Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The battles that were waged in Flanders during the First World War were some of the most costly of the war. All sides paid a very high price for what only ever amounted to temporary control of the area. One thing that has never been in doubt is the courage and valour that was displayed on these battlefields, not only by the men on the ground, but also by the airmen who waged their own battles above the sodden fields of Flanders. This book related the five years of fierce battle in the air above the Ypres Salient. Written from a German standpoint, this book gives a detailed account of the growing airpower of the German Air Service and the Naval Air Arm.

This manual lists the different types of fuzes fitted to both British and German artillery and trench mortar projectiles and details how 'safe' they are to handle.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Perhaps one of the most memorable sights in the Second World War was the arrival in Scapa Flow of the Home Fleet after the successful sinking of Scharnhorst in the last week of 1943. Harry Semark was one of the few civilians privileged to witness it. This and other of his eye witness accounts, remembered with such clarity down the years, add value to the record of what was a monumentous six years in the history of not only these isles but most of the world. This book describes with complete accuracy and in a most unassuming way, the real story of the varied service that one man, like thousands of others, gave ungrudgingly largely unnoticed and unrewarded, to keep the Naval War machine, ready to fight and win. Harry Semark makes light of the hardships the world often worked in, in biting weather on large guns with practically no assistance, being expected to analyse and make good faults as requested by the Gunnery Officer (this was World War II practice). It is to his credit that he invariably found a way to achieve the aim, be it converting a fishing drifter for its self-protection to modifying a battleship's 15" guns to allow it to engage and destroy the enemy. A technical expert, he makes gunfitting come alive, this obvious zest for knowledge and life ensures that the cameos he paints are always vital and fascinating.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Victoria Cross is a decoration awarded to 'those officers and men who have served us in the presence of the enemy and shall then have performed some signal act of valour and devotion to their country.' The first VC awarded to a Gurkha was as a result of the 'most conspicuous bravery' in 1915 in France during the Great War. In all, the Gurkha Brigade has won a total of 26 Victoria Crosses, each with a unique tale of courage and devotion beyond the call of duty. This is their story.

This title contains a description of all units in British Service which have enlisted Gurkhas at some period. Revised, written and researched by Sir John Chapple, and his team, who's knowledge of the Gurkhas and their service in the British Army is second to none. It provides the authoritative account of the evolution of raising the Regiments from their inception, dating from 1815 to the present day, the recruitment of the different castes and their districts, and chronological lists of who and what served where.

Foreword by Dan Snow. Ten holders of the Victoria Cross, the highest British military honour - for 'valour in the face of the enemy' - are associated with the Borough of Tunbridge Wells, Kent, UK. They include the very first VC to be awarded (in the Crimea, 1856).

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.