The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

High quality relief carving tools designed for lino and wood cutting. Suitable for students and professionals alike.Each tempered steel blade is manually sharpened and firmly attached to the handle. The black lacquered wooden handle has a long domed shape perfect for precision use.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Speedball Professional Relief Inks are lightfast and archival oil-based printmaking inks which can be washed up with just soap and water. These inks are designed for all types of relief printing, especially linocut and woodcut.This is an 8oz (236.5ml) tin of Hansa Yellow Light / Process Yellow (PY3, Speedball Lightfastness rating II). It is suitable for mixing with any of the Speedball Professional Relief Ink colours. To increase the transparency of this ink, add Speedball Professional Relief Transparent Base. The ink can be stiffened with talc or magnesium carbonate, and thinned with water. Because the ink can be thinned with water, it is preferable to print onto dry paper.

Cranfield Traditional Relief Ink is formulated from a careful mix of traditional linseed oils and vibrant lightfast pigments. As well as being highly pigmented, the formulation provides a viscosity and structure to the ink, along with the unique linseed smell. This keeps the relief print as fresh and bright as the day it was created. All the inks are rated 6 or higher on the International Blue Wool Scale. The range benefits from lovely metalic silver and gold as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent. The range benefits from lovely metalic silver and gold, as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).

Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress.

Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).

Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress.

Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Add Caligo Safe Wash Extender to increase the transparency and reduce the strength of your colours.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Essdee Mastercut Stamp Carving Kit lets artists and creatives carve, ink and print your own stamps with this all in one stamp carving kit.

This fun kit comes with a selection of five self-adhesive MasterCut printing stamps which can be stamped with the Baren stamping tool, and a piece of our 4mm MasterCut stamp carving material which can be used to carve larger stamps, just like carving a big eraser.

Simply ink up your creations with the ink pad and get stamping! Includes Lino cutters No.1 and No.2 and instructions. Packs of 10 self-adhesive printing stamps are also available separately.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

Pigment info: PBr7Series 24oz (118ml) squeeze bottleAkua Liquid Pigment was originally developed for monotype printmaking, but it can also used for other techniques such as Japanese woodcut and painting on paper. The Liquid Pigment contains no chalk, fillers dryers or polymers and the addition of honey give the colours a brilliant, vibrant appearance that dry with a luminous finish. It has a slow drying formula which will allow for an extended working time to create images on a monotype plate. It is thick in consistency which is perfect for both additive and reductive monotype techniques. It can be mixed into Akua Intaglio Inks or the Transparent Base to create new colours, it can also be printed on top or beneath Akua Intaglio inks for multi-plate overlays. All colours are lightfast. The Liquid Pigment is rolled directly onto the plate rather than transferring the ink from a separate slab, saving time and money. The pigment can easily be modified to adjust the sheen, thickness and transparency. It prints beautifully on dry paper as it stays wet on the plate, eliminating the need for prior soaking, blotting, flattening and drying. Where the paper will not stretch or shrink, this means that your print will be registered perfectly. The pigment cleans up easily with just water and a rag. As there are no suspension agents added, pigment can settle at the bottom of the bottle. There is a mixing ball enclosed in the squeeze bottle to allow you to easily mix the pigment.

Pigment info: PY3Series 24oz (118ml) squeeze bottleAkua Liquid Pigment was originally developed for monotype printmaking, but it can also used for other techniques such as Japanese woodcut and painting on paper. The Liquid Pigment contains no chalk, fillers dryers or polymers and the addition of honey give the colours a brilliant, vibrant appearance that dry with a luminous finish. It has a slow drying formula which will allow for an extended working time to create images on a monotype plate. It is thick in consistency which is perfect for both additive and reductive monotype techniques. It can be mixed into Akua Intaglio Inks or the Transparent Base to create new colours, it can also be printed on top or beneath Akua Intaglio inks for multi-plate overlays. All colours are lightfast. The Liquid Pigment is rolled directly onto the plate rather than transferring the ink from a separate slab, saving time and money. The pigment can easily be modified to adjust the sheen, thickness and transparency. It prints beautifully on dry paper as it stays wet on the plate, eliminating the need for prior soaking, blotting, flattening and drying. Where the paper will not stretch or shrink, this means that your print will be registered perfectly. The pigment cleans up easily with just water and a rag. As there are no suspension agents added, pigment can settle at the bottom of the bottle. There is a mixing ball enclosed in the squeeze bottle to allow you to easily mix the pigment.

The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.