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Arts & Crafts > Crafts and Hobbies > Printmaking > Lino & Block Printing
Speedball Professional Relief Inks are lightfast and archival oil-based printmaking inks which can be washed up with just soap and water. These inks are designed for all types of relief printing, especially linocut and woodcut.This is an 8oz (236.5ml) tin of the Transparent Base. It is suitable for mixing with any of the Speedball Professional Relief Ink colours, or any mixture of colours, to increase the transparency of the ink.Speedball Professional Relief Inks can be stiffened with talc or magnesium carbonate, and thinned with water. Because the ink can be thinned with water, it is preferable to print onto dry paper.
Speedball’s Speedy-Carve Blocks are designed for relief printmaking. They have a soft, putty-like surface which is easier to cut than traditional linoleum, and are designed for use with lino-cutting tools. As they are flexible, Speedy-Carve Blocks can be used to print onto flat or curved surfaces.As in lino-cutting, the desired design is cut in reverse into the surface of the block with gouges or knives. Water-soluble or oil-based ink is then transferred to the raised, uncut areas of the block using a roller/brayer. The design can be printed onto paper or fabric, in a press or by hand. The blocks are Latex-free.Dimensions: 30 x 30 cm Thickness: 0.6 cm
Great for printing with linoleum, wood or soft block surfaces, flexible printing plates or polyfoam. Available in 16 brilliant colours, 5 metallics and 6 fluorescents. All colours clean up easily with soap and water and are safe to use in the classroom. Lightfastness varies from fair to excellent, except for the fluorescents, which have poor lightfastness.
Great for printing with linoleum, wood or soft block surfaces, flexible printing plates or polyfoam. Available in 16 brilliant colours, 5 metallics and 6 fluorescents. All colours clean up easily with soap and water and are safe to use in the classroom. Lightfastness varies from fair to excellent, except for the fluorescents, which have poor lightfastness.
Great for printing with linoleum, wood or soft block surfaces, flexible printing plates or polyfoam. Available in 16 brilliant colours, 5 metallics and 6 fluorescents. All colours clean up easily with soap and water and are safe to use in the classroom. Lightfastness varies from fair to excellent, except for the fluorescents, which have poor lightfastness.
High-quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests.
Lightweight yet sturdy with wooden handles, this set of 12 wood cut knives isthe perfect introduction to wood cutting. With a range of different blades, from V-Straight parting chisels to gouges, they will enable you to create a variety of effects and textures. Great for basic and detailed carvings on wood, wax and clay as well as for linoleum block carving.
Lightweight yet sturdy with wooden handles, this set of 6 wood cut knives is the perfect introduction to wood cutting. With a range of different blades, from V-Straight parting chisels to gouges, they will enable you to create a variety of effects and textures. Great for basic and detailed carvings on wood, wax and clay as well as for linoleum block carving. Presented in a wooden holder box, ideal as a neat storage solution and for traveling.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Essdee premium block printing ink is a high quality water-based ink made with specialist ingredients for smooth, vibrant prints. This non-permanent ink has enhanced tack and excellent transfer properties, with a perfectly balanced working and drying time making it easy to use and clean up. Designed for use with Essdee Linoleum, SoftCut, MasterCut, and Printfoam, but can also be used with many other printmaking materials and techniques. Essdee premium block printing ink prints well onto all grades of paper and card, and can be intermixed to create a full palette of colours, tints, tones, and shades.
Essdee premium block printing ink is a high quality water-based ink made with specialist ingredients for smooth, vibrant prints. This non-permanent ink has enhanced tack and excellent transfer properties, with a perfectly balanced working and drying time making it easy to use and clean up. Designed for use with Essdee Linoleum, SoftCut, MasterCut, and Printfoam, but can also be used with many other printmaking materials and techniques. Essdee premium block printing ink prints well onto all grades of paper and card, and can be intermixed to create a full palette of colours, tints, tones, and shades.
Use the Essdee 3 in 1 Lino Cutter and Stamp Carving Kit to carve your own MasterCut printing stamps using lino cutting tools and techniques for a unique result. Simply pop one of the printing stamps into the disc holder and use the lino cutters to carve your design. Once finished, assemble the Baren stamping tool and apply the self-adhesive stamp to the base. Ink can be applied with a roller or by using a traditional ink pad. The base of the Baren also doubles as a storage unit for the cutters keeping them safe after use.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs.The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.Please note: sizes are approximate and will vary.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs.The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.Please note: sizes are approximate and will vary.
Essdee Lino is especially made for "linocut" relief printmaking. It is 3.2mm thick and comes in one large roll that can be cut down to custom sizes and shapes. Linoleum is the definitive carving material and made using natural ingredients such as linseed oil and wood flour.
This traditional easy-cut art-print lino is specially made for carving. Available in a variety of sizes and also pre-mounted onto 18mm fibreboard blocks, giving extra rigidity allowing the user to achieve consistent, flat prints.
This heavyweight roller is perfectly smooth allowing for a greater quantity of ink to be held and in doing so also means a greater amount of coverage. A wet roller can simply be turned over and the handle doubles as a stand for cleaner working. Made from a hand-ground concentric EPDM rubber surface, which means it is flexible yet resistant to weathering. The EDPM rubber is of medium hardness and gives excellent pickup and deposit of all types of ink. This tool is the choice for the artisan printmaker with good recovery to indentation, and resistance to common printing chemicals. Perfect for printmaking, wood engraving and woodcut.
This roll of lino is especially made for linocut relief printmaking. It is 3.2mm thick and comes in one large roll that can be cut down to custom sizes and shapes. Linoleum is the definitive carving material and made using natural ingredients such as linseed oil and wood flour.
The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
Essdee have designed a roller specifically for block printing onto textiles and fabric. This absorbent fabric roller is designed to pick-up and transfer thinner water-based ink, like screen printing ink or fabric paint, which would be too slippery for a normal roller, and transfer it to a Lino block for printing. A great tool which opens-up new possibilities when block printing onto fabric.
Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.
Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.
Speedball Professional Relief Inks are lightfast and archival oil-based printmaking inks which can be washed up with just soap and water. These inks are designed for all types of relief printing, especially linocut and woodcut.This is an 8oz (236.5ml) tin of Crimson Red (PR170, Speedball Lightfastness rating II). It is suitable for mixing with any of the Speedball Professional Relief Ink colours. To increase the transparency of this ink, add Speedball Professional Relief Transparent Base. The ink can be stiffened with talc or magnesium carbonate, and thinned with water. Because the ink can be thinned with water, it is preferable to print onto dry paper.
Speedball Professional Relief Inks are lightfast and archival oil-based printmaking inks which can be washed up with just soap and water. These inks are designed for all types of relief printing, especially linocut and woodcut.This is an 8oz (236.5ml) tin of Diarylide Yellow (PY65, Speedball Lightfastness rating I). It is suitable for mixing with any of the Speedball Professional Relief Ink colours. To increase the transparency of this ink, add Speedball Professional Relief Transparent Base. The ink can be stiffened with talc or magnesium carbonate, and thinned with water. Because the ink can be thinned with water, it is preferable to print onto dry paper. |
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