Dating from the seventeenth century at the height of the Ming Dynasty, the Selden Map of China reveals a country very different from popular conceptions of the time, looking not inward to the Asian landmass but outward to the sea. Painted in multiple colours on three pieces of Mitsumata paper, this beautifully decorative map of China was discovered to be a seafaring chart showing Ming Dynasty trade routes. It is the earliest surviving example of Chinese merchant cartography and is evidence that Ming China was outward-looking, capitalistic and vibrant. Exploring the commercial aims of the Ming Dynasty, the port city of Quanzhou and its connections with the voyages of the early traveller Zheng He, this book describes the historical background of the era in which the map was used. It also includes an analysis of the skills and techniques involved in Chinese map-making and the significance of the compass bearings, scale and ratios found on the map, all of which combine to represent a breakthrough in cartographic techniques. The enthralling story revealed by this extraordinary artefact is central to an understanding of the long history of China's relationship with the sea and with the wider world.

The shift towards digital modes of production has fundamentally changed both cartography and graphic design. The omni-present computer, the interactive possibilities of digital media and the direct exchange of visual information through networks have blurred the distinction between designers and users of visual information. Blind Maps and Blue Dots is the first work to explore the disappearing boundaries between producers and users of maps. Using three mapmaking practices as examples - the Blue Dot, the location function in Google Maps; the Strava Global Heatmap, a world map showing the activities of a fitness app; and the "Situation in Syria" maps, a regularly updated map of the Syrian conflict made by an Amsterdam teenager - renowned designer Joost Grootens shows the blurring of the binary distinction between producing and using, ultimately offering a whole new approach to graphic design.

The "Vinland Map" first surfaced on the antiquarian market in 1957 and the map's authenticity has been hotly debated ever since-in controversies ranging from the anomalous composition of the ink and the map's lack of provenance to a plethora of historical and cartographical riddles. Maps, Myths, and Men is the first work to address the full range of this debate. Focusing closely on what the map in fact shows, the book contains a critique of the 1965 work The Vinland Map and the Tartar Relation; scrutinizes the marketing strategies used in 1957; and covers many aspects of the map that demonstrate it is a modern fake, such as literary evidence and several scientific ink analyses performed between 1967 and 2002. The author explains a number of the riddles and provides evidence for both the identity of the mapmaker and the source of the parchment used, and she applies current knowledge of medieval Norse culture and exploration to counter widespread misinformation about Norse voyages to North America and about the Norse world picture.

This book proposes a fundamental relationship between exile and mapping. It seeks to understand the cartographic imperative inherent in the exilic condition, the exilic impulses fundamental to mapping, and the varied forms of description proper to both. The vital intimacy of the relationship between exile and mapping compels a new spatial literacy that requires the cultivation of localized, dynamic reading practices attuned to the complexities of understanding space as text and texts as spatial artifacts. The collection asks: what kinds of maps do exiles make? How are they conceived, drawn, read? Are they private maps or can they be shaped collectively? What is their relationship to memory and history? How do maps provide for new ways of imagining the fractured experience of exile and offer up both new strategies for reading displacement and new displaced reading strategies? Where does exilic mapping fit into a history of cartography, particularly within the twentieth-century spatial turn? The original work that makes up this interdisciplinary collection presents a varied look at cartographic strategies employed in writing, art, and film from the pre-Contact Americas to the Renaissance to late postmodernism; the effects of exile, in its many manifestations, on cartographic textual systems, ways of seeing, and forms of reading; the challenges of traversing and mapping unstable landscapes and restrictive social and political networks; and the felicities and difficulties of both giving into the map and attempting to escape the map that provides for exile in the first place. Cartographies of Exile will be of interest to students and scholars working in literary and cultural studies; gender, sexuality, and race studies; anthropology; art history and architecture; film, performance, visual studies; and the fine arts.

This book presents an original study on how contemporary artists are exploring urban spaces through mapping. Despite a long history of representations of cities in maps, and the relationships that can be envisaged between art maps and cities in the contemporary world, little research is dedicated to investigating how artists intervene in the realm of urban cartography. The research examines a century-old history of art maps and draws on academic debates challenging traditional notions of maps as scientific artefacts produced through accurate measurement and surveying. The potential of art maps to construct personal narratives, through contestation, embodiment and play, is analysed in the city context, where spaces are shaped by urban planning and design, political ideologies and socio-economic forces. Adopting an exploratory and interpretative research approach that investigates the confluence of theories originated in different domains, this book conducts the reader to discover what artistic practices can bring into a more creative, while inquisitive, understanding of cities. A series of semi-structured interviews with visual artists, enquiring how they apprehend, process and re-create urban spaces in artworks, explores cartographic process and methods in visual art practices in the twenty first century, which incorporates digital technologies and critical thinking.

Illustrates how maps tell us as much about the people and the powers which create them, as about the places they show. Presents historical and contemporary evidence of how the human urge to describe, understand and control the world is presented through the medium of mapping, together with the individual and environmental constraints of the creator of the map.

Cybercartography is a new paradigm for maps and mapping in the information era. Defined as "the organization, presentation, analysis and communication of spatially referenced information on a wide variety of topics of interest to society," cybercartography is presented in an interactive, dynamic, multisensory format with the use of multimedia and multimodal interfaces.

Developments in the Theory and Practice of Cybercartography: Applications and Indigenous Mapping examines some of the recent developments in the theory and practice of cybercartography and the substantial changes which have taken place since the first edition published in 2005. It continues to examine the major elements of cybercartography and emphasizes the importance of interaction between theory and practice in developing a paradigm which moves beyond the concept of Geographic Information Systems and Geographical Information Science. The seven major elements of cybercartography outlined in the first edition have been supplemented by six key ideas and the definition of cybercartography has been extended and expanded. The new practice of mapping traditional knowledge in partnership with indigenous people has led to new theoretical understanding as well as innovative cybercartographic atlases. Featuring more than 90% new and revised content, this volume is a result of a multidisciplinary team effort and has benefited from the input of partners from government, industry and aboriginal non-governmental organizations.
Highlights the relationship between cybercartography and critical geographyIncorporates several new cybercartographic atlases produced in cooperation with Inuit and First Nations groupsShowcases legal, ethical, consent and policy implications of mapping local and traditional knowledge Features an interactive companion web site containing links to related sites, additional color images and illustrations, plus important information to capture the dynamic and interactive elements of cybercartography: http: //booksite.elsevier.com/9780444627131/

This book explores the notion of mapping in architectural discourse. First locating, positioning and theorizing mapping, it then makes explicit the relationship between research and design in architecture through cartography and spatial analysis. It proposes three distinct modalities: tool, operation and concept, showing how these methods lead to discursive aspects of architectural work and highlighting mapping as an instrument in developing architectural form. It emphasizes the importance of place and time as fundamental terms with which to understand the role of mapping. An investigation into architectural discourse, this book will appeal to academics and researchers within the discipline with a particular interest in theory, history and cartography.

New Directions in Radical Cartography looks at the contemporary debates about the role of maps in society. It explores the emergence of counter-mapping as a distinctive field of practice, and the impact that digital mapping technologies have had on cartographic practice and theory. It includes original research, accounts of mapping projects and detailed readings of maps. The contributors explore how digital mapping technologies have sponsored a new wave of practices that seek to challenge the power that maps are commonly assumed to have. They document the continued vitality of analogue maps in the hands of artists and activists who are pushing the boundaries of what is mappable in different ways. New Directions in Radical Cartography draws on a rich body of mapping work that exists as part of community action, urban ethnography, environmental activism, humanitarianism, and public engagement.

Mapping Paradigms in Modern and Contemporary Art defines a new cartographic aesthetic, or what Simonetta Moro calls carto-aesthetics, as a key to interpreting specific phenomena in modern and contemporary art, through the concept of poetic cartography. The problem of mapping, although indebted to the "spatial turn" of poststructuralist philosophy, is reconstructed as hermeneutics, while exposing the nexus between topology, space-time, and memory. The book posits that the emergence of "mapping" as a ubiquitous theme in contemporary art can be attributed to the power of the cartographic model to constitute multiple worldviews that can be seen as paradigmatic of the post-modern and contemporary condition. This book will be of particular interest to scholars in art history, art theory, aesthetics, and cartography.

First published in 1982, this is one of Mary Douglas' favourite books. It is based on her meetings with friends in which they attempt to apply the grip/group analysis from Natural Symbols. The essays have been important texts for preparing grid/group exercises ever since. She is still trying to improve the argument of Natural Symbols and is always hoping to find better applications to illustrate the power of the two dimensions used for accurate comparison.

Geographical scale is a central concept enabling us to make sense of the world we inhabit. Amongst other things, it allows us to declare one event or process a national one and another a global or regional one. However, geographical scales and how we think about them are profoundly contested, and the spatial resolution at which social processes take place ? local, regional or global ? together with how we talk about them has significant implications for understanding our world.

Scale provides a structured investigation of the debates concerning the concept of scale and how various geographical scales have been thought about within critical social theory. Specifically, the author examines how the scales of the body, the urban, the regional, the national, and the global have been conceptualized within Geography and the social sciences more broadly. The first part of the book provides a comprehensive overview of how different theoretical perspectives have regarded scale, especially debates over whether scales are real things or merely mental contrivances and/ or logical devices with which to think, as well as the consequences of thinking of them in areal versus in networked terms. The subsequent five chapters of the book then each takes a particular scale: the body; the urban; the regional; the national; the global and explores how it has been conceptualized and represented discursively for political and other purposes. A brief conclusion draws the book together by posing a number of questions about scale which emerge from the foregoing discussion.

The first single-author volume ever written on the subject of geographical scale, this book provides a unique overview in pushing understandings of scale in new and original directions. The accessible text is complimented by didactic boxes, and Scale serves as a valuable pedagogical reference for undergraduate and postgraduate audiences wishing to become familiar with such theoretical issues.

Geographical scale is a central concept enabling us to make sense of the world we inhabit. Amongst other things, it allows us to declare one event or process a national one and another a global or regional one. However, geographical scales and how we think about them are profoundly contested, and the spatial resolution at which social processes take place - local, regional or global - together with how we talk about them has significant implications for understanding our world. Scale provides a structured investigation of the debates concerning the concept of scale and how various geographical scales have been thought about within critical social theory. Specifically, the author examines how the scales of the body, the urban, the regional, the national, and the global have been conceptualized within Geography and the social sciences more broadly. The first part of the book provides a comprehensive overview of how different theoretical perspectives have regarded scale, especially debates over whether scales are real things or merely mental contrivances and/ or logical devices with which to think, as well as the consequences of thinking of them in areal versus in networked terms. The subsequent five chapters of the book then each takes a particular scale: the body; the urban; the regional; the national; the global and explores how it has been conceptualized and represented discursively for political and other purposes. A brief conclusion draws the book together by posing a number of questions about scale which emerge from the foregoing discussion. The first single-author volume ever written on the subject of geographical scale, this book provides a unique overview in pushing understandings of scale in new and original directions. The accessible text is complimented by didactic boxes, and Scale serves as a valuable pedagogical reference for undergraduate and postgraduate audiences wishing to become familiar with such theoretical issues.

Employing anthropology, field research, and humanities methodologies as well as digital cartography, and foregrounding the voices of Indigenous scholars, this text examines digital projects currently underway, and includes alternative modes of "mapping" Native American, Alaskan Native, Indigenous Hawaiian and First Nations land. The work of both established and emerging scholars addressing a range of geographic regions and cultural issues is also represented. Issues addressed include the history of maps made by Native Americans; healing and reconciliation projects related to boarding schools; language and land reclamation; Western cartographic maps created in collaboration with Indigenous nations; and digital resources that combine maps with narrative, art, and film, along with chapters on archaeology, place naming, and the digital presence of elders. This text is of interest to scholars working in history, cultural studies, anthropology, Native American studies, and digital cartography.

While a culture may have a dominant way of mapping, its geography is always plural, and there is always competition among conceptions of space. Beginning with this understanding, this book traces the map's early development into an emblem of the state, and charts the social and cultural implications of this phenomenon. This book chronicles the specific technologies, both material and epistemological, by which the map shows itself capable of accessing, organizing, and reorienting a tremendous range of information.

Drone Futures explores new paradigms in Unmanned Aircraft Systems (UAS) in landscape and urban design. UAS or drones can be deployed with direct application to the built environment; this book explores the myriad of contemporary and future possibilities of the design medium, its aesthetic, mapping agency, AI, mobility and contribution to smart cities. Drones present innovative possibilities, operating in a 'hover space' between human scales of landscape observation and light aircraft providing a unique resolution of space. This book shows how UAS can be utilised to provide new perspectives on spatial layout, landscape and urban conditions, data capture for construction monitoring and simulation of design proposals. Author Paul Cureton examines both the philosophical use of these tools and practical steps for implementation by designers. Illustrated in full colour throughout, Drone Futures discusses UAS and their connectivity to other design technologies and processes, including mapping and photogrammetry, AR/VR, drone AI and drones for construction and fabrication, new mobilities, smart cities and city information models (CIMs). It is specifically geared towards professionals seeking to understand UAS applications and future development and students seeking an understanding of the role of drones and airspace in the built environment and its powerful geographic imaginary. With international contributions, multidisciplinary sources and case studies, Drone Futures examines new powers of flight for visualising, interpreting and presenting landscapes and urban spaces of tomorrow.

This guide enables students of human geography to take a critical look at the set of practices, hardware and software that are together described as GIS.
A guide to GIS for students of human geography.
Outlines the distinct approaches to inquiry employed in GIS and illustrates their relevance for human geographers.
Traces the history of GIS and human geography from 1970 to the present.
Illustrates the challenges of data collection, classification in the context of multiple stakeholders and epistemological approaches.
Tracks the use of GIS in applied contexts through the stages of problem definition, data acquisition and classification, choice of software, spatial analysis and graphic output.
Includes an inventory of tools and information related to GIS, including web-based resources.
Supported by a website, www.blackwellpublishing.com/schuurman.

"Theoretical and Applied Solutions in Multi Scale Mapping"
Users have come to expect instant access to up-to-date geographical information, with global coverage--presented at widely varying levels of detail, as digital and paper products; customisable data that can readily combined with other geographic information. These requirements present an immense challenge to those supporting the delivery of such services (National Mapping Agencies (NMA), Government Departments, and private business. Generalisation of Geographic Information: Cartographic Modelling and Applications provides detailed review of state of the art technologies associated with these challenges, including the most recent developments in cartometric analysis techniques able to support high levels of automation among multi scale derivation techniques.
The book illustrates the application of these ideas within existing and emerging technologies. In addition to providing a comprehensive theoretical underpinning, the book demonstrates how theoretical developments have translated into commercial systems deployed within NMAs.
The book explores relevance of open systems in support of collaborative research and open source web based map services.
*State of the art review on multi scale representation techniques
*Detailed consideration of database requirements and object modeling in support of emerging applications (3D, mobile) and innovative delivery (map generalisation services)
*Illustration through existing map production environment implementations
*Consolidated bibliography (680 entries), 200 illustrations, author and subject index

This new Handbook unites cartographic theory and praxis with the principles of cartographic design and their application. It offers a critical appraisal of the current state of the art, science, and technology of map-making in a convenient and well-illustrated guide that will appeal to an international and multi-disciplinary audience. No single-volume work in the field is comparable in terms of its accessibility, currency, and scope. The Routledge Handbook of Mapping and Cartography draws on the wealth of new scholarship and practice in this emerging field, from the latest conceptual developments in mapping and advances in map-making technology to reflections on the role of maps in society. It brings together 43 engaging chapters on a diverse range of topics, including the history of cartography, map use and user issues, cartographic design, remote sensing, volunteered geographic information (VGI), and map art. The title's expert contributions are drawn from an international base of influential academics and leading practitioners, with a view to informing theoretical development and best practice. This new volume will provide the reader with an exceptionally wide-ranging introduction to mapping and cartography and aim to inspire further engagement within this dynamic and exciting field. The Routledge Handbook of Mapping and Cartography offers a unique reference point that will be of great interest and practical use to all map-makers and students of geographic information science, geography, cultural studies, and a range of related disciplines.

This volume comprehends a selection of papers presented during the 26th International Cartographic Conference held in Dresden from the 26th to the 30th of August 2013. It covers many fields of relevant Mapping and GIS research subjects, such as cartographic applications, cartographic tools, generalisation and update Propagation, higher dimensional visualisation and augmented reality, planetary mapping issues, cartography and environmental modelling, user generated content and spatial data infrastructure, use and usability as well as cartography and GIS in education.

While a culture may have a dominant way of 'mapping', its geography is always plural, not singular, and there is always competition among conceptions of space. Beginning with this understanding, this book traces the map's early development into an emblem of the state, and charts the social and cultural implications of this phenomenon.
Instead of presenting a sequence of medieval mapping metaphors, Daniel Birkholz offers an account of the ways in which medieval cartographic discourse itself produces its artefacts, and so produces cultural meaning. This book chronicles the specific technologies, material and epistemological, by which the map - a peculiar artefact, part image and part treatise - shows itself capable of accessing, organizing and reorienting a tremendous range of information.

This comprehensive and well-established cartography textbook covers the theory and the practical applications of map design and the appropriate use of map elements. It explains the basic methods for visualizing and analyzing spatial data and introduces the latest cutting-edge data visualization techniques. The fourth edition responds to the extensive developments in cartography and GIS in the last decade, including the continued evolution of the Internet and Web 2.0; the need to analyze and visualize large data sets (commonly referred to as Big Data); the changes in computer hardware (e.g., the evolution of hardware for virtual environments and augmented reality); and novel applications of technology. Key Features of the Fourth Edition: Includes more than 400 color illustrations and it is available in both print and eBook formats. A new chapter on Geovisual Analytics and individual chapters have now been dedicated to Map Elements, Typography, Proportional Symbol Mapping, Dot Mapping, Cartograms, and Flow Mapping. Extensive revisions have been made to the chapters on Principles of Color, Dasymetric Mapping, Visualizing Terrain, Map Animation, Visualizing Uncertainty, and Virtual Environments/Augmented Reality. All chapters include Learning Objectives and Study Questions. Provides more than 250 web links to online content, over 730 references to scholarly materials, and additional 540 references available for Further Reading. There is ample material for either a one or two-semester course in thematic cartography and geovisualization. This textbook provides undergraduate and graduate students in geoscience, geography, and environmental sciences with the most valuable up-to-date learning resource available in the cartographic field. It is a great resource for professionals and experts using GIS and Cartography and for organizations and policy makers involved in mapping projects.

In this book, Claire Reddleman introduces her theoretical innovation "cartographic abstraction" - a material modality of thought and experience that is produced through cartographic techniques of depiction. Reddleman closely engages with selected artworks (by contemporary artists such as Joyce Kozloff, Layla Curtis, and Bill Fontana) and theories in each chapter. Reconfiguring the Foucauldian underpinning of critical cartography towards a materialist theory of abstraction, cartographic viewpoints are theorised as concrete abstractions. This research is positioned at the intersection of art theory, critical cartography and materialist philosophy.

The third international workshop on applications of computational mechanics in geotechnical engineering discussed the area of computational mechanics applied to geotechnical problems. During the event, topics such as ground reinforcement and computational models were covered.