Pebeo Studio Acrylic Pouring Medium is ideal for creating clean and lacquered pouring techniques.

Glossy, transparent and non-yellowing, this allows your paint to pour smoothly onto your surface in even, seamless sheets and puddles, without cracks or bubbles.

Low crazing extender for pouring Acrylic colours.

Golden High Flow Medium (formerly Airbrush Transparent Extender) is a liquid medium useful for extending colors, decreasing gloss, and increasing film integrity. Useful for blending with Golden Fluid Acrylics to decrease the gloss, without increasing viscosity.

We generally do not recommend using Airbrush Medium with the pre-made Golden Airbrush Colors because this creates a very slow-drying, potentially weaker paint film, with poor frisket performance (color sticking to frisket or masking films) until the film sufficiently dries. When frisketing is of critical importance, use Golden High Flow Medium to dilute the airbrush colors or other acrylics.

High Flow Medium is recommended whenever a mixture requires airbrush medium additions greater than 2 parts medium to 1 part paint. This will yield a paint system that dries quickly, ‘friskets’ well, and has excellent sprayability.

Additional Tips:
Paint on any non-oily surface. Remove oils, grease, or other contaminants before application. Non-absorbent surfaces should be abraded for increased adhesion. Keep tools wet during use. Do not allow product to dry in airbrush. Clean tools with soap and water. Clean airbrush with water, ammonia/water, alcohol or miscellaneous household cleaners (however, consider effect of cleaner on airbrush parts, such as rings and seals).

Low crazing extender for pouring Acrylic colours.

Daler Rowney FW Acrylic Ink Pouring Medium is specially formulated to use with Daler Rowney FW Acrylic Inks and Daler Rowney System 3 Acrylic Inks. Mixing this medium with your colours gives them a pourable consistency and ensures that they will dry with a smooth, even coloured film without any cracking.

The medium should be mixed 1 part Acrylic Ink to 1 part Pouring Medium and can then be poured over your chosen painting surface. It is suitable for use on canvas, wood and other primed surfaces.

Composition: Vegetable oils and thickening agents.  Purpose: Increasing the transparency, while retaining the viscosity.Qualities:• Increases the transparency• Degree of gloss is retained • No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water• Yellows slightly A great video from Cobra that explains the different uses for the three painting mediums and how they can help you mainain the 'fat-over-lean' principle: youtube=pMz5vuG0FhI

Schmincke Aqua Watercolour Lift-Off Medium is applied to watercolour paper before it is painted upon to allow dried colour to be removed, modified or corrected. It is especially useful for watercolours that stain easily which ordinarily would be difficult to remove. The medium must be applied before colour is applied. If you are using very soft, textured watercolour paper the medium will need to be applied purely, for papers which have a stronger sizing the medium should be thinned with water. Testing on a small area/scrap bit of paper before use is recommended. As the Lift-Off Medium dries to a water-insoluble film, it should not be mixed directly with watercolour paint in pans. Cleaning of brushes and tools is recommended soon after use with water and soap.The Lift-Off Medium comes in a 60ml bottle. Read more about the Lift-Off Medium on our blogpdf=SchminckeaquaLiftoffMedium.pdf More Informationpdf=Schmincke_Lift_Off_SDS.pdf Safety Data Sheetyoutube=gNzmXRhbI8g 

The Schmincke Transparent Watercolour Ground allows watercolour painting on grease-free surfaces such as canvas, painting boards, wood as well as on acrylic paintings in which the surface remains visible. The absorbent ground forms an even, matt, elastic and age resistant film. Can be overpainted (or tinted beforehand) with watercolours, gouache or acrylic colours. Available in 250 ml and 500 ml bottles.pdf=Schminckewatercolourgroundtransparent.pdf More Informationpdf=schminckewatercolourgroundtransparentSDS.pdf Material Safety Data Sheetyoutube=IuOTWlXuj9s

The Akua Retarder has two purposes. A few drops mixed into Akua Liquid Pigment helps transfer ink onto dry paper during the printing process. It can also be added to Akua Liquid Pigment to prevent the ink from drying on the monotype plate thereby extending the working time of the ink. - A clear liquid, it is ideal for hot, dry or very cold studio conditions. Only a tiny amount is needed, too much will cause the ink to bead. It is not suitable for use with Akua Intaglio Inks. Easy clean up with water. -

Blending Medium is used with both Akua Liquid Pigment and Akua Intaglio Ink. It is used to thin the ink for brushwork, wash effects or use it as a resist for viscosity monotypes. It is a clear, colourless liquid which cleans up with water. It can be used to create a wet on wet look, wash effects and blends on monotype plates and paper. To do this, apply the Blending Medium directly onto the monotype plate, brush the colour over the Blending Medium and blend as desired.

Tack Thickener thickens Akua Liquid Pigment and also adds gloss for heavier roll-up applications. It can be used for creating denser Akua Liquid Pigment roll-ups onto monotype plates or woodblocks. It is medium amber in colour with a thick consistency. Soap and water clean-up. Adding Tack Thickener to the Akua Liquid Pigment makes it feel more like an oil-based ink. It also helps to keep the ink on the surface of the paper so that it remains vibrant after it dries. The Liquid Pigment will have a different working quality when Tack Thickener has been added, when drawing into the inked surface of the plate it makes the ink wipe away with less tonal variations. This means you will have clean, sharp lines when creating reductive monotypes. - The Liquid Pigment should be poured into the Tack Thickener at a ratio of between 20-40% Tack Thickener to Pigment. Any more than this and the ink will start to become grainy. A very small amount of Tack Thickener should be used with Liquid Pigment for brushwork. - Application:Roll out the tack thickened ink with a soft rubber brayer on a seperate ink slab. Once the brayer is evenly coated, roll and transfer the ink onto the monotype plate.

When mixed with Akua Intaglio, Akua Ink Stiffener adds depth to and stiffens the ink. - Use for relief and intaglio plates that require a stiffer ink as well as letterpress and viscosity printing. It is clear/white in colour with a very stiff consistency. Cleans up with liquid dish detergent. Not suitable for use with Akua Liquid Pigment. Before mixing with colour, work the Mag Mix with a knife until smooth, then add the Intaglio ink into the Mag Mix. Start off with small amounts until the desired thickness is achieved.

Works in the same way as the more fluid Slow Medium (extending wet-in-wet blending time), but with its more paint like consistency it can be used for spreading and diluting paint without making it too thin or runny.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Atelier’s Unlocking Formula has been specifically designed to help you control the drying of Atelier Interactive. It allows you to keep your acrylic paint wet for as long as you need. Mix the Unlocking Formula into your paint with either a brush or an atomiser spray. This formula will keep your paint wet, it will also re-wet or re-open recently dried paint. Once the paint is re-opened, new paint can be blended back in, existing paint edges can be feathered or whole sections can be removed with a rag to reveal under layers. This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. youtube=hlOIq7z7fJ4 Atelier Interactive Acrylic Unlocking Formula

Liquid Extender is used to thin Akua Liquid Pigment if it has become too thick - for instance, it will re-constitute “air thickened” ink. Can be used with Akua Liquid Pigment but not with Akua Intaglio Ink. It - has a thick consistency and is transparent in colour. - Adding water to Akua Liquid Pigment Inks is not advisable as water will cause ink to dry on the monotype plate and prevent it from releasing onto dry paper. Use the Extender directly with the colours on the palette that have become too thick. It can also be added to Akua Liquid Pigment to dilute it and create more transparency without having an effect on the consistency.

The Vallejo Pouring Medium is a fluid self-levelling medium designed for use with fluid acrylics and acrylic inks. It dries to a transparent, flexible and glossy finish which will not yellow and which is extremely durable. It can be tinted or used as a vehicle for dripping or pouring acrylic colours. Once dry it is water-resistant.This is a 500ml bottle of Vallejo Pouring Medium.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes. This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colours up to 45% acrylic colour, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done. This is a 500ml bottle of Schmincke Pouring Medium for use with acrylic pouring.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colors up to 45% acrylic color, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.

Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.

Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colors up to 45% acrylic color, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.

Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.

Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done.

A low viscosity medium used for thin fast drying layering techniques. It can also be used on its own to seal and reinforce a paint layer in preparation for scratch back, glazing or varnishing. It also returns the Atelier Interactive to a more conventional acrylic.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Extends wet-in-wet blending time and is designed to be used in conjunction with a water sprayer. It will tack up quite quickly but is very easily made workable again with the water sprayer. It is preferable to use a water sprayer to extend blending time, rather than adding more medium because if too much medium is added the paint will become tacky.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=AI-Slow-Medium-Nov-2013.pdf Safety Data Sheet

The Atelier Pouring Medium is designed so you can create acrylic pouring paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes. This pouring medium can be mixed with any fluid acrylic, artist acrylic paint or with acrylic inks. The medium allows you to pour your mixes easily and forms a smooth, self-levelling surface without trapped air or bubbles. It increases colour transparency and this means you are able to produce more interesting paint layers. It dries to a gloss finish and is waterproof, flexible and durable when dry. The medium dries clear meaning any work will be slightly darker upon drying.

If you want to further reduce the risk of air bubbles when pre mixing your medium and acrylic colour stir slowly. For the best results it is worth priming your substrate with gesso or a binder medium. You can use Atelier Unlocking formula to break any bubbles on the surface of the painting and to change the surface tension.

This product is part of the Atelier Traditional range.

The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.

You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

This is a 250ml bottle of Atelier Pouring Medium.

A mid viscosity medium that allows paint to be diluted smoothly for glazing and blending techniques without altering sheen level. It has a high water content and will allow Atelier Interactive to remain workable for longer without the need to use a water sprayer.This product is part of the Atelier Interactive range.The Atelier interactive range can be used with traditional acrylic medium (or water) for overpainting or layering, or alternatively by itself it can allow you to use wet-in-wet painting techniques, has a longer working time and blend in a way similar to how you’d use oil paints.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting. pdf=MSDS-Atelier-Clear-Painting-Medium.pdf Safety Data Sheet

A paint additive designed to slow down the drying time of acrylic paint. It may be added to other Atelier mediums to increase open time. Note: Retarder does not contain a binding agent so to avoid creating an unstable mixture, it is recommended to mix no more than 10% with acrylic paints.pdf=MSDS-Atelier-Retarder-Medium.pdf Safety Data Sheet