A scholarly edition of works by Lady Mary Wortley Montagu. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

For over seventy years there has been no new English edition of the lively and vigorously-written Middle English verse romance of Hauelok, despite the need for a text to meet modern standards of editing. In this new and thorough edition of the poem. Professor Smithers has done much to elucidate the text, providing a detailed glossary, textual notes, and an introduction that contains an account of the main manuscript and of the Cambridge fragments, of the relations of Hauelok to the other main versions of the story, and of the language, the sources, the date of composition. In addition, Smithers supplies a full commentary which goes well beyond those of previous editions in range, scale, and detail.

Winner of the Seamus Heaney First Collection Poetry Prize 2021. Longlisted for the Michael Murphy Memorial Poetry Prize 2021. Arrow is a debut volume extraordinary in ambition, range and achievement. At its centre is 'Dear, beloved', a more-than-elegy for her younger sister who died suddenly: in the two years she took to write the poem, much else came into play: 'it was my hope to write the mood of elegy rather than an elegy proper,' following the example of the great elegists including Milton, to whose Paradise Lost she listened during the period of composition, also hearing the strains of Brigit Pegeen Kelly's Song, of Alice Oswald and Marie Howe. The poem becomes a kind of kingdom, 'one that is at once evil, or blighted, and beautiful, not to mention everything in between'. As well as elegy, Chakraborty composes invocations, verse essays, and the strange extended miracle of the title poem, in which ancient and modern history, memory and the lived moment, are held in a directed balance. It celebrates the natural forces of the world and the rapt experience of balance, form and - love. She declares a marked admiration for poems that 'will write into being a world that already in some way exists'. This is what her poems achieve.

Dazzling. Incomparable. Unforgettable. The definitive book of Taylor Swift's fashion evolution.

This gorgeous hardcover edition has gilded gold edges, foiled cover accents and colored endpapers.

For Taylor Swift, fashion and music go hand-in-hand―each playing a powerful role in shaping the narrative of this generation’s most prolific storyteller. Red lipstick isn’t just a makeup choice―it’s the emblem of an era. A mini skirt isn’t simply part of a cute outfit―it’s a suit of armor. From cowboy boots to teetering heels, fairytale dresses to bleach-tinged tresses, and the many memorable moments in between, Taylor Swift Style tells the fashion story behind every single Taylor Swift album, tracing Swift’s musical evolution along with her ever-changing personal style.

From red carpet looks, to streetwear, to tour costumes, Sarah Chapelle of the successful Instagram and blog Taylor Swift Style, has spent more than a decade documenting Swift’s fashion choices and the intention behind each ensemble. Her deep dives into songs, lyrics, and behind-the-scenes insights paint a portrait of a megastar who knows exactly what she is doing. Taylor Swift Style seeks to explain the ‘why’ behind Swift’s outfits―the Easter Eggs and deeper meanings behind every hemline and haircut―that speak to the emotional context of each musical moment.

With over two hundred photos dating from Swift’s earliest days as a country singer in Nashville, up through the present as a renowned pop icon, paired with insightful commentary, Taylor Swift Style is a one-of-a-kind keepsake and a must-have for Swifties.

No business, legitimate or otherwise, has had a more raucous influence on the history of a city than that of the Outfit in Chicago. From the roots of organized crime in the late 19th century to the present day, The Chicago Outfit examines the evolution of the city's underworld, focusing on their business activities and leadership along with the violence and political protection they employed to become the most successful of the Cosa Nostra crime families. Through a vivid and visually stunning collection of images, many of which are published here for the first time, author John Binder tells the story of the people and places of the world of organized crime from a fresh and informed point of view.

In this short, lucid, rich book Michael Dummett sets out his views about some of the deepest questions in philosophy. The fundamental question of metaphysics is: what does reality consist of? To answer this, Dummett holds, it is necessary to say what kinds of fact obtain, and what constitutes their holding good. Facts correspond with true propositions, or true thoughts: when we know which propositions, or thoughts, in general, are true, we shall know what facts there are in general. Dummett considers the relation between metaphysics, our conception of the constitution of reality, and semantics, the theory that explains how statements are determined as true or as false in terms of their composition out of their constituent expressions. He investigates the two concepts on which the bridge that connects semantics to metaphysics rests, meaning and truth, and the role of justification in a theory of meaning. He then examines the special semantic and metaphysical issues that arise with relation to time and tense. On this basis Dummett puts forward his controversial view of reality as indeterminate: there may be no fact of the matter about whether an object does or does not have a given property. We have to relinquish our deep-held realist understanding of language, the illusion that we know what it is for any proposition that we can frame to be true independently of our having any means of recognizing its truth, and accept that truth depends on our capacity to apprehend it. Dummett concludes with a chapter about God.

Eighteenth Century Shakespeare Volume 9 2 Volumes.

Christmas Carols are one of the most visible parts of Christianity, instantly recognisable to church-goers and others alike. Over the years many fine new musical settings have emerged, but the words remain the same. Kevin Carey has been inspired to create a second anthology of new and vibrant lyric poetry that will delight those eager to renew their Christmas Spirit. This book is a perfect stocking-filler, containing over 50 poems that guide us through from Advent to Christmas and Epiphany. Scattered throughout the text are illustrations by Kevin Sheehan. KEVIN CAREY is the Chairman of RNIB, the UK's leading blindness charity, and a Reader in his parish church. He has been a Member of General Synod, and is a chorister, theologian, novelist, and classical music critic.

This enthralling new translation of Dante's Inferno 'immediately joins ranks with the very best' (Richard Lansing). One of the world's transcendent literary masterpieces, the Inferno tells the timeless story of Dante's journey through the nine circles of hell, guided by the poet Virgil, when in midlife he strays from his path in a dark wood. In this vivid verse translation into contemporary English, Peter Thornton makes the classic work fresh again for a new generation of readers. Recognizing that the Inferno was, for Dante and his peers, not simply an allegory but the most realistic work of fiction to date, he points out that hell was a lot like Italy of Dante's time. Thornton's translation captures the individuals represented, landscapes, and psychological immediacy of the dialogues as well as Dante's poetic effects. The product of decades of passionate dedication and research, his translation has been hailed by the leading Dante scholars on both sides of the Atlantic as exceptional in its accuracy, spontaneity, and vividness. Those qualities and its detailed notes explaining Dante's world and references make it both accessible for individual readers and perfect for class adoption.

A scholarly edition of letters by Lady Mary Wortley Montagu. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Lucid and lyrical, Lucienne Bestall’s debut collection extends reflections on the seductions and limitations of language. With words and pictures borrowed from literature, contemporary art, art history, and mass media, Except for Breath asks after those experiences that elude simple description and turn instead to image and metaphor.

The collected essays appear an unlikely gathering – taking as their respective subjects death, disappointment, divine love, an unfamiliar city, the news, and headaches. Yet while each is discrete, together they share subtle aff inities, their narratives shaped by memory’s imprecisions and dreams retold, by magical thinking and wishful thinking, and coincidence mistaken as sign.

Pairing art writing and life writing, Bestall’s limpid prose is delicately revealing of her subjective encounter with a shared repertoire of familiar texts and images.