painful tale of growing up in Dublin in a dysfunctional, abusive household. Inspired by a brother’s Bob Dylan records, she escaped into music. She relates her early forays with local Irish bands; we see Sinéad completing her first album while eight months pregnant, hanging with Rastas in the East Village, and soaring to unimaginable popularity with her cover of Prince’s “Nothing Compares 2 U.”

Intimate, replete with candid anecdotes and told in a singular form true to her unconventional career, Sinéad’s memoir is a remarkable chronicle of an enduring and influential artist.

This study focuses on Laches, Protagoras, and the conversation between Socrates and Agathon in the Symposium. For these dialogues the author "proposes a strategy of interpretation that insists on the dialogues' essentially interrogatory character. . . . Stokes argues that we are not entitled to ascribea thesis to Socrates (far less to Plato) unless he unambiguously asserts it as his own belief. . . . For the most part, Stokes argues, Socrates is doing what he claims to be doing: cross-examining his interlocutor. He draws the materials of his own argument from the respondent's explicit admissions and from his own knowledge of the respondent's character, commitments and ways of life.What is shown by such a procedure is not, . . . according to Stokes], that acertain thesis is true or false, but, rather, that a certain sort of person, with certain commitments, can be led, on pain of inconsistency, to assent to theses that at first seem alien to him. Sometimes, as it turns out, these are theses that Socrates also endorses in his own person." "Times Literary Supplement"

For the whole of the last half-century, most theoretical syntacticians have assumed that knowledge of language is different from the tasks of speaking and understanding. There have been some dissenters, but, by and large, this view still holds sway.

This book takes a different view: it continues the task set in hand by Kempson et al (2001) of arguing that the common-sense intuition is correct that knowledge of language consists in being able to use it in speaking and understanding. The Dynamics of Language argues that interpretation is built up across as sequence of words relative to some context and that this is all that is needed to explain the structural properties of language. The dynamics of how interpretation is built up is the syntax of a language system. The authors' first task is to convey to a general linguistic audience with a minimum of formal apparatus, the substance of that formal system. Secondly, as linguists, they set themselves the task of applying the formal system to as broad an array of linguistic puzzles as possible, the languages analysed ranging from English to Japanese and Swahili.

"This book makes an uncommon achievement in successfully using detailed analyses of typologically diverse languages to address foundational questions about what it means to know a language and about the relation between speaking and understanding. This book will be of interest to anybody who is serious about the cognitive science of syntax and semantics."
Colin Phillips, University of Maryland, USA

"For anyone interested in the basic nature of natural language syntax, this book is a necessary, and enjoyable, read. The authors provide a new take on howinterpretations are constructed by language users, and back up their general theoretical proposals with original analyses of an eclectic range of linguistic phenomena. The exposition
is clear and engaging-and challenging. You will have some of your assumptions shaken up; whether they fall back in place, or are radically rearranged, the experience is stimulating."
Caroline Heycock, University of Edinburgh, UK

The unforgettable, moving true story of the little girl who survived Auschwitz's 'Angel of Death', Dr Mengele.

Lidia was just three years old when she arrived in Auschwitz-Birkenau with her mother, a member of the partisan resistance from Belarus. The bewildered little girl was picked out by Dr Josef Mengele for his sadistic experiments and sent to the infamous children’s block, where every day was a fight for survival. In eighteen months of hell she came close to death more than once.

Her mother, who risked her life to visit Lidia, gave her strength. But when the camp was liberated, her mother was gone, presumed dead. Lidia, by now deeply traumatised, was adopted by a Polish woman. But then, in 1962, she discovered that her birth parents were still alive in the USSR, and Lidia was faced with an agonising choice . . .

Lidia’s extraordinary story has touched hearts around the world, and she has made it her mission to bear witness to the Holocaust so that the truth may never be forgotten. This is a powerful and ultimately hopeful account by a remarkable woman who refuses to hate those who hurt her. She says, ‘Hate only brings more hate. Love, on the other hand, has the power to redeem.’

"Chatham Sea Captains in the Age of Sail" chronicles the lives and adventures of twenty-five men who traveled the seas from the eighteenth through the twentieth century. These were extraordinary men masters of navigation who charted paths from the Cape to the Far East with their regal clipper ships; deep-sea fishermen whose fearless spirit drove them to the Grand Banks and Newfoundland in the quest for their catch; and coastal captains who skirted America's eastern seaboard in pursuit of trade. Spurred on by the Industrial Revolution's demands, these mariners continued their pelagic exploration while pirates, privateers and Confederate raiders tested their mettle. The sea was both foe and ally. To meet the foe was the challenge; to sail her waters and return home as true masters was the force that drove these men to excellence.

This is the first book of essays by a major new Irish non-fiction writer from the West of Ireland, comparable to the celebrated Kilkenny essayist Hubert Butler first published by The Lilliput Press and subsequently widely acclaimed. Gerard McCarthy's writing is no less distinguished than Butler's. McCarthy writes of his book: "Perhaps the Philosophers who had the most enduring influence on me were the contrary figures of Nietzsche and Marcus Aurelius. The reading of each was an antidote to the other, but I was drawn to both by an instinctive affinity.They were augmented subsequently by the gargantuan figure of Michel de Montaigne. My interest has continued to be in the region where Philosophy merges into Literature, with a preference for a language of metaphor rather than of abstract reasoning.These eight essays were written over the course of more than a decade.The fact that they have all been published in the one place, by the good offices of Irish Pages, has allowed me see the continuity between them, and to hope that they might be seen by the reader to form a unity."

‘Sharing food is one of the purest human acts'

Food has always been an integral part of Stanley Tucci’s life: from stracciatella soup served in the shadow of the Pantheon, to marinara sauce cooked between rehearsals and costume fittings, to home-made pizza eaten with his children before bedtime.

Now, in What I Ate in One Year Tucci records twelve months of eating, in restaurants, kitchens, film sets, press junkets, at home and abroad, with friends, with family, with strangers, and occasionally just by himself.

Ranging from the mouth-wateringly memorable, to the comfortingly domestic, to the infuriatingly inedible, the meals memorialized in this diary are a prism through which he reflects on the ways his life, and his family, are constantly evolving. Through food he marks – and mourns – the passing of time, the loss of loved ones, and prepares himself for what is to come.

Whether it’s duck à l’orange eaten with fellow actors and cooked by singing Carmelite nuns, steaks barbecued at a gathering with friends, or meatballs made by his mother and son and shared at the table with three generations of his family, these meals give shape and richness to his days.

For a decade, Ecco has published the most outstanding science writing in America, collected in highly acclaimed annual volumes edited by some of the most impressive and most important names in science and science writing today: James Gleick, Timothy Ferris, Matt Ridley, Oliver Sacks, Dava Sobel, Alan Lightman, Atul Gawande, Gina Kolata, Sylvia Nasar, and Natalie Angier.

Now series editor Jesse Cohen invites the previous guest editors to select their favorite essays for this one-of-a-kind anthology. The result is an outstanding compendium--the best science writing of the new millennium, featuring an introduction by the series' 2010 editor and "New York Times" bestselling author of "How Doctors Think," Jerome Groopman.

Powerfully moving, Elephant Dawn is the complete, unforgettable story of one woman’s remarkable and life-changing association with the Presidential Elephants of Zimbabwe, a celebrated clan of wild, free-roaming giants. It comes at a time when elephants all around Africa face the very real threat of being poached to extinction for their ivory, and Zimbabwe continues to face tumultuous times. In 2001, Sharon Pincott traded her privileged life as a high-flying corporate executive to start a new one with the Presidential Elephants of Zimbabwe. She was unpaid, untrained, self-funded and arrived with the starry-eyed idealism of most foreigners during early encounters with Africa. For thirteen years – the worst in Zimbabwe’s volatile history – this intrepid Australian woman lived in the Hwange bush, fighting for the lives of these elephants, forming an extraordinary and life-changing bond with them. Now remote from Robert Mugabe’s rule, Sharon writes without restraint sequentially through the years, taking us on a truly unforgettable ride of hope and heartbreak, profound love and loss, adversity and new beginnings. This is the haunting, all-encompassing story we’ve been waiting for.

First published in January 1845, The Raven is a narrative poem by American writer Edgar Allan Poe. The poem is often noted for its musicality, stylised language, and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow descent into madness.

This book is an original, systematic, and radical attempt at decolonizing critical theory. Drawing on linguistic concepts from 16 languages from Asia, Africa, the Arab world, and South America, the essays in the volume explore the entailments of words while discussing their conceptual implications for the humanities and the social sciences everywhere. The essays engage in the work of thinking through words to generate a conceptual vocabulary that will allow for a global conversation on social theory which will be necessarily multilingual.

With essays by scholars, across generations, and from a variety of disciplines – history, anthropology, and philosophy to literature and political theory – this book will be essential reading for scholars, researchers, and students of critical theory and the social sciences.