From the dawn of the early modern period around 1400 until the eighteenth century, Latin was still the European language and its influence extended as far as Asia and the Americas. At the same time, the production of Latin writing exploded thanks to book printing and new literary and cultural dynamics. Latin also entered into a complex interplay with the rising vernacular languages. This Handbook gives an accessible survey of the main genres, contexts, and regions of Neo-Latin, as we have come to call Latin writing composed in the wake of Petrarch (1304-74). Its emphasis is on the period of Neo-Latin's greatest cultural relevance, from the fifteenth to the eighteenth centuries. Its chapters, written by specialists in the field, present individual methodologies and focuses while retaining an introductory character. The Handbook will be valuable to all readers wanting to orientate themselves in the immense ocean of Neo-Latin literature and culture. It will be particularly helpful for those working on early modern languages and literatures as well as to classicists working on the culture of ancient Rome, its early modern reception and the shifting characteristics of post-classical Latin language and literature. Political, social, cultural and intellectual historians will find much relevant material in the Handbook, and it will provide a rich range of material to scholars researching the history of their respective geographical areas of interest.

Al-Kitaab Part One, Third Edition with Website is the second book in the bestselling Al-Kitaab Arabic Language Program. Part One uses an integrated approach to develop skills in formal and colloquial Arabic, including reading, listening, speaking, writing, and cultural knowledge. This comprehensive program is designed for students in the early stages of learning Arabic. The accompanying companion website–included with the book–offers fully integrated exercises to use alongside the text. FEATURES • Three varieties of Arabic—Egyptian, Levantine, and formal Arabic—presented using color-coded words and phrases • Over 400 vocabulary words in three forms of Arabic, side by side • Grammar explanations and activation drills, including discussions about colloquial and formal similarities and differences • Authentic texts that develop reading comprehension skills • Video dialogues and stories from everyday life in Egyptian, formal Arabic, and Levantine to reinforce vocabulary in culturally rich contexts, available on the Publisher’s website • Presents the story of Maha and Khalid in formal Arabic and Egyptian, and Nasreen and Tariq in Levantine • Arabic-English and English-Arabic glossaries, reference charts, and a grammar index For Instructors: Separate print Teacher’s Editions of the Al-Kitaab Arabic Language Program are no longer available. Instead, instructors should submit exam and desk copy requests using ISBN 978-1-64712-187-7. Instructors may request an answer key, which contains the answers to exercises found in the textbook, separately.

The poetry of Michelangelo offers an insight into one of the greatest artists of all time, and is a notable literary achievement in its own right. This text lays out the broad chronological evolution of the poems and clarifies both their meaning and the verbal artistry that shaped their construction. The poetry is always quoted in Italian and in translation.

This study reconstructs the history of a significant crisis in Christian-Jewish relations: the attempt to confiscate and destroy all Jewish books in Renaissance Germany. This unprecedented effort to end the practice of Judaism throughout the empire was challenged by Jewish communities and also, in an unexpected move, by Johannes Reuchlin (1455-1522), the founder of Christian Hebrew studies. Reuchlin had revolutionized the Christian study of the Bible with his Hebrew grammar. In 1510 he published an extensive, impassioned, and successful defense of Jewish writings and Jewish legal rights against the book pogrom, later acknowledged by Josel of Rosheim, the leader of German Jewry, as a ''miracle within a miracle.'' The fury that greeted Reuchlin's defense of Judaism resulted in a protracted heresy trial that polarized Europe, ultimately fostering a receptive environment for the nascent Reformation movement. The legal and theological battle over charges that Reuchlin's opinions were "impermissibly favorable to Jews," a conflict that elicited intervention on both sides from the most powerful political and intellectual leaders throughout Renaissance Europe, formed a new context for Christian reflection on the status of Judaism. David Price offers insight into important new Christian discourses on Judaism and anti-Semitism that emerged from the clash of Renaissance humanism with this potent anti-Jewish campaign, as well as an innovative analysis of Luther's virulent anti-Semitism in the context and aftermath of the Reuchlin Affair. His book is a valuable contribution to study of an important and complex development in European history: Christians acquiring accurate knowledge of Judaism and its history.

HarperCollins is proud to present its incredible range of best-loved, essential classics. Plato's Republic has influenced Western philosophers for centuries, with its main focus on what makes a well-balanced society and individual.

Noises Off is not one play but two - simultaneously a traditional sex farce, Nothing On, and the backstage farce that develops during Nothing On's final rehearsal and tour. The two farces begin to interlock, as the characters make their exits from Nothing On only to find themselves making entrances into the even worse nightmare going on backstage, and exit from that only to make their entrances back into Nothing On. In the end, at the disastrous final performance in Stockton-on-Tees, the two farces can be kept separate no longer, and coalesce into one single collective nervous breakdown. Noises Off won both the Evening Standard and the Olivier Awards for Best Comedy when it was first produced, and ran in the West End for nearly five years. Michael Frayn's most recent play, Copenhagen, won both the Evening Standard Best Play Award in London and the Tony Best Play Award in New York.

This book is an introduction to and interpretation of the world of Fernando Pessoa (1888-1935), one of the most fascinating and complex figures in European literary modernism and the avant-garde. Raised in South Africa and writing much of his literary work in English, Pessoa nevertheless almost never left the city of Lisbon after returning in 1905. Pessoa is known for abolishing the authorial self and for dividing his writings among a large number of other personalities - the heteronyms - who wrote through him, each in a completely different style. The theory of 'adverse genres' introduced in this book aids understanding of his paradoxical and contradictory use of genres. Through the invented 'coterie of authors,' Pessoa explored mixed writing by changing the relationship between form and content, authorship and text. Adverse Genres describes how Pessoa selected genres from the European tradition (Ricardo Reis' 'Horatian' odes, Alvaro de Campos' worship of Whitman, Alberto Caeiro's pastoral and metaphysical, Bernardo Soares' philosophical diary), into which he put a different and incongruent content taken from modernist, contemporary themes. By creating anomalies between form and content, or authors and texts, Pessoa gives new life and definition to traditional historical genres for a modernist age. In doing so, he enhances the normal expressive potential of each genre by incorporating uncharacteristic content and questioning authorship. Pessoa uses this procedure in his 1907 short story, 'A Very Original Dinner' in the 'Cancioneiro' or collected poems written under the name Fernando Pessoa; in his love letters to Ophelia Queiros; in his 1922 story 'The Adventure of the Anarchist Banker;' in his collection of quatrains derived from Portuguese popular verse; and, finally, in his problematic non-existence as 'the man who never was,' in Jorge de Sena's expression, who exchanged a normal life for an entirely literary world of the imagination. This book addresses Pessoa's desire to be an entire literature, a new literary history, as it were, full of diverse authors and styles, as if they were characters or roles in a dramatic theater of the self in literary modernism.

Black Sabbath is currently on The End Tour," which they have proclaimed as their final concert tour . Iron Man chronicles the story of both pioneering guitarist Tony Iommi and legendary band Black Sabbath, dubbed The Beatles of heavy metal" by Rolling Stone . Iron Man reveals the man behind the icon yet still captures Iommi's humour, intelligence, and warmth. He speaks honestly and unflinchingly about his rough-and-tumble childhood, the accident that almost ended his career, his failed marriages, personal tragedies, battles with addiction, band mates, famous friends, newfound daughter, and the ups and downs of his life as an artist. Everything associated with hard rock happened to Black Sabbath first: the drugs, the debauchery, the drinking, the dungeons, the pressure, the pain, the conquests, the company men, the contracts, the combustible drummer, the critics, the comebacks, the singers, the Stonehenge set, the music, the money, the madness, the metal.

This is a brief, accessible introduction to the thought of the philosopher John Buridan (ca. 1295-1361). Little is known about Buridan's life, most of which was spent studying and then teaching at the University of Paris. Buridan's works are mostly by-products of his teaching. They consist mainly of commentaries on Aristotle, covering the whole extent of Aristotelian philosophy, ranging from logic to metaphysics, to natural science, to ethics and politics. Aside from these running commentaries on Aristotle's texts, Buridan wrote influential question-commentaries. These were a typical genre of the medieval scholastic output, in which the authors systematically and thoroughly discussed the most problematic issues raised by the text they were lecturing on. The question-format allowed Buridan to work out in detail his characteristically nominalist take on practically all aspects of Aristotelian philosophy, using the conceptual tools he developed in his works on logic. Buridan's influence in the late Middle Ages can hardly be overestimated. His ideas quickly spread not only through his own works, but to an even larger extent through the work of his students and younger colleagues, such as Nicholas Oresme, Marisilius of Inghen, and Albert of Saxony, who in turn became very influential themselves, and turned Buridan's ideas into standard textbook material in the curricula of many late medieval European universities. With the waning of scholasticism Buridan's fame quickly faded. Gyula Klima argues, however, that many of Buridan's academic concerns are strikingly similar to those of modern philosophy and his work sometimes quite directly addresses modern philosophical questions.

Of the spiritual odysseys which dominate the literature of nineteenth-century England, Newman's Apologia Pro Vita Sua is universally acknowledged as one of the greatest and yet one of the most difficult. Newman wrote the Apologia in 1864, as a reply to Charles Kingsley's attack on his veracity and that of his fellow Roman Catholic clergy; the following year he revised it extensively and thereafter amended new impressions almost until his death in 1890. This fine edition, long unavailable, has been reissued for the centenary; it includes all the variants resulting from Newman's revisions, in both the printed texts and the surviving manuscripts.

"In this insightful, fascinating portrayal, Elizabeth Lev brings Caterina Sforza and her times very much to life."--Kathleen Turner, actress and author of "Send Yourself Roses"
A strategist to match Machiavelli; a warrior who stood toe to toe with the Borgias; a wife whose three marriages would end in bloodshed and heartbreak; and a mother determined to maintain her family's honor, Caterina Riario Sforza de' Medici was a true Renaissance celebrity, beloved and vilified in equal measure. In this dazzling biography, Elizabeth Lev illuminates her extraordinary life and accomplishments.
Raised in the court of Milan and wed at age ten to the pope's corrupt nephew, Caterina was ensnared in Italy's political intrigues early in life. After turbulent years in Rome's papal court, she moved to the Romagnol province of Forli. Following her husband's assassination, she ruled Italy's crossroads with iron will, martial strength, political savvy, and an icon's fashion sense. In finally losing her lands to the Borgia family, she put up a resistance that inspired all of Europe and set the stage for her progeny--including Cosimo de' Medici--to follow her example to greatness.
A rich evocation of Renaissance life, "The Tigress of Forli" reveals Caterina Riario Sforza as a brilliant and fearless ruler, and a tragic but unbowed figure.
"A rich, nuanced portrait of a highly controversial beauty and military leader, and her violent, albeit glittering, Italian Renaissance milieu."--"Publishers Weekly"
"Well-written and meticulously researched, The Tigress of Forli recreates the world of Renaissance Italy in all its grandeur and violence. At the center stands a remarkable woman, Caterina Riario Sforza. Mother, warrior, and icon, Caterina is unforgettable, and so is the exciting story that Elizabeth Lev tells here."--Barry Strauss, author of "Masters of Command: Alexander, Hannibal, Caesar, and the Genius of Leadership"

A uniquely illuminating memoir of the making of a musician, in which renowned pianist Jeremy Denk explores what he learned from his teachers about classical music: its forms, its power, its meaning - and what it can teach us about ourselves.

In this searching and funny memoir, based on his popular New Yorker article, renowned pianist Jeremy Denk traces an implausible journey. Life is difficult enough as a precocious, temperamental, and insufferable six-year-old piano prodigy in New Jersey. But then a family meltdown forces a move to New Mexico, far from classical music’s nerve centers, and he has to please a new taskmaster while navigating cacti, and the perils of junior high school. Escaping from New Mexico at last, he meets a bewildering cast of college music teachers, ranging from boring to profound, and experiences a series of humiliations and triumphs, to find his way as one of the world’s greatest living pianists, a MacArthur 'Genius,' and a frequent performer at Carnegie Hall.

There are few writers working today who are willing to eloquently explore both the joys and miseries of artistic practice. Hours of daily repetition, mystifying early advice, pressure from parents and teachers who drove him on – an ongoing battle of talent against two enemies: boredom and insecurity. As we meet various teachers, with cruel and kind streaks, Denk composes a fraught love letter to the act of teaching. He brings you behind the scenes, to look at what motivates both student and teacher, locked in a complicated and psychologically perilous relationship.

In Every Good Boy Does Fine, Denk explores how classical music is relevant to 'real life,' despite its distance in time. He dives into pieces and composers that have shaped him – Bach, Mozart, Schubert, and Brahms, among others – and gives unusual lessons on melody, harmony, and rhythm. Why and how do these fundamental elements have such a visceral effect on us? He tries to sum up many of the lessons he has received, to repay the debt of all his amazing teachers; to remind us that music is our creation, and that we need to keep asking questions about its purpose.

Eierigting is‘n regsterm wat beteken dat jy die reg in jou eie hande neem.

In ‘n grondwetlike bestel is die uitgangspunt dat die burgery kollektief hul reg om hulself te beskerm oordra aan die staat. Wanneer die staat faal en nie meer sy burgers beskerm nie, verander die situasie. Dan raak eierigting nodig.

Willie Spies skryf sedert 2016 – die jaar van Fees Must Fall in Suid-Afrika en die verkiesing van Donald Trump in die VSA – rubrieke vir Beeld en Netwerk 24.

Die rubrieke ontgin die stand van die makro-omgewing van verval van die staat waarin Suid-Afrikaners hulle bevind gedurende die jare van staatskaping, die einde van die Zuma-bewind, die EFF, die einde van Afrikaans in die universiteitswese, die era van Rama-forie, die COVID-pandemie en gepaardgaande wêreld gebeure in historiese konteks.

Dit keer telkens terug na die mikro-werklikheid van eie menswees, geloof, hartseer, eensaamheid, verlies, ouer-word en vergifnis.

Dit ondersoek ’n nuwe vryheidsideaal, 30 jaar na die verkiesing van 27 April 1994 en beskryf hoe eierigting regmatig deur instellings van die burgerlike samelewing plaasvind wat leemtes vul wat die staat ooplaat.

No murderer should ever be the keeper of their victim's story …

On 1 February, 1910, vivacious music-hall performer, Belle Elmore, suddenly vanished from her north London home, causing alarm among her circle of female friends, the entertainers of the Music Hall Ladies’ Guild who demanded an immediate investigation.

They could not have known what they would provoke: the unearthing of a gruesome secret, followed by a fevered manhunt for the prime suspect: Belle’s husband, medical fraudster, Dr Hawley Harvey Crippen.

Hiding in the shadows of this evergreen tale is Crippen’s typist and lover, Ethel Le Neve – was she really just ‘an innocent young girl’ in thrall to a powerful older man as so many people have since reported?

In this epic examination of one of the most infamous murders of the twentieth century, prizewinning social historian Hallie Rubenhold gives voice to those who have never properly been heard – the women.

Featuring a carnival cast of eccentric entertainers, glamorous lawyers, zealous detectives, medics and liars, STORY OF A MURDER is meticulously researched and multi-layered, offering the reader an electrifying snapshot of Britain and America at the dawn of the modern era.

In response to increased focus on the protection of intangible cultural heritage across the world, Music Endangerment offers a new practical approach to assessing, advocating, and assisting the sustainability of musical genres. Drawing upon relevant ethnomusicological research on globalization and musical diversity, musical change, music revivals, and ecological models for sustainability, author Catherine Grant systematically critiques strategies that are currently employed to support endangered musics. She then constructs a comparative framework between language and music, adapting and applying the measures of language endangerment as developed by UNESCO, in order to identify ways in which language maintenance might (and might not) illuminate new pathways to keeping these musics strong. Grant's work presents the first in-depth, standardized, replicable tool for gauging the level of vitality of music genres, providing an invaluable resource for the creation and maintenance of international cultural policy. It will enable those working in the field to effectively demonstrate the degree to which outside intervention could be of tangible benefit to communities whose musical practices are under threat. Significant for both its insight and its utility, Music Endangerment is an important contribution to the growing field of applied ethnomusicology, and will help secure the continued diversity of our global musical traditions.

There is only one Arsene Wenger - and for the very first time, in his own words, this is his story. In this definitive autobiography, the world-renowned revolutionary football manager discusses his life and career, sharing his leadership principles for success on and off the field and recalling vivid tales of guiding Arsenal to unprecedented success. One of the most influential figures in world football, Wenger won multiple Premier League titles, a record number of FA Cups, and masterminded Arsenal's historic 'Invincibles' season of 2003-2004 and 49-match unbeaten run. He changed the game in England forever, popularising an attacking approach and changing attitudes towards nutrition, fitness and coaching methods - and towards foreign managers. In My Life in Red and White, Wenger charts his extraordinary career, including his rise in France and Japan where he managed Nancy, Monaco and Nagoya Grampus Eight - clubs that also play in red-and-white - to his twenty-two years in north London at the helm of one of the world's biggest clubs. He reflects on Arsenal's astonishing domestic triumphs and bittersweet European campaigns; signing - and selling - some of the world's most talented players; moving the Gunners to their new home, the Emirates Stadium; and the unrest that led to his departure in 2018 and subsequent role as Chief of Global Football Development for FIFA. This book is a must-read for not only Arsenal supporters but football fans everywhere, as well as business leaders and anyone seeking the tools for success in work and life. It will illuminate the mystique surrounding one of the most revered and respected managers, revealing the wisdom and vision that made him an icon in the world's most popular sport.

In this latest addition to Oxford's Modernist Literature & Culture series, renowned modernist scholar Michael North poses fundamental questions about the relationship between modernity and comic form in film, animation, the visual arts, and literature. Machine-Age Comedy vividly constructs a cultural history that spans the entire twentieth century, showing how changes wrought by industrialization have forever altered the comic mode. With keen analyses, North examines the work of a wide range of artists - including Charlie Chaplin, Walt Disney, Marcel Duchamp, Samuel Beckett, and David Foster Wallace - to show the creative and unconventional ways the routinization of industrial society has been explored in a broad array of cultural forms. Throughout, North argues that modern writers and artists found something inherently comic in new experiences of repetition associated with, enforced by, and made inevitable by the machine age. Ultimately, this rich, tightly focused study offers a new lens for understanding the devlopment of comedic structures during periods of massive social, political, and cultural change to reveal how the original promise of modern life can be extracted from its practical disappointment.

This is not a book about gardening. It's a book about becoming - wildly, messily, and against all odds.

"Sometimes I was sunshine. Sometimes I was stormy. Sometimes I was a dandelion blowing away in 20 directions at once, and other times I stood tall like a sunflower, faking confidence but rooted deep. It's a story about falling forward, laughing at bad timing, and blooming on your own weird wonderful terms."

In this bold, heartfelt, and occasionally unfiltered memoir, the author dives into the mess of becoming. A real life story of blooming through the cracks and accidentally growing a life worth loving. Wild, rooted & occasionally untamed. It's for anyone who's smiled through storms, bloomed in chaos, or grown deep roots in rocky places.

Oops! I Bloomed Again is a laugh-out-loud, tear-jerking kind of story for the ones who bloom sideways, bounce back louder, and keep showing up, even when the soil gets rough. Expect laughs. Expect tears. Expect dandelions in unexpected places.

And between the pages?

• You'll find surprising little treasures
• Playful and practical fun facts
• Heartfelt poems that grew from real moments
• Delicious recipes from life well-lived
• And "recipes for life" - the kind you don't learn in school but pick up along the way

  If you've ever been "too sensitive," "too tired," or "too much," this ones for you.

  Because growth, it's not always pretty, it's not always graceful. But it's mighty powerful and glorious. And it is yours to grow into!

Surviving Images explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts. This work treats the concept of trauma critically, however, and posits that social trauma must be understood as a framework for producing social and political meaning out of these historical events. Social trauma thus sets out a productive process of historical interpretation, and cultural texts such as cinematic works both illuminate and contribute to this process. Through these discussions, Surviving Images illustrates cinema's productive role in contributing to the changing dynamics of cultural memory of war and social conflict in the modern world.

This book is an original, systematic, and radical attempt at decolonizing critical theory. Drawing on linguistic concepts from 16 languages from Asia, Africa, the Arab world, and South America, the essays in the volume explore the entailments of words while discussing their conceptual implications for the humanities and the social sciences everywhere. The essays engage in the work of thinking through words to generate a conceptual vocabulary that will allow for a global conversation on social theory which will be necessarily multilingual.

With essays by scholars, across generations, and from a variety of disciplines – history, anthropology, and philosophy to literature and political theory – this book will be essential reading for scholars, researchers, and students of critical theory and the social sciences.

How do I give myself to God completely? What happens when I do? I Dared to Call Him Father is a book for everyone who has ever asked these questions. This is the fascinating true story of Bilquis Sheikh, a prominent Muslim woman in Pakistan, who faced these questions at the crossroads of her life—and found the astonishing answers.

Her entire life turned upside down as a series of strange dreams launched her on a quest that would forever consume her heart, mind and soul. Read the first-person account of how her unusual journey to a personal relationship with God turned her world upside down—and put her life in danger.

Originally published in 1978, the book has sold over 300,000 copies and is a classic in Muslim evangelism. The 25th anniversary edition contains a new afterword by a Western friend of Bilquis and a new appendix on how the East enriches the West.