Literary Feminisms provides a map for charting the difficult waters that feminist theories have created in literary studies. Ruth Robbins shows the reasons for the development of feminist literary critiques, explains the difficulties and exposes some of feminism's blindspots. A wide range of theorists is discussed, ranging from Wollstonecraft to Kristeva, showing the ways in which materialist, psychoanalytic and literary accounts of feminist thinking creatively intersect. Through a series of exemplary readings, of texts such as The Picture of Dorian Gray and The Yellow Wallpaper, she also points out how the student reader can begin to make her or his own feminist criticism, and can learn to engage with both the politics and poetics of the literature.

'I cannot say enough about How to Read Now... Check it out' Roxane Gay 'A red-hot grenade... One of my favourite books of the year' Jia Tolentino 'Energetically brilliant, warmly humane, incisively funny' Andrew Sean Greer 'I gasped, shouted, and holler-laughed . . . Phenomenal' R.O. Kwon 'A wake-up call. A broadside. A rich and brilliant war cry' Chris Power How many times have we heard that reading builds empathy? That we can travel through books? How often have we were heard about the importance of diversifying our bookshelves? Or claimed that books saved our lives? These familiar words - beautiful, aspirational - are sometimes even true. But award-winning novelist Elaine Castillo has more ambitious hopes for our reading culture, and in this collection of linked essays, she moves to wrest reading away from the aspirations of uniting people in empathetic harmony and reposition it as thornier, ultimately more rewarding work. How to Read Now explores the politics and ethics of reading, and insists that we are capable of something better: a more engaged relationship not just with our fiction and our art, but with our buried and entangled histories. Smart, funny, galvanizing, and sometimes profane, Castillo attacks the stale questions and less-than-critical proclamations that masquerade as vital discussion: reimagining the cartography of the classics, building a moral case against the settler colonialism of lauded writers like Joan Didion, taking aim at Nobel Prize winners and toppling indie filmmakers, and celebrating glorious moments in everything from popular TV like The Watchmen to the films of Wong Kar-wai and the work of contemporary poets like Tommy Pico. At once a deeply personal and searching history of one woman's reading life, and a wide-ranging and urgent intervention into our globalized conversations about why reading matters today, How to Read Now empowers us to embrace a more complicated, embodied form of reading, inviting us to acknowledge complicated truths, ignite surprising connections, imagine a more daring solidarity, and create space for a riskier intimacy - within ourselves, and with each other.

Ends of Assimilation compares sociological and Chicano/a (Mexican American) literary representations of assimilation. It argues that while Chicano/a literary works engage assimilation in complex, often contradictory ways, they manifest an underlying conviction in literature's productive power. At the same time, Chicano/a literature demonstrates assimilation sociology's inattention to its status as a representational discourse. As twentieth-century sociologists employ the term, assimilation reinscribes as fact the fiction of a unitary national culture, ignores the interlinking of race and gender in cultural formation, and valorizes upward economic mobility as a politically neutral index of success. The study unfolds chronologically, describing how the historical formation of Chicano/a literature confronts the specter of assimilation discourse. It tracks how the figurative, rhetorical, and lyrical power of Chicano/a literary works compels us to compare literary discourse with the self-authorizing empiricism of assimilation sociology. It also challenges presumptions of authenticity on the part of Chicano/a cultural nationalist works, arguing that Chicano/a literature must reckon with cultural dynamism and develop models of relational authenticity to counter essentialist discourses. The book advances these arguments through sustained close readings of canonical and noncanonical figures and gives an account of various moments in the history and institutional development of Chicano/a literature, such as the rise and fall of Quinto Sol Publications, asserting that Chicano/a writers, editors, and publishers have self-consciously sought to acquire and redistribute literary cultural capital.

In The Syndicate of Twenty-two Natives Lindiwe Sangweni-Siddo offers an elegy to her father, the late Professor Stan Sangweni, which explores the personal saga of a family’s lineage rooted in eZuka on Suspence Farm, Newcastle, in what is now northern KwaZulu-Natal.

In turn, Prof Sangweni opens a window into a past where his grandfather, with foresight and ingenuity, became part of The Syndicate of Twenty-two Natives, a group that secured land for their families, including his family of seven wives, and for succeeding generations at a time when Black people in South Africa were being systematically dispossessed of their land.

While packing up her father’s study as her parents prepare to move from their home after 27 years, Lindiwe and her father uncover his lifelong collection of documents and pictures that detail the intricacies of his life as a devoted family man, an ANC veteran and anti-apartheid activist, a pioneer of public service excellence in post-apartheid South Africa and an inveterate stickler for detail in every aspect of his life. Inspiring, often humorous, occasionally cataclysmically disruptive and generally victorious, this memoir is a tribute and a testament to the enduring legacy of those who pave the way amidst the trials of history for future generations.

This authentic account is a tribute to the courage and resolve with which soldiers and their loved ones confront uncertainty, fear, hardship and the loss of their comrades. Subjected to continual changes of affiliation as the Falklands campaign unfolds, 2 Troop has to create its own identity and sense of belonging drawing on its professional belief, strength of leadership, and intrinsic camaraderie. This is the story of how they did it, and the contribution they made, in one of the toughest campaigns since World War 2. A 'must read' for aspiring junior commanders and students of the realities of war. -- General Sir Peter Wall GCB, CBE, DL, FREng

No other description available.

Maverick. Leadership genius. Self-made millionaire. Dragon. The rock star of public speaking. Vusi Thembekwayo has been called many things.

Join him in his inspiring journey from the township to the top echelons of South African business, to becoming one of the youngest directors of a listed company and CEO of a boutique investment firm. As a Dragons' Den judge and a sought- after public speaker across the globe, Vusi doesn't just talk business – he lives it.

Now you can learn the secret of his success and how to shape your own destiny.

J. Michael Wilson (1916-1999), Soldier, Medical Doctor, Priest and Academic, may be best known for his often ground-breaking professional achievement, from working with lepers in Ghana to his seminal work in Pastoral Studies. For all his successful accomplishments, however, he thought accolades, titles and qualifications were no more than vain baubles for obituary columns. Becoming a fully human being was, he believed, best manifested in community, through art, poetry, prayer and revelling in the wonders of Nature. Here, finally, is your chance to share a merry dance through his creative life and works...

Servant of God Nicholas Black Elk (1863-1950) is popularly celebrated for his fascinating spiritual life. How could one man, one deeply spiritual man, serve as both a traditional Oglala Lakota medicine man and a Roman Catholic catechist and mystic? How did these two spiritual and cultural identities enrich his prayer life? How did his commitment to God, understood through his Lakota and Catholic communities, shape his understanding of how to be in the world? To fully understand the depth of Black Elk's life-long spiritual quest requires a deep appreciation of his life story. He witnessed devastation on the battlefields of Little Bighorn and the Massacre at Wounded Knee, but also extravagance while performing for Queen Victoria as a member of "Buffalo Bill" Cody's Wild West Show. Widowed by his first wife, he remarried and raised eight children. Black Elk's spiritual visions granted him wisdom and healing insight beginning in his childhood, but he grew progressively physically blind in his adult years. These stories, and countless more, offer insight into this extraordinary man whose cause for canonization is now underway at the Vatican.

Elvis Presley was strongly connected to Nashville and recorded approximately 260 songs at RCA Studio B in Nashville. He also performed in several concerts in the area and, during his early days, often came to Nashville to confer with his manager, Colonel Tom Parker, who lived in Nashville.

In this keenly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects which have captured her attention in recent years.

She takes an exhilaratingly close look at artists Toyin Ojih Odutola, Kara Walker and Celia Paul. She invites us along to the movies, to see and to think about Tár, and to Glastonbury to witness the ascendance of Stormzy. She takes us on a walk down Kilburn High Road in her beloved North West London and invites us to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. She considers changes of government on both sides of the Atlantic – and the meaning of ‘the commons’ in all our lives.

Throughout this thrilling collection, Zadie Smith shows us once again her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage. She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester. However, there is great kindness and warmth in this epic love story, which is set against the magnificent backdrop of the Yorkshire moors. Ultimately the grand passion of Jane and Rochester is called upon to survive cruel revelation, loss and reunion, only to be confronted with tragedy.

This is a story of a simple idea that turned into a global movement. This is the story of parkrun, told for the very first time from the man who started it all.

Growing up in the brutal care system of South Africa, Paul Sinton-Hewitt had a lonely, difficult childhood. Yet he found solace in running – a simple pleasure that taught him resilience and offered a young boy a sense of self-worth.

With dogged determination, Paul built a stable family life for himself and eventually settled in the UK. But by 2004 he was struggling to hold it all together. He’d lost the successful career he’d worked so hard for, his marriage had broken down, and now a devastating injury threatened to cut him off from the running club which had been a lifeline.

In search of connection and purpose, Paul came up with a simple idea. He would start a weekly time trial run every Saturday morning in his local park. There would be no winners or losers, it would always be free and Paul would be there every week – even on Christmas Day – whether or not anyone else came. Little did he know that from just thirteen runners on that first Saturday, parkrun would grow into a 10 million strong community across five continents. Twenty years on parkrun continues to grow, bringing together people from all walks of life in search of health, happiness and community.

Filled with hope and optimism, One Small Step is a powerful affirmation of how coming together in simple ways can change our own lives and might even change the world.

No aspect of modernist literature has attracted more passionate defenses, or more furious denunciations, than its affinity for the idea of autonomy. A belief in art as a law unto itself is central to the work of many writers from the late nineteenth century to the present. But is this belief just a way of denying art's social contexts, its roots in the lives of its creators, its political and ethical obligations?
Fictions of Autonomy argues that the concept of autonomy is, on the contrary, essential for understanding modernism historically. Disputing the prevailing skepticism about autonomy, Andrew Goldstone shows that the pursuit of relative independence within society is modernism's distinctive way of relating to its contexts. Goldstone examines an expansive modernist field in fiction, poetry, and theory--Oscar Wilde, J.-K. Huysmans, Henry James, Marcel Proust, T.S. Eliot, James Joyce, Wallace Stevens, Djuna Barnes, Theodor Adorno, Paul de Man--in order to reveal an ever-shifting preoccupation with autonomy. Drawing on Bourdieu's sociology, formalist reading, and historical contextualization, this book demonstrates the importance of autonomy to modernist themes as varied as domestic service, artistic aging, expat life, and non-referentiality.
Nothing less than an argument for a wholesale revision of the assumptions of modernist studies, Fictions of Autonomy is also an intervention in literary theory. This book shows why anyone interested in literary history, the sociology of culture, and aesthetics needs to take account of the social, stylistic, and political significance of the problem, and the potential, of autonomy.

THE SUNDAY TIMES BESTSELLER Discover the funny, uplifting, occasionally heartbreaking and always honest life story of Phillip Schofield '[A] fantastic read on such an interesting life' Lorraine Kelly 'A really smashing book' Michael Ball For forty years we've watched Phillip on our tellies, from children's TV to This Morning and Dancing on Ice, but what is it like on set and who is he when the camera's off? In Life's What You Make It Philip for the first time takes us behind the scenes of his remarkable career. From his idyllic childhood in Cornwall, where for years he pestered the BBC for a job, eventually landing a prize position in the Broom Cupboard with mischievous sidekick Gordon the Gopher, through hosting Going Live!, starring in Joseph and the Amazing Technicolour Dreamcoat and finally finding his on-screen home and presenting-partner Holly Willoughby on This Morning, Phillip takes us on the highs and lows of his extraordinary life. ____ 'For a long time, I felt that I couldn't write this book. At first, I didn't think I'd lived enough, then life got busy and filled with distractions. In more recent years, there was always a very painful consideration - I knew where it would eventually have to go. 'I have recently decided that the truth is the only thing that can set me free. The truth has taken a long time to make itself clear to me, but now is the right time to share it, all of it. 'Television and broadcasting has been a part of my DNA for as long as I can remember. As a young boy I would make model TV sets out of cardboard boxes, while spending long summers at home, barefoot on Cornwall's golden beaches. Landing a job at the ice-cream kiosk, I would enviously look on as my presenting heroes took to the stage of Radio 1's Roadshow, an unforgettable event when it came to town. 'In Life's What You Make It I look back with nostalgic delight on my life, from being a young boy endlessly writing letters to the BBC in pursuit of a job in broadcasting, to making it on to the Broom Cupboard, with my infamous sidekick Gordon the Gopher, to being on Going Live and starring as the lead in Lord Andrew Lloyd Webber's Joseph and the Amazing Technicolour Dreamcoat. It has taken four decades to get here but I feel lucky to have called the sets of Talking Telephone Numbers, The Cube, Dancing on Ice and of course, This Morning, home. 'I'm going to take you behind the scenes of my television home at ITV, into my career and my dangerously funny relationship with Holly Willoughby. I'm going to introduce you to my loving and remarkable family, and I hope most of all to tell you that life, it seems, is what you make it. Take it from someone who has sat on the very edge and looked over, it's all about the people that love you, and after that anything is possible. So, finally, here we go, this is the real me.' ____ 'A beautiful book. There are amazing stories in there about meeting Princess Diana, the Red Arrows and all of our favourite telly shows. It's a delight' Zoe Ball, BBC Radio 2 'We have loved your book - you've been so honest, open, everything that anyone will have hoped to get from this book . . . you get it. A stroll through your incredible career and you also tackle, head on, in a really beautiful way what happened earlier this year' Andrea McLean, Loose Women 'One of our favourite things is the many hilarious anecdotes he has to share about his good friend Holly Willoughby' Hello! 'The book we've all been waiting for . . . we haven't been able to put it down' New 'A bona fide national treasure . . . He tells his story in his way, with great honesty' Prima 'A fantastic read!' Steve Wright, BBC Radio 2

This collection of poems by Betsy Sholl offers revelations by weaving together seemingly unrelated events.