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The Methuen Drama Student Edition of Twelve Angry Men is the first critical edition of Reginald Rose's play, providing the play text alongside commentary and notes geared towards student readers. In New York, 1954, a man is dead and the life of another is at stake. A 'guilty' verdict seems a foregone conclusion, but one member of the jury has the will to probe more deeply into the evidence and the courage to confront the ignorance and prejudice of some of his fellow jurors. The conflict that follows is fierce and passionate, cutting straight to the heart of the issues of civil liberties and social justice. Ideal for the student reader, the accompanying pedagogical notes include elements such as an author chronology; plot summary; suggested further reading; explanatory endnotes; and questions for further study. The introduction discusses in detail the play's origins as a 1954 American television play, Rose's re-working of the piece for the stage, and Lumet's 1957 film version, identifying textual variations between these versions and discussing later significant productions. The commentary also situates the play in relation to the genre of courtroom drama, as a milestone in the development of televised drama, and as an engagement with questions of American individualism and democracy. Together, this provides students with an edition that situates the play in its contemporary social and dramatic contexts, while encouraging reflection on its wider thematic implications.
Students and travelers can instantly create hundreds of sentences for communication in French. This 6 page laminated guide provides template sentences and a color coded bank of words that can be plugged into those sentences. To change the sentence, pick a different color-coded noun, verb or adjective for a wide range of sentences for communication. Categories follow those of a French 1 course which are the same categories helpful to a world traveler. 6-page laminated guide includes: Greetings (les salutations) Social Courtesies (la politesse) Numbers (les nombres) French Pronunciation (la prononciation) Basic Statements Questions (les questions) Expressing Opinions (les opinions) Negatives (la negation) Measurements (les dimensions) Colors (les couleurs) Money (l'argent) Time (l'heure) Days of the Week (les jours de la semaine) Months of the Year (les mois de l'annee) Seasons (les saisons) Errands & Shopping (les courses) Directions (les directions) The Family (la famille) Weather (le temps) & Climate (le climat) Personal Information (les renseignements personnels) Food (la nourriture) Habitat (l'habitation) Entertainment (le divertissement) Media & Communication (la communication) Travel (le voyage) Transportation (le transport) Workplace (le travail) Technology (la technologie) Health (la sante) Emergency situations (en cas d'urgence)
Shakespeare everyone can understand--now in this new EXPANDED edition of HAMLET! Why fear Shakespeare? By placing the words of the original play next to line-by-line translations in plain English, this popular guide makes Shakespeare accessible to everyone. And now it features expanded literature guide sections that help students study smarter. The expanded sections include: Five Key Questions: Five frequently asked questions about major moments and characters in the play. What Does the Ending Mean?: Is the ending sad, celebratory, ironic . . . or ambivalent? Plot Analysis: What is the play about? How is the story told, and what are the main themes? Why do the characters behave as they do? Study Questions: Questions that guide students as they study for a test or write a paper. Quotes by Theme: Quotes organized by Shakespeare's main themes, such as love, death, tyranny, honor, and fate. Quotes by Character: Quotes organized by the play's main characters, along with interpretations of their meaning.
A scholarly edition of works by Lady Mary Wortley Montagu. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
There’s something sucking the life out of audiences everywhere, transforming them from the very people who can change your business into the disengaged masses. It’s called The Boredom … and your job is to slay it! Whether you’re a seasoned public speaker, or getting ready for your first company presentation, this candid and practical guide by renowned global speaker and presentation coach Richard Mulholland will give you key insights into:
It’s time to fight back. It’s time to save the world ... one bored audience at a time.
Arising in the 1800s and soon drawing a million readers a day, the commercial press profoundly influenced the work of Bronte, Braddon, Dickens, Conrad, James, Trollope, and others who mined print journalism for fictional techniques. Five of the most important of these narrative conventions--the shipping intelligence, personal advertisement, leading article, interview, and foreign correspondence--show how the Victorian novel is best understood alongside the simultaneous development of newspapers. In highly original analyses of Victorian fiction, this study also captures the surprising ways in which public media enabled the expression of private feeling among ordinary readers: from the trauma caused by a lover's reported suicide to the vicarious gratification felt during a celebrity interview; from the distress at finding one's behavior the subject of unflattering editorial commentary to the apprehension of distant cultures through the foreign correspondence. Combining a wealth of historical research with a series of astute close readings, The Novelty of Newspapers breaks down the assumed divide between the epoch's literature and journalism and demonstrates that newsprint was integral to the development of the novel."
In setting the poets side by side, this volume also highlights the two main faith traditions of the West: Deane with his Roman Catholic background, rooted in the landscape of Mayo; and Harpur with his Protestant (Church of Ireland and Quaker) heritage, influenced by myth, medieval history and mystics. Their two approaches to everyday life and ultimate reality - including nature, saints and mystics, music, art, prayer, and issues of faith and doubt - combine to make a single volume full of lyrical beauty and powerful witness. In addition, an afterword consisting of an informal dialogue between the two poets complements in prose the themes their poems explore. This is a book to challenge, console, delight and make its readers think again about their own journeys through this "vale of soul-making".
St. Brigitta of Sweden (1303-73, canonized 1391) was one of the most charismatic and influential visionaries of the later Middle Ages. Altogether, she received some 700 revelations dealing with a variety of subjects, from meditations on the human condition, domestic affairs in Sweden, and ecclesiastical matters in Rome, to revelations in praise of the Incarnation and devotion to the Virgin. Her Revelationes, collected and ordered by her confessors, circulated widely throughout Europe both during her lifetime and long after her death. Many eminent individuals, including Cardinal Juan Torqemada and Martin Luther, read and commented on her writings, which influenced the spiritual lives of countless individuals. Birgitta was also the founder of a new contemplative order, which still exists. She is the patron saint of Sweden, and in 2000 was declared (with Catherine of Siena and Edith Stein) the first co-patroness of Europe. Interest in Birgitta's Revelationes has grown over the past decade. Historians and theologians draw on them for insights into late medieval spirituality, artistic imagery, political struggles, and social life. Scholars of literature study them to gain knowledge of rhetorical strategies employed in late medieval texts by women. Philologists analyze them to enhance understanding of the historical development of Latin and medieval Swedish. Increasingly, Birgitta is also admired and studied as a powerful female voice and prophet of reform. Collectively, the Revelationes encapsulate the workings of an extraordinary mind, alternating between a tender lyricism and a grim intensity and hallucinatory imagination, mixing stereotypical commonplaces with startling and sensational imagery, providing enlightenment on contemporary issues and practical advice about imminent and future events, and showing a constant devotion to the passion of Christ and a close identification with the Virgin. This is the second of four volumes and it contains Book IV and Book V. Book IV includes some of Birgitta's most influential visions, with topics ranging from the Avignon papacy and purgatory, to the Hundred Years War. Book V, the Liber Quaestionum (Book of Questions), takes the form of a learned dialogue between Christ and a monk standing on a ladder fixed between heaven and earth. The argument centers on the way in which God's providence is constantly misunderstood and rejected by self-centered human beings. The translation is based on the recently completed critical edition of the Latin text and promises to be the standard English translation of the Revelationes for years to come. It makes this important text available to a wider audience and provides the basis for new research on one of the foremost medieval women visionaries.
This book of friends (liber amicorum) is a tribute to Professor JC Sonnekus by colleagues and friends from Europe and South Africa to celebrate his more than 40 years in the academy and his contribution to law and its development. Authors from Belgium, the Netherlands, Germany and South Africa make contributions on the multitude of subjects and areas of jurisdiction to which professor Sonnekus contributed over the years. Subjects that are discussed, are divided under a general heading, the recognition and enforcement of judgments, prescription, uncertainty regarding common law rules and how the courts sometimes act in a law-making capacity, conditional cession and `who has the King's voice' - looking back at the convictions of the people and the legal convictions in the nineteenth century and how it could still lead to new insights. The law of delict leads to contributions on accountability of children, the law concerning liability in general and liability for an omission. The law of succession contains contributions on wills and trustees; the section on estoppel and enrichment touches on aspects of estoppel and the Turquand rule, as well as Ponzi schemes and pyramid schemes. International developments are discussed in the section on the law of marriage and family law with contributions on marriage contracts and the consequences of divorce under German law, general matrimonial property law in Europe and the influence of the Belgian constitutional court on family law. Insolvency law includes business rescue and the actio Pauliana and the law of contract contains a potpourri of contributions on the interpretation of contracts, perpetual contracts, evictions and independent warranties. The law of things (property) section contains contributions on property law and habitatio, credit security law, fragmented property, syndicated loans, servitudes and digital assets. This collection of essays concludes with two contributions on insurance law relating to self-steering and distance-steered vehicles and the sources of insurance law.
With lyric grace and meditative clarity, Phantom Gang offers a daring dissection of civilizational violence in a variety of contexts from the intimate atavisms and inequalities of Irish history to the insidious growth of the global Big Tech economy in the present day alongside deep, sensually delicate explorations of broken love and salvaged memories. Honouring the work of a range of writers and photographers, including John Clare (1793-1864), Martin Chambi (1891-1973), Bertolt Brecht (1898-1956), and Gerda Taro (1910-1937), these poems unsettle the boundaries between past and present, elegy and tribute, folkloric remembrance and political reportage, interweaving each with all to create a compelling vision of a world in motion and a consciousness alive to change - as spectral voices and still-living presences seep "into the open echo-chamber / of poetry", casting light on the inner and outer landscapes of the poet's life in time. Following his acclaimed first collection, The Buried Breath, O'Rourke here expands and enriches the thematic concerns of his early work to accommodate new forms of portraiture and moral questioning, while further honing the "clean-boned" music of his poetic style, lit always by a profound emotional charge. Phantom Gang confirms O'Rourke as a leading new voice in Irish poetry.
This book is an ethnography of labor mobility and its challenges to the idea of the nation. Using the example of francophone Canada, it examines how social difference-race, ethnicity, language, gender-has been used to sort out who must (or can) be mobile and who must (or can) remain in place in the organization of global circulation of human and natural resources. It argues that "francophone Canada" can best be understood as an ethnoclass category that has embedded francophones into specific forms of labor mobility since the beginnings of European colonization, even as their social difference has been constructed as national in the interests of gaining political power. The result has been an erasure both of francophone mobilities and of their contribution to the rooted community that lies at the heart of the idea of the nation, and of francophone capacity to resist economic marginalization and exploitation. By following French Canadian workers back and forth between eastern and central Canada and the frontiers of the Canadian northwest, Sustaining the Nation explores how contemporary forms of labor mobility make it increasingly difficult for national structures and discourses to produce the francophone nation. By following the ideological tensions between language as a skill and language as a marker of belonging, the authors present grounded evidence of how the globalized new economy challenges the nation-state, and how mobilities and immobilities are co-constructed.
Demosthenes' Philippic I, delivered between 351 B.C. - 350 B.C., was the first speech by a prominent politician against the growing power of Philip II of Macedon. Along with the other Philippics of Demosthenes', it is arguably one of the finest deliberative speeches from antiquity. The present volume provides the first commentary in English on the Philippics since 1907 and promises to encourage more study of this essential Greek orator. Aiming his commentary at advanced undergraduates and first-year graduate students, Cecil Wooten addresses rhetorical and stylistic matters, historical background, and grammatical problems. In addition to a full commentary on Philippic I, this volume includes essays that outline Philippics II and III, set them in their historical context, and emphasize the differences between these later speeches and the first.
Japanese syntax has been studied within the framework of generative linguistics for nearly 50 years. But when it is studied in comparison with other languages, it is mostly compared with English. Japanese Syntax in Comparative Perspective seeks to fill a gap in the literature by examining Japanese in comparison with other Asian languages, including Chinese, Korean, Turkish, and Dravidian and Indo-Aryan languages of India. By focusing on Japanese and other Asian languages, the ten papers in this volume (on topics such as ellipsis, postponing, and wh-questions) make a unique contribution to the study of generative linguistics, and to the Principles and Parameters theory in particular.
Everybody knows the record the stuff of almanacs, trade magazines and clipping services. A handful know the man. But only Muhammad Ali knows his life as he lived it. The Greatest is Ali's own story. For six years he worked, traveled and talked with Richard Durham, a writer with a stunning talent, and the result is mesmerizing in its brilliance, drama, humanity and sheer entertainment. This is no documented scrapbook of wins and losses strung together with anecdotes; nor is it a thin potpourri of locker room gags. This book, like Ali who has incited every reaction except indifference goes straight to the place where responses to him have always been the gut. When the history of the twentieth century is finally recorded, it must include Muhammad Ali. He is "The Greatest."
This book examines gendered language use in six gay male subcultures: drag queens, radical faeries, bears, circuit boys, barebackers, and leathermen. Within each subculture, unique patterns of language use challenge normative assumptions about gender and sexual identity. Rusty Barrett's analyses of these subcultures emphasize the ways in which gay male constructions of gender are intimately linked to other forms of social difference. In From Drag Queens to Leathermen, Barrett presents an extension of his earlier work among African American drag queens in the 1990s, emphasizing the intersections of race and class in the construction of gender. An analysis of sacred music among radical faeries considers the ways in which expressions of gender are embedded in a broader neo-pagan religious identity. The formation of bear as an identity category (for heavyset and hairy men) in the late 1980s involves the appropriation of linguistic stereotypes of rural Southern masculinity. Among regular attendees of circuit parties, language serves to differentiate gay and straight forms of masculinity. In the early 2000s, barebackers (gay men who eschew condoms) used language to position themselves as rational risk takers with an innate desire for semen. For participants in the International Mr. Leather contest, a disciplined, militaristic masculinity links expressions of patriotism with BDSM sexual practice. In all of these groups, the construction of gendered identity involves combining linguistic forms that would usually not co-occur. These unexpected combinations serve as the foundation for the emergence of unique subcultural expressions of gay male identity, explicated at length in this book.
In this short, lucid, rich book Michael Dummett sets out his views about some of the deepest questions in philosophy. The fundamental question of metaphysics is: what does reality consist of? To answer this, Dummett holds, it is necessary to say what kinds of fact obtain, and what constitutes their holding good. Facts correspond with true propositions, or true thoughts: when we know which propositions, or thoughts, in general, are true, we shall know what facts there are in general. Dummett considers the relation between metaphysics, our conception of the constitution of reality, and semantics, the theory that explains how statements are determined as true or as false in terms of their composition out of their constituent expressions. He investigates the two concepts on which the bridge that connects semantics to metaphysics rests, meaning and truth, and the role of justification in a theory of meaning. He then examines the special semantic and metaphysical issues that arise with relation to time and tense. On this basis Dummett puts forward his controversial view of reality as indeterminate: there may be no fact of the matter about whether an object does or does not have a given property. We have to relinquish our deep-held realist understanding of language, the illusion that we know what it is for any proposition that we can frame to be true independently of our having any means of recognizing its truth, and accept that truth depends on our capacity to apprehend it. Dummett concludes with a chapter about God.
Sol Kerzner, the controversial and charismatic business tycoon, once dominated the Southern African tourism landscape. He left an indelible mark by developing dream destinations like Sun City, The Palace, and the Atlantis developments in the Bahamas and Dubai. In this riveting memoir, Venison – Sol’s longtime associate, confidante, and eventual adversary – offers an intimate, behind-the-scenes look at the life of Kerzner whose legacy has long been shrouded in mystery, with no comprehensive biography until now. Venison fills in the gaps with vivid personal anecdotes and exclusive details, including the little-known relationship between Kerzner and Mandela, which played a crucial role in South Africa’s political transition in the early 1990s. This tour de force unveils the true Kerzner – the brilliant, magnetic, chain-smoking, whiskey-drinking workaholic – who transcended borders and became a key player in the international hospitality industry and South Africa’s own Sun King.
A scholarly edition of letters by Lady Mary Wortley Montagu. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
A selection of sharp, witty, and impeccably crafted poems from A. E. Stallings, the award-winning poet and translator. This Afterlife: Selected Poems brings together poetry from A. E. Stallings’s four acclaimed collections, Archaic Smile, Hapax, Olives, and Like, as well as a lagniappe of outlier poems. Over time, themes and characters reappear, speaking to one another across years and experience, creating a complex music of harmony, dissonance, and counterpoint. The Underworld and the Afterlife, ancient history and the archaeology of the here and now, all slant rhyme with one another. Many of these poems unfold in the mytho-domestic sphere, through the eyes of Penelope or Pandora, Alice in Wonderland or the poet herself. Fulfilling the promise of the energy and sprezzatura of Stallings’s earliest collection, her later technical accomplishments rise to meet the richness of lived experience: of marriage and motherhood, of a life lived in another language and country, of aging and mortality. Her chosen home of Greece adds layers of urgency to her fascination with Greek mythology; living in an epicenter of contemporary crises means current events and ancient history are always rubbing shoulders in her poems. Expert at traditional received forms, Stallings is also a poet of restless experiment, in cat’s-cradle rhyme schemes, nonce stanzas, supple free verse, thematic variation, and metaphysical conceits. The pleasure of these poems, fierce and witty, melancholy and wise, lies in a timeless precision that will outlast the fickleness of fashion.
This long-awaited selection of essays and reviews from one of Ireland's leading critics brings together a wealth of ref lection, observation and astute literary comment. It ranges in time from William Carleton to Edna O'Brien, and in subject matter from recent Irish poetry to ghosts, children's books and MI5. Patricia Craig holds strong opinions on literary mer- it, and some of the essays collected in this book are less than adulatory. For example, she has included a highly critical, but good-humoured and amusing re- assessment of Somerville and Ross; and a couple of recent critical studies come in for a somewhat sharp evaluation.Where the tone is moderately unadmiring it is always justified (if provocative), and contributes to the overall balance of the collection. In short, Kilclief & Other Essays presents an original, diverting, intelligent and thought-provoking assem- bly of essays and reviews. Patricia Craig's latest book should appeal to the general reader as well as to those whose interests are more specialised, and it deserves a wide audience, not only in Ireland but also in the United Kingdom and beyond. |
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