Redeem your story, redefine your creativity, and make a life that truly matters Sometimes the greatest gift you can receive is for your life to fall apart. After years stuck in a painful cycle fueled by past abuse and ongoing addiction, actor, artist, and director Blaine Hogan finally hit rock bottom. No longer able to hide behind the veneer of success or find comfort in the shadows of compulsion, Blaine was forced to look at the story his life was telling and realize he'd lost the plot. Desperate to find hope, he gave up a budding career and took a major life detour where he discovered that facing his past was the key to unlocking a new kind of creativity. In Exit the Cave, Blaine shares the stories that shaped him while exploring how our relationship to our past defines how we imagine the future and live in the present. Through powerful personal revelations, he invites you to take up the practices of radical imagination and real creativity so you can tell a better story with your life. If you've ever been stuck, addicted, ashamed, discontented, or lost, take courage--a richer, more imaginative, and meaningful life is waiting for you just outside the cave. "A tender but fierce story of survival, reckoning, and redemption. Blaine manages to somehow weave themes of acting, allegory, addiction, family, and faith into one beautifully written account of his own healing. This is the kind of story that will redeem you."--Laura McKowen, bestselling author of We Are the Luckiest "Blaine Hogan has inspired me for many years with his unique way of seeing the world. In this book you'll find a blast of inspiration and a trusty guide to help you exit the cave and enter a world that is real and beautiful and vital."--Brad Montague, New York Times bestselling author and illustrator of The Circles All Around Us, Becoming Better Grownups, and Kid President's Guide to Being Awesome

The real story that inspired the BBC drama, The Gold

On Saturday, 26 November 1983, an armed gang stole gold bullion worth almost £26 million from the Brink's-Mat security depot near London's Heathrow Airport. It was the largest robbery in world history, and only the start of an extraordinary story. For forty years, myths and legends have grown around the Brink's-Mat heist and the events that followed.

The heist led to a wave of international money laundering, provided dirty money that helped fuel the London Docklands property boom, caused seismic changes in both British crime and policing, and has been linked to a series of deaths that continued until 2015.

The Gold is the conclusion of extensive research and includes exclusive testimony from one of the original robbers who gives his version of events for the first time. The result is the astonishing true story of the robbery of the century.

At last, here is the ultimate celebration of the nation's beloved sitcom from its legendary creator, John Cleese. Enjoy the behind-the-scenes magic, with stunning on-set photographs from the archives ... and a laugh a page!

Duck surprise. The car that wouldn't start. The psychiatrists. Those builders...

Fifty years ago Fawlty Towers hit British TV screens for the first time, becoming an instant classic. Now for the first time John Cleese tells his stories from behind the scenes of his favourite moments. From writing scripts that were so carefully planned they were double the length of similar shows', to casting, lighting, how the show was almost cancelled before it started, and other production shenanigans, these are your favourite moments from Fawlty Towers as you've never seen them before. Exploring the how and why of creating classic comedy, there is a laugh on every page, and a dose of nostalgia for vintage TV fans. With gorgeous commissioned illustration and archival imagery, the book revisits such iconic scenes as Basil thrashing his car, a rat appearing in a box of cheese biscuits, and Basil goose-stepping across the dining room to an audience of horrified guests.

Written by and starring Cleese and his then-wife Connie Booth, the first series of Fawlty Towers aired in 1975, with a second series broadcast in 1979. It featured Cleese as the irascible hotel manager Basil Fawlty, Prunella Scales as his sybaritic wife Sybil, Andrew Sachs as the hapless waiter Manuel, and Booth as Polly, an efficient waitress and art student. It won three BAFTAS and, despite having only 12 episodes in total, continues to be regularly voted the best sit-com in British history.

Growing up in the village of Sabhoza near Ulundi and the city of Durban of the 1950s and 1960s, Thembi Mtshali Jones listened to her beloved gogo’s stories and marvelled at the voices emerging from her father’s gramophone, but she could never imagine that, one day, her own voice would be enthralling audiences across the globe. Or that she would become so famous that Nelson Mandela would thank her personally for entertaining him in prison where he watched her perform on TV as Thoko in the sitcom Sgudi Snaysi .

In one of the poorest cities in America - Reading, Pennsylvania - a group of factory workers struggle to keep their present lives in balance, ignorant of the financial devastation looming in their near future. Based on the playwright's extensive interviews with residents of Reading, Lynn Nottage's play Sweat is a tale of friends pitted against each other by big business, and a topical reflection of the present and poignant decline of the American Dream. The play premiered in Oregon in 2015, before being produced at the Public Theater, New York, in 2016, and the following year on Broadway, where it won the Pulitzer Prize for Drama. It received its UK premiere at the Donmar Warehouse, London, in 2018, directed by Lynette Linton, and went on to win Best Play at the 2019 Evening Standard Theatre Awards.

On October 7th, 2023, Hamas terrorists stormed Kibbutz Be’eri, shattering the peaceful life Eli Sharabi had built with his British wife, Lianne, and their teenage daughters, Noiya and Yahel. Dragged barefoot out of his front door while his family watched in horror, Sharabi was plunged into the suffocating darkness of Gaza’s tunnels. In total he endured a gruelling 491 days in captivity - all the while holding onto the hope that he would one day be reunited with his loved ones.

In the first memoir by a released Israeli hostage, and the fastest-selling book in Israel’s history, Sharabi offers a searing firsthand account of survival under unimaginable conditions - starvation, isolation, physical beatings, and psychological abuse at the hands of his captors.

Eli Sharabi’s story is one of hunger and heartache, of physical pain, longing, loneliness and a helplessness that threatens to destroy the soul. But it is also a story of strength, of resilience, and of the human spirit’s refusal to surrender. It is about the camaraderie forged in captivity, the quiet power of faith, and one man’s unrelenting decision to choose life, time and time again.

Reminiscent of Elie Wiesel’s Night, Hostage is a profound witness to history, so that it shall be neither forgotten nor erased.

Since at least 1939, when daily-strip caveman Alley Oop time-traveled to the Trojan War, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection is cosmetic-as perhaps with Wonder Woman's Amazonian heritage-and at times it is almost irrelevant-as with Hercules' starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of classics in modern literary culture.
Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature, the comic book. This volume collects sixteen articles, all specially commissioned for this volume, that look at how classical content is deployed in comics and reconfigured for a modern audience. It opens with a detailed historical introduction surveying the role of classical material in comics since the 1930s. Subsequent chapters cover a broad range of topics, including the incorporation of modern theories of myth into the creation and interpretation of comic books, the appropriation of characters from classical literature and myth, and the reconfiguration of motif into a modern literary medium. Among the well-known comics considered in the collection are Frank Miller's 300 and Sin City, DC Comics' Wonder Woman, Jack Kirby's The Eternals, Neil Gaiman's Sandman, and examples of Japanese manga. The volume also includes an original 12-page "comics-essay," drawn and written by Eisner Award-winning Eric Shanower, creator of the graphic novel series Age of Bronze.

"They've said some crazy things about me over the years. I mean, okay: 'He bit the head off a bat.' Yes. 'He bit the head off a dove.' Yes. But then you hear things like, 'Ozzy went to the show last night, but he wouldn't perform until he'd killed fifteen puppies . . .' Now "me," kill fifteen puppies? I love puppies. I've got eighteen of the f**king things at home. I've killed a few cows in my time, mind you. And the chickens. I shot the chickens in my house that night.
It haunts me, all this crazy stuff. Every day of my life has been an event. I took lethal combinations of booze and drugs for thirty f**king years. I survived a direct hit by a plane, suicidal overdoses, STDs. I've been accused of attempted murder. Then I almost died while riding over a bump on a quad bike at f**king two miles per hour.
People ask me how come I'm still alive, and I don't know what to say. When I was growing up, if you'd have put me up against a wall with the other kids from my street and asked me which one of us was gonna make it to the age of sixty, which one of us would end up with five kids and four grandkids and houses in Buckinghamshire and Beverly Hills, I wouldn't have put money on me, no f**king way. But here I am: ready to tell my story, in my own words, for the first time.
A lot of it ain't gonna be pretty. I've done some bad things in my time. I've always been drawn to the dark side, me. But I ain't the "devil." I'm just John Osbourne: a working-class kid from Aston, who quit his job in the factory and went looking for a good time."

Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwinas personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwinas geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themesathe Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalismato bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.

A unique, quick and enjoyable self-help way to learn to read Hebrew for those who are learning about Judaism, the Bible, the prayer book or the modern State of Israel from scratch, or who feel the need to go right back to basics.

Build students' reading comprehension skills with these fun and easy-to-play games that give kids practice in identifying the main idea, understanding plot, predicting outcomes, recognizing cause and effect, and more. A great way to get students ready for the standardized tests!