Mapping Paradigms in Modern and Contemporary Art defines a new cartographic aesthetic, or what Simonetta Moro calls carto-aesthetics, as a key to interpreting specific phenomena in modern and contemporary art, through the concept of poetic cartography. The problem of mapping, although indebted to the "spatial turn" of poststructuralist philosophy, is reconstructed as hermeneutics, while exposing the nexus between topology, space-time, and memory. The book posits that the emergence of "mapping" as a ubiquitous theme in contemporary art can be attributed to the power of the cartographic model to constitute multiple worldviews that can be seen as paradigmatic of the post-modern and contemporary condition. This book will be of particular interest to scholars in art history, art theory, aesthetics, and cartography.

Illustrates how maps tell us as much about the people and the powers which create them, as about the places they show. Presents historical and contemporary evidence of how the human urge to describe, understand and control the world is presented through the medium of mapping, together with the individual and environmental constraints of the creator of the map.

Cybercartography is a new paradigm for maps and mapping in the information era. Defined as "the organization, presentation, analysis and communication of spatially referenced information on a wide variety of topics of interest to society," cybercartography is presented in an interactive, dynamic, multisensory format with the use of multimedia and multimodal interfaces.

Developments in the Theory and Practice of Cybercartography: Applications and Indigenous Mapping examines some of the recent developments in the theory and practice of cybercartography and the substantial changes which have taken place since the first edition published in 2005. It continues to examine the major elements of cybercartography and emphasizes the importance of interaction between theory and practice in developing a paradigm which moves beyond the concept of Geographic Information Systems and Geographical Information Science. The seven major elements of cybercartography outlined in the first edition have been supplemented by six key ideas and the definition of cybercartography has been extended and expanded. The new practice of mapping traditional knowledge in partnership with indigenous people has led to new theoretical understanding as well as innovative cybercartographic atlases. Featuring more than 90% new and revised content, this volume is a result of a multidisciplinary team effort and has benefited from the input of partners from government, industry and aboriginal non-governmental organizations.
Highlights the relationship between cybercartography and critical geographyIncorporates several new cybercartographic atlases produced in cooperation with Inuit and First Nations groupsShowcases legal, ethical, consent and policy implications of mapping local and traditional knowledge Features an interactive companion web site containing links to related sites, additional color images and illustrations, plus important information to capture the dynamic and interactive elements of cybercartography: http: //booksite.elsevier.com/9780444627131/

This book presents an original study on how contemporary artists are exploring urban spaces through mapping. Despite a long history of representations of cities in maps, and the relationships that can be envisaged between art maps and cities in the contemporary world, little research is dedicated to investigating how artists intervene in the realm of urban cartography. The research examines a century-old history of art maps and draws on academic debates challenging traditional notions of maps as scientific artefacts produced through accurate measurement and surveying. The potential of art maps to construct personal narratives, through contestation, embodiment and play, is analysed in the city context, where spaces are shaped by urban planning and design, political ideologies and socio-economic forces. Adopting an exploratory and interpretative research approach that investigates the confluence of theories originated in different domains, this book conducts the reader to discover what artistic practices can bring into a more creative, while inquisitive, understanding of cities. A series of semi-structured interviews with visual artists, enquiring how they apprehend, process and re-create urban spaces in artworks, explores cartographic process and methods in visual art practices in the twenty first century, which incorporates digital technologies and critical thinking.

Explore and master another dimension. Spatial information that is inherently 3D, like buildings, topography, and subsurface geology, can be displayed in a way that is both intuitive and measurable. What's more, 3D representations can be used to model structures before they are built, identifying potential problems. Mapping with Altitude: Designing 3D Maps helps you deliver clear, compelling cartographic representations in 3D that are both eye-catching and informative. Understand scale, surfaces, base heights, texturing, and lighting models. Discover new twists on well-defined 2D cartographic principles, such as size, color, and text. Consider ways to convey time. Mapping with Altitude focuses on the decisions you'll make and the specific techniques you can use as you delve into the world of 3D map authoring.

Spanning the Islamic world, from ninth-century Baghdad to nineteenth-century Iran, this book tells the story of the key Muslim map-makers and the art of Islamic cartography. Muslims were uniquely placed to explore the edges of the inhabited world and their maps stretched from Isfahan to Palermo, from Istanbul to Cairo and Aden. Over a similar period, Muslim artists developed distinctive styles, often based on geometrical patterns and calligraphy. Map-makers, including al-Khwarazmi and al-Idrisi, combined novel cartographical techniques with art, science and geographical knowledge. The results could be aesthetically stunning and mathematically sophisticated, politically charged as well as a celebration of human diversity. 'Islamic Maps' examines Islamic visual interpretations of the world in their historical context, through the lives of the map-makers themselves. What was the purpose of their maps, what choices did they make and what was the argument they were trying to convey? Lavishly illustrated with stunning manuscripts, beautiful instruments and Qibla charts, this book shows how maps constructed by Muslim map-makers capture the many dimensions of Islamic civilisation, providing a window into the worldviews of Islamic societies.

This book explores the notion of mapping in architectural discourse. First locating, positioning and theorizing mapping, it then makes explicit the relationship between research and design in architecture through cartography and spatial analysis. It proposes three distinct modalities: tool, operation and concept, showing how these methods lead to discursive aspects of architectural work and highlighting mapping as an instrument in developing architectural form. It emphasizes the importance of place and time as fundamental terms with which to understand the role of mapping. An investigation into architectural discourse, this book will appeal to academics and researchers within the discipline with a particular interest in theory, history and cartography.

In recent political and legal history, scholars seldom specify how and why they use the concept of territory. In research on state-formation processes and nation building, for instance, the term mostly designates an enclosed geographical area ruled by a central government. Inspired by ideas from political geographers, this book explores the layered and constantly changing meanings of territory in late medieval and early modern Europe before cartography and state formation turned boundaries and territories into more fixed (but still changeable) geographical entities. Its central thesis is that assessing the notion of territory in a pre-modern setting involves analysing territorial practices: practices that relate people and power to space(s). The essays in this book not only examine the construction and spatial structure of pre-modern territories but also explore their perception and representation through the use of a broad range of sources: from administrative texts to maps, from stained-glass windows to chronicles.

This book focuses on the integration of spatial statistics, GIS-technology, ecosystem studies, and scenario modelling. Its main aim is to extend the information gained at the stand level to larger spatial scales, i.e. to forest districts, forest landscapes or to the total area of Lower Saxony. The studies demonstrate the potential and limitations of regionalization approaches for forest ecological variables. The results provide valuable spatial information for forest managers and landscape planners as well as for policy-makers. Some spatial models outlined in this book have been implemented as useful tools in present forest management. With current improvements of data quality, e.g. from remote sensing and refined ground-based inventories, methods are now available to develop large-scale approaches to forest ecology and management. This book is an indispensable tool for scientists and those involved in forest management.

First published in 1982, this is one of Mary Douglas' favourite books. It is based on her meetings with friends in which they attempt to apply the grip/group analysis from Natural Symbols. The essays have been important texts for preparing grid/group exercises ever since. She is still trying to improve the argument of Natural Symbols and is always hoping to find better applications to illustrate the power of the two dimensions used for accurate comparison.

Geographical scale is a central concept enabling us to make sense of the world we inhabit. Amongst other things, it allows us to declare one event or process a national one and another a global or regional one. However, geographical scales and how we think about them are profoundly contested, and the spatial resolution at which social processes take place - local, regional or global - together with how we talk about them has significant implications for understanding our world. Scale provides a structured investigation of the debates concerning the concept of scale and how various geographical scales have been thought about within critical social theory. Specifically, the author examines how the scales of the body, the urban, the regional, the national, and the global have been conceptualized within Geography and the social sciences more broadly. The first part of the book provides a comprehensive overview of how different theoretical perspectives have regarded scale, especially debates over whether scales are real things or merely mental contrivances and/ or logical devices with which to think, as well as the consequences of thinking of them in areal versus in networked terms. The subsequent five chapters of the book then each takes a particular scale: the body; the urban; the regional; the national; the global and explores how it has been conceptualized and represented discursively for political and other purposes. A brief conclusion draws the book together by posing a number of questions about scale which emerge from the foregoing discussion. The first single-author volume ever written on the subject of geographical scale, this book provides a unique overview in pushing understandings of scale in new and original directions. The accessible text is complimented by didactic boxes, and Scale serves as a valuable pedagogical reference for undergraduate and postgraduate audiences wishing to become familiar with such theoretical issues.

Geographical scale is a central concept enabling us to make sense of the world we inhabit. Amongst other things, it allows us to declare one event or process a national one and another a global or regional one. However, geographical scales and how we think about them are profoundly contested, and the spatial resolution at which social processes take place ? local, regional or global ? together with how we talk about them has significant implications for understanding our world.

Scale provides a structured investigation of the debates concerning the concept of scale and how various geographical scales have been thought about within critical social theory. Specifically, the author examines how the scales of the body, the urban, the regional, the national, and the global have been conceptualized within Geography and the social sciences more broadly. The first part of the book provides a comprehensive overview of how different theoretical perspectives have regarded scale, especially debates over whether scales are real things or merely mental contrivances and/ or logical devices with which to think, as well as the consequences of thinking of them in areal versus in networked terms. The subsequent five chapters of the book then each takes a particular scale: the body; the urban; the regional; the national; the global and explores how it has been conceptualized and represented discursively for political and other purposes. A brief conclusion draws the book together by posing a number of questions about scale which emerge from the foregoing discussion.

The first single-author volume ever written on the subject of geographical scale, this book provides a unique overview in pushing understandings of scale in new and original directions. The accessible text is complimented by didactic boxes, and Scale serves as a valuable pedagogical reference for undergraduate and postgraduate audiences wishing to become familiar with such theoretical issues.

New Directions in Radical Cartography looks at the contemporary debates about the role of maps in society. It explores the emergence of counter-mapping as a distinctive field of practice, and the impact that digital mapping technologies have had on cartographic practice and theory. It includes original research, accounts of mapping projects and detailed readings of maps. The contributors explore how digital mapping technologies have sponsored a new wave of practices that seek to challenge the power that maps are commonly assumed to have. They document the continued vitality of analogue maps in the hands of artists and activists who are pushing the boundaries of what is mappable in different ways. New Directions in Radical Cartography draws on a rich body of mapping work that exists as part of community action, urban ethnography, environmental activism, humanitarianism, and public engagement.

A compelling exploration of the ways that humans have mapped the world throughout history - now in a compact new edition Map: Exploring the World brings together more than 250 fascinating examples of maps from the birth of cartography to today's cutting-edge digital maps and reflects the many reasons people make maps - to find their way, to assert ownership, to encourage settlement, or to show political power. Carefully chosen by an international panel of experts and arranged to highlight thought-provoking contrasts and similarities, it features maps by the greatest names in cartography and lesser-known creators, as well as rare maps from indigenous cultures around the world.

Mapping Paradigms in Modern and Contemporary Art defines a new cartographic aesthetic, or what Simonetta Moro calls carto-aesthetics, as a key to interpreting specific phenomena in modern and contemporary art, through the concept of poetic cartography. The problem of mapping, although indebted to the "spatial turn" of poststructuralist philosophy, is reconstructed as hermeneutics, while exposing the nexus between topology, space-time, and memory. The book posits that the emergence of "mapping" as a ubiquitous theme in contemporary art can be attributed to the power of the cartographic model to constitute multiple worldviews that can be seen as paradigmatic of the post-modern and contemporary condition. This book will be of particular interest to scholars in art history, art theory, aesthetics, and cartography.

While a culture may have a dominant way of mapping, its geography is always plural, and there is always competition among conceptions of space. Beginning with this understanding, this book traces the map's early development into an emblem of the state, and charts the social and cultural implications of this phenomenon. This book chronicles the specific technologies, both material and epistemological, by which the map shows itself capable of accessing, organizing, and reorienting a tremendous range of information.

Maps make the world visible, but they also obscure, distort, and idealize. This wide-ranging study traces the impact of cartography on the changing cultural meanings of space. Combining cartographic history with crucial cultural studies and literary analysis, this book examines the construction of social and political space in maps, in cosmography and geography, in historical and political writing, and in he literary works of Marlowe. Shakespeare, Spenser, and Drayton.

Employing anthropology, field research, and humanities methodologies as well as digital cartography, and foregrounding the voices of Indigenous scholars, this text examines digital projects currently underway, and includes alternative modes of "mapping" Native American, Alaskan Native, Indigenous Hawaiian and First Nations land. The work of both established and emerging scholars addressing a range of geographic regions and cultural issues is also represented. Issues addressed include the history of maps made by Native Americans; healing and reconciliation projects related to boarding schools; language and land reclamation; Western cartographic maps created in collaboration with Indigenous nations; and digital resources that combine maps with narrative, art, and film, along with chapters on archaeology, place naming, and the digital presence of elders. This text is of interest to scholars working in history, cultural studies, anthropology, Native American studies, and digital cartography.

The joint symposium of ICA commissions is always one of the most important event for cartographers. This joint seminar in Orleans was connected to 25th International Cartographic Conference, Paris. Works were presented by members of the commissions on: Cartography and Children, Cartographic Education and Training, Maps and the Internet, Planetary Cartography, Early Warning and Disaster Management.

The goal of How to Make Maps is to equip readers with the foundational knowledge of concepts they need to conceive, design, and produce maps in a legible, clear, and coherent manner, drawing from both classical and modern theory in cartography. This book is appropriate for graduate and undergraduate students who are beginning a course of study in geospatial sciences or who wish to begin producing their own maps. While the book assumes no a priori knowledge or experience with geospatial software, it may also serve GIS analysts and technicians who wish to explore the principles of cartographic design. The first part of the book explores the key decisions behind every map, with the aim of providing the reader with a solid foundation in fundamental cartography concepts. Chapters 1 through 3 review foundational mapping concepts and some of the decisions that are a part of every map. This is followed by a discussion of the guiding principles of cartographic design in Chapter 4-how to start thinking about putting a map together in an effective and legible form. Chapter 5 covers map projections, the process of converting the curved earth's surface into a flat representation appropriate for mapping. Chapters 6 and 7 discuss the use of text and color, respectively. Chapter 8 reviews trends in modern cartography to summarize some of the ways the discipline is changing due to new forms of cartographic media that include 3D representations, animated cartography, and mobile cartography. Chapter 9 provides a literature review of the scholarship in cartography. The final component of the book shifts to applied, technical concepts important to cartographic production, covering data quality concepts and the acquisition of geospatial data sources (Chapter 10), and an overview of software applications particularly relevant to modern cartography production: GIS and graphics software (Chapter 11). Chapter 12 concludes the book with examples of real-world cartography projects, discussing the planning, data collection, and design process that lead to the final map products. This book aspires to introduce readers to the foundational concepts-both theoretical and applied-they need to start the actual work of making maps. The accompanying website offers hands-on exercises to guide readers through the production of a map-from conception through to the final version-as well as PowerPoint slides that accompany the text.

This volume comprehends a selection of papers presented during the 26th International Cartographic Conference held in Dresden from the 26th to the 30th of August 2013. It covers many fields of relevant Mapping and GIS research subjects, such as cartographic applications, cartographic tools, generalisation and update Propagation, higher dimensional visualisation and augmented reality, planetary mapping issues, cartography and environmental modelling, user generated content and spatial data infrastructure, use and usability as well as cartography and GIS in education.

This volume collects 22 papers presented at the 4th International Symposium of the ICA Commission on the History of Cartography, held at Eotvos Lorand University, Budapest, Hungary, on 28-29 June 2012. The overall conference theme is 'Exploration - Discovery - Cartography', but preference has been given to papers dealing with cartography in the 19th and 20th centuries. The papers are classified according to regional sub-themes, i.e. papers on the Americas, papers on Africa, etc.

Drone Futures explores new paradigms in Unmanned Aircraft Systems (UAS) in landscape and urban design. UAS or drones can be deployed with direct application to the built environment; this book explores the myriad of contemporary and future possibilities of the design medium, its aesthetic, mapping agency, AI, mobility and contribution to smart cities. Drones present innovative possibilities, operating in a 'hover space' between human scales of landscape observation and light aircraft providing a unique resolution of space. This book shows how UAS can be utilised to provide new perspectives on spatial layout, landscape and urban conditions, data capture for construction monitoring and simulation of design proposals. Author Paul Cureton examines both the philosophical use of these tools and practical steps for implementation by designers. Illustrated in full colour throughout, Drone Futures discusses UAS and their connectivity to other design technologies and processes, including mapping and photogrammetry, AR/VR, drone AI and drones for construction and fabrication, new mobilities, smart cities and city information models (CIMs). It is specifically geared towards professionals seeking to understand UAS applications and future development and students seeking an understanding of the role of drones and airspace in the built environment and its powerful geographic imaginary. With international contributions, multidisciplinary sources and case studies, Drone Futures examines new powers of flight for visualising, interpreting and presenting landscapes and urban spaces of tomorrow.

This Fourth Edition of Cartography: Visualization of Geospatial Data serves as an excellent introduction to general cartographic principles. It is an examination of the best ways to optimize the visualization and use of spatiotemporal data. Fully revised, it incorporates all the changes and new developments in the world of maps, such as OpenStreetMap and GPS (Global Positioning System) based crowdsourcing, and the use of new web mapping technology and adds new case studies and examples. Now printed in colour throughout, this edition provides students with the knowledge and skills needed to read and understand maps and mapping changes and offers professional cartographers an updated reference with the latest developments in cartography.

Written by the leading scholars in cartography, this work is a comprehensive resource, perfect for senior undergraduate and graduate students taking courses in GIS (geographic information system) and cartography.

New in This Edition:

Provides an excellent introduction to general cartographic visualization principles through full-colour figures and images

Addresses significant changes in data sources, technologies and methodologies, including the movement towards more open data sources and systems for mapping

Includes new case studies and new examples for illustrating current trends in mapping

Provides a societal and institutional framework in which future mapmakers are likely to operate, based on UN global development sustainability goals

Table of Contents

1. Geographical Information Science and Maps

2. Data Acquisition

3. Map Characteristics

4. GIS Applications: Which Map to Use?

5. Map Design and Production

6. Topography

7. Statistical Mapping

8. Mapping Time

9. Maps at Work: Presenting and Using Geospatial Data in Maps and Atlases

10. Maps at Work: Analysis and Geovisualization

11. Cartography at Work: Maps as Decision Tools