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Arts & Crafts > Crafts and Hobbies > Printmaking > Lino & Block Printing
This traditional easy-cut art-print lino is specially made for carving. Available in a variety of sizes and also pre-mounted onto 18mm fibreboard blocks, giving extra rigidity allowing the user to achieve consistent, flat prints.
Speedball’s Fabric Block Printing Inks are an oil-based range of
bold, permanent colours designed to be with washed up with soap and
water. They are an opaque ink with excellent coverage and by adding
Speedball’s Fabric Block Printing Transparent Extender you can
create transparent colours while maintain the inks viscosity.These
inks are designed to print onto smooth fabrics that do not possess
a heavy texture or stretch such as cotton, linen, broadcloth or
denim. Nylon and canvas are not recommended. Your printing block
can be lino, wood or any similar surface and soft rubber rollers or
brayers are ideally suited for inking the block.Speedball’s
Fabric Block Printing Inks will dry to the touch overnight
depending on your climate and they do not require any setting with
heat. It is recommended you wait 4-7 days before washing your
fabrics after printing.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Liquid Extender is used to thin Akua Liquid Pigment if it has become too thick - for instance, it will re-constitute “air thickened” ink. Can be used with Akua Liquid Pigment but not with Akua Intaglio Ink. It - has a thick consistency and is transparent in colour. - Adding water to Akua Liquid Pigment Inks is not advisable as water will cause ink to dry on the monotype plate and prevent it from releasing onto dry paper. Use the Extender directly with the colours on the palette that have become too thick. It can also be added to Akua Liquid Pigment to dilute it and create more transparency without having an effect on the consistency.
Lightweight yet sturdy with wooden handles, this set of 6 wood cut knives is the perfect introduction to wood cutting. With a range of different blades, from V-Straight parting chisels to gouges, they will enable you to create a variety of effects and textures. Great for basic and detailed carvings on wood, wax and clay as well as for linoleum block carving. Presented in a wooden holder box, ideal as a neat storage solution and for traveling.
Length from blade to base: 13.5cm
Length of blade: 2.5cm
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
When mixed with Akua Intaglio, Akua Ink Stiffener adds depth to and stiffens the ink. - Use for relief and intaglio plates that require a stiffer ink as well as letterpress and viscosity printing. It is clear/white in colour with a very stiff consistency. Cleans up with liquid dish detergent. Not suitable for use with Akua Liquid Pigment. Before mixing with colour, work the Mag Mix with a knife until smooth, then add the Intaglio ink into the Mag Mix. Start off with small amounts until the desired thickness is achieved.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Tack Thickener thickens Akua Liquid Pigment and also adds gloss for heavier roll-up applications. It can be used for creating denser Akua Liquid Pigment roll-ups onto monotype plates or woodblocks. It is medium amber in colour with a thick consistency. Soap and water clean-up. Adding Tack Thickener to the Akua Liquid Pigment makes it feel more like an oil-based ink. It also helps to keep the ink on the surface of the paper so that it remains vibrant after it dries. The Liquid Pigment will have a different working quality when Tack Thickener has been added, when drawing into the inked surface of the plate it makes the ink wipe away with less tonal variations. This means you will have clean, sharp lines when creating reductive monotypes. - The Liquid Pigment should be poured into the Tack Thickener at a ratio of between 20-40% Tack Thickener to Pigment. Any more than this and the ink will start to become grainy. A very small amount of Tack Thickener should be used with Liquid Pigment for brushwork. - Application:Roll out the tack thickened ink with a soft rubber brayer on a seperate ink slab. Once the brayer is evenly coated, roll and transfer the ink onto the monotype plate.
High-quality Swiss made carving tools suitable for either lino or
wood cutting. Each tool is made from chrome vanadium steel,
precisely forged, sharpened and polished for excellent results.
Palm-handles are made of hardwood from ecologically managed Swiss
forests. Full bolster and square tang for optimal stability.
Internal steel ferrule under bolster prevents handle from
splitting. Tools are hardened to edge of bevel. Blades
electronically hardened to exacting tolerances.70mm blade length,
125mm overall length. Blade size - 8mm.pdf=pfeil-19.pdf More
Information
Grafix Monoprint Plates are a transparent, durable, nonporous printing
surface used to create unique prints by applying paint, using stencils,
tracing, or removing ink to create a print. They are economical
compared to metal or glass plates and are lightweight for easy
portability. Drypoint and collage techniques are also possible with
these multipurpose plates. Their flexibility and lightweight nature
means they are easily scratched which is ideal for drypoint.
Grafix monoprint plates have a light blue protective coating on each
side to keep the film from scratching. Just remove the blue liners
before use.
A pack of 3 Monoprint Plates each measuring 8x10in
For inking: Place one lip of the bench hook over the edge of your
desk or table and roll ink out in preparation for inking up a plate
or block. For cutting: Place one lip of the bench hook over the
edge of your desk or table and set a linoleum or wood block up
against the other lip and use the lip as a stop when carving and
cutting. Lino Bench hook has holes to switch the side bar over to
accomodate left-hand usage.
Contents Include: 5 x Cutting Blades 1 x Wooden Case (Two
Compartments and Five Cutter Holes) 1 x Half Length Handle (8cm) 1
x Half Length Wooden Ramrod for Cutting Blade removal (8cm)
The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).
All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.
The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Essdee : Lino Carving Safety Blades : Set of 12
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