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Books > Language & Literature
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Timing
(Paperback)
Alistair McGowan
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R310
Discovery Miles 3 100
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Ships in 10 - 15 working days
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Impressionist Alistair McGowan debuts his first play Timing at the
Kings Head Theatre starting from the 30th September, starring Dean
Gaffney (Robbie from Eastenders) and regular theatre star Edward
Baker-Duly. It seems that McGowan, famed by his sketch show Big
Impression on the BBC has decided to return to the theatre after
his work in Cabaret (Lyric Theatre), Little Shop of Horrors (New
Ambassadors Theatre) and The Mikado (Gielgud Theatre) but this time
as a playwright. Teaming up with director Tamara Harvey, Timing is
all about a young guy called Julian Mann (Baker-Duly) who sets off
to work one morning only to find his ex-girlfriend of 5 years is at
his workplace, but the complication arises in that they have not
spoken since the break-up in which she broke his heart. It is set
to go on until 8th November, and if McGowan's previous work is
anything to go by it should be a comic hit. It should also be
interesting to see how the comedian tackles more serious topics as
well. --Review from spoonfed.co.uk
Ends of Assimilation compares sociological and Chicano/a (Mexican
American) literary representations of assimilation. It argues that
while Chicano/a literary works engage assimilation in complex,
often contradictory ways, they manifest an underlying conviction in
literature's productive power. At the same time, Chicano/a
literature demonstrates assimilation sociology's inattention to its
status as a representational discourse. As twentieth-century
sociologists employ the term, assimilation reinscribes as fact the
fiction of a unitary national culture, ignores the interlinking of
race and gender in cultural formation, and valorizes upward
economic mobility as a politically neutral index of success. The
study unfolds chronologically, describing how the historical
formation of Chicano/a literature confronts the specter of
assimilation discourse. It tracks how the figurative, rhetorical,
and lyrical power of Chicano/a literary works compels us to compare
literary discourse with the self-authorizing empiricism of
assimilation sociology. It also challenges presumptions of
authenticity on the part of Chicano/a cultural nationalist works,
arguing that Chicano/a literature must reckon with cultural
dynamism and develop models of relational authenticity to counter
essentialist discourses. The book advances these arguments through
sustained close readings of canonical and noncanonical figures and
gives an account of various moments in the history and
institutional development of Chicano/a literature, such as the rise
and fall of Quinto Sol Publications, asserting that Chicano/a
writers, editors, and publishers have self-consciously sought to
acquire and redistribute literary cultural capital.
This authentic account is a tribute to the courage and resolve with
which soldiers and their loved ones confront uncertainty, fear,
hardship and the loss of their comrades. Subjected to continual
changes of affiliation as the Falklands campaign unfolds, 2 Troop
has to create its own identity and sense of belonging drawing on
its professional belief, strength of leadership, and intrinsic
camaraderie. This is the story of how they did it, and the
contribution they made, in one of the toughest campaigns since
World War 2. A 'must read' for aspiring junior commanders and
students of the realities of war. -- General Sir Peter Wall GCB,
CBE, DL, FREng
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