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Multiple award-winning author Elsa Joubert's memoir about life after the death of her beloved husband. She must come to terms with the loss of independence, friends who die and the changes in her memory and bodily powers. Vivid memories of her eventful life as a celebrated writer are skilfully woven into her story. Filled with wisdom, compassion and humour, this book will leave no reader untouched.
Steve Joubert had always wanted to be a pilot and the only way he could afford to do so, was to join the South African Air Force in the late 1970s.
As an adventurous young man with a wicked sense of humour, he tells of the many amusing escapades he had as a trainee pilot. But soon he is sent to fight in the Border War in northern Namibia (then South West Africa) where he is exposed to the carnage of war. The pilots of the Alouette helicopters were witness to some of the worst scenes of the Border War. Often, they were the first to arrive after a deadly landmine accident.
In the fiercest battles their gunships regularly supplied life-saving air cover to troops on the ground.
This book celebrates the rich, varied and untold history of investigative journalism in southern Africa and the crucial role it has played in shaping the region over the last 300 years.
It tells of the escapades of those who exposed atrocities of the British colonial rulers, the seizure of land from black owners, apartheid death squads, prison conditions, farm labour, government and corporate corruption, environmental travesty and health issues. Young journalists who have previously studied the likes of the Watergate scandal will have access to African journalists who faced huge risks to expose the abuse of power, ranging from the undercover exploits of the legendary ‘Mr Drum’, through to the recent #Guptaleaks exposé, of which it was said, ‘Seldom have journalists played such a crucial role in bringing a country back from the brink.’ The book highlights the long record of accountability journalism in countries such as South Africa, Namibia and Zimbabwe, and the recent surge of such work in others such as Botswana and Malawi.
It breaks new ground in stretching the history of this type of journalism decades further back than previously recorded, including largely ignored work such as John Dube’s coverage of the Zulu Bambatha Rebellion and Richard Msimang’s documentation of the impact of land confiscation in the early 20th century.
The book includes an introduction by Anton Harber, editor and professor, and each case study is written up by an expert in the area.
The death of Winnie Madikizela-Mandela on 2 April this year unleashed a hailstorm of opinion. On one side, Winnie's legacy was under construction by the media and public in the shadow of her sanctified ex-husband, casting Winnie as history's loser.
Msimang - who in the last few years has reflected extensively on Winnie Madikizela-Mandela - stood on the side of a younger generation, particularly of black women, who sought to reclaim Ma Winnie's identity as an extraordinary woman and fierce political activist. Examining that early impulse, Msimang has written a succinct, razor-sharp book. It is a primer for young feminists, popular culture enthusiasts and those interested in the politics of memory, reconciliation and justice, and a book that is as much about a woman as it is about the country she left behind.
The Resurrection of Winnie Mandela is an astute examination of one of South Africa's most controversial political figures. It charts the rise and fall - and rise, again - of a woman who not only battled the apartheid regime, but the patriarchal character of the society that moulded her. In telling Ma Winnie's story, Sisonke Msimang demonstrates the vital link between reclaiming the lives of one complex woman, and activism aimed at restoring the dignity of all women.
Die motiewe agter gesinsmoorde is dikwels vreemder as fiksie. Tergende vrae kan deur psigiaters beantwoord word ... of dalk nie. Deur na verskeie gevalle van gesinsmoord te kyk gooi hierdie boek ’n bietjie lig in 'n baie donker plek. Met onder meer die stories van die Lotters wat gebreinspoel was tot moord op hul ouers en die Van Breda bylmoorde.
In The Eight Zulu Kings, well-respected and widely published historian John Laband examines the reigns of the eight Zulu kings from 1816 to the present.
Starting with King Shaka, the renowned founder of the Zulu kingdom, he charts the lives of the kings Dingane, Mpande, Cetshwayo, Dinuzulu, Solomon and Cyprian, to today’s King Goodwill Zwelithini whose role is little more than ceremonial.
In the course of this investigation Laband places the Zulu monarchy in the context of African kingship and tracks and analyses the trajectory of the Zulu kings from independent and powerful pre-colonial African rulers to largely powerless traditionalist figures in post-apartheid South Africa.
At the height of her journalism career, more than one million households across the country knew her name and her face. Her reportage on human suffering and triumph captivated viewers, and with it Vanessa Govender shot to fame as one of the first female Indian television news reporters in South Africa. Always chasing the human angle of any news story, Govender made a name for herself by highlighting stories that included the grief of a mother clutching a packet filled with the fragments of the broken bones of her children after they’d been hacked to death by their own father, and another story where she celebrated the feisty spirit of a little girl who was dying of old age, while holding onto dreams that would never be realised. Yet Govender, a champion for society’s downtrodden, was hiding a shocking story of her own. In Beaten But Not Broken, she finally opens up about her deepest secret – one that so nearly ended her career in broadcast journalism before it had barely kicked off.
She was a rookie reporter at the SABC in 1999. He was a popular radio disc jockey, the darling of the SABC’s Lotus FM, a radio station catering to nearly half a million Indian people across South Africa. They were the perfect pair, or so it seemed. And if anyone suspected the nature of the abusive relationship, Govender says, she doesn’t believe they knew the full extent of the horror that the popular DJ was inflicting on this intrepid journalist. The bruising punches, the cracking slaps, and the relentless episodes filled with beatings, kicking and strangling were as ferocious as the emotional and verbal abuse he hurled at her. No one would know the brutal and graphic details of Govender’s story … until now.
In Beaten But Not Broken, this Indian woman does the unthinkable, maybe even the unforgiveable, in breaking the ranks of a close-knit conservative community to speak out about her five-year-long hell in this abusive relationship. Her story also lays bare her heart-breaking experiences as a victim of childhood bullying and being ostracised by some in her community for being a dark-skinned Indian girl. Govender tells a graphic story of extreme abuse, living with the pain, and ultimately of how she was saved by her own relentless fighting spirit to find purpose and love. This is a story of possibilities and hope; it is a story of a true survivor.
Connect: Writing For Online Audiences is a timeous guide for South Africans working in the digital space. It encapsulates the current digital landscape in South Africa, with its constraints and opportunities for reaching audiences via social media platforms, websites, blogs, apps and email. And it is designed to help students as well as industry decision-makers connect with audiences, whether as social media managers, search engine writers, digital analysts, copywriters, content marketing strategists or digital public relations executives.
Primarily, these are all online storytellers and this book aims to assist them in achieving their goals.
The book draws on reputable brands for best-practice examples. It uses South African examples of online campaigns alongside international names to provide a relevant yet globally situated experience for the South African reader. The contributing authors are all well-respected experts in their fields who share their invaluable experience in this book. Connect: Writing for Online Audiences is a must-have on the bookshelf (digital or physical) of every individual reaching out to an online readership.
Duduza. Bopha. Imbiza. Phapha. Asixoliseni. Amapopeye . . . What is the power of a single word?
Six days a week, advertising creative Melusi Tshabalala posts a Zulu word on his Everyday Zulu Facebook page and tells a story about it. His off-beat sense of humour, razor-sharp social observations and frank political commentary not only teaches his followers isiZulu but also offer insight into the world Melusi inhabits as a 21st century Zulu man.
Over the past few months he has built up a big and a loyal following that include radio host Jenny Crwys-Williams and Afrikaans author Marita van der Vyfer. He pokes fun at our differences and makes us laugh at ourselves and each other.
Melusi asks critical questions of everyone, from Aunty Helen, Dudu-Zille to Silili (Cyril Ramaphosa) and even Woolworths (why are their aircons always set on ‘jou moer’?). His fans love him for his honesty and commitment to pointing out subtle and overt forms of prejudice and racism.
Melusi’s Everyday Zulu holds up a mirror that shows South African society in all its flaws and its sheer humanity. Most importantly, he shows the power of words and that there’s umzulu in all of us!
'I was made in Coffee Bay. Right there on the beach, in the sand.'
From the opening lines, we are drawn in and engrossed by this startling memoir of a singular childhood. Suzan is adopted as a newborn in the late 1960s into a seemingly loving and welcoming family living in Pietermaritzburg. But Suzan is set on a collision course with, most particularly, her adoptive mother, and society, from her very beginning. Suzan's relationship with her mother is fraught with drama, which veers over into a level of emotional abuse and needless cruelty that is shocking.
At the age of thirteen, Suzan is sent to a place of safety as a ward of the state, effectively 'orphaning' her. From there, she spirals out of control – fighting to survive in a world of other neglected, abandoned and abused children. She becomes a 'runner', escaping at every opportunity from her various places of confinement, grabbing her schooling in snatches, living on the edges of a drug and prostitution underworld, finding love wherever she can.
Suzan’s young life was the stuff of movies, but it is her writing, in a voice that is unforgettable and true, that transforms her memories into something magical rarely matched in South African literature. A new classic.
Albertina Sisulu is revered by South Africans as the true mother of the nation. A survivor of the golden age of the African National Congress, whose life with the second most important figure in the ANC exemplified the underpinning role of women in the struggle against apartheid.
In 1944 she was the sole woman at the inaugural meeting of the radical offshoot of the ANC, the Youth League, with Walter Sisulu, Nelson Mandela, Oliver Tambo and Anton Lembede in the vanguard. Her final years were spent in an unpretentious house in the former white Johannesburg suburb of Linden. A friend said of her, "she treated everybody alike. But her main concern was the welfare of our women and children." This abridged account of Sisulu’s overflowing life provides a fresh understanding of an iconic figure of South African history.
This new abridged memoir is written by Sindiwe Magona, one of South Africa’s most prolific authors, and Elinor Sisulu, writer, activist and daughter-in-law of Albertina.
Charles Abrahams is a world-class lawyer who sued multinationals for colluding with the apartheid government, but at twelve he was determined to become a world-famous heartsurgeon. Then a school inspector shattered his dream: coloured children from the Cape Flats 'should not aim too high'. Class Action is the story of how Charles aimed high anyway, despite a childhood that included forced removal, dire poverty and the deep sense of shame of being neither white nor a 'white coloured'. As one of eleven children in a poor family, he experienced constant hardship and family strife.
Violence was ubiquitous: his street was notorious for its gang fights, his father abused his mother at home, and schoolteachers beat darker-skinned children like him. Charles wanted a larger life, and he found it through student politics, anti-apartheid activism and reading. He studied relentlessly, finding not only formidable political weapons, but a means to delve into the damage apartheid had done to his personal identity, selfesteem, sexuality and morality. He went on to qualify as a lawyer and, after defending local gangsters, he sought to do good through human-rights and class-action law. He has since spearheaded some of South Africa’s most historic, groundbreaking lawsuits, pursuing justice for ordinary citizens whose lives were ruined by powers too profit-driven to ever think about them.
Class Action depicts a remarkable journey of resistance and healing in reaction to institutionalised greed and racism and the harm it has done to our identities, our relationships and the people of our country.
The healing power of life writing, one shared story at a time
This Is How It Is a “refreshing, poignant and wide-ranging” (Helen Moffett) collection of real life experiences: 52 stories, prose and poetry, that tell of a man who is anxious about an HIV test; a child with an alarming nose for gossip and a girl who is saved by the enemy in a war zone. Some of the writers are grieving the loss of a child or struggling with addiction, abuse, bullying or betrayal. Most of these writers have never been published before. They wrote these stories primarily to bear witness to their lives and the troubled times in which we live. Putting traumatic experiences down on paper can help people work through shame, guilt and fear, releasing them from the traps they lay. Writing is sometimes able to turn a painful incident into something more manageable, even beautiful.
Sharing stories can also heal both the writer and the reader. When we first meet a stranger, we make assumptions about them. When we hear of their life in their own words, we find that many of our negative assumptions are wrong. Often we discover that we are more alike than we are different. Our magnificent world is in trouble, much of it because we are not paying attention to what is right in front of us. When the facts don’t stir us to reconsider, story can. This anthology invites us to become curious and reflective rather than fearful and defensive. It encourages us to climb down from the ladder of hierarchy and competition and to join the circle of relationship and humanity by becoming vulnerable enough to share and listen to our own and each other’s half-hidden stories.
But equally importantly, Bongani Kona, 2016 Caine Prize finalist, reminds us: “We forget that the most daring thing we can do is to allow ourselves to be seen. To stand before the world and to say this is who I am. This is how it is.”
About THE LIFE RIGHTING COLLECTIVE: The Life Righting Collective (LRC) runs courses for anyone who wants to learn to write about their experiences. The approach promotes self-discovery, self-recovery and more effective communication. It raises funds to make courses available to those in need of sponsorship and to provide platforms for these life stories to be published. Sharing experiences with a wide readership can help reduce discrimination and promote mutual understanding. Visit the website: www.liferighting.com
For the first time, Hillary Clinton reveals what she was thinking during one of the most controversial and unpredictable United States of America presidential elections in history.
In an intimate voice now free from the constraints of politics, Hillary tells the story of what it was like to be the first woman nominated for president in an election marked by rage, sexism, exhilarating highs and infuriating lows, kooky theatrics, Russian interference, a maddening inattention to serious issues, deplorable (yes, deplorable) bigotry, and an opponent who broke all the rules. In these pages, Hillary describes what it was like to run against Donald Trump, the mistakes she made, how she has coped with a shocking and devastating loss, and what the experience has taught her about life. With humour and candour, she tells readers what it took to get back on her feet—the rituals, the relationships, and occasional yelling at the television.
She also addresses the challenges of being a strong woman in public life, the criticism over her voice, age, and body, and how all women in politics confront a double standard whenever they express anger or ambition. Drawing upon the inspirational quotations she has collected for decades, she shows us how she became strong in the first place, how to find your core truths, and how to keep going in the face of adversity. In that sense, her book is a guide not just for how to persist in politics but also how to win in the real contest of life.
Hillary Clinton lost an election but she remains unbroken and undefeated. This memoir is for the millions of people around the world who want to understand what really happened in 2016, how to make sense of it, and how we all can keep going.
Breaking a Rainbow, Building a Nation covers the university protests that took place in 2015–2016, better known as the #FeesMustFall protests. Rekgotsofetse (Kgotsi) gives us his first-hand account of what happened prior to the protests and what led to the events of October 2015 at the various university campuses and nationally.
This is a four-part retelling of what happened on the ground amongst the students, first at #RhodesMustFall, then moving to the university responses and management and what ultimately led to #FeesMustFall nationwide. Chikane then looks at student politics now and how they are different from 1976, specifically the fact that the protests were being led by so-called coconuts, who are part of the black elite.
The book poses the provocative question, can coconuts be trusted with the revolution?
Pedofilie. Ontvoering. Moord? In Suid-Afrikaners se koppe het hierdie begrippe sinoniem geword met die name van Gert van Rooyen en Joey Haarhoff. In die dertig jaar sedert die tragiese verdwyning van ses jong skoolmeisies en die dramatiese skietdood van die land se berugste paartjie, hang onbeantwoorde vrae steeds in die lug. Die makabere raaisels wat hulle agtergelaat het, het nie saam met hulle gesterf nie.
Joernalis Pieter van Zyl gee in hierdie boek, waarvoor hy eksklusiewe toegang tot Huisgenoot se uitgebreide argief gehad het, ’n volledige oorsig oor dié sage. Die jongste insigte en ervarings van rolspelers wat direk by die saak betrokke is en was, word ook betrek – nie net aan die kant van die slagoffers nie, maar ook aan die kant van die vermeende “monsters”. Kenners, waaronder sielkundiges, kriminoloë, baasspeurders, handskrifontleders en selfs sieners, verskaf ’n sonderlinge blik op die gebeure w at by Suid-Afrikaners bly spook.
Die tragedie verkry ’n nuwe dimensie wanneer dit gekaats word teen die agtergrond van Suid-Afrika drie dekades gelede. Dit blyk ook dat Van Rooyen en Haarhoff nie in isolasie kon optree nie, maar waarskynlik deel was van ’n uitgebreide misdaad-netwerk. Hierdie boek sal niemand koud laat nie.
Met meer as 7 000 verhoogoptredes op sy kapstok is Pieter-Dirk Uys volksbesit. In Weerklink van ’n wanklank, sy skreeusnaakse, roerende memoires, tree die mens agter die ikoon te voorskyn.
Ons leer ken sy moeilike, musikaal-gedrewe pa, sy briljante, geheimsinnige ma, sy suster, die pianis-wonderkind, en Sannie Abader, “Pietertjie” se Kaapse Vlakte-ma.
Dan is daar sy Paarlse ouma wat hom neem om by die Verwoerds te gaan kuier, sy ander Oma en haar onverbeterlike strudel, sy vriendskap met Sophia Loren, die geboorte van Evita Bezuidenhout, en die vreugdes en hartseer van ’n merkwaardige lewe.
Accessible and engaging short stories about Nelson Mandela, to celebrate 100 years since his birth.
How do you retell the well-worn life story of a national icon? One way is this: a palimpsest of a hundred memories of the great man, revolutionary, world leader, and family figure, to celebrate the 100th anniversary of his birth. Kate Sidley offers renewed and touching insight into Mandela by retelling humorous, heart-warming and momentous moments from his life, roughly chronologically, drawing from his own writing and the memories of contemporaries, historians and ordinary people. The reading experience is multi-varied and complex, touching and inspiring, like Madiba himself.
100 Mandela Moments is divided into sections, according to the many roles Mandela played in his lifetime: the school boy, the student, the lawyer, the outlaw, the prisoner, the negotiator, the statesman, the elder. Each story or “moment” is short and encapsulates something about the man behind the legend, and the book can be read cover to cover or dipped into.
In 1980’s apartheid Cape Town, five-year-old Desiree-Anne is grappling with how she’s going to turn her tar baby doll’s skin into sweet, soft lily-white. What she has learnt is that Whites are better than "everyone else". She doesn’t know how to force her father to stop drinking or gambling or make her mother love her or get the boys and men to stop touching her in secret. She learns how to soothe the pain: through secret masturbation and lying.
As she grows up, she begins to understand the rules of living in her depressed family as well as in her fractured community.
In her teens, laden with the awkwardness of bushy, unruly hair, braces, and a body shorter and rounder than a Womble – and now firmly planted in a 'White School', Desiree-Anne is forced to confront her ‘Coloured identity crisis’. She turns to self-harm, disordered eating, the thrill of petty theft and escapism through books and acting. Although she wins a place to study drama at UCT, sensing her parents cannot afford the tuition, she opts to go to the UK where she gets lost in bars, clubs and pills. On her return to South Africa she embraces the “free love” Ecstasy trance club scene but when she meets Darren, a heroin addict, she turns to needles. Her search for love and acceptance descends into a self-destructive spiral as an intravenous smack addict.
This is a harrowing memoir on the darkness of addiction, but it is also a touching and sometimes humorous account of a little-girl-turned-woman’s deep need and reckless pursuit for love. When Desiree-Anne finally finds recovery years later, she uncovers her real voice to talk and write about things that were previously left unspoken.
Van laaitie tot politieke kryger, bandiet tot generaal-majoor, ondergrondse operateur tot presidensiële lyfwag…
Van sy kleintyd in Elsiesrivier neem Jeremy Vearey se lewe talle onvoorspelbare wendings. Sy eiesoortige vertelling sluit die ouere manne van sy jeug in, die ooms by die damstafel, kerkjeugkampe en die Kommuniste-manifes, skoolhou en ondergrondse werk vir MK, en sy aanhouding op Robbeneiland. As Mandela se lyfwag help hy ’n opstand in die Karoo ontlont, voor hy deel word van die nuwe SAPD, waar hy saam met die gewese vyand terrorisme en Kaapse bendes takel.
En onder alles loop ’n donker stroom.
The Love Diary of a Zulu Boy is a fable of lust, love, sex, obsession, loss, friendship, betrayal and fantasy. By turns erotic, romantic, tragic and comic, it is inspired by the real-life drama of a romantic relationship between a Zulu boy and an Englishwoman.
A series of diary entries takes us on a whirlwind tour of a relationship that has not only survived, but thrived for 17 years. As the author reflects on love across the colour line, it triggers memories of failed affairs and bizarre experiences: love spells, wet dreams, infidelity, sexually transmitted diseases, a phantom pregnancy, sexless relationships, threesomes and prostitution.
A unique book for the South African market, The Love Diary of a Zulu Boy is written with an honesty rarely encountered in autobiographical writing.
In this new biography of Chris Barnard we not only learn about the life of South Africa’s most famous surgeon, from his Beaufort West childhood through his studies locally and abroad to his prominent marriages – and divorces – but James Styan also examines the impact of the historic heart transplant on Barnard’s personal life and South African society at large, where apartheid legislation often made the difficulties of medicine even more convoluted.
The role of black medical staff like Hamilton Naki is explored, as is the intense rivalry that arose between other famous heart surgeons and Barnard. How did Barnard manage to beat them all in this race of life and death? How much did his famous charisma have to do with it all? And in the light of his later years, his subsequent successes and considerable failures, what is Barnard’s legacy today?
Styan covers it all in this fascinating new account of a real heartbreaker that coincides with the 50th anniversary of the first heart transplant.
An inspiring story of one man’s rise from poverty and oppression to success and fame in the international world of opera...
It is a difficult undertaking for any human to escape the cycle of poverty, but to do so from one of the world’s most complex political systems, with a brutal history of segregation and deprivation, is nothing short of a miracle. Yet Musa Ngqungwana’s story doesn’t end there. Not only did he manage to extricate himself from his impoverished past, but he found his way to the great opera houses of the world, attaining immense success in an affluent art form that bears no resemblance to his upbringing or culture. Musa’s life and career are proof that any human can overcome the devastating effects of discrimination and poverty.
Odyssey Of An African Opera Singer chronicles Musa’s journey from the townships of South Africa to the world stage. It is a story of hope, showing how humans, no matter their situation, have the opportunity to claim their gifts, develop them and use them to help others in need. A captivating story that will inspire anyone who has ever had a dream...
65 Years Of Friendship tells the heartrending story of a remarkable friendship between two remarkable men: world-renowned human-rights lawyer George Bizos, and Nelson Mandela.
George and Madiba met as students at the University of the Witwatersrand in 1948. They would later become legal colleagues, and Mandela would become George Bizos’ most famous client soon after, for it was Bizos who formed part of his legal defence during the famous Treason Trial, and again during the Rivonia Trial, when Mandela and others faced the death penalty for plotting to overthrow the state. After seeing his friend sentenced to life imprisonment instead, Bizos became Mandela’s lifeline, navigating the complicated network of the Struggle.
Working tirelessly, be it by secretly meeting Oliver Tambo in exile or arguing for the abolishment of the death penalty in the Constitutional Court years later, Bizos offered his unwavering support to Mandela on his long walk towards a democratic South Africa. In this touching homage to their friendship, George Bizos tells a fascinating tale of two men whose work affected the lives of all South Africans.
When the Cradock Four's Fort Calata was murdered by agents of the apartheid state in 1985, his son Lukhanyo was only three years old. Thirty-one years later Lukhanyo, now a journalist, becomes one of the SABC Eight when he defies Hlaudi Motsoeneng's reign of censorship at the public broadcaster by writing an open letter that declares: "my father didn't die for this".
Now, with his wife Abigail, Lukhanyo brings to life the father he never knew and investigates the mystery that surrounds his death despite two high-profile inquests.
Join them in a poignant and inspiring journey into the history of a remarkable family that traces the struggle against apartheid beginning with Fort's grandfather, Rivonia trialist and ANC Secretary-General Rev James Calata.
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