Naïma has always known that her family came from Algeria – but up until now, that meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she’s learned from her grandparents’ tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled.

On the past, her family is silent. Why was her grandfather Ali forced to leave? Was he a harki – an Algerian who worked for and supported the French during the Algerian War of Independence? Once a wealthy landowner, how did he become an immigrant scratching a living in France?

Naïma’s father, Hamid, says he remembers nothing. A child when the family left, in France he re-made himself: education was his ticket out of the family home, the key to acceptance into French society.

But now, for the first time since they left, one of Ali’s family is going back. Naïma will see Algeria for herself, will ask the questions about her family’s history that, till now, have had no answers.

Spanning three generations across seventy years, Alice Zeniter’s The Art of Losing tells the story of how people carry on in the face of loss: the loss of a country, an identity, a way to speak to your children. It’s a story of colonization and immigration, and how in some ways, we are a product of the things we’ve left behind.

Translated from the French by Frank Wynne.

Best friends and sisters, the four Padavano girls bring loving chaos to their close-knit Italian American neighbourhood. William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him. So, when he meets the spirited and ambitious Julia Padavano, it's as if the world has lit up around him.

With Julia comes her family: Sylvie, the family's dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all. But when darkness from William's past begins to block the light of his future, it is Sylvie, not Julia, who becomes his closest confidante. The result is a catastrophic rift that leaves the family inhabiting two sides of a fault line.

Can they find their way back to each other? Can love make a broken family whole?

What if the problem with your love life is you? If I Can't Have You by Charlotte Levin is an all-consuming novel about loneliness, obsession and how far we go for the ones we love.

"Samuel, the day we met I knew I'd finally found what I've been waiting for. You. Happiness, at last. Then you left me. And now I am alone. Everyone I love leaves in the end. But not this time. I'm not giving up on us. I'm not giving up on you. When you love someone, you never let them go. That's why for me, this is just beginning."

Every flame tells a story...

George McGlory has been struggling since the death of his beloved wife, Audrey. But when he witnesses a public health funeral - with no flowers and no mourners - he is inspired to create The Light a Candle Society.

As George and his friends join together to celebrate forgotten lives, their care, compassion, humour and friendship become gifts not only to the people they are remembering, but to each other.

And the kindness of strangers gives them strength to confront the secrets of their own histories, forging joyful and unexpected new connections...

In the 1990s, Gaia’s family moves from the neglected peripheries of Rome to an idyllic lakeside town in search of a new life that will lift them out of poverty. Each of them bears their own scars: Gaia’s mother is fiercely determined to secure a better future for her children at any cost; her father, a once proud man, now suffers in bitter silence after a devastating accident; her anarchist older brother rebels against the political apathy he sees at home; and her young twin brothers wordlessly bear witness to a family in decay.

When Gaia meets two local girls, Agata and Carlotta, the trio builds a fragile friendship. Gaia’s encounters with callous boys and contemptuous teachers convince her that she might always be an outsider—excluded from a privileged life and beyond the possibility of happiness.

Winner of the Campiello Prize, The Bitter Water of the Lake is an unflinching portrait of a generation, striving to make a place for themselves in a world markedly different from the one their parents promised them.

Their love was supposed to last forever. But when life delivered blow after devastating blow, Yasmen and Josiah Wade found that love alone couldn’t solve or save everything.

It couldn’t save their marriage.

Yasmen wasn’t prepared for how her life fell apart, but she’s is finally starting to find joy again. She and Josiah have found a new rhythm, co-parenting their two kids and running a thriving business together. Yet like magnets, they’re always drawn back to each other, and now they’re beginning to wonder if they’re truly ready to let go of everything they once had.

Soon, one stolen kiss leads to another…and then more. It's hot. It's illicit. It's all good—until old wounds reopen. Is it too late for them to find forever? Or could they even be better, the second time around?

From the acclaimed author of The End We Start From, The Harpy is a fierce tale of love, betrayal and revenge. Lucy and Jake live in a house by a field where the sun burns like a ball of fire.

Lucy works from home but devotes her life to the children, to their finely tuned routine, and to the house itself, which comforts her like an old, sly friend. But then a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy’s husband, he wants her to know. The revelation marks a turning point: Lucy and Jake decide to stay together, but in a special arrangement designed to even the score and save their marriage, she will hurt him three times. Jake will not know when the hurt is coming, nor what form it will take.

As the couple submit to a delicate game of crime and punishment, Lucy herself begins to change, surrendering to a transformation of both mind and body from which there is no return.

Told in dazzling, musical prose, The Harpy by Megan Hunter is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power and revenge, of metamorphosis and renewal.

From the acclaimed author of Ghost Wall, Summerwater is a devastating story told over twenty-four hours in the Scottish highlands, and a searing exploration of our capacity for both kinship and cruelty in these divided times.

On the longest day of the summer, twelve people sit cooped up with their families in a faded Scottish cabin park. The endless rain leaves them with little to do but watch the other residents.

A woman goes running up the Ben as if fleeing; a retired couple reminisce about neighbours long since moved on; a teenage boy braves the dark waters of the loch in his red kayak. Each person is wrapped in their own cares but increasingly alert to the makeshift community around them. One particular family, a mother and daughter without the right clothes or the right manners, starts to draw the attention of the others. Tensions rise and all watch on, unaware of the tragedy that lies ahead as night finally falls.

Verliesfontein was beoog as die eerste roman in die drieluik Stemme, maar is laaste voltooi. Net soos die ander twee titels, Hierdie lewe en Die uur van die engel, handel dié roman van Schoeman oor die Suid-Afrikaanse verlede. Hier is die sentrale gegewe die inval van die Vrystaatse kommando’s in die Kaapkolonie in die somer van 1900–1901, tydens die Anglo-Boereoorlog.

Inspired by a tragic event - the murder of banker Edouard Stern - Regis Jauffret imagines how the story unfolds in the mind of the murderess. She had met the banker at an exclusive business dinner: together with other call girls, she was the dessert. Their love was based on sadomasochistic games, including money and firearms. Murder was the orgasmic supreme achievement. Every sentence carries her rough, tortuous and greedy personality. Severe is an explosive blend of violence, passion and crime.

From the award-winning author of The One-in-a-Million Boy comes a heartfelt, uplifting novel about a chance encounter at a bookstore, exploring redemption, unlikely friendships, and the life-changing power of sharing stories.

Our Reasons meet us in the morning and whisper to us at night. Mine is an innocent, unsuspecting, eternally sixty-one-year-old woman named Lorraine Daigle…

Violet Powell, a twenty-two-year-old from rural Abbott Falls, Maine, is being released from prison after serving twenty-two months for a drunk-driving crash that killed a local kindergarten teacher.

Harriet Larson, a retired English teacher who runs the prison book club, is facing the unsettling prospect of an empty nest.

Frank Daigle, a retired machinist, hasn’t yet come to grips with the complications of his marriage to the woman Violet killed.

When the three encounter each other one morning in a bookstore in Portland—Violet to buy the novel she was reading in the prison book club before her release, Harriet to choose the next title for the women who remain, and Frank to dispatch his duties as the store handyman—their lives begin to intersect in transformative ways.

How to Read a Book is an unsparingly honest and profoundly hopeful story about letting go of guilt, seizing second chances, and the power of books to change our lives. With the heart, wit, grace, and depth of understanding that has characterized her work, Monica Wood illuminates the decisions that define a life and the kindnesses that make life worth living.