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Arts & Crafts > Crafts and Hobbies > Printmaking > Lino & Block Printing
The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).
All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.
The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).
All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.
The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.
The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).
All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.
The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Pigment info: - PBk74oz (118ml) squeeze bottle - Akua Liquid Pigment was originally developed for monotype printmaking, but it can also used for other techniques such as Japanese woodcut and painting on paper. The Liquid Pigment contains no chalk, fillers dryers or polymers and the addition of honey give the colours a brilliant, vibrant appearance that dry with a luminous finish. It has a slow drying formula which will allow for an extended working time to create images on a monotype plate. It is thick in consistency which is perfect for both additive and reductive monotype techniques. It can be mixed into Akua Intaglio Inks or the Transparent Base to create new colours, it can also be printed on top or beneath Akua Intaglio inks for multi-plate overlays. All colours are lightfast. The Liquid Pigment is rolled directly onto the plate rather than transferring the ink from a separate slab, saving time and money. The pigment can easily be modified to adjust the sheen, thickness and transparency. It prints beautifully on dry paper as it stays wet on the plate, eliminating the need for prior soaking, blotting, flattening and drying. Where the paper will not stretch or shrink, this means that your print will be registered perfectly. The pigment cleans up easily with just water and a rag. As there are no suspension agents added, pigment can settle at the bottom of the bottle. There is a mixing ball enclosed in the squeeze bottle to allow you to easily mix the pigment.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Add Caligo Safe Wash Extender to increase the transparency and reduce the strength of your colours.
This innovative range of oil-based inks can be washed away with liquid
soap and water, without the need for harmful and often more expensive
solvents. Ideal for printmakers interested in a safe and non-toxic
alternative. Caligo 'safe wash' inks are available for both relief and
intaglio printing. Contains a small percentage of driers (less than 1%).
Caligo Safe Wash Relief Inks are suitable for all types of relief
printing, for example, linocut, woodcut, wood engraving, photopolymer
and letterpress.
Safe Wash Inks are oil-based, this means you can still use many of the
modifiers used with traditional inks. For example you can use Magnesium
Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound
/ Tack Reducer etc.
Essdee Mastercut Stamp Carving Kit lets artists and creatives carve,
ink and print your own stamps with this all in one stamp carving kit.
This fun kit comes with a selection of five self-adhesive MasterCut
printing stamps which can be stamped with the Baren stamping tool, and
a piece of our 4mm MasterCut stamp carving material which can be used
to carve larger stamps, just like carving a big eraser.
Simply ink up your creations with the ink pad and get stamping!
Includes Lino cutters No.1 and No.2 and instructions. Packs of 10
self-adhesive printing stamps are also available separately.
High quality relief carving tools designed for lino and wood cutting. Suitable for students and professionals alike.Each tempered steel blade is manually sharpened and firmly attached to the handle. The black lacquered wooden handle has a long domed shape perfect for precision use.
This innovative range of oil-based inks can be washed away with liquid
soap and water, without the need for harmful and often more expensive
solvents. Ideal for printmakers interested in a safe and non-toxic
alternative. Caligo 'safe wash' inks are available for both relief and
intaglio printing. Contains a small percentage of driers (less than 1%).
Caligo Safe Wash Relief Inks are suitable for all types of relief
printing, for example, linocut, woodcut, wood engraving, photopolymer
and letterpress.
Safe Wash Inks are oil-based, this means you can still use many of the
modifiers used with traditional inks. For example you can use Magnesium
Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound
/ Tack Reducer etc.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
The water-based, high-quality aqua-Linoprint colours contain
natural binders such as gum Arabic as well as organic/inorganic
pigments. They are easy to apply due to optimum open-times and
result in even, sharp prints with fast drying times (wipe-resistant
after approx. 15 minutes). All colours offer maximum light fastness
(4 and 5 stars) and an excellent intensity (especially black). The
formulation for the colours in tubes and jars is the same. Due to
its fluid consistency all aqua-Linoprint colours can easily be
applied to different surfaces such as paper, felt, cardboard and
suitable also for wood engraving and printing with various
materials. The smooth colours are of pleasant odour and can be
overprinted with other colours. They are intermixable, ready to use
and can be diluted with water.
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