A personal and powerful essay on loss from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun. 'Grief is a cruel kind of education. You learn how ungentle mourning can be, how full of anger. You learn how glib condolences can feel. You learn how much grief is about language, the failure of language and the grasping for language' On 10 June 2020, the scholar James Nwoye Adichie died suddenly in Nigeria. In this tender and powerful essay, expanded from the original New Yorker text, his daughter, a self-confessed daddy's girl, remembers her beloved father. Notes on Grief is at once a tribute to a long life of grace and wisdom, the story of a daughter's fierce love for a parent, and a revealing examination of the layers of loss and the nature of grief.

No business, legitimate or otherwise, has had a more raucous influence on the history of a city than that of the Outfit in Chicago. From the roots of organized crime in the late 19th century to the present day, The Chicago Outfit examines the evolution of the city's underworld, focusing on their business activities and leadership along with the violence and political protection they employed to become the most successful of the Cosa Nostra crime families. Through a vivid and visually stunning collection of images, many of which are published here for the first time, author John Binder tells the story of the people and places of the world of organized crime from a fresh and informed point of view.

In this short, lucid, rich book Michael Dummett sets out his views about some of the deepest questions in philosophy. The fundamental question of metaphysics is: what does reality consist of? To answer this, Dummett holds, it is necessary to say what kinds of fact obtain, and what constitutes their holding good. Facts correspond with true propositions, or true thoughts: when we know which propositions, or thoughts, in general, are true, we shall know what facts there are in general. Dummett considers the relation between metaphysics, our conception of the constitution of reality, and semantics, the theory that explains how statements are determined as true or as false in terms of their composition out of their constituent expressions. He investigates the two concepts on which the bridge that connects semantics to metaphysics rests, meaning and truth, and the role of justification in a theory of meaning. He then examines the special semantic and metaphysical issues that arise with relation to time and tense. On this basis Dummett puts forward his controversial view of reality as indeterminate: there may be no fact of the matter about whether an object does or does not have a given property. We have to relinquish our deep-held realist understanding of language, the illusion that we know what it is for any proposition that we can frame to be true independently of our having any means of recognizing its truth, and accept that truth depends on our capacity to apprehend it. Dummett concludes with a chapter about God.

Japanese syntax has been studied within the framework of generative linguistics for nearly 50 years. But when it is studied in comparison with other languages, it is mostly compared with English. Japanese Syntax in Comparative Perspective seeks to fill a gap in the literature by examining Japanese in comparison with other Asian languages, including Chinese, Korean, Turkish, and Dravidian and Indo-Aryan languages of India. By focusing on Japanese and other Asian languages, the ten papers in this volume (on topics such as ellipsis, postponing, and wh-questions) make a unique contribution to the study of generative linguistics, and to the Principles and Parameters theory in particular.

This book examines gendered language use in six gay male subcultures: drag queens, radical faeries, bears, circuit boys, barebackers, and leathermen. Within each subculture, unique patterns of language use challenge normative assumptions about gender and sexual identity. Rusty Barrett's analyses of these subcultures emphasize the ways in which gay male constructions of gender are intimately linked to other forms of social difference. In From Drag Queens to Leathermen, Barrett presents an extension of his earlier work among African American drag queens in the 1990s, emphasizing the intersections of race and class in the construction of gender. An analysis of sacred music among radical faeries considers the ways in which expressions of gender are embedded in a broader neo-pagan religious identity. The formation of bear as an identity category (for heavyset and hairy men) in the late 1980s involves the appropriation of linguistic stereotypes of rural Southern masculinity. Among regular attendees of circuit parties, language serves to differentiate gay and straight forms of masculinity. In the early 2000s, barebackers (gay men who eschew condoms) used language to position themselves as rational risk takers with an innate desire for semen. For participants in the International Mr. Leather contest, a disciplined, militaristic masculinity links expressions of patriotism with BDSM sexual practice. In all of these groups, the construction of gendered identity involves combining linguistic forms that would usually not co-occur. These unexpected combinations serve as the foundation for the emergence of unique subcultural expressions of gay male identity, explicated at length in this book.

The Das Kapital of the 20th century. An essential text, and the main theoretical work of the situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This is the original translation by Fredy Perlman, kept in print continuously for the last 30 years, keeping the flame alive when no-one else cared.

A scholarly edition of letters by Lady Mary Wortley Montagu. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Njabulo S. Ndebele's essays on South African literature and culture initially appeared in various publications in the 1980s. They encompass a period of trauma, defiance, and change the decade of the collapse of apartheid and the challenge of reconstructing a future. In 1991, the essays were collected under the current title of Rediscovery of the Ordinary: Essays on South African Literature and Culture. Here, this collection is reprinted without revision, together with an interview provoked by Albie Sachs paper Preparing Ourselves for Freedom. That it is possible to republish the essays without revision so many years after their first appearance is a tribute to Ndebele's prescience. The issues that he raises and the questions that he poses remain key to a people who, after apartheid, have started to rediscover the complex ordinariness of living in a civil society.

This book is an original, systematic, and radical attempt at decolonizing critical theory. Drawing on linguistic concepts from 16 languages from Asia, Africa, the Arab world, and South America, the essays in the volume explore the entailments of words while discussing their conceptual implications for the humanities and the social sciences everywhere. The essays engage in the work of thinking through words to generate a conceptual vocabulary that will allow for a global conversation on social theory which will be necessarily multilingual.

With essays by scholars, across generations, and from a variety of disciplines – history, anthropology, and philosophy to literature and political theory – this book will be essential reading for scholars, researchers, and students of critical theory and the social sciences.

Lost Causes stages a polemical intervention in the discourse that grounds queer civil rights in etiology -- that is, in the cause of homosexuality, whether choice, "recruitment," or biology. Reading etiology as a narrative form, political strategy, and hermeneutic method in American and British literature and popular culture, it argues that today's gay arguments for biological determinism accept their opponents' paranoia about what Rohy calls "homosexual reproduction"-that is, nonsexual forms of queer increase-preventing more complex ways of considering sexuality and causality. This study combines literary texts and psychoanalytic theory--two salient sources of etiological narratives in themselves -- to reconsider phobic tropes of homosexual reproduction: contagion in Borrowed Time, bad influence in The Picture of Dorian Gray, trauma in The Night Watch, choice of identity in James Weldon Johnson's Autobiography of an Ex-Colored Man, and dangerous knowledge in The Well of Loneliness. These readings draw on Lacan's notion of retroactive causality to convert the question of what causes homosexuality into a question of what homosexuality causes as the constitutive outside of a heteronormative symbolic order. Ultimately, this study shows, queer communities and queer theory must embrace formerly shaming terms -- why should the increase of homosexuality be unthinkable? -- while retaining the critical sense of queerness as a non-identity, a permanent negativity.

Parallel Summits explores the journey to the top of two steep mountains: Everest and financial freedom. It is the story of Robby, a mountaineer whose grit and perseverance led him to conquer Mount Everest after a devastating injury, and Thys, an alternative investments expert who helps others navigate the complex terrain of financial planning.

Ken Thompson served as Sarasota's city manager from 1950 to 1988, making him the longest-serving manager in United States history. During these years, Sarasota experienced a population explosion and an unprecedented modernization of city services. The city moved from a sleepy little town to an independent city with an identifiable economy. This period of growth gave residents a vastly improved bayfront that included Island Park and the Marina Jack development and saw the creation of the current city hall and the Van Wetzel Theater. In thirty-eight years, Sarasota moved from the Circus City to the multifaceted city it is today. Follow well-known Sarasota historian Jeff LaHurd as he recounts the sometimes controversial era of Sarasota's greatest growth.