Perhaps no other single Roman speech exemplifies the connection between oratory, politics and imperialism better than Cicero's De Provinciis Consularibus, pronounced to the senate in 56 BC. Cicero puts his talents at the service of the powerful "triumviri" (Caesar, Crassus and Pompey), whose aims he advances by appealing to the senators' imperialistic and chauvinistic ideology. This oration, then, yields precious insights into several areas of late republican life: international relations between Rome and the provinces (Gaul, Macedonia and Judaea); the senators' view on governors, publicani (tax-farmers) and foreigners; the dirty mechanics of high politics in the 50s, driven by lust for domination and money; and Cicero's own role in that political choreography. This speech also exemplifies the exceptional range of Cicero's oratory: the invective against Piso and Gabinius calls for biting irony, the praise of Caesar displays high rhetoric, the rejection of other senators' recommendations is a tour de force of logical and sophisticated argument, and Cicero's justification for his own conduct is embedded in the self-fashioning narrative which is typical of his post reditum speeches. This new commentary includes an updated introduction, which provides the readers with a historical, rhetorical and stylistic background to appreciate the complexities of Cicero's oration, as well as indexes and maps.

The most famous name in French literary circles from the late 1950s till his death in 1981, Roland Barthes maintained a contradictory rapport with the cinema. As a cultural critic, he warned of its surreptitious ability to lead the enthralled spectator toward an acceptance of a pre-given world. As a leftist, he understood that spectacle could be turned against itself and provoke deep questioning of that pre-given world. And as an extraordinarily sensitive human being, he relished the beauty of images and the community they could bring together.

No murderer should ever be the keeper of their victim's story …

On 1 February, 1910, vivacious music-hall performer, Belle Elmore, suddenly vanished from her north London home, causing alarm among her circle of female friends, the entertainers of the Music Hall Ladies’ Guild who demanded an immediate investigation.

They could not have known what they would provoke: the unearthing of a gruesome secret, followed by a fevered manhunt for the prime suspect: Belle’s husband, medical fraudster, Dr Hawley Harvey Crippen.

Hiding in the shadows of this evergreen tale is Crippen’s typist and lover, Ethel Le Neve – was she really just ‘an innocent young girl’ in thrall to a powerful older man as so many people have since reported?

In this epic examination of one of the most infamous murders of the twentieth century, prizewinning social historian Hallie Rubenhold gives voice to those who have never properly been heard – the women.

Featuring a carnival cast of eccentric entertainers, glamorous lawyers, zealous detectives, medics and liars, STORY OF A MURDER is meticulously researched and multi-layered, offering the reader an electrifying snapshot of Britain and America at the dawn of the modern era.

"Oxford Studies in Ancient Philosophy" presents original articles on all aspects of ancient philosophy. The articles may be of substantial length, and include critical notices of major books. OSAP is now published twice yearly, in both hardback and paperback. The essays in this volume focus in particular on Plato, Aristotle and the Stoics.

The life and work of Joseph Babinski (1857-1932) has been revisited by two French physicians whose enthusiasm for the subject is reflected in the depth and breadth of documentary sources. From Babinski's Polish roots, his father (an intrepid revolutionist, his brother(the gold miner and famous gastronome Ali-Bab to the Babinski circle, his friends, his colleagues and his disciples, the reader will find a refreshing perspective on a particularly fascinating period in French medicine. His scientific contribution is analyzed in detail, with for the first time a complete bibliography of his publications. These includes not only the Babinski Sign, but also the earlier and heretofore less-known concerning pathological anatomy and histology, the papers on cutaneous and tendinous reflexes, cerebellar and vestibular semeiology, hysteria and pithiatism, localization of spinal cord compression s and the birth of French neurosurgery.

In Fires Which Burned Brightly, Faulks, a reluctant memoirist, offers readers a series of detailed snapshots from a life in progress. They include a post-war rural childhood – ‘cold mutton and wet washing on a rack over the range’ – the booze-sodden heyday of Fleet Street and a career as one of the country’s most acclaimed novelists.

There are not one, but two daring escapes from boarding school; the delirium of a jetlagged American book tour; the writing of Birdsong in his brother’s house in 1992; and memorable trips across the channel to France. Politics, psychiatry and frustrated ventures into the world of entertainment are analysed with patience and rueful humour.

The book is driven by a desire ‘to arrive where we started and know the place for the first time.’ It ends with a tribute to Faulks’s parents and a sense of how his own generation was shaped by the disruptive power of war and its aftermath.

Sharply perceptive and alive with a generous wit, Fires Which Burned Brightly is a work of subtle yet profound intelligence and warmth.

Kipling was one of the most popular writers in English, both prose and verse, in the late 19th and early 20th centuries. Henry James famously said of him: "Kipling strikes me personally as the most complete man of genius (as distinct from fine intelligence) that I have ever known." In 1907, he was awarded the Nobel Prize in Literature.

Elephants breaking down walls, a hyena sharing a fire with the night guard to keep warm, hippos fighting, armless monkeys bringing their young to be admired by the author-this book is a kaleidoscope of wild animals, strange and often eccentric tourists, the trails and tribulations of running a poorly equipped lodge in a remote wilderness area, and the laughter and tears of working with and living alongside staff from a different background and culture. Written with great compassion, this is Lesley Cripps Thomson's story of how she forges a bond with staff who do not want to be told what to do or how to do it by a woman and the hardships they have to live with, including illness and poverty. She tells of the good times they have and how, in a crisis, they all pull together. ============================ In The Derelict House, Lesley Cripps Thomson vividly conveys the fun and the frustrations of living and working in the African bush. Enlivened by the many characters who pepper the pages, her book also paints a colourful picture of the wildlife scene. For those who aspire to sample wild Africa for the first time, and for those who have already fallen under its spell, this is an excellent read. For myself, it has been a pleasure to encounter a book so evocative of the Africa I have come to love. Douglas Willis, FRGS, FRSGS (Scotland) Running a lodge in the African bush means not only exotic wildlife but also eccentric human life. A vivid and engaging read. William Saunderson-Meyer - Sunday Times, South Africa "I loved The Derelict House ... it brought back fond memories of my own time in The Luangwa Valley and the characters and wildlife really are true to form" Julie Croucher, 'Travel With Jules' UK

The John Donne volume in the 21st-Century Oxford Authors series offers a wholly new edition of Donne's verse and prose. It consists of a selection of the compositions that circulated in manuscript or in print form during Donne's lifetime. In keeping with the approach of the series, the texts are presented in chronological order and the text chosen is, wherever possible, the text of the first published version. Each text is paired with a generous complement of historical and textual annotation, which enables the present day reader to access the excitement with which Donne's contemporaries, his first readers, discovered his famous and incomparable originality, audacity, ingenuity, and wit. The edition incorporates new directions and emphases in scholarly editing that are foregrounded in the 21st-Century Oxford Authors series, such as the history of readership and the history of texts as material objects.

The extraordinary life of Cher can be told by only one person … Cher herself.

After more than seventy years of fighting to live her life on her own terms, Cher finally reveals her true story in intimate detail, in a two-part memoir.

Her remarkable career is unique and unparalleled. The only woman to top Billboard charts in seven consecutive decades, she is the winner of an Academy Award, an Emmy, a Grammy and a Cannes Film Festival Award, and an inductee to the Rock and Roll Hall of Fame who has been lauded by the Kennedy Center.

She is a longtime activist and philanthropist.

As a dyslexic child who dreamed of becoming famous, Cher was raised in often-chaotic circumstances, surrounded by singers, actors and a mother who inspired her in spite of their difficult relationship.

With her trademark honesty and humour, Cher: The Memoir traces how this diamond in the rough succeeded with no plan and little confidence to become the trailblazing superstar the world has been unable to ignore for more than half a century.

Cher: The Memoir, Part One follows her extraordinary beginnings through childhood to meeting and marrying Sonny Bono – and reveals the highly complicated relationship that made them world-famous, but eventually drove them apart.

Cher: The Memoir reveals the daughter, the sister, the wife, the lover, the mother and the superstar.

It is a life too immense for only one book.

THE SUNDAY TIMES NUMBER ONE BESTSELLER 'A vital book about dying. Awe-inspiring and exquisite. Obligatory reading for the living' Nigella Lawson At the age of thirty-six, on the verge of completing a decade's training as a neurosurgeon, Paul Kalanithi was diagnosed with inoperable lung cancer. One day he was a doctor treating the dying, the next he was a patient struggling to live. When Breath Becomes Air chronicles Kalanithi's transformation from a medical student asking what makes a virtuous and meaningful life into a neurosurgeon working in the core of human identity - the brain - and finally into a patient and a new father. What makes life worth living in the face of death? What do you do when when life is catastrophically interrupted? What does it mean to have a child as your own life fades away? Paul Kalanithi died while working on this profoundly moving book, yet his words live on as a guide to us all. When Breath Becomes Air is a life-affirming reflection on facing our mortality and on the relationship between doctor and patient, from a gifted writer who became both. SHORTLISTED FOR THE WELLCOME BOOK PRIZE 2017

This enthralling new translation of Dante's Inferno 'immediately joins ranks with the very best' (Richard Lansing). One of the world's transcendent literary masterpieces, the Inferno tells the timeless story of Dante's journey through the nine circles of hell, guided by the poet Virgil, when in midlife he strays from his path in a dark wood. In this vivid verse translation into contemporary English, Peter Thornton makes the classic work fresh again for a new generation of readers. Recognizing that the Inferno was, for Dante and his peers, not simply an allegory but the most realistic work of fiction to date, he points out that hell was a lot like Italy of Dante's time. Thornton's translation captures the individuals represented, landscapes, and psychological immediacy of the dialogues as well as Dante's poetic effects. The product of decades of passionate dedication and research, his translation has been hailed by the leading Dante scholars on both sides of the Atlantic as exceptional in its accuracy, spontaneity, and vividness. Those qualities and its detailed notes explaining Dante's world and references make it both accessible for individual readers and perfect for class adoption.

After the battle of Antietam in 1862, Harriet Eaton traveled to Virginia from her home in Portland, Maine, to care for soldiers in the Army of the Potomac. Portland's Free Street Baptist Church, with liberal ties to abolition, established the Maine Camp Hospital Association and made the widowed Eaton its relief agent in the field. One of many Christians who believed that patriotic activism could redeem the nation, Eaton quickly learned that war was no respecter of religious principles. Doing the work of nurse and provisioner, Eaton tended wounded men and those with smallpox and diphtheria during two tours of duty. She preferred the first tour, which ended after the battle of Chancellorsville in 1863, to the second, more sedentary, assignment at City Point, Virginia, in 1864. There the impositions of federal bureaucracy standardized patient care at the expense of more direct communication with soldiers. Eaton deplored the arrogance of U.S. Sanitary Commissioners whom she believed saw state benevolent groups as competitors for supplies. Eaton struggled with the disruptions of transience, scarcely sleeping in the same place twice, but found the politics of daily toil even more challenging. Conflict between Eaton and co-worker Isabella Fogg erupted almost immediately over issues of propriety; the souring working conditions leading to Fogg's ouster from Maine state relief efforts by late 1863. Though Eaton praised some of the surgeons with whom she worked, she labeled others charlatans whose neglect had deadly implications for the rank and file. If she saw villainy, she also saw opportunities to convert soldiers and developed an intense spiritual connection with a private, which appears to have led to a postwar liaison. Published here for the first time, the uncensored nursing diary is a rarity among medical accounts of the war, showing Eaton to be an astute observer of human nature and not as straight-laced as we might have thought. This hardcover edition includes an extensive introduction from the editor, transcriptions of relevant letters and newspaper articles, and a thoroughly researched biographical dictionary of the people mentioned in the diary.

This introductory guide to "Othello" in performance offers a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of screen adaptations, a sampling of critical opinion and further reading.

With a racing career spanning more than four decades, coming second is never an option for Peter Lindenberg. Troubled by a lack of self-confidence, Peter’s ‘average’ childhood saw a bitter parent who doubted his abilities, a demanding school system that forced him to fit the mould, a younger brother who was better at everything, and brutal, undeserved beatings with a sjambok. But when Peter tasted the buzz of barefoot water-skiing he found it impossible to resist, and went on to break records, earn numerous Springbok Colours, and win many world championships. This, however, was just the start.

Little did Peter know the sporting magic that would follow in his life – first as a powerboat racer and then as a race car driver. Despite counting on pins and metal to hold his battered body intact, being arrested unjustly, a serious motor racing accident with his car going up in flames, and a brain haemorrhage, Peter keeps going flat out and quickly ranks on the international championship charts, cheats death twice, and presses the reset button to positively influence a failed marriage.

Flat Out and Fearless is Peter’s cut-to-the-chase life journey that has rendered him one bionic man who is proud of his blatant honesty and his courageous quest to uplift and transform the lives of the downtrodden.

Akkadian is one of the earliest attested languages and the oldest recorded Semitic language. It exists in written record between 2500BC and 500BC, much of it in letters and reports concerned with domestic and business matters, and written in colloquial language. It provides a unique and valuable source for the study of linguistic change but which, perhaps because of the impenetrability of its writing system, has rarely been exploited by linguists. In this book, Guy Deutscher examines the historical development of subordinate structures in Akkadian. A case study comprises the first two parts of the book, presenting an historical grammar of sentential complementation. Part I traces the emergence of new structures and describes how the finite complements first emerged in Babylonian. It also explains the grammaticalization of the quotative construction. Part II is a functional history which examines the changes in the functional roles of different structures. It shows how, during the history of the language, finite complements and embedded questions became more widespread, whereas other structures (e.g. infinite complements, parataxis, etc.) receded. Part III seeks to explain the historical developments in a theoretical light, showing how the development in Akkadian is mirrored in many other languages. It goes on to suggest that the emergence of finite complementation may be seen as 'adaptive' and related to the development of more complex communication patterns. This book will be of interest to both specialists and general linguists alike. For specialists it offers a contribution towards a badly-needed historical grammar of the Akkadian language. For general linguists this book will be of interest not only for the questions which it raises about the nature of complementation, but also for the window which it provides on to this little-known language.

Hello to you, I am with news. I have a new book: I Haven’t Been Entirely Honest With You. I know – what an intriguing title!

Basically, I have had an unexpectedly difficult decade – there have been surprising joys, but also deep revelations and challenging lows. I shall be honest about those, because what I discovered in the difficult times were my, what I call, treasures.

Treasures – practical tools, values, ways, answers researched from some great scientists, neuroscientists, therapists, sociologists (all the ‘ists’) out there, that have genuinely led to a sense of freedom, joy, peace and physical recovery I never would have thought possible.

Life now, amazingly, with what I will share, is – SUCH FUN! (always important to quote your own catch phrases. . .) If you fancy having a read, then I hope my story might help your story. After all, we are in this beautiful, mysterious, challenging life together. Rest assured there are funny stories along the way – we will have a laugh too, my dear reader chum.

Oh, and I couldn’t possibly say if there is a love story in it . . . (There is – shush). Exciting.

Antjie Krog is ’n (ook internasionaal) bekroonde digter, joernalis, vertaler en akademikus. Sy debuteer op die jong ouderdom van 18 met die bundel Dogter van Jefta (1970) waarna talle bekroonde digbundels en publikasies volg. As joernalis by Die Suid-Afrikaan lewer sy in die 1990’s verslag oor die Waarheids-en-versoeningskommissie en verwoord haar ervarings oor dié proses in Country of my skull, wat in 1998 gepubliseer is en onder meer die Alan Paton-toekenning vir niefiksie en die Olive Schreiner-prys ontvang. Sy vertaal ook Nelson Mandela se biografie, Long walk to freedom, in Afrikaans as Lang pad na vryheid.

Sy wen drie keer die gesogte Hertzogprys – vir Lady Anne (1990), Mede-wete (2017), asook vir haar jongste poësiebundel, Plunder, in 2023. Mees onlangs het sy die Tienie Holloway-medalje van die SA Akademie ontvang vir Vetplantfeetjies, saam met medewerkers Fiona Moodey en Ingrid de Kock, vir haar kinderdigbundel oor die natuur en inheemse plantegroei.

Hierdie huldigingsbundel is die 16de in die reeks van die SA Akademie vir Wetenskap en Kuns wat literêre kunstenaars huldig wat met die Hertzogprys bekroon is, en wat die Afrikaanse letterkunde oor dekades heen verryk het.

This collection seeks to illustrate the ways in which Thomas Mann's 1924 novel, The Magic Mountain, has been newly construed by some of today's most astute readers in the field of Mann studies. The essays, many of which were written expressly for this volume, comment on some of the familiar and inescapable topics of Magic Mountain scholarship, including the questions of genre and ideology, the philosophy of time, and the ominous subjects of disease and medical practice. Moreover, this volume offers fresh approaches to the novel's underlying notions of masculinity, to its embodiment of the cultural code of anti-Semitism, and to its precarious relationship to the rival media of photography, cinema, and recorded sound.

Kafka's novel The Trial, written from 1914 to 1915 and published in 1925, is a multi-faceted, notoriously difficult manifestation of European literary modernism, and one of the most emblematic books of the 20th Century. It tells the story of Josef K., a man accused of a crime he has no recollection of committing and whose nature is never revealed to him. The novel is often interpreted theologically as an expression of radical nihilism and a world abandoned by God. It is also read as a parable of the cold, inhumane rationality of modern bureaucratization. Like many other novels of this turbulent period, it offers a tragic quest-narrative in which the hero searches for truth and clarity (whether about himself, or the anonymous system he is facing), only to fall into greater and greater confusion. This collection of nine new essays and an editor's introduction brings together Kafka experts, intellectual historians, literary scholars, and philosophers in order to explore the novel's philosophical and theological significance. Authors pursue the novel's central concerns of justice, law, resistance, ethics, alienation, and subjectivity. Few novels display human uncertainty and skepticism in the face of rapid modernization, or the metaphysical as it intersects with the most mundane aspects of everyday life, more insistently than The Trial. Ultimately, the essays in this collection focus on how Kafka's text is in fact philosophical in the ways in which it achieves its literary aims. Rather than considering ideas as externally related to the text, the text is considered philosophical at the very level of literary form and technique.