Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815-1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets. Set against the recent 'art market turn' in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803-1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects. This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.

This book is a summary of the main restoration works carried out at the Church of the Nativity in Bethlehem that commenced in September 2013. Work on roof wooden structures, wall and floor mosaics, internal plasters, wooden architraves and painted columns of the naves, external wall surfaces and Narthex is all presented in a sequence of reports that accompany the reader up to the final interventions through accurate descriptions of historical and archaeological features, initial state of conservation and appropriate techniques of conservation and restoration. Topics are treated with the methodological and linguistic rigor specific to each disciplinary sector involved even if, in the interest of making reading and comprehension easier, it was sometimes preferred to present only significant case studies, which are nevertheless representative of groups of wider and more complex problems. Through the reading of this work, the reader can simply fulfil his desire for knowledge and obtain answers to certain curiosities about the past history of the Church. At the same time, useful guidelines in dealing with conservation and restoration interventions at historic-architectural sites of similar complexity can be found. The book is, therefore, addressed to a generic reader, interested in the history and conservation of one of the most representative examples of our heritage, but also, in light of its technical and scientific value, to university students, technicians, restorers, architects, structural engineers, archaeologists and historians.

First published in 1960.
Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama

After World War II, museum and gallery exhibitions, industrial and trade fairs, biennials, triennials, festivals and world's fairs increasingly came to be used as locations for the exercise of "soft power," for displays of cultural diplomacy between nations and as spaces for addressing areas of social and political contestation. Exhibitions Beyond Boundaries opens with a substantial introduction to the key debates, followed by case studies that advance the field of exhibition histories both geographically and methodologically, focusing on postwar transnational exchange and the wider networks engendered through exhibitions. Chapters trace relations across Africa, Asia, Europe, the Middle East, the Pacific, and the United States of America, drawing on a range of approaches and perspectives, principally from art and design history but also from social, economic and political history, and museum studies. Featured case studies include the presentation of African-American Art at FESMAN '66 and FESTAC '77, the US's 1961 Small Industries Exhibition in Colombo, Israel's early appearances at the Venice Biennale, the Vatican Pavilion at the 1964-1965 New York World's Fair, and Hong Kong's Pavilion at Expo 70 in Tokyo.

Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive reflection of culture and tradition as well as colonial legacies, leveraging the power of storytelling to create and advocate contemporary fluid conceptions of Indigeneity. Performing Indigenous Identities on the Contemporary Australian Stage offers a window into the history and diversity of this vigorous practice. It introduces the reader to cornerstones of Indigenous Australian cultural frameworks and on this backdrop discusses a wealth of plays in light of their responses to contemporary Australian identity politics. The in-depth readings of two landmark theatre productions, Scott Rankin's Namatjira (2010) and Wesley Enoch & Anita Heiss' I Am Eora (2012), trace the artists' engagement with questions of community consolidation and national reconciliation, carefully considering the implications of their propositions for identity work arising from the translation of traditional ontologies into contemporary orientations. The analyses of the dramatic texts are incrementally enriched by a dense reflection of the production and reception contexts of the plays, providing an expanded framework for the critical consideration of contemporary postcolonial theatre practice that allows for a well-founded appreciation of the strengths yet also pointing to the limitations of current representative approaches on the Australian mainstage. This study will be of great interest to students and scholars of Postcolonial, Literary, Performance and Theatre Studies.

Experience the serene vistas and unforgettable thrills of this stunning national treasure with Moon Grand Canyon. Inside you'll find: *Flexible Itineraries: Adventure-packed ideas for anything from a week-long trip to a single day in the park *Strategic Advice: Find tips for outdoor adventurers, families, history buffs, and more, with options for different levels of accessibility and tips on minimising your environmental impact *The Best Hikes in and Around the Grand Canyon: Detailed descriptions, individual trail maps, mileage and elevation gains, and backpacking options *Get Outside: Go backcountry camping in the inner canyon or rafting down the Colorado River. Head to the Havasupai reservation's Havasu Canyon for a waterfall-filled hike, or ride horseback through the South Rim. Mountain bike along the Rainbow Rim or stroll along a 70-foot skywalk stretching into the canyon *Experience Native American Culture: Advice on respectfully visiting reservations, supporting local businesses and artists, and the history of the region's tribes *How to Get There: Up-to-date information on gateway towns, park entrances, park fees, and tours *Where to Stay: Campgrounds, cabins, resorts, and more both inside and outside the park *Planning Tips: When to go, what to pack, safety information, and how to avoid the crowds, with full-colour photos and detailed maps throughout *Insider Know-How: Explore with Grand Canyon expert Tim Hull Find your adventure in Grand Canyon National Park with Moon.

Encountering Nazi Tourism Sites explores how the terrible legacy of Nazi criminality is experienced by tourists, bridging the gap between cultural criminology and tourism studies to make a significant contribution to our understanding of how Nazi criminality is evoked and invoked in the landscape of modern Germany. This study is grounded in fieldwork encounters with memorials, museums and perpetrator sites across Germany and the Netherlands, including Berlin Holocaust memorials and museums, the Anne Frank House, the Wannsee House, Wewelsburg Castle and concentration camps. At the core of this research is a respect for each site's unique physical, architectural or curatorial form and how this enables insights into different aspects of the Holocaust. Chapters grapple with themes of authenticity, empathy, voyeurism and vicarious experience to better comprehend the possibilities and limits of affective encounters at these sites. This will be of great interest to upper level students and researchers of criminology, Holocaust studies, museology, tourism studies, memorialisation studies and the burgeoning field of 'difficult' heritage.

This book traces the influence of the changing political environment on Czech art, criticism, history, and theory between 1895 and 1939, looking beyond the avant-garde to the peripheries of modern art. The period is marked by radical political changes, the formation of national and regional identities, and the rise of modernism in Central Europe - specifically, the collapse of Austria-Hungary and the creation of the new democratic state of Czechoslovakia. Marta Filipova studies the way in which narratives of modern art were formed in a constant negotiation and dialogue between an effort to be international and a desire to remain authentically local.

Creating tours that are interesting and educational for visitors (and guides!) is a challenge every historic site faces. Great Tours! helps you focus clearly on the material culture and significance of your site and then shows you how to use that focus to train and energize your guides. You will be able to move your tours to a fresh new level that is engaging and educational for visitors of all ages and abilities. Readings and workshop activities frame the process throughout and allow you to develop what is most appropriate for your site, while working to strike a realistic balance between ideals and every day reality. Great Tours! offers a unique combination of theoretical guidance and practical activities, supplemented by reproducible forms and a bibliography and index, that make it an invaluable resource for anyone involved with planning tours and training guides. Published in cooperation with the National Trust for Historic Preservation. Visit their web page.

Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860-1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.

Historic reconstructions have been a consistent part of the historic preservation and heritage conservation movements in the United States and Canada. Indeed, reconstruction has been the primary tool at the most influential historic sites, for example: the Governor's Palace and the Capitol at Colonial Williamsburg, USA, and in Canada, the Fortress of Louisbourg. Dozens of other reconstructions have appeared during the past century in North America, undertaken by individuals, communities, states, and provinces, and by national agencies responsible for cultural heritage. Despite this prevalence, historic reconstructions have received little scholarly attention and the question of what motivated the proponents of these projects remains largely unexamined. This book explores that question through detailed studies of ten historic reconstructions located throughout Canada and the United States, ranging from 1908 to 2011. Drawing upon diverse archival sources and site investigations, the proponents of each site are given voice to address their need to remake these landmarks, be it to sustain, to challenge, or even subvert a historical narrative, or - with reference to contemporary heritage studies - to reclaim these spaces. Reconstructing Historic Landmarks provides a fascinating insight into these shifting concepts of history in North America and will be of considerable interest both to students and scholars of historic preservation and indeed to heritage professionals involved in reconstructions themselves.

Large-scale disasters mobilize heritage professionals to a narrative of heritage-at-risk and a standardized set of processes to counter that risk. Trinidad Rico's critical ethnography analyses heritage practices in the aftermath of the tsunami that swamped Banda Aceh, Indonesia, in 2004 and the post-destruction narratives that accompanied it, showing the sociocultural, historical, and political agendas these discourses raise. Countering the typical Western ideology and practice of ameliorating heritage-at-risk were local, post-colonial trajectories that permitted the community to construct its own meaning of heritage. This book documents the emergence of local heritage places, practices, and debates countering the globalized versions embraced by the heritage professions offering a critical paradigm for post-destruction planning and practice that incorporates alternative models of heritage. Constructing Deconstruction will be of value to scholars, professionals, and advanced students in Heritage Studies, Anthropology, Geography, and Disaster Studies.

Despite William Hunter's stature as one of the most important collectors and men of science of the eighteenth century, and the fact that his collection is the foundation of Scotland's oldest public museum, The Hunterian, until now there has been no comprehensive examination in a single volume of all his collections in their diversity. This volume restores Hunter to a rightful position of prominence among the medical men whose research and amassing of specimens transformed our understanding of the natural world and man's position within it. This volume comprises essays by international specialists and are as diverse as Hunter's collections themselves, dealing as they do with material that ranges from medical and scientific specimens, to painting, prints, books and manuscripts. The first sections focus upon Hunter's own collection and his response to it, while the final section contextualises Hunter within the wider sphere. A special feature of the volume is the inclusion of references to the Hunterian's web pages and on-line databases. These enable searches for items from Hunter's collections, both from his museum and library. Locating Hunter's collecting within the broader context of his age and environment, this book provides an original approach to a man and collection whose importance has yet to be comprehensively assessed.

Welcome to War of 1812 tidewater country. Here, in the waters and on the shores of the Chesapeake Bay, Americans fought to preserve their recently won independence from the British. Detailing sites from Maryland to Virginia to the District of Columbia, this portable guidebook points readers to the war's most important battlefields and historic places.

The book is organized into eighteen tours. Five Historic Route Tours guide enthusiasts down the same roads and past the same buildings that proved critical in the struggle. Thirteen Historic City, Town, and Regional Tours feature key sites in Maryland, Virginia, and the District of Columbia. Visitors can pick a tour and follow the President and First Lady as they fled Washington, D.C., or British troops as they landed at North Point, or the Declaration of Independence as patriots saved it from the invaders.

The tours are organized geographically to make trip planning easy. All are accessible by car or on foot; bike and water excursions are also suggested where appropriate. Each tour includes a brief history and information every visitor will need to know, such as the address, phone number, website, parking availability, days and hours of operation, and entrance fees. The guide is richly illustrated throughout, showing many structures that no longer exist and numerous historic sites not visible from public roads. Detailed maps direct visitors to each site.

Tourists can step back in time as they travel the same roads and waterways that American and British troops did two centuries ago.

The 16th century bronze plaques from the kingdom of Benin are among the most recognized masterpieces of African art, and yet many details of their commission and installation in the palace in Benin City, Nigeria, are little understood. The Benin Plaques, A 16th Century Imperial Monument is a detailed analysis of a corpus of nearly 850 bronze plaques that were installed in the court of the Benin kingdom at the moment of its greatest political power and geographic reach. By examining European accounts, Benin oral histories, and the physical evidence of the extant plaques, Gunsch is the first to propose an installation pattern for the series.

Since the late nineteenth century, museums have been cited as tools of imperialism and colonialism, as strongholds of patriarchalism, masculinism, homophobia and xenophobia, and accused both of elitism and commercialism. But, could the museum absorb and benefit from its critique, turning into a critical museum, into the site of resistance rather than ritual? This book looks at the ways in which the museum could use its collections, its cultural authority, its auratic space and resources to give voice to the underprivileged, and to take an active part in contemporary and at times controversial issues. Drawing together both major museum professionals and academics, it examines the theoretical concept of the critical museum, and uses case studies of engaged art institutions from different parts of the world. It reaches beyond the usual focus on western Europe, America, and 'the World', including voices from, as well as about, eastern European museums, which have rarely been discussed in museum studies books so far.

Amsterdam Castle Muiderslot is not just the oldest castle in the Netherlands. It is a magical place, surrounded by water and vegetation. The castle gardens feature lots of heritage varieties: vegetables, herbs, fruit, herbaceous plants and flowers (some of them edible). The produce from the gardens was for centuries used to prepare the exquisite meals at the castle. And the gardens still produce a rich harvest every year. Muiderslot is also part of the Amsterdam Defence Line, a World Heritage Site. The castle gardens are open daily, offering visitors the chance to enjoy this lush part of our heritage.

The World Heritage community is currently adopting policies to mainstream human rights as part of a wider sustainability agenda. This interdisciplinary book combines a state of the art review of World Heritage policy and practice at the global level with ethnographic case studies from the Asia-Pacific region by leading scholars in the field. By joining legal reviews, anthropology and practitioner experience through in-depth case studies, it shows the diversity of human rights issues in both natural and cultural heritage sites. From site-designation to their conservation and management, the book explores the various rights issues and analyses the diverse social, cultural and legal challenges and responses at both regional and global level. Detailed case studies are included from Australia, Cambodia, China, Malaysia, Myanmar, Nepal, the Philippines and Vietnam. The book will appeal to both natural and cultural heritage professionals and human rights and heritage scholars, and will serve as a useful compendium for courses use allowing students to compare, contrast and contextualize different contexts.

Few perspectives have invigorated the development of critical museum studies over the late twentieth and early twenty-first centuries as much as Foucault's account of the relations between knowledge and power and their role in processes of governing. Within this literature, Tony Bennett's work stands out as having marked a series of strategic engagements with Foucault's work to offer a critical genealogy of the public museum, offering an account of its nineteenth-century and early twentieth-century development that has been constantly alert to the politics of museums in the present. Museums, Power, Knowledge brings together new research with a set of essays initially published in diverse contexts, making available for the first time the full range of Bennett's critical museology. Ranging across natural history, anthropological art, geological and history museums and their precursors in earlier collecting institutions, and spanning the eighteenth to the twenty-first centuries in discussing museum practices in Britain, Australia, the USA, France and Japan, it offers a compelling account of the shifting political logics of museums over the modern period. As a collection that aims to bring together the 'signature' work of a museum theorist and historian whose work has long occupied a distinctive place in museum/society debates, Museums, Power, Knowledge will be of interest to researchers, teachers and students working in the fields of museum and heritage studies, cultural history, cultural studies and sociology, as well as museum professionals and museum visitors.

Norway and Russia have been closely related through the ages, both geographically and historically, and have experienced similar problems relating to climate, building maintenance and national wooden architecture. As a result, the parallel study of architectural conservation and restoration theories and practices in both neighbouring Northern states makes for a stimulating collective monograph. Architectural Conservation and Restoration in Norway and Russia delves into the main challenges of historic and contemporary architectural preservation practices in the two countries. The book consists of three main parts: the discovery and preservation of historical architecture in the late nineteenth to early twentieth century; contemporary approaches to former restorations and the conservation and maintenance of historical architecture; and, finally, current questions concerning preservation of twentieth-century architectural heritage which, due to different building technologies and artistic qualities, demand revised methods and historical evaluation. This is a valuable resource for academics, researchers and students in different areas of architecture (medieval, nineteenth-century, wooden and contemporary architecture) as well as in the fields of art, architectural history, cultural heritage and Scandinavian and Russian studies.

Visitor-Centered Exhibitions and Edu-Curation in Art Museums promotes balanced practices that are visitor-centered while honoring the integrity and powerful storytelling of art objects. Book examples present best practices that move beyond the turning point, where curation and education are engaged in full and equal collaboration. With a mix of theory and models for practice, the book: * provides a rationale for visitor-centered exhibitions; * addresses important related issues, such as collaboration and evaluation; and, * presents success stories written by educators, curators, and professors from the United States and Europe. * introduces the edu-curator, a new vision for leadership in museums with visitor-centered exhibition practices. The book is intended for art museum practitioners, including educators, curators, and exhibitions designers, as well as higher education faculty and students in art/museum education, art history, and museum studies.

Even though the Anglo-Boer War of 1899-1902 ended more than 110 years ago, no extensive study on the sites of remembrance of this war that covers the country as a whole and is based on methodological research has thus far been published.

This book is aimed at filling that void. This is a study of commemorative sites with a difference. The text guides the reader in two ways simultaneously. In the first place it provides information on the vast number (more than 1 200) and wide range of Anglo-Boer War places of remembrance in South Africa. These include monuments, memorials such as plaques and tablets, historical sites such as battlefields and concentration camp locations, buildings that have a specific connection with the war, statues, busts and bas-relief sculptures, historical paintings, museum collections and, of course, since it has to do with a war, cemeteries and graves.

Secondly, the book places all the sites that are included in their historical context. To simply indicate the approximate location of a war site, without providing a proper indication on how the site fits into the broad history of the event that it commemorates, is of limited value. For that reason the places of remembrance are introduced to the reader against the background of the history which they mirror. This means in effect that the reader acquires, together with information on the places of remembrance, a concise history of the war as a whole. As a result the book will not only be useful to readers who travel to the sites, but also to readers and users who are not actually travelling (virtual tourists).

Following on an introduction on the nature and scope of the commemorative places of the Anglo-Boer War, the sites are introduced in a thematic-chronological manner. The book is based on extensive research and field work. The author himself visited and photographed more than 90% of the sites that are included. A large number of sources were consulted to ensure the correctness of the information that is provided.

Even though the book is research-based, and will be useful to both scholars on the war and the general public, ideological issues are not discussed. The focus is on the physical places of remembrance as such. The book is written from a neutral point of departure – it is neither pro-Briton nor pro-Boer. Approximately 60% of the places of remembrance that are included in the book commemorate the British forces and 40% the Republican forces.

Many events have evolved over centuries, drawing on local customs and conditions. However, as the world becomes increasingly globalised, traditional events and the identities they support are increasingly being challenged and rituals may be lost. Reacting against this trend towards homogeneity, communities strive to preserve and even recreate their traditional events, which may require rituals to be resurrected or reinvented for a new audience. The aim of this book is to explore the role of traditional events and rituals in the modern world. The 16 chapters cover a range of case studies of the performance of ritual through events, including their historical antecedents and development over time, as well as their role in society, link with identities both seemingly fixed and fluid and their continued relevance. The cases examined are not museum pieces, but rather vibrant festivals and events that continue to persist. Drawing on the power of history and cultural tradition, they are manifestations of heritage, existing in three temporalities: celebrating the past, occurring in the present and aiming to continue into and influence the future. Iconic events including Chinese New Year, Hogmanay and the New Orleans Mardi Gras are examined and examples are drawn from a diverse range of countries such as South Korea, China, Laos, the United States, Scotland, Italy, India and Haiti. This volume provides a deep understanding upon the role of tradition and ritual within events, from a global perspective and will be valuable reading for students, researchers and academics interested in events, heritage and culture.

From waterfalls and cloud forests to white sand beaches, a week of pura vida awaits with Moon Best of Costa Rica. Inside you'll find: * Flexible, strategic itineraries: Choose the best home base for you with regional five-day itinerary options or combine shorter side trips for a week of exploring * The top adventures: Discover the best wildlife and marine life experiences, waterfalls, beaches, rainforests and cloud forests, ziplines, surf spots, and more * Authentic can't-miss experiences: Swim under a waterfall, raft over rapids, and explore mysterious caves. Admire the forest floor from the middle of a hanging bridge, take an aerial tram with incredible views, or snorkel with sea turtles in warm turquoise water. Relax on a pristine beach, soak in a volcanic mineral pool, and watch the sunrise with a cup of flavourful local coffee * Insight from Cartago local Nikki Solano on how to experience Costa Rica like an insider, support local and sustainable businesses, avoid crowds, and respectfully engage with the culture * Helpful charts with travel times from San Jose or Liberia international airports * Full-colour photos and detailed maps throughout * Background information on Costa Rica's wildlife, landscape, history, and cultural customs, plus travel essentials like a packing list and health and safety information With Moon's selective coverage and strategic tips, you can experience the best of Costa Rica. Planning to stay more than a week? Check out Moon Costa Rica. About Moon Travel Guides: Moon was founded in 1973 to empower independent, active, and conscious travel. We prioritize local businesses, outdoor recreation, and traveling strategically and sustainably. Moon Travel Guides are written by local, expert authors with great stories to tell-and they can't wait to share their favourite places with you. For more inspiration, follow @moonguides on social media.