The contributions of Dietrich Bonhoeffer to the fields of systematics, ethics, sociology, and theology have become well known in recent decades. What has been overlooked, however, is the significant contribution he has also made to the study and interpretation of the Psalms. Bonhoeffer's approach to the Psalms is built upon an understanding of its relationship to prayer and to Jesus Christ the Crucified One. Employing methods drawn from both premodern and modern exegetes, Bonhoeffer develops a Christological interpretation of the Psalms which, in certain key aspects, has not been seen in the history of interpretation. His is an interpretation informed by the historical reality of Jesus Christ praying the prayers of the Psalms in his incarnation. As the church of today prays the Psalms, it is encouraged by understanding that they are also praying the very words which Jesus prayed. The Psalms are not only the prayerbook of the church, more fundamentally, they are the prayerbook of Jesus Christ. In this book, Pribbenow explores Bonhoeffer's unique Christological interpretation of the Psalms by means of a concentrated analysis of its development, coherence, and significance, tracing it from its formation at Berlin University, into the years of development at the Confessing Church Preacher's Seminary in Finkenwalde, and through the months of interrogation and imprisonment at the hands of the Third Reich.

This book concerns an examination of the totality of the musical experience with a view to restoring the soul within it. It starts with an analysis of the strands in the landscape of contemporary spirituality. It examines the descriptors spiritual but not religious, and spiritual and religious, looking in particular at the place of faith narratives in various spiritualities. These strands are linked with the domains of the musicking experience: Materials, Expression, Construction and Values. The book sets out a model of the spiritual experience as a negotiated relationship between the musicker and the music. It looks in detail at various models of musicking drawn from music therapy, ethnomusicology, musicology and cultural studies. It examines the relationship between Christianity and music as well as examining some practical projects showing the effect of various Value systems in musicking, particularly in intercultural dialogue. It finally proposes an ecclesiology of musical events that includes both orate and literate traditions and so is supportive of inclusive community.

Twelve Anglicists (from France, America, Poland, and Romania) who met in Bucharest to debate Religion and Spirituality in Literature and the Arts at the ACED Conference in June 2015 join their voices in demonstrating the vitally spiritual power of Christianity in the recently modern world (in twentieth and twenty-first century literature and society). Poetry (by Eliot, Yeats, Heaney, David Jones, Hill, G.M. Brown) and fiction (Henry James, Lodge, Evelyn Waugh, Flannery O'Connor, Rose Macaulay and Ron Hansen), interpreted with (Thomist and more recent) theology (J.H. Newman's, Paul Tillich's, Hans Urs von Balthasar's, De Certeau's) and philosophy (from Plato to Gadamer) in mind, give heartening suggestions for transcending, along Catholic, Anglican, and Orthodox lines, the modern secular ethos.