During much of the twentieth century, film was often assumed to be a 'flat' pictorial art, more often compared with painting and graphic media than with sculpture. In the last few decades, however, film has come to be more closely associated with sculpture, and in recent years, it has largely been through gallery installations not only that the sculptural aspect of film and video has been demonstrated, but also the extent to which filmic representation enlarges our understanding of sculptural space. This collection thus comprises the first rigorous exploration of the relationship between sculpture and film, charted over ten essays. The contributors explore some of the ways in which cinema reshaped the landscape of art and specifically sculpture and sculptural practice during the twentieth century. They also examine how film has functioned as a 'sculptural' medium at crucial moments in various stages of its evolution. In this way, it is a book about both sculpture and film, and sculpture as film.

Memory is a fundamental aspect of being and becoming, intimately entwined with space, time, place, landscape, emotion, imagination and identity. Memory studies is a burgeoning field of enquiry drawing from a range of social science, arts and humanities disciplines including human geography, sociology, cultural studies, media studies, heritage and museum studies, psychology and history. This book is a critically theorised practical exposition of how media and technology are used to make memories for museums, archives, social movements and community projects, looking at specific cases in the UK and Brazil where the authors have put these theories into practice. The authors define the protocol they present as social memory technology. Critically, this book is about learning to deal with our pasts and learning new methods of connecting our pasts across cultures toward a shared understanding and application of memory technologies.

Randall Arendt's work has shaped a generation of planners, designers, and landscape architects. In Envisioning Better Communities, he brings his insights to a broader public, with a profusely illustrated demonstration of how local officials, planning commissioners, and everyday citizens can work to make their communities more attractive, more habitable, and more sustainable. Despite the widespread acceptance of good design and planning principles throughout the professions, too many of our towns and rural areas remain needlessly ugly and inefficient. In side by side comparisons of similar places and kinds of buildings, Arendt shows that we need not live amid sprawling, characterless visual blight. Simple design choices and effective municipal decisions can have tremendous impacts on the quality of our communities. Written in Arendt's well-known clear, accessible, nontechnical style, this book creates a sense of hope for those who face the everyday challenges of working with developers and landowners to create places that make economic, environmental, and aesthetic sense.Arendt shows us that with diligence, thoughtfulness, and care, we can make our communities better in countless ways.

Almost all museums hold photographs in their collections, and museum professionals and their audiences engage with photographs in a myriad of ways. Yet despite some three decades of critical museology and photographic theory, and an extensive debate on the politics of representation, outside art museums, almost no critical attention has been given specifically to the roles, purposes and lives of these photographs within museums. This book brings into focus the ubiquitous yet entirely unconsidered work that photographs are put to in museums. The authors' argument is that there is an economy of photographs in museums which is integral to the processes of the museum, and integral to the understanding of museums. The international contributors, drawn from curators and academics, reflect a range of visual and museological expertise. After an introduction setting out the range of questions and problems, the first part addresses broad curatorial strategies and ways of thinking about photographs in museums. Shifting the emphasis from curatorial practices and anxieties to the space of the gallery, this is followed by a series of case studies of exhibitionary practices and the museum strategies that support them. The third section focuses on the role of photographs in the museum articulation of 'difficult histories'. A final section addresses photograph collections in a digital environment. New technologies and new media have transformed the management, address and purposing in photographs in museums, from cataloguing practices to streaming on social media. These growing practices challenge both traditional hierarchies of knowledge in museums and the location of authority about photographs. The volume emerges from PhotoCLEC, a HERA funded project on museums and the photographic legacy of the colonial past in a postcolonial and multicultural Europe.

This important book assesses the current state of disaster management in archives, libraries and museums in the UK and around the world, and provides recommendations for addressing current and future threats. Following an introductory outline of the topic and terminology, the authors provide a short history of the development of disaster management in the cultural heritage sector. They illustrate a basic framework for effective disaster management by reviewing disaster control plan practice from around the world. Through examining and identify the key issues affecting disaster management in archives, libraries and museums, the authors discuss a priority structure for future implementation. This book will be key reading for scholars and students of archive studies, library and information and museum management. It will also be extremely useful for professionals and policy makers involved in disaster management planning at a local and national level.

This book brings together works from one of the most important private collections of modern and contemporary art, the D. Daskalopoulos Collection with key pieces from the Scottish National Gallery of Modern Art. Providing a new context for both collections, it specifically focuses on the theme of the body, investigating the many and varied approaches that artists have taken across several decades when dealing with this most fundamental of subjects. Highlighting the work of artists such as Marcel Duchamp, Pablo Picasso, Louise Bourgeois, Joseph Beuys, Robert Gober, Matthew Barney, Marina Abramovic and Sarah Lucas, the publication documents the confrontations and dialogues staged between the two collections, and provides a rich insight into one of the most compelling and provocative themes in twentieth- and twenty-first century visual art.

Japan's ancient castles provide deep insights into the country's compelling military history. Discover the secrets of Japan's feudal past by exploring the most famous castles of the Samurai era. The enormous stone walls, multi-level towers, and sophisticated defense systems are not simply impressive fortresses, but spectacular works of Japanese architecture, constructed without the use of steel or modern equipment. These monumental structures fulfilled a need for protection without sacrificing aesthetic values. Understanding the cultural contexts of these Samurai castles helps create a better understanding of Japanese culture today. In this fascinating Japanese castle book you will discover the rich history and creators of well-known castles such as Himeji, Osaka, and Nijo that you would otherwise need to travel to Japan to experience in person. Chronicling the story of each castle individually conveys a greater understanding of how and why they were built, and identifies their singular features for historians, architecture aficionados, world travelers, and Japanophiles alike. With over two hundred colour images, numerous diagrams, maps, and detailed descriptions, Samurai Castles is the most comprehensive Japanese history book on this intriguing topic.

On 21 May 1940 during the ill-fated Dunkirk Campaign the British launched an operation spearheaded by two tank regiments to help secure the city of Arras. This was the only significant armoured operation mounted by the British during the campaign. Poorly coordinated and starting badly the Matilda tanks ran into the flanks of Rommel s over extended 7th Panzer Division. With the German anti-tank guns, unable to penetrate the armour of the British tanks, Rommel s infantry fell into chaos as the Matildas plunged deep into their flank. The Germans were machinegunned and started to surrendered in large numbers but with the British infantry lagging well behind, fighting their own battles in the villages, there was no one to round them up. Into this scene of chaos entered Rommel whose personal leadership and example started to steady his troops and organise an effective response, despite being spattered with the brains of his aide de camp. This was classic Rommel but in the aftermath, he claimed to have been attacked by five divisions. The Arras counter-attack contributed to Hitler issuing the famous halt order to his panzers that arguably did much to allow the British Army to withdraw to Dunkirk and escape total destruction.

Museums and Sites of Persuasion examines the concept of museums and memory sites as locations that attempt to promote human rights, democracy and peace. Demonstrating that such sites have the potential to act as powerful spaces of persuasion or contestation, the book also shows that there are perils in the selective memory and history that they present. Examining a range of museums, memorials and exhibits in places as varied as Burundi, Denmark, Georgia, Kosovo, Mexico, Peru, Vietnam and the US, this volume demonstrates how they represent and try to come to terms with difficult histories. As sites of persuasion, the contributors to this book argue, their public goal is to use memory and education about the past to provide moral lessons to visitors that will encourage a more democratic and peaceful future. However, the case studies also demonstrate how political, economic and social realities often undermine this lofty goal, raising questions about how these sites of persuasion actually function on a daily basis. Straddling several interdisciplinary fields of research and study, Museums and Sites of Persuasion will be essential reading for those working in the fields of museum studies, memory studies, and genocide studies. It will also be essential reading for museum practitioners and anyone engaged in the study of history, sociology, political science, anthropology and art history.

The bustling metropolis of London is home to scores of unusual and unique places and spaces. In this feast of peculiarities, author David Long guides you off the beaten path and allows you under the skin of the hidden city that is modern-day London, revealing a new side to the capital you thought you knew.

This guide describes every Historic Houses Association property open to the public. For each, it provides details of history and ownership, and places particlular emphasis on features of architectural interest and noteworthy art collections.

Drawing together landscape, architecture and literature, Strawberry Hill, the celebrated eighteenth-century 'Gothic' villa and garden beside the River Thames, is an autobiographical site, where we can read the story of its creator, Horace Walpole. This 'man of taste' created private resonances, pleasure and entertainment - a collusion of the historic, the visual and the sensory. Above all, it expresses the inseparable integration of house and setting, and of the architecture with the collection, all specific to one individual, a unity that is relevant today to all architects, landscape designers and garden and country house enthusiasts. Avoiding the straightforward architectural description of previous texts, this beautifully illustrated book reveals the Gothic villa and associated landscape to be inspired by theories that stimulate 'The Pleasures of the Imagination' articulated in the series of essays by Joseph Addison (1672-1719) published in the Spectator (1712). Linked to this argument, it proposes that the concepts behind the designs for Strawberry Hill are not based around architectural precedent but around eighteenth-century aesthetics theories, antiquarianism and matters of 'Taste'. Using architectural quotations from Gothic tombs, Walpole expresses the mythical idea that it was based on monastic foundations with visual links to significant historical figures and events in English history. The book explains for the first time the reasons for its creation, which have never been adequately explored or fully understood in previous publications. The book develops an argument that Walpole was the first to define theories on Gothic architecture in his Anecdotes of Painting (1762-71). Similarly innovative, The History of the Modern Taste in Gardening (1780) is one of the first to attempt a history and theory of gardening. The research uniquely evaluates how these theories found expression at Strawberry Hill. This reassessment of the villa and its associated l

The material conditions in which the production and consumption of art takes place is a topic of increasing importance in art history. This title studies art as an industry and a public practice, looking at how nations, institutions and private individuals present art to the community and how art museums are shaped by cultural, social and political determinants.

The Camino Real de Tierra Adentro (Royal Road of the Interior Land) is North America's oldest (Juan de Onate extended the Camino to New Mexico in 1598) and longest (1,500 miles) road. Here, Hal Jackson brings to life this important route connecting Mexico City with Santa Fe, New Mexico. It was the lifeline for administrative, commercial, and ecclesiastical functions in northern Mexico.

The northern section of the Camino Real, the portion in New Mexico and Texas, was designated a National Historical Trail by the U. S. Congress in 2000 and an interpretive and visitor center (the Camino Real Heritage Center) has opened south of Socorro, New Mexico. This guidebook provides the traveler with useful commentary on the entire Camino as it winds its way from New Mexico through Mexico, ending in Mexico City.

Jackson includes narrative accounts collected from a variety of primary sources to add an eyewitness perspective to topics as diverse as sixteenth-century haciendas, colonial presidios, and important rest stops "(parajes)" on the Camino in New Mexico. There are many historical vignettes plus sixty maps drawn by the author to assist in finding Camino sites. Other information provides the traveler details such as highway numbers, mileage, accommodations, and areas of interest off the main Camino route.

This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting's subsequent versions created by the same artist who painted the first version. Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s, and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums' modern cultural roles. This book will be of interest to scholars in art history, museum studies, and economic history.

Fair Women was the Victorian equivalent of a 'blockbuster' exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects. Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition. This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.

Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815-1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets. Set against the recent 'art market turn' in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803-1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects. This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.

"A wonderful guide to the many megaliths of Britain's Neolithic and Bronze Age."Mike Parker Pearson, Professor of British Later Prehistory at UCLThis is the most comprehensive and thought-provoking field guide ever published to the iconic standing stones and prehistoric places of Britain and Ireland. The ultimate insiders' guide, it gives unparalleled insight into where to find prehistoric sites and how to understand them, by drawing on the knowledge, expertise and passion of the archaeologists, theorists, photographers and stones aficionados who contribute to the world's biggest megalithic website - the Megalithic Portal. Including over 30 maps and site plans and hundreds of colour photographs, it also contains scores of articles by a wide range of contributors, from archaeologists and archaeoastronomers to dowsers and geomancers, that will change the way you see these amazing survivals from our distant past.Locate over 1,000 of Britain and Ireland's most atmospheric prehistoric places, from recently discovered moorland circles to standing stones hidden in housing estates. Discover which sites could align with celestial bodies or horizon landmarks. Explore acoustic, colour and shadow theory to get inside the minds of the Neolithic and Bronze Age people who created these extraordinary places. Find out which sites have the most spectacular views, which are the best for getting away from it all and which have been immortalized in music. And don't forget to visit the Megalithic Portal website and get involved by posting your discoveries online.

This book is a summary of the main restoration works carried out at the Church of the Nativity in Bethlehem that commenced in September 2013. Work on roof wooden structures, wall and floor mosaics, internal plasters, wooden architraves and painted columns of the naves, external wall surfaces and Narthex is all presented in a sequence of reports that accompany the reader up to the final interventions through accurate descriptions of historical and archaeological features, initial state of conservation and appropriate techniques of conservation and restoration. Topics are treated with the methodological and linguistic rigor specific to each disciplinary sector involved even if, in the interest of making reading and comprehension easier, it was sometimes preferred to present only significant case studies, which are nevertheless representative of groups of wider and more complex problems. Through the reading of this work, the reader can simply fulfil his desire for knowledge and obtain answers to certain curiosities about the past history of the Church. At the same time, useful guidelines in dealing with conservation and restoration interventions at historic-architectural sites of similar complexity can be found. The book is, therefore, addressed to a generic reader, interested in the history and conservation of one of the most representative examples of our heritage, but also, in light of its technical and scientific value, to university students, technicians, restorers, architects, structural engineers, archaeologists and historians.

From waterfalls and cloud forests to white sand beaches, a week of pura vida awaits with Moon Best of Costa Rica. Inside you'll find: * Flexible, strategic itineraries: Choose the best home base for you with regional five-day itinerary options or combine shorter side trips for a week of exploring * The top adventures: Discover the best wildlife and marine life experiences, waterfalls, beaches, rainforests and cloud forests, ziplines, surf spots, and more * Authentic can't-miss experiences: Swim under a waterfall, raft over rapids, and explore mysterious caves. Admire the forest floor from the middle of a hanging bridge, take an aerial tram with incredible views, or snorkel with sea turtles in warm turquoise water. Relax on a pristine beach, soak in a volcanic mineral pool, and watch the sunrise with a cup of flavourful local coffee * Insight from Cartago local Nikki Solano on how to experience Costa Rica like an insider, support local and sustainable businesses, avoid crowds, and respectfully engage with the culture * Helpful charts with travel times from San Jose or Liberia international airports * Full-colour photos and detailed maps throughout * Background information on Costa Rica's wildlife, landscape, history, and cultural customs, plus travel essentials like a packing list and health and safety information With Moon's selective coverage and strategic tips, you can experience the best of Costa Rica. Planning to stay more than a week? Check out Moon Costa Rica. About Moon Travel Guides: Moon was founded in 1973 to empower independent, active, and conscious travel. We prioritize local businesses, outdoor recreation, and traveling strategically and sustainably. Moon Travel Guides are written by local, expert authors with great stories to tell-and they can't wait to share their favourite places with you. For more inspiration, follow @moonguides on social media.

Designed to dominate the surrounding area, to house powerful garrisons, offer sumptuous quarters for local nobility, and to discourage and repel enemy attacks, castles dominated England and Wales for more than half a millennium. Though some were built before 1066, the Norman Conquest left a lasting legacy in the form of fortifications ranging from small earthworks now barely discernible, to mighty and dominating stone fortresses. This book examines why castles were so essential to medieval warfare, their importance in domestic politics, and the day-to-day lives of those who lived and worked within them. It also shows how the development of new technologies affected their construction and design, and why they eventually fell into disrepair in the late Middle Ages. Beautifully illustrated with stunning photographs, this is the perfect guide for any castle enthusiast seeking to discover more about medieval fortifications and their inhabitants.

First published in 1960.
Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama

Experience the serene vistas and unforgettable thrills of this stunning national treasure with Moon Grand Canyon. Inside you'll find: *Flexible Itineraries: Adventure-packed ideas for anything from a week-long trip to a single day in the park *Strategic Advice: Find tips for outdoor adventurers, families, history buffs, and more, with options for different levels of accessibility and tips on minimising your environmental impact *The Best Hikes in and Around the Grand Canyon: Detailed descriptions, individual trail maps, mileage and elevation gains, and backpacking options *Get Outside: Go backcountry camping in the inner canyon or rafting down the Colorado River. Head to the Havasupai reservation's Havasu Canyon for a waterfall-filled hike, or ride horseback through the South Rim. Mountain bike along the Rainbow Rim or stroll along a 70-foot skywalk stretching into the canyon *Experience Native American Culture: Advice on respectfully visiting reservations, supporting local businesses and artists, and the history of the region's tribes *How to Get There: Up-to-date information on gateway towns, park entrances, park fees, and tours *Where to Stay: Campgrounds, cabins, resorts, and more both inside and outside the park *Planning Tips: When to go, what to pack, safety information, and how to avoid the crowds, with full-colour photos and detailed maps throughout *Insider Know-How: Explore with Grand Canyon expert Tim Hull Find your adventure in Grand Canyon National Park with Moon.

Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive reflection of culture and tradition as well as colonial legacies, leveraging the power of storytelling to create and advocate contemporary fluid conceptions of Indigeneity. Performing Indigenous Identities on the Contemporary Australian Stage offers a window into the history and diversity of this vigorous practice. It introduces the reader to cornerstones of Indigenous Australian cultural frameworks and on this backdrop discusses a wealth of plays in light of their responses to contemporary Australian identity politics. The in-depth readings of two landmark theatre productions, Scott Rankin's Namatjira (2010) and Wesley Enoch & Anita Heiss' I Am Eora (2012), trace the artists' engagement with questions of community consolidation and national reconciliation, carefully considering the implications of their propositions for identity work arising from the translation of traditional ontologies into contemporary orientations. The analyses of the dramatic texts are incrementally enriched by a dense reflection of the production and reception contexts of the plays, providing an expanded framework for the critical consideration of contemporary postcolonial theatre practice that allows for a well-founded appreciation of the strengths yet also pointing to the limitations of current representative approaches on the Australian mainstage. This study will be of great interest to students and scholars of Postcolonial, Literary, Performance and Theatre Studies.

During the 20th-century, Spaniards and African-Americans shared significant cultural memories forged by the profound impact that various artistic and historical events had on each other. Addressing three crucial periods (the Harlem Renaissance and Jazz Age, the Spanish Civil War, and Franco's dictatorship), this collection of essays explores the transnational bond and the intercultural exchanges between these two communities, using race as a fundamental critical category. The study of travelogues, memoirs, documentaries, interviews, press coverage, comics, literary works, music, and performances by iconic figures such as Josephine Baker, Langston Hughes, and Ramon Gomez de la Serna, as well as the experiences of ordinary individuals such as African American nurse Salaria Kea, invite an examination of the ambiguities and paradoxes that underlie this relationship: among them, the questionable and, at times, surprising racial representations of blacks in Spanish avant-garde texts and in the press during the years of Franco's dictatorship; African Americans very unique view of the Spanish Civil War in light of their racial identity; and the oscillation between fascination and anxiety when these two communities look at each other.