Ghost signs - those faded advertisements for long defunct businesses on the walls of old buildings - are among the most potent reminders of a bygone age - and nowhere are they found in greater abundance or variety than on the streets of Bath.Long a source of fascination for visitors and residents alike, signs for forgotten trades such as brushmakers, corn factors and perfumers still jostle for attention alongside modern shopfronts. Canalside coal wharves, a pump room where Jane Austen's brother took the waters, the sinister-sounding Asylum for Teaching Young Females Household Work, and a Regency tea warehouse - all still proclaim their ghostly presence a century or more after they closed their doors for ever.This book tells the story behind these tantalising echoes from the past. Trawling through old newspapers, deeds and documents to discover when and why the signs were painted, the authors have revealed a hidden history of the city.Over 160 ghost signs are featured, arranged by area into a series of short walks, with historic maps to guide you through the city streets. Ghost signs in the suburbs and surrounding villages, as well as in Bradford on Avon and Corsham, are also included, and the book ends with an intriguing look at Bath's lost ghost signs.

Using a 'battered medium format camera' once belonging to Fay Godwin, Alex Boyd captures the archipelago of St Kilda in a new light, from a 21st century perspective. From the crumbling Cold War military base to the wild beauty of the natural landscape, this collection of photographs is both an ode to the history of the islands and an insight into the modern day lives of those who live and work on St Kilda today.

Laurel Cemetery was incorporated in 1852 as a nondenominational cemetery for African Americans of Baltimore, Maryland. It was the final resting place for thousands of Baltimoreans and many prominent members of the community, including religious leaders, educators, political organizers, and civil rights activists. During its existence, the privately owned cemetery changed hands several times, and by the 1930s, the site was overgrown, and garbage strewn from years of improper maintenance and neglect. In the 1950s, legislation was adopted permitting the demolition and sale of the property for commercial purposes. Despite controversy over the new legislation, local opposition to the demolition, numerous lawsuits, and NAACP supported court appeals, the cemetery was demolished in 1958 to make room for the development of a shopping center. Prior to the bulldozing of the cemetery, a few hundred gravestones and an unknown number of burials (fewer than 200) were exhumed and relocated to a new site in Carroll County. Ongoing archival research has thus far documented over 18,000 (projected to be over 40,000) original burials, most of which still remain interred beneath the Belair-Edison Crossing shopping center property, which occupies the footprint of the old cemetery. This book highlights and historicizes underexplored and forgotten people and events associated with the cemetery, stressing the importance of their work in laying the social, economic, and political foundation for Baltimore's African American community. Additionally, this text details the unsuccessful fight to prevent the cemetery's destruction and the more recent grassroots formation of the Laurel Cemetery Memorial Project to research and commemorate the site and the people buried there.

This book considers how Early Modern England was transformed from a turbulent and rebellious kingdom into a peaceable land. By considering the history of Taunton, Somerset, the most rebellious town in the kingdom, it is possible to see how the emerging features of the Enlightenment - moderation, reason and rational theology - effected that transformation. The experience of Taunton in the seventeenth century was marked by economic fluctuations of the cloth trade and military struggles in the Civil War, the Monmouth Rebellion and the Glorious Revolution. The primary motivation for the citizens was zealous Puritanism. It inspired support for Parliament and rebellion against James II. But in the final quarter of the century a new rational and moderate Protestantism emerged from the largest Nonconformist congregation in the country and form a distinguished dissenting academy. The study shows that both the militancy of the seventeenth century and the enlightened moderation of the eighteenth century were principally inspired by religious rather than secular values. This book contributes to our understanding of England's transformation and of the religious factors that stimulated it.

The township of Wem lies on the North Shropshire Plain, about nine miles north of Shrewsbury. The centre of a much larger medieval manor and parish, the township consists of the small medieval market town and its immediate rural hinterland. Anglo-Saxon settlements existed in the area but the town developed from a Norman foundation, with a castle, parish church, market and water mill. The urban area of the township, `within the bars', was distinguished from the rural, `without the bars'. Burgages were laid out, with a customary borough-hold tenure, but the borough never attained corporate status. Isolated from the main regional transport routes, Wem developed as a local centre of government and trade in agricultural produce, especially cheese. It was thrust onto the national stage in 1642 when Parliamentarians defeated a Royalist attack and held the town for the duration of the Civil War. The `great fire' of 1677 then destroyed most of the medieval buildings in the town centre, leading to its predominantly Georgian and Victorian appearance today. The decline in agricultural employment and the withdrawal of services and industries from small market towns like Wem in recent decades is a challenge, met by the advantage of the railway station to residents who work elsewhere but choose the town as a place to live.

The emergence of a master artist alongside his first major collection, created during a golden age of art in the nation's capital Renowned for his innovative work with silkscreen printing, Lou Stovall's works are part of numerous collections, including the National Gallery of Art, Smithsonian American Art Museum, and Phillips Collection. Washington Post art critic Paul Richard once wrote, "As a printer of his own art, and of the art of many others, as a framer and installer and shepherd of collections, Stovall has inserted more art into Washington than almost anyone in town." Of the Land: The Art and Poetry of Lou Stovall presents a series of prints and accompanying poems that showcase the artist's work during the 1970s, when he was developing his unique silkscreen technique and exploring both natural and abstract elements. An introduction by the book's editor and artist's son, Will Stovall, along with an autobiography from the artist anchor the Of the Land series in its time and place-a period of jazz, protest, and prolific art production in Washington, DC, that birthed the Washington Color School. Stovall's contributions, as well as his collaborations with well-known artists like Jacob Lawrence, Sam Gilliam, Elizabeth Catlett, and Robert Mangold, have cemented him as one of the most significant American artists of our age. Part of a tradition of African American artists and thinkers who met at Howard University, Lou Stovall created the Workshop in 1968, a small, active silkscreen studio printing posters for arts and DC-focused events. His deep influence on the silkscreen medium, the art community, and DC will be part of his lasting legacy.

Across the decades, photographers from the Bristol EVening Post and its predecessors have been faithfully recording life in the city to produce a precious archive of Bristol and its suburbs as they used to be. Narrow roadways have become dual carriageways, horse-drawn vehicles have disappeared from the streets, the trams have come and gone, and whole areas have been redeveloped as green fields became new estates. Areas like Brislington and Clifton, once separate villages, have been encompassed by the spreading city. And throughout these momentous changes, photographers have been on hand to capture the ever-changing story. Now this wonderful record is available in a new paperback format to entrance a new generation of readers. The quality of the photographs and the reproduction will make this most enthralling pictorial view of bygone Bristol a delight for readers across the city.

Shortlisted for the James Cropper Wainwright Prize 2022 for Nature Writing - Highly Commended Winner for the Richard Jefferies Award 2021 for Best Nature Writing 'A rural, working-class writer in an all too rarefied field, Chester's work is unusual for depicting the countryside as it is lived on the economic margins.' The Guardian 'An important portrait of connection to the land beyond ownership or possession.' Raynor Winn 'It's ever so good. Political, passionate and personal.' Robert Macfarlane 'Evocative and inspiring...environmental protest, family, motherhood and...nature.' Claire Fuller, author of Unsettled Ground, Costa Novel Award Winner 2021 Nature is everything. It is the place I come from and the place I got to. It is family. Wherever I am, it is home and away, an escape, a bolt hole, a reason, a place to fight for, a consolation, and a way home. As a child growing up in rural England, Guardian Country Diarist Nicola Chester was inexorably drawn to the natural landscape surrounding her. Walking, listening and breathing in the nature around her, she followed the call of the cuckoo, the song of the nightingale and watched as red kites, fieldfares and skylarks soared through the endless skies over the chalk hills of the North Wessex Downs: the ancient land of Greenham Common which she called home. Nicola bears witness to, and fights against, the stark political and environmental changes imposed on the land she loves, whilst raising her family to appreciate nature and to feel like they belong - core parts of who Nicola is. From protesting the loss of ancient trees to the rewilding of Greenham Common, to the gibbet on Gallows Down and living in the shadow of Highclere Castle (made famous in Downton Abbey), On Gallows Down shows how one woman made sense of her world - and found her place in it.

Original tales by remarkable writers Hometown Tales is a series of books pairing exciting new voices with some of the most talented and important writers at work today. Some of the tales are fiction and some are narrative non-fiction - they are all powerful, fascinating and moving, and aim to celebrate regional diversity and explore the meaning of home. In these pages on Wales, you'll find two unique short stories. 'Last Seen Leaving' is a gripping account of the days following the disappearance of a local man by award-winning writer Tyler Keevil. 'The Lion and the Star' by Eluned Gramich is a vivid retelling of the Welsh language protests that electrified Cardiganshire in the 1970s and the impact of the protests on ordinary lives.

B-Day, as it came to be known, finally arrived. It was a Friday. A school day. I identified with Cinderella as I watched Dad get ready for work. Holster, check. Gun, check. Billy club, check. Handcuffs, check. . . . Saturday morning I got up early. Dad was already gone. Back to work. Ushering the Beatles out of town. On the table . . . there were two small bars of soap, slightly used, the words "Coach House Inn" still legible. One book of matches with four missing. And a note from Dad, "From their room." . . . No one else's dad comes home from work with something that might, just might, have been intimate with a Beatle.
Growing up, Mel Miskimen thought that a gun and handcuffs on the kitchen table were as normal as a gallon of milk and a loaf of Mrs. Karl's bread. Her father, a Milwaukee cop for almost forty years was part Super Hero (He simply held up his hand and three lanes of traffic came to a screeching halt) and part Supreme Being (He could be anywhere at anytime. I never knew when or where he would pop up.) Miskimen's memoir, told in humorous vignettes, tells what it was like for a girl growing up with a dad who packed a lunch and packed heat.

On Thursday, November 6, the "Detroit News" forecasted "moderate to brisk" winds for the Great Lakes. On Friday, the "Port Huron Times-Herald" predicted a "moderately severe" storm. Hourly the warnings became more and more dire. Weather forecasting was in its infancy, however, and radio communication was not much better; by the time it became clear that a freshwater hurricane of epic proportions was developing, the storm was well on its way to becoming the deadliest in Great Lakes maritime history.

The ultimate story of man versus nature, "November's Fury" recounts the dramatic events that unfolded over those four days in 1913, as captains eager--or at times forced--to finish the season tried to outrun the massive storm that sank, stranded, or demolished dozens of boats and claimed the lives of more than 250 sailors. This is an account of incredible seamanship under impossible conditions, of inexplicable blunders, heroic rescue efforts, and the sad aftermath of recovering bodies washed ashore and paying tribute to those lost at sea. It is a tragedy made all the more real by the voices of men--now long deceased--who sailed through and survived the storm, and by a remarkable array of photographs documenting the phenomenal damage this not-so-perfect storm wreaked.

The consummate storyteller of Great Lakes lore, Michael Schumacher at long last brings this violent storm to terrifying life, from its first stirrings through its slow-mounting destructive fury to its profound aftereffects, many still felt to this day.

The Glasgow Enlightenment is widely regarded as the first book to explore the nature and accomplishments of the Enlightenment in eighteenth-century Glasgow in a comprehensive manner. In addition to a general introduction by the editors, there are seven chapters devoted to Glasgow University professors, such as Adam Smith, Francis Hutcheson, Thomas Reid, John Millar, William Leechman, and John Anderson. At a time when the Glasgow economy was booming in the strength of its trade with America, these and other Glasgow men of science and learning were making major contributions to the European world of philosophy, law, political economy, natural philosophy, medicine, and religious toleration. There are also five chapters on other individuals and topics, including the physician and author John Moore, James Boswell during his student days, images of Glasgow in popular poetry, and Popular party clergymen who challenged the dominant views of the academic Enlightenment with an alternative vision of liberty and piety. This edition features a new bibliographical preface by Richard B. Sher that discusses the substantial secondary literature on eighteenth-century Glasgow and the Glasgow Enlightenment since the original publication of this book more than a quarter of a century ago.

A vivid portrait of the lives and deaths of the great gunfighters of the Old West offers gritty, colorful, and accurate renderings of such confrontations as Bat Masterson and the Battle of the Plaza, Doc Holliday's Last Gunfight, the Last Dalton Raid, Wild Bill's Tragic Mistake, and many more. Origi

1364: The plague has returned and fear fills the air as the pestilence claims its first victims in Chesterfield. When the local priest vanishes, John the Carpenter believes the man is simply scared - until he discovers a body left in an empty house. Charged with finding the murderer by the coroner, John must dig deep into the past to discover who in the present has enough hatred to kill. But as the roll of the dead grows longer, can he keep his family safe from malign forces outside of his control? The third title in a gripping series following the best-selling titles The Crooked Spire and The Saltergate Psalter.

In Land of Milk and Money, Alan I Marcus examines the establishment of the dairy industry in the United States South during the 1920s. Looking specifically at the internal history of the Borden Company-the world's largest dairy firm-as well as small-town efforts to lure industry and manufacturing south, Marcus suggests that the rise of the modern dairy business resulted from debates and redefinitions that occurred in both the northern industrial sector and southern towns. Condensed milk production in Starkville, Mississippi, the location of Borden's and the South's first condensery, so exceeded expectations that it emerged as a touchstone for success. Starkville's vigorous self-promotion acted as a public relations campaign that inspired towns in Tennessee, Alabama, Louisiana, and Texas to entice northern milk concerns looking to relocate. Local officials throughout the South urged farmers, including Black sharecroppers and tenants, to add dairying to their operations to make their locales more attractive to northern interests. Many did so only after small-town commercial elites convinced them of dairying's potential profitability. Land of Milk and Money focuses on small-town businessmen rather than scientists and the federal government, two groups that pushed for agricultural diversification in the South for nearly four decades with little to no success. As many towns in rural America faced extinction due to migration, northern manufacturers' creation of regional facilities proved a potent means to boost profits and remain relevant during uncertain economic times. While scholars have long emphasized northern efforts to decentralize production during this period, Marcus's study examines the ramifications of those efforts for the South through the singular success of the southern dairy business. The presence of local dairying operations afforded small towns a measure of independence and stability, allowing them to diversify their economies and better weather the economic turmoil of the Great Depression.

Walking Washington's History: Ten Cities, a follow-up to Judy Bentley's bestselling Hiking Washington's History, showcases the state's engaging urban history through guided walks in ten major cities. Using narrated walks, maps, and historic photographs, Bentley reveals each city's aspirations. She begins in Vancouver, established as a fur trade emporium on a plain above the Columbia River, and ends with Bellevue, a bedroom community turned edge city. In between, readers crisscross the state, with walks through urban Olympia, Walla Walla, Tacoma, Seattle, Everett, Bellingham, Yakima, and Spokane. Whether readers pass through these cities as tourists or set out to explore their home terrain, they will discover both the visible and invisible markers of Washington history underfoot.

"NEW YORK TIMES" BESTSELLER
If you think the wildest, wackiest stories that Carl Hiaasen can tell have all made it into his hilarious, bestselling novels, think again. "Dance of the Reptiles" collects the best of Hiaasen's "Miami Herald" columns, which lay bare the stories--large and small--that demonstrate anew that truth is far stranger than fiction.
Hiaasen offers his commentary--indignant, disbelieving, sometimes righteously angry, and frequently hilarious--on burning issues like animal welfare, polluted rivers, and the broken criminal justice system as well as the "Deepwater Horizon" oil spill, Bernie Madoff's trial, and the shenanigans of the recent presidential elections. Whether or not you have read Carl Hiaasen before, you are in for a wild ride.

Ideal for courses in American history, this book gathers first-person accounts of the trauma of the Thirties in the Heartland and assesses these accounts from the distance of several decades.