Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In Happy Days, #1 New York Times best-selling author Gabrielle Bernstein charts a clear path to releasing inner child wounds, unlearning fear, and remembering love so you can enjoy inner peace every day.

What if you could wake up every day without anxiety? View your past with purpose, not regret? Live happy, peaceful, and free from fear? You can be the happiest person you know—and Gabrielle Bernstein will show you how.

Gabby has long been loved as a spiritual teacher speaking to tens of thousands in sold-out venues throughout the world, and catalyst for profound inner change. Happy Days presents her most powerful teaching yet: a plan for transforming the pain of your past traumas, whatever that may be, into newfound strength and freedom.

In this empowering book for releasing trauma, you’ll learn:

• Why most people feel frozen in mental health patterns that make them unhappy—and what to do about it
• 9 transformational, yet untapped, techniques for peace and genuine happiness—from “reparenting” yourself to bodywork practices that work for freeing the stuck energy of past unprocessed trauma from your body
• The mindset shift that can do more for you than decades of personal work
• How to speak the unspeakable and go into the places that scare you—and come away with peace of mind and freer than ever before!

• Willing to Become Free
• Become Brave Enough to Wonder
• Why We Run
• Hiding behind the Body
• Speaking the Unspeakable
• Don't Call Me Crazy
• Love Every Part
• Freeing What's Frozen
• Reparenting Yourself

It gives me great pleasure to be able to present these teachings through my good friend and colleague Martelo - a wonderful, extraordinary medium. I know how difficult it has been while writing this book, having disturbance with his vision, so I am therefore sympathetic for him in the way he has kept to his bargain in letting me bring the knowledge of the afterlife to be installed in print. I hope he may be able to finish this documentary without having any disabling moments. The Hierarchy on a higher plane is sending healing rays to him at this moment. I know Martelo, being an initiate of the fifth degree, will come through. We have been close together for a long time and know each other very well indeed. I would like to finish this on a better note if possible. Don't give up because you think nothing is happening, you may get a surprise out of the blue which will prepare you for the next step ahead, and see what we all can learn in the process. Once again, I am delighted to be able to be asked to come to the Earth plane for a short period. Always remember you are never alone, even in the silence in which we dwell. Waiting for the right time and the right person to communicate with us is why we do not rush in when we see someone aspiring; we wait and have patience until the time is right.

Mother Shipton, alias Ursula Sonthiel is generally supposed to have been the second greatest English seeress, after the legendary Merlin, but it is certain that her prophecies were added to in the 19th century by a Mr Charles Hindley. The problem of authenticity grew more puzzling with the publication of even more 'Shipton' prophecies by 'Nexus' magazine. The author is convinced that despite these additions, at least 50 years and probably as much as 170 years worth are still missing. This work was written long before the Nexus prophecies were published and not only fills the gap, but goes far beyond it, as the reader will discover. We await the criticism, attacks and cries of outrage that will surely be our lot, with amused anticipation.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a book everyone needs to read; a whole new perspective on how and why the body's functions and its energy shape every aspect of your life. Our body and emotions together generate the energy that powers the quality of our lives. Discover how and why that energy governs our health, the way we act, live, relate, work and communicate, how and why our day-to-day physical and mental energy responds to the emotions of our thoughts and experiences, past as well as present. Understanding this crucial inter-relationship gives you choices for the way you live and love. It's easy to read, logical and practical. You can work with it and write in it. You can refer back to it or dip into it whenever you need information or an answer. And there are easy tried and tested ways to make the best of your energy. You can then very simply really begin to take control of improving your own quality of life, health and vitality. Your energy is your very own renewable resource to make the most of your life and opportunities.'

In Celtic Spirituality, acclaimed translator and scholar Philip Freeman allows the voices of the Celts to speak once more. Though the Celtic civilization has long disappeared, lingering traces of their spirituality haunt Ireland and the surrounding land. Tantalizing snippets of faded manuscript pages, ancient stone carvings, and spells from the mystery-shrouded Druids have sparked the imagination of generations of modern seekers. Translated from their original languages--Gaulish, Latin, Irish, and Welsh--the passages and stories in Celtic Spirituality are true artifacts of the Celts' vibrant and varied religion from both the pre-Christian and early Christian period. From a ritual of magical inspiration to stories of the ancient gods and adventures of long-forgotten heroes, Freeman has unearthed a stunning collection of Celtic work. The translation is accessible to the modern reader, but maintains the beauty and vibrancy of the original. Celtic Spirituality includes material that has never been translated before, offering a new glimpse into the wisdom and wild magic of the Celts.

Discover the tarot with Wild Card, a friendly, funny and straightforward guide to the seventy-eight cards, their stories and meanings.

Every time you draw a card, you open up possibilities. What will appear and what will you see? What lessons could the cards offer up? What aspects of yourself might they reveal?

At its heart, the tarot is a storytelling device, a deck of symbols and narratives that can spark conversations, inspire ideas, and reveal new perspectives. And you don't need to be psychic to use it: it is a practice that is open to everyone. In this beautifully illustrated guide, tarot readers Jen Cownie and Fiona Lensvelt introduce each of the cards, drawing on literature, pop culture, and their own experiences, and encourage you to add your voice to this centuries-old tradition.

Whether you are learning to read for yourself and others, refreshing your knowledge, or just curious, Wild Card will show you how the tarot can add a little bit of magic to your life.