Oswald Harcourt-Davis joined the Corps of Royal Engineers in 1916 to become a despatch rider. He was allocated a Triumph motorcycle at Abbeville France on 18th July 1916 and was attached to the ANZACs for the duration of the war which saw him motorcycling around the Somme and Ypres Salient areas. He won his military medal at Messines.

This work explores the value of the motorcycle to communications, and how the despatch rider helped prevent German victory.

Royal Air Force Coastal Command was the organisation charged with keeping the sea lanes clear around the coasts of Britain for the best part of half a century, from immediately after the First World War until the 1960s. In the decades after the Second World War, John Campbell served as a Coastal Command navigator and crew captain on Shackleton aircraft in the Maritime Patrol role. Having studied in great detail the history and development of Coastal Command, he has researched and written this thorough account of its activities throughout its years of operation.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

From longstanding political columnist and commentator Daniel Finkelstein, a powerful memoir exploring both his mother and his father’s devastating experiences of persecution, resistance and survival during the Second World War.

Daniel’s mother Mirjam Wiener was the youngest of three daughters born in Germany to Alfred and Margarete Wiener. Alfred, a decorated hero from the Great War, is now widely acknowledged to have been the first person to recognise the existential danger Hitler posed to the Jews and began, in 1933, to catalogue in detail Nazi crimes. After moving his family to Amsterdam, he relocated his library to London and was preparing to bring over his wife and children when Germany invaded the Netherlands. Before long, the family was rounded up, robbed and sent to starve in Bergen-Belsen.

Daniel’s father Ludwik was born in Lwów, the only child of a prosperous Jewish family. In 1939, after Hitler and Stalin carved up Poland, Ludwik’s father was arrested and sentenced to hard labour in the Gulag. Meanwhile, deported to Siberia and working as a slave labourer on a collective farm, Ludwik survived the freezing winters in a tiny house he built from cow dung.

Hitler, Stalin, Mum and Dad is a deeply moving, personal and at times horrifying memoir about Finkelstein’s parents’ experiences at the hands of the two genocidal dictators of the twentieth century. It is a story of persecution; survival; and the consequences of totalitarianism told with the almost unimaginable bravery of two ordinary families shining through.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Two days after Christmas 1944, during the harshest winter in living memory, 33 SAS troops parachuted into the valley of Rossano, Northern Italy. Carried out in broad daylight, the parachute drop was intended to deceive observing enemy forces into believing that a full parachute brigade of 400 men had landed behind them. Drawing on post-op reports and memoirs, this book is a fictionalised account written from the perspective of one of the rank and file parachutists who took part in the operation: the author's father. Scrupulously researched and richly illustrated, Hann's personal narrative brings to life the co-ordinated attemptsof the SAS and local partisans to engage and evade the enemy. For the first time, Hann provides a detailed account of some of the devastating setbacks and triumphs of Operation Galia: one of the hardest fought and most successful operations of the Second World War.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.