In January 2003, the Berest family receive a mysterious, unsigned postcard. On one side was an image of the Opéra Garnier; on the other, the names of their relatives who were killed in Auschwitz: Ephraïm, Emma, Noémie and Jacques.

Years later, Anne sought to find the truth behind this postcard. She journeys 100 years into the past, tracing the lives of her ancestors from their flight from Russia following the revolution, their journey to Latvia, Palestine, and Paris, the war and its aftermath. What emerges is a thrilling and sweeping tale based on true events that shatters her certainties about her family, her country, and herself.

At once a gripping investigation into family secrets, a poignant tale of mothers and daughters, and an enthralling portrait of 20th-century Parisian intellectual and artistic life, The Postcard tells the story of a family devastated by the Holocaust and yet somehow restored by love and the power of storytelling.

'Cozzens is a master storyteller' The Times From the devastating invasion by Spanish conquistadors in the sixteenth century to the relentless pressure from white settlers 150 years later, A Brutal Reckoning tells the story of encroachment on the vast Native American territory in the Deep South, which gave rise to the Creek War, the bloodiest in American Indian history, and propelled Andrew Jackson into national prominence, as he led the US Army in a ruthless campaign. It was a war that involved not only white Americans and Native Americans but also the British and the Spanish, and ultimately led to the Trail of Tears, in which the government forcibly removed the entire Creek people, as well as the neighbouring Chickasaw, Choctaw and Cherokee nations, from their homelands, leaving the way open for the conquest of the West. No other single Indian conflict had such a significant impact on the fate of the country. Wonderfully told and brilliantly detailed, A Brutal Reckoning is a sweeping history of a crucial period in the destruction of America's native tribes.

Through life-changing stories, respected thinkers and authentic presentations, Keynote promotes a deeper understanding of the world and gives students the courage and means to express themselves in English. Communication, collaboration and creative thinking drive students towards real 21st century outcomes and encourage them to respond to ideas and find their own voice. Both students and teachers will emerge with new confidence, new ideas and a new determination to communicate in this increasingly information-rich world of Global English.

In Eccentric Wealth, Alastair Scott traces the life of Lancashire industrialist Sir George Bullough in this absorbing biography which explores his family's connection with the Hebridean island of Rum, particularly the building of Kinloch Castle, the most intact preserve of Edwardian highliving to be found in Britain. Based on new information, the book offers a fascinating insight into the life and times of one of the great eccentrics of his age, including the Bullough myths and scandals which continue to make extraordinary reading more than a hundred years later.

Japanese From Zero! is an innovative and integrated approach to learning Japanese developed by professional Japanese interpreter George Trombley and co-writer Yukari Takenaka. The lessons and techniques used in this series have been taught successfully for over ten years in classrooms throughout the world. Using up-to-date and easy-to-grasp grammar, Japanese From Zero! is the perfect course for current students of Japanese as well as absolute beginners. In Book 1 of the Japanese From Zero! series, readers are taught new grammar concepts, over 800 new words and expressions, and also learn the hiragana writing system. Features of Book 1: * Integrated Workbook with Answer Key * Over 800 New Words and Expressions * Learn to Read and Write Hiragana * Easy-to-Understand Example Dialogues * Culture Points about Japan * Bilingual Glossaries with Kana and Romaji ...and much more!

In this powerful second poetry collection, award-winning South African poet Jeannie Wallace McKeown maps the landscape of loss with unflinching honesty and lyrical grace.

Set against the backdrop of the Covid-19 pandemic, these poems navigate the intimate terrain of grief following the death of her parents, transforming everyday moments—from morning tea to grocery shopping—into profound meditations on love and survival. With clear-eyed precision and without descending into sentimentality, McKeown reminds us that in our shared vulnerability lies our deepest connection to life itself.

These are poems that demand to be felt, understood, and returned to again and again.

A scholarly edition of poems by Sir Philip Sidney. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Garden of Mystery, the 'Gulshan-i Raz', holds a unique position in Persian Sufi literature. It is a compact and concise exploration of the doctrines of Sufism at the peak of their development that has remained a primary text of Sufism throughout the world from Turkey to India. It comprises a thousand lines of inspired poetry taking the form of answers to questions put by a fellow mystic. It provides a coherent literary bridge between the Persian 'school of love' poetry and the rapidly growing number of metaphysical and gnostic compositions from what had come to be known as the school of the 'Unity of Being'. Translated by Robert Darr who has for thirty-five years been a student of classical Islamic culture.

The Real Interior not only allows the reader a behind-the-scenes peek into the glitz and glamour of design and décor, but into a career once never considered an option for a young girl, born in Soweto.

As one of the first black and very recognisable faces of Interior Design in Africa, Nthabi Taukobong was thrust into the limelight from the very start of her profession. Spanning a career of more than 23 years she has worked on esteemed residential and leisure projects for presidents, African royalty, captains of industry and five-star hotels, to name but a few. Through the rough and often very challenging terrain of her chosen career, sprinkled generously with the high-end glamour of prestigious interiors that Nthabi has been privileged to work on, she learned that she, in fact, had to be seated right within her own interior before she could offer anything further to those in search of her creative gift.

And as she searched and explored the greater world of design, trying to grasp what it really took to be an esteemed designer, the journey unexpectedly brought her right back into her own home. Not only Nthabi’s physical home, but also to her inner-home, the place that she refers to as her ‘real interior’. It was in writing a letter one evening, congratulating herself on reaching the milestone of 21 years in her career, that Nthabi discovered she was not only writing to herself, but to every creative.

Her letter ended up being an entire book and Nthabi finally understood how her unique story could inspire and encourage others.

Over the course of two decades and six books, Peter Markus has been making fiction out of a lexicon shaped by the words brother and fish and mud. In an essay on Markus's work, Brian Evenson writes, ""If it's not clear by now, Markus's use of English is quite unique. It is instead a sort of ritual speech, an almost religious invocation in which words themselves, through repetition, acquire a magic or power that revives the simpler, blunter world of childhood."" Now, in his debut book of poems, When Our Fathers Return to Us as Birds, Markus tunes his eye and ear toward a new world, a world where father is the new brother, a world where the father's slow dying and eventual death leads Markus, the son, to take a walk outside to ""meet my shadow in the deepening shade."" In this collection, a son is simultaneously caring for his father, losing his father, and finding his dead father in the trees and the water and the sky. He finds solace in the birds and in the river that runs between his house and his parents' house, with its view of the shut-down steel mill on the river's other side, now in the process of being torn down. The book is steadily punctuated by this recurring sentence that the son wakes up to each day: My father is dying in a house across the river. The rhythmic and recursive nature to these poems places the reader right alongside the son as he navigates his journey of mourning. These are poems written in conversation with the poems of Jack Gilbert, Linda Gregg, Jim Harrison, Jane Kenyon, Raymond Carver, Theodore Roethke too-poets whose poems at times taught Markus how to speak. ""In a dark time . . .,"" we often hear it said, ""there are no words."" But the truth is, there are always words. Sometimes our words are all we have to hold onto, to help us see through the darkened woods and muddy waters, times when the ear begins to listen, the eye begins to see, and the mouth, the body, and the heart, in chorus, begin to speak. Fans of Markus's work and all of those who are caring for dying parents or grieving their loss will find comfort, kinship, and appreciation in this honest and beautiful collection.