An essential introduction to Fanon’s remarkable life and philosophy. Connecting his writing, psychiatric practice and lived experience in the Caribbean, France and Africa, Gibson highlights Fanon’s philosophical commitments and the vision of revolution that he stood for. Fanon’s oeuvre is essential to thinking about race today.

Revolutionary humanist and radical psychiatrist Frantz Fanon was one of the greatest Black thinkers of the twentieth century. Born in Martinique and known for his involvement in the Algerian liberation movement, his seminal books Black Skin, White Masks and The Wretched of the Earth are widely considered to be cornerstones of anti-colonial and anti-racist thought.

In this essential introduction to Fanon’s remarkable life and philosophy, Nigel C. Gibson argues that Fanon’s oeuvre is essential to thinking about race today. Connecting Fanon’s writing, psychiatric practice and lived experience in the Caribbean, France and Africa, Gibson highlights Fanon’s his philosophical commitments and the vision of revolution that he stood for. Despite his untimely death, the revolutionary pulse of Fanon’s ideas has continued to beat ever more strongly in the consciousness of successive revolutionary generations, from the Black Panthers and Black power to the Black Lives Matter and Fallist student movements, as well as to grassroots resistance movements working to improve the lives of Black and indigenous people who are continuously oppressed by systems of capitalism, imperialism and colonialism.

As Fanon’s thought comes alive to new activists thinking about their mission to ‘humanise the world,’ Gibson reminds us that Fanon’s revolutionary humanism is fundamental to all forms of anti-colonial struggle across the world.

The Patient, known as Mrs. Wingfield, has been horribly injured in a fall from her balcony. Unable to communicate, it could have been an accident, attempted suicide or worse still a coldblooded killer bent on murder. While relatives gather around her hospital bed the tension builds as an ingenious device helps Mrs. Wingfield convey a message that could solve the mystery.

This book presents and analyzes various features of the morphosyntax of Borgomanerese, a Gallo-Italic dialect spoken in the town of Borgomanero, in the Piedmont region of Northern Italy. The study is highly comparative, drawing on the literature on numerous other Italian dialects and Romance languages (as well as English), to inform our understanding of the Borgomanerese phenomena. Christina Tortora takes the many unusual and understudied (and often novel) facts of Borgomanerese grammar as compelling grounds for revisiting and reformulating current analyses of syntactic phenomena in these other languages. The phenomena treated include the syntax and semantics of the weak locative in presentational sentences; the syntax of object clitics and argument prepositions; the syntax of subjects and subject clitics; the syntax of interrogatives; clausal architecture; and the relationship between orthography and theoretical analysis. The principal value of this book lies both in the rich description of the morphosyntactic phenomena of Borgomanerese, many of which have not been previously reported in the literature, and in the consequent novel analyses developed, which contribute insights for other languages and dialects, and advance our understanding of syntax and syntactic theory in general.

Queer Virgins examines the creation and theatrical performance of queer puns in Renaissance London. Its argument--that a small theatre known as the Whitefriars was run by a community of playwrights who self-consciously targeted an audience sympathetic to homoerotic desire and to homoerotic puns in particular--revises the current scholarly belief that early modern Londoners did not form self-conscious communities based on erotic desire. This book is for students of the early modern theatre; those who are interested in the history of erotic relations between men, and all who delight in puns and bawdy.

Remade in France: Anglicisms in the Lexicon and Morphology of French chronicles the current status of French Anglicisms, a popular topic in the history of the French language and a compelling example of the influence of global English. The abundant data come from primary sources-a large online newspaper corpus (for unofficial Anglicisms) and the dictionary (for official Anglicisms)-and secondary sources. This book examines the appearance and behavior of English items in the lexicon and morphology of French, and explains them in the context of French neology and lexical activity. The first phase of the latest contact period (1990-2015) has its own complex linguistic characterization, including a significant influx of nonce borrowings and very low frequency Anglicisms, heterogeneous and creative borrowing outcomes, and direct phraseological borrowing. This book is a counterargument to the well-known criticism that Anglicisms are lexical polluters. On the contrary, the use of Anglicisms requires the inventive application of complex linguistic rules, and the borrowing of Anglicisms into the French lexicon is convincing proof that language change is systematic. The findings bring novel interdisciplinary insights to the domains of borrowing in a non-bilingual contact setting; global English as a source of lexical creativity in the French lexicon; the phases, patterns and processes of integration of English loanwords; the morphology of borrowing; and computational corpus linguistics. The appended database is a snapshot of a synchronic period of linguistic contact and a useful lexicographic resource.

This one-volume work covers the West's oldest critical and academic discipline--the elements, structure, principles and techniques of rhetoric in literature, communication and more specifically, public speaking. Major figures and rhetoric in non-Western cultures are covered as well.

'His mind and hand went together' said Hemings and Condell of the speed of Shakespeare. But the conceptual language of literary criticism, be it moralistic or political, has long been too slow to the properly responsive to Shakespeare's meaning. With the help of both Renaissance philosophers and present-day actors, Sudden Shakepeare seeks to locate the underlying secrets of Shakespeare's dynamic power. It offers a technical language wihch, close to Shakespeare's own, is capable of responding suddenly to the speed, transforming shape, and power of Shakespeare's way of thinking as it comes into meaning.

This edition of the writings of Theobald Wolfe Tone (1763-98), barrister, United Irishman, agent of the Catholic Committee and later an officer in the French revolutionary army, is intended to comprehend all his writings and largely to supersede the two-volume Life of Theobald Wolfe Tone. ..written by himself that was edited by his son William, and published at Washington in 1826. It consists mainly of Tone's correspondence, diaries, autobiography, pamphlets, public addresses, and miscellaneous memoranda (both personal and public); it is based on the original MSS if extant or the most reliable printed sources.
Tone's participation in Irish politics in the early 1790s and his presence on the periphery of the ruling circle in revolutionary France from February 1796 to September 1798 would be sufficient to make his writings a major historical source. The literary quality of his writings, diaries, and autobiography enhances their importance. The unique quality of Tone's writings is that they are the production of a gifted and convivial young Irishman who moved widely in intellectual and political circles.
This volume - France, the Rhine, Lough Swilly, and the Death of Tone - completes the edition, following the last part of Tone's life, until his death following the abortive Irish uprising of 1798. It includes addenda, corrigenda, an iconography, a bibliography, and a complete index to all three volumes.

With the weakening moral authority of the Catholic Church, the boom ushered in by the Celtic Tiger, and the slow but steady diminishment of the Troubles in the North, Ireland has finally stepped out from the shadows of colonial oppression onto the world stage as a major cosmopolitan country.Taking its title from a veiled reference to Roger Casement-the humanitarian and Irish patriot hanged for treason-in James Joyce's Ulysses, The Poor Bugger's Tool demonstrates how the affective labor of Irish queer culture might contribute to a progressive new national image for the Republic and Northern Ireland.
Looking back to the first wave of Irish modernism in the works of Wilde, Synge, Casement, and Joyce, Patrick Mullen reveals how these authors deployed queer aesthetics to shape inclusive forms of national affiliation as well as to sharpen anti-imperialist critiques. In its second half, the monograph turns its attention to Ireland's postmodernist boom in the works of Patrick McCabe, Neil Jordan, and Jamie O'Neill. With readings of The Butcher Boy, Breakfast on Pluto, and At Swim Two Boys, Mullen shows that queer sensibilities and style remain key cultural resources for negotiating the political and economic realities of globalization at the turn of the twenty-first century.
Buttressed by writings of theorists like Marx, Foucault, and Antonio Negri, The Poor Bugger's Tool brings Irish literature into a fruitful dialog with queer theory, postcolonial studies, the history of sexuality, and modernist aesthetics.

Antjie Krog is ’n (ook internasionaal) bekroonde digter, joernalis, vertaler en akademikus. Sy debuteer op die jong ouderdom van 18 met die bundel Dogter van Jefta (1970) waarna talle bekroonde digbundels en publikasies volg. As joernalis by Die Suid-Afrikaan lewer sy in die 1990’s verslag oor die Waarheids-en-versoeningskommissie en verwoord haar ervarings oor dié proses in Country of my skull, wat in 1998 gepubliseer is en onder meer die Alan Paton-toekenning vir niefiksie en die Olive Schreiner-prys ontvang. Sy vertaal ook Nelson Mandela se biografie, Long walk to freedom, in Afrikaans as Lang pad na vryheid.

Sy wen drie keer die gesogte Hertzogprys – vir Lady Anne (1990), Mede-wete (2017), asook vir haar jongste poësiebundel, Plunder, in 2023. Mees onlangs het sy die Tienie Holloway-medalje van die SA Akademie ontvang vir Vetplantfeetjies, saam met medewerkers Fiona Moodey en Ingrid de Kock, vir haar kinderdigbundel oor die natuur en inheemse plantegroei.

Hierdie huldigingsbundel is die 16de in die reeks van die SA Akademie vir Wetenskap en Kuns wat literêre kunstenaars huldig wat met die Hertzogprys bekroon is, en wat die Afrikaanse letterkunde oor dekades heen verryk het.

Poetry. African American Studies. "In Kelly Norman Ellis's long-awaited second collection, a grand cinema of black life is honey-beamed and balanced on a 'nipple of coal.' Somewhere in the middle of turning these pages, the reader will helplessly rise and mercilessly hunt for dirty rice and Bill Withers. It is indeed the poet's job to save something, but Ellis does more--she swears to paper a luscious book so rich with black zest and drylongso that each page sets high our thirst for all that is human, longed for and inexplicable."--Nikky Finney"Every stanza in this fierce and formidable collection strikes a sweet, keening note for the colored girl--the front-row-center Sunday morning worshipper, the fast gal craving the jukebox on Saturday night, the grandmama arced over a stove-top staple, the precocious nappy-headed chile tripping the double-dutch line. With OFFERINGS OF DESIRE, Kelly Norman Ellis has graced us all with a gift that is nothing short of a miracle. She has blessed the sisterhood with a soundtrack."--Patricia Smith

Tossary of Terms by Modern Toss is the first in an illustrated dictionary series. Produced by cartoonists Jon Link & Mick Bunnage, this book features new words such as: Scumcestor, Prioritit, Newmonia, Cock-bonnet, Screen-margarine and Attenborough's Trench. The fast changing modern scene chucks up stuff faster than we can nail it down and label it. The ear grease on a smart phone screen, wearing a hat that makes you look like even more of a tit, the DNA rich stew in the bogs hand dryer trough, paying extra money to sit in a plane before the rest of the passengers. This invaluable tool for navigating the 21st century shitscape is printed on paper, rendering it impervious to cyber attack.

The self-righteous, headstrong lawyering mother has a new and greater challenge. No longer seeking the approval of her successful mother, one of South Africa’s first women judges, Niki is out to find that elusive concept of the ‘work/life’ balance and some real, sustainable solutions.

Her journey takes her deep into feminist philosophies as she struggles to understand the unfolding media-driven drama of the Oscar Pistorius trial while researching issues of ethics in the legal profession. But in between life and children, Niki is also determined to navigate her own way around the new world of print and publishing and connect with her own identity as a writer. How is she going to survive all this?

Something In Between is a light-hearted non-fiction narrative about real issues in a changing world: issues of parenting and the legal profession, tertiary institutions and marriage institutions; issues about the old feminist debate and why it’s still unresolved and some lessons learnt about the world of books and book publishing. A memoir of her last three years and all of it absolutely true.

This book explores the mental and literary awakening that many working-class women in the United States experienced when they left the home and began to work in factories early in the nineteenth century. Cook also examines many of the literary productions from this group of women ranging from their first New England magazine of belles lettres, The Lowell Offering, to Emma Goldman's periodical, Mother Earth; from Lucy Larcom's epic poem of women factory workers, An Idyl of Work, to Theresa Malkiel's fictional account of sweatshop workers in New York, The Diary of a Shirtwaist Striker. Working women's avid interests in books and writing evolved in the context of an American romanticism that encouraged ideals of self-reliance that were not formulated with factory girls in mind. Their efforts to pursue a life of the mind while engaged in arduous bodily labour also coincided with the emergence of middle-class women writers from private and domestic lives into the literary marketplace. However, while middle-class women risked forfeiting their status as ladies by trying to earn money by becoming writers, factory women were accused of selling out their class credentials by trying to be literary. Cook traces the romantic literariness of several generations of working-class women in their own writing and the broader literary responses of those who shared some, though by no means all, of their interests. The most significant literary interaction, however, is with middle-class women writers. Some of these, like Margaret Fuller, envisioned ideals of female self-development that inspired, without always including, working women. Others, like novelists Davis, Phelps, Alcott, and Scudder, created compassionate fictions of their economic and social inequities but balked at promoting their artistic and intellectual equality.

Landscapes of Hope: Anti-Colonial Utopianism in America examines anti-colonial discourse during the understudied but critical period before World War Two, with a specific focus on writers and activists based in the United States. Dohra Ahmad adds to the fields of American Studies, utopian studies, and postcolonial theory by situating this growing anti-colonial literature as part of an American utopian tradition. In the key early decades of the twentieth century, Ahmad shows, the intellectuals of the colonized world carried out the heady work of imagining independent states, often from a position of exile. Faced with that daunting task, many of them composed literary texts--novels, poems, contemplative essays--in order to conceptualize the new societies they sought. Beginning by exploring some of the conventions of American utopian fiction at the turn of the century, Landscapes of Hope goes on to show the surprising ways in which writers such as W.E B. Du Bois, Pauline Hopkins, Rabindranath Tagore, and Punjabi nationalist Lala Lajpat Rai appropriated and adapted those utopian conventions toward their own end of global colored emancipation.

Henry V reigned over England for only nine years and four months, and died at the age of just 35, but he looms over the landscape of the late Middle Ages and beyond.

The victor of Agincourt was a model king for his successors. Shakespeare's version of Henry V saw his youthful folly redirected to sober statesmanship, and in the dark days of World War II, Henry's victories in France were recounted in British propaganda. Churchill called Henry 'a gleam of splendour in the dark, troubled story of medieval England', while for one modern medievalist, Henry was, quite simply, 'the greatest man who ever ruled England'.

For Dan Jones, Henry is one of the most intriguing characters in all medieval history, but one of the hardest to pin down. He was a hardened, sometimes brutal, warrior, yet he was also creative and artistic, with a bookish temperament. He was a leader who made many mistakes, who misjudged his friends and family members, yet always seemed to triumph when it mattered.

As king, he saved a shattered country from economic ruin, put down rebellions and secured England's borders; in foreign diplomacy, he made England a serious player once more. Yet through his conquests in northern France, he sowed the seeds for three generations of calamity at home, in the form of the Wars of the Roses.

Dan Jones's life of Henry V provides unprecedented insight into the critical first 26 years of his life before he became king. Both a standalone biography and a completion of Dan's sequence of English medieval histories that began with The Plantagenets and The Hollow Crown, Henry V is a thrilling and unmissable life of England's greatest king from our best-selling medieval historian.

The first single-volume anthology of Brecht's writings on both art and politics This volume contains new translations to extend our image of one of the twentieth century's most entertaining and thought provoking writers on culture, aesthetics and politics. Here are a cross-section of Brecht's wide-ranging thoughts which offer us an extraordinary window onto the concerns of a modern world in four decades of economic and political disorder. The book is designed to give wider access to the experience of a dynamic intellect, radically engaged with social, political and cultural processes. Each section begins with a short essay by the editors introducing and summarising Brecht's thought in the relevant year.

Anandamayi Ma (1896-1982) is generally regarded as the most important Hindu woman saint of the twentieth century. Venerated alternately as a guru and as an incarnation of God on earth, Ma had hundreds of thousands of devotees. Through the creation of a religious movement and a vast network of ashrams-unprecedented for a woman-Ma presented herself as an authority figure in a society where female gurus were not often recognized. Because of her widespread influence, Ma is one of the rare Hindu saints whose cult has outlived her. Today, her tomb is a place of veneration, and she is venerated by those who knew her and by those too young to have known her. Orianne Aymard has performed extensive fieldwork among Ma's current devotees. In this book, she examines what happens to a cult after the death of its leader. Does it decline, stagnate, or grow? Or is it rather transformed into something else entirely? Aymard's work sheds new light not only on Hindu sainthood-and particularly female Hindu sainthood-but on the nature of charismatic religious leadership and devotion

From urgently scribbling out his debut Killing Floor in pencil (the stub of which he still owns), to taking a step back with Blue Moon, and everything in between, here are 24 honest, witty and wise personal reflections on his life and work, crafted across decades.

Whether it is through Lee’s moving account of meeting a fan years after her mother brought her to a book signing; facing his first computer and the coming of the internet; writing about New York just before – and just after – 9/11, to later seeing his novels adapted for the big screen, each riveting piece deftly evokes where he was psychologically and physically when he wrote each novel.

Lee has clearly felt unwavering gratitude for his readers since 1997. And these stories were originally designed for fans of Reacher who may be interested in a ‘behind-the-scenes’ – or, in Lee’s words: ‘why the books turned out the way they did’.

But this collection is also so much more. It is the story of a man who once put pencil to paper in an attempt to turn his luck around . . . and who made every word count.

Clearly written and well-presented results are more readily accepted by examiners and fellow clinicians, however achieving this can be very difficult. This comprehensive text takes thefears and tears out of writing up research results. It provides a practical guide to the process of preparing a written research report, ensuring the information can be easily followed and understood. It details the sequence of events which must be followed if the written account is to be accessible to the reader and acceptable to the examiners. This practical guide provides help and reassurance for all those taking up the challenge of writing up their results.Follows a logical, step-by-step sequence Provides a checklist for thesis preparationFocuses specifically on reporting health science research Written in a readable style with the minimum use of jargon

In his revolutionary book Cross Vision, Gregory A. Boyd proposed his groundbreaking "cruciform hermeneutic," a way for Christians to make sense of the violence of the Old Testament by seeing it through the crucifixion of Jesus. Now Boyd has teamed up with pastor Deacon Godsey to develop this study guide for individuals and groups. Using this guide, readers can work through Cross Vision chapter by chapter, consider various stories from the Bible, and hear from Boyd about questions that have come up since he wrote the book. The Cross Vision Study Guide is an essential aid for anyone wrestling with depictions of a violent God, yet living with faith in a peaceful Christ.

Dr Franklin Sonn is a struggle icon, diplomat, educationalist and business leader.

He was born in the Vosburg district of Victoria West. As a civil rights campaigner, he was arrested for leading a protest march in 1989. He later served as rector of the (Cape) Peninsula Technikon and as head of the Cape Teachers' Professional Association. He was a good friend and confidant of Nelson Mandela.

In 1995, Madiba asked him to be South Africa’s ambassador to Washington, USA. Sonn celebrated his 85th birthday on 11 October 2024.