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Arts & Crafts > Crafts and Hobbies > Printmaking > Lino & Block Printing
Made from soft, natural latex gum rubber with a precision-ground finish, Speedball Soft Rubber Brayers are ideal for use with linoleum, vinyl, or wood blocks. The heavy-duty steel frame provides enhanced durability, and the flexibility of the 40/42 durometer rubber ensures for even ink distribution especially over uneven surfaces. The roller diameter is 30mm and the widths range from 1.5in/38mm to 6in/150mm. Designed for use with water based and oil based inks.Care should be taken with the rubber rollers when cleaning and storing. Lightly dust with talc to avoid the surface becoming sticky and ensure the surface of the roller is not pressing against anything when put away.
High quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances.
The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).
This set of Lino Carving Tool Handles includes 12 handles, which will fit Essdee lino cutting blades. Please note that no blades are supplied with this set.
Linden wood stand for Pfeil tools.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
This traditional easy-cut art-print lino is specially made for carving. Available in a variety of sizes and also pre-mounted onto 18mm fibreboard blocks, giving extra rigidity allowing the user to achieve consistent, flat prints.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.
Ideal for School or Home. Perfect for Beginner or Advanced projects such as Greeting Cards, Stamps & much more. Includes Starter Booklet!
These are best selling rollers used by education authorities worldwide and available in a variety of sizes. Manufactured from durable synthetic rubber and with a perfectly concentric machine-ground roller surface. These popular rollers come with self-lubricating nylon bearings, robust construction, polypropylene handle with hanging slot, aluminium core and continuous steel shaft. Can be used with water and oil based inks and for a variety of purposes other than lino printing. Simply turn over the wet roller and the handle doubles as a stand for cleaner working.
Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc.
This heavyweight roller is perfectly smooth allowing for a greater quantity of ink to be held and in doing so also means a greater amount of coverage. A wet roller can simply be turned over and the handle doubles as a stand for cleaner working. Made from a hand-ground concentric EPDM rubber surface, which means it is flexible yet resistant to weathering. The EDPM rubber is of medium hardness and gives excellent pickup and deposit of all types of ink. This tool is the choice for the artisan printmaker with good recovery to indentation, and resistance to common printing chemicals. Perfect for printmaking, wood engraving and woodcut.
Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.
High quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances.
This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.
High-quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances.70mm blade length, 125mm overall length. Blade size - 4mm.pdf=pfeil-19.pdf More Information
RGM Student Lino Tools have sharpened hardened steel blades that allow a precise lino-cutting experience. The handles are made from shock-resistant cellulose acetate that fit comfortably in the hand, allowing you to maintain dexterity during carving and ensuring your safety while using the tool.
The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
High-quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances. Set includes tools: L 8/3, L 8/7, L 9/2, L 11/0.5, L 12/4, L 15/2 L8/3 Gouge n.8 - 3mmL8/7 Gouge n.8 - 7mmL9/2 Gouge n.9 - 2mmL11/0.5 Veiner n.11 - 0.5mmL12/4 V-parting tool n.12 - 4mmL15/2 V-parting tool n.15 - 2mm
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs.The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.Please note: sizes can vary slightly as these are cut to size in-house.
High quality relief carving tools designed for lino and wood cutting. Suitable for students and professionals alike.Each tempered steel blade is manually sharpened and firmly attached to the handle. The black lacquered wooden handle has a long domed shape perfect for precision use.
Pigment info: PV19Series 44oz (118ml) squeeze bottleAkua Liquid Pigment was originally developed for monotype printmaking, but it can also used for other techniques such as Japanese woodcut and painting on paper. The Liquid Pigment contains no chalk, fillers dryers or polymers and the addition of honey give the colours a brilliant, vibrant appearance that dry with a luminous finish. It has a slow drying formula which will allow for an extended working time to create images on a monotype plate. It is thick in consistency which is perfect for both additive and reductive monotype techniques. It can be mixed into Akua Intaglio Inks or the Transparent Base to create new colours, it can also be printed on top or beneath Akua Intaglio inks for multi-plate overlays. All colours are lightfast. The Liquid Pigment is rolled directly onto the plate rather than transferring the ink from a separate slab, saving time and money. The pigment can easily be modified to adjust the sheen, thickness and transparency. It prints beautifully on dry paper as it stays wet on the plate, eliminating the need for prior soaking, blotting, flattening and drying. Where the paper will not stretch or shrink, this means that your print will be registered perfectly. The pigment cleans up easily with just water and a rag. As there are no suspension agents added, pigment can settle at the bottom of the bottle. There is a mixing ball enclosed in the squeeze bottle to allow you to easily mix the pigment.
As in lino-cutting, the desired design is cut in reverse into the surface of the block with gouges or knives. Water-soluble or oil-based ink is then transferred to the raised, uncut areas of the block using a roller/brayer. The design can be printed onto paper or fabric, in a press or by hand. The blocks are Latex-free. Dimensions: 15x30.5 cm Thickness: 0.6 cm
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up. |
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