Naïma has always known that her family came from Algeria – but up until now, that meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she’s learned from her grandparents’ tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled.

On the past, her family is silent. Why was her grandfather Ali forced to leave? Was he a harki – an Algerian who worked for and supported the French during the Algerian War of Independence? Once a wealthy landowner, how did he become an immigrant scratching a living in France?

Naïma’s father, Hamid, says he remembers nothing. A child when the family left, in France he re-made himself: education was his ticket out of the family home, the key to acceptance into French society.

But now, for the first time since they left, one of Ali’s family is going back. Naïma will see Algeria for herself, will ask the questions about her family’s history that, till now, have had no answers.

Spanning three generations across seventy years, Alice Zeniter’s The Art of Losing tells the story of how people carry on in the face of loss: the loss of a country, an identity, a way to speak to your children. It’s a story of colonization and immigration, and how in some ways, we are a product of the things we’ve left behind.

Translated from the French by Frank Wynne.

Helene de Kock skryf meesleurende romans en sy beeld haar karakters met deernis en humor uit. Hierdie keur bevat twee van haar gewildste wynlandverhale: ’n Kind vir Vier Oude Vrinde en Volmaakte versnit?.

'A roar of rage, a pacy page-turner, I loved it with all my broken heart. Read it. You'll love it' Marian Keyes 'I loved this wild mystery about a group of midlife women who have just about had enough. I couldn't put it down' Erin Kelly 'A feminist thriller for our times' Nina Pottell, Prima 'A propulsive plot and characters that roar off the page, this is a novel that's unafraid to take on societal misogyny while being satirical and even funny at the same time' Guardian 'An addictive, fast-paced crime novel like nothing you've ever read before' Red magazine * * * Nessa: The Seeker Jo: The Protector Harriett: The Punisher With newfound powers the time has come to take matters into their own hands... Widowed Nessa lives alone in her house near the ocean. In the quiet hours, she hears voices belonging to the dead - who will only speak to her. On the cusp of fifty Harriett's marriage and career imploded, but her life is far from over - in fact, she's undergone a stunning metamorphosis. Jo spent years at war with her body. The rage that arrived with menopause felt like the last straw - until she discovers she's able to channel it. Guided by voices only Nessa can hear, the trio discover the abandoned body of a teenage girl. The police have written off the victim. But the women have not. Their own investigations lead to more bodies, and a world of wealth where the rules don't apply - and the realisation that laws are designed to protect villains, not the vulnerable. Now three women will avenge the innocent and punish the guilty. IT'S TIME. * * * Readers and authors are GRIPPED by The Change: 'A proper smash-the-patriarchy read with tension and a compelling plot to boot . . . Loved it' Harriet Tyce 'An exceptionally well-written, vivid, and powerful piece of work' Reader review, 'Powerful and original' Tammy Cohen 'STUNNING! Feminist writing at its absolute best. 10 stars' Reader review,

The characters that populate Yuri Herrera's first collection of stories inhabit imagined futures that reveal the strangeness and instability of the present. Drawing on science fiction, noir, and the philosophical parables of Borges's Fictions and Calvino's Cosmicomics, these very short stories signal a new dimension in the work of this significant writer. In Ten Planets, objects can be sentient and might rebel against the unhappy human family to which they are attached. A detective of sorts finds clues to buried secrets by studying the noses of his clients, which he insists are covert maps. A meagre bacterium in a human intestine gains consciousness when a psychotropic drug is ingested. Monsters and aliens abound, but in the fiction of Herrera, knowing who is the monster and who the alien is a tricky proposition. This collection of stories, with a breadth that ranges from philosophical flights of fancy to the gritty detective story, leaves us with a sense of awe at our world and the worlds beyond our ken, while Herrera continues to develop his exploration of the mutability of borders, the wounds and legacy of colonial violence, and a deep love of storytelling in all its forms.

"Those old cows knew trouble was coming before we did." So begins the story of Lily Casey Smith, Jeannette Walls's no-nonsense, resourceful, and spectacularly compelling grandmother. By age six, Lily was helping her father break horses. At fifteen, she left home to teach in a frontier town--riding five hundred miles on her pony, alone, to get to her job. She learned to drive a car and fly a plane. And, with her husband, Jim, she ran a vast ranch in Arizona. She raised two children, one who is Jeannette's memorable mother, Rosemary Smith Walls, unforgettably portrayed in The Glass Castle.
Lily survived tornadoes, droughts, floods, the Great Depression, and the most heartbreaking personal tragedy. She bristled at prejudice of all kinds--against women, Native Americans, and anyone else who didn't fit the mold. Rosemary Smith Walls always told Jeannette that she was like her grandmother, and in this true-life novel, Jeannette Walls channels that kindred spirit. Half Broke Horses is Laura Ingalls Wilder for adults, as riveting and dramatic as Isak Dinesen's Out of Africa or Beryl Markham's West with the Night. Destined to become a classic, it will transfix readers everywhere.

Luminous and devastating, a portrait of modern masculinity as shaped by class, by trauma, and by silence, but also by the courage to love and to survive Sean's brother Anthony is a hard man. When they were kids their ma did her best to keep him out of trouble but you can't say anything to Anto. Sean was supposed to be different. He was supposed to leave and never come back. But Sean does come back. Arriving home after university, he finds Anthony's drinking is worse than ever. Meanwhile the jobs in Belfast have vanished, Sean's degree isn't worth the paper it's written on and no one will give him the time of day. One night he loses control and assaults a stranger at a party, and everything is tipped into chaos. Close to Home witnesses the aftermath of that night, as Sean attempts to make sense of who he has become, and to reckon with the relationships that have shaped him, for better and worse. Drawing from his own experiences, Michael Magee examines the forces which keep young working class men in harm's way, in a debut novel which shines with intelligence and humanity on every page. Close to Home is an extraordinary work of fiction about deciding what kind of a man you want to be and finding your place in the scarred city you call home.

'Thoroughly enjoyable and laugh-out-loud hilarious. Oh, and there's a nice twist that you so won't see coming' Heat Samantha Brooks' boyfriend has made a mistake. One his friends, family, and Sam herself know he'll live to regret. Jamie has announced he's leaving, out of the blue. Jamie is loving, intelligent and, while he isn't perfect, he's perfect for her- in every way except one: he's a free spirit. And after six years in one place, doing a job he despises, he is compelled to do something that will tear apart his relationship with Sam: book a one-way flight to South America. But Sam isn't giving up without a fight. With Jamie still totally in love with her, and torn about whether to stay or go, she has three months to persuade him to do the right thing. So with the help of her friends Ellie and Jen, she hatches a plan to make him realise what he's giving up. A plan that involves dirty tricks, plotting, and a single aim: to win him back. But by the time the tortured Jamie finally wakes up to what he's lost, soneone else has entered Sam's life. Which begs the question . . . does she still want him back? A sparkling romantic comedy from the Sunday Times Top 10 bestselling author of Bridesmaids and Summer Nights at the Moonlight Hotel.

In the five years following his brother's death, Aaron has built himself a life of solitary routines. After moving from Dublin to Boston, and illegally overstaying her visa, Róisín has done the same.

When the two meet on a night out, they each find in the other something missing in their lives. A semblance of home.

Their relationship is complicated by their disparate religious backgrounds - Aaron is Jewish; Roísín is atheist - and by the harsh realities of everyday life. Just as they're pushed to their breaking point, Roísín realises she is pregnant.

Placeholders is a poignant story of loneliness corrected and the transformative power of love. The next fix for fans of Sally Rooney, Nick Hornby, David Nicholls, Louise Kennedy and Coco Mellors.