The World Heritage community is currently adopting policies to mainstream human rights as part of a wider sustainability agenda. This interdisciplinary book combines a state of the art review of World Heritage policy and practice at the global level with ethnographic case studies from the Asia-Pacific region by leading scholars in the field. By joining legal reviews, anthropology and practitioner experience through in-depth case studies, it shows the diversity of human rights issues in both natural and cultural heritage sites. From site-designation to their conservation and management, the book explores the various rights issues and analyses the diverse social, cultural and legal challenges and responses at both regional and global level. Detailed case studies are included from Australia, Cambodia, China, Malaysia, Myanmar, Nepal, the Philippines and Vietnam. The book will appeal to both natural and cultural heritage professionals and human rights and heritage scholars, and will serve as a useful compendium for courses use allowing students to compare, contrast and contextualize different contexts.

Few perspectives have invigorated the development of critical museum studies over the late twentieth and early twenty-first centuries as much as Foucault's account of the relations between knowledge and power and their role in processes of governing. Within this literature, Tony Bennett's work stands out as having marked a series of strategic engagements with Foucault's work to offer a critical genealogy of the public museum, offering an account of its nineteenth-century and early twentieth-century development that has been constantly alert to the politics of museums in the present. Museums, Power, Knowledge brings together new research with a set of essays initially published in diverse contexts, making available for the first time the full range of Bennett's critical museology. Ranging across natural history, anthropological art, geological and history museums and their precursors in earlier collecting institutions, and spanning the eighteenth to the twenty-first centuries in discussing museum practices in Britain, Australia, the USA, France and Japan, it offers a compelling account of the shifting political logics of museums over the modern period. As a collection that aims to bring together the 'signature' work of a museum theorist and historian whose work has long occupied a distinctive place in museum/society debates, Museums, Power, Knowledge will be of interest to researchers, teachers and students working in the fields of museum and heritage studies, cultural history, cultural studies and sociology, as well as museum professionals and museum visitors.

Norway and Russia have been closely related through the ages, both geographically and historically, and have experienced similar problems relating to climate, building maintenance and national wooden architecture. As a result, the parallel study of architectural conservation and restoration theories and practices in both neighbouring Northern states makes for a stimulating collective monograph. Architectural Conservation and Restoration in Norway and Russia delves into the main challenges of historic and contemporary architectural preservation practices in the two countries. The book consists of three main parts: the discovery and preservation of historical architecture in the late nineteenth to early twentieth century; contemporary approaches to former restorations and the conservation and maintenance of historical architecture; and, finally, current questions concerning preservation of twentieth-century architectural heritage which, due to different building technologies and artistic qualities, demand revised methods and historical evaluation. This is a valuable resource for academics, researchers and students in different areas of architecture (medieval, nineteenth-century, wooden and contemporary architecture) as well as in the fields of art, architectural history, cultural heritage and Scandinavian and Russian studies.

Visitor-Centered Exhibitions and Edu-Curation in Art Museums promotes balanced practices that are visitor-centered while honoring the integrity and powerful storytelling of art objects. Book examples present best practices that move beyond the turning point, where curation and education are engaged in full and equal collaboration. With a mix of theory and models for practice, the book: * provides a rationale for visitor-centered exhibitions; * addresses important related issues, such as collaboration and evaluation; and, * presents success stories written by educators, curators, and professors from the United States and Europe. * introduces the edu-curator, a new vision for leadership in museums with visitor-centered exhibition practices. The book is intended for art museum practitioners, including educators, curators, and exhibitions designers, as well as higher education faculty and students in art/museum education, art history, and museum studies.

Many events have evolved over centuries, drawing on local customs and conditions. However, as the world becomes increasingly globalised, traditional events and the identities they support are increasingly being challenged and rituals may be lost. Reacting against this trend towards homogeneity, communities strive to preserve and even recreate their traditional events, which may require rituals to be resurrected or reinvented for a new audience. The aim of this book is to explore the role of traditional events and rituals in the modern world. The 16 chapters cover a range of case studies of the performance of ritual through events, including their historical antecedents and development over time, as well as their role in society, link with identities both seemingly fixed and fluid and their continued relevance. The cases examined are not museum pieces, but rather vibrant festivals and events that continue to persist. Drawing on the power of history and cultural tradition, they are manifestations of heritage, existing in three temporalities: celebrating the past, occurring in the present and aiming to continue into and influence the future. Iconic events including Chinese New Year, Hogmanay and the New Orleans Mardi Gras are examined and examples are drawn from a diverse range of countries such as South Korea, China, Laos, the United States, Scotland, Italy, India and Haiti. This volume provides a deep understanding upon the role of tradition and ritual within events, from a global perspective and will be valuable reading for students, researchers and academics interested in events, heritage and culture.

London's Markets is a new pocket size guide to the street markets, farmers' markets, vintage fairs and car boot sales to be explored in the capital. The book contains detailed reviews of all the markets visited with hundreds of colour photographs and maps. Markets are always evolving and this new book captures the latest market trends from the street food revolution at markets like Street Food Union on Rupert Street to traditional local markets like Bethnal Green as well as the unique antique and vintage markets such as Bermondsey and Camden Passage. There is a renewed interest in markets as places for start-ups to begin trading and as a way of shopping ethically with less waste and packaging and nowhere is this more apparent than in the sudden plethora of specialist vegan markets that have now found a place in London's market scene. This book captures these new trends while paying homage to some of London's best traditional markets that still do a sterling job of serving their local communities.

Much as art history is in the process of being transformed by new information communication technologies, often in ways that are either disavowed or resisted, art practice is also being changed by those same technologies. One of the most obvious symptoms of this change is the increasing numbers of artists working in universities, and having their work facilitated and supported by the funding and infrastructural resources that such institutions offer. This new paradigm of art as research is likely to have a profound effect on how we understand the role of the artist and of art practice in society. In this unique book, artists, art historians, art theorists and curators of new media reflect on the idea of art as research and how it has changed practice. Intrinsic to the volume is an investigation of the advances in creative practice made possible via artists engaging directly with technology or via collaborative partnerships between practitioners and technological experts, ranging through a broad spectrum of advanced methods from robotics through rapid prototyping to the biological sciences.

"Museums: A Place to Work" is the definitive guide to museum practices, to professional positions, and how to prepare, look for and find jobs. Designed to aid both the uninitiated and the professional, it is an extremely useful tool that uniquely projects museum career information in the total context of what a museum is and does.
World-wide, museums have become the central cultural and educational resource for preserving and interpreting cultural and natural history, making it extremely important that they attract the best, brightest and most creative people to work in them. This book, as no other, provides the guidance prospective museum professionals need to encourage them, to provide understanding and to assist them in pursuing a museum career.
"Museums: A Place to Work" covers all the issues involved in museums: the importance of ethics and professionalism, legal concerns, the descriptions and requirements of thirty professional positions, support positions, staff/volunteer relations and training and preparation. Its most unique feature are interviews with noted museums professionals who share their views of their museum careers.
With societal changes, advanced technologies, cultural diversity, gender issues, wider audiences, environmental problems, social change, and people with disabilities--all affecting the collecting, preserving, researching, exhibiting, and interpreting operations of museums--this book educates the vast potential readership as to museum career for today and tomorrow.
Co-published with the Smithsonian Institution

The Acropolis through its Museum is not simply a guidebook to the Acropolis Museum. By presenting the works of art exhibited in the museum, it endeavours to resynthesize the history of the Sacred Rock as part of the cultural and the wider historical process of Athens. The book follows the visitor's tour of the museum, so that the reader can study and learn more about the antiquities he sees before him. However, it is written is such a way that through independent inquiry the reader is able to approach the subjects more deeply and to understand the preconditions - political, social, economic, ideological, artistic and technological - that led to the creation of the unique monuments on the Acropolis. The book is lavishly illustrated with photographs, as well as numerous plans and reconstruction drawings, which enable the reader to understand each of the fragmentarily preserved works in its context. It also answers many of the questions raised in the discerning reader's mind, such as what was the size and the population of ancient Athens, what is the meaning of the beasts represented on the large Archaic pediments, what do the Korai statues represent, why did the Erechtheion become so complex and what was the role of the Karyatids, why was the temple of Athena Nike built in the Ionic order, what led Pericles and his advisers to opt for the specific building programme and how were the major public works financed, why was it decided to place an Ionic frieze on the Doric Parthenon, what political messages were transmitted to Sparta through the sculptural decoration of the Parthenon, and so on. Authored by a university professor who has been involved with studying and teaching the Acropolis for over thirty years, the publication is of the impeccable artistic quality distinctive of books produced by KAPON Editions.

Illustrated with over fifty photos, Civilizing Rituals merges contemporary debates with lively discussion and explores central issues involved in the making and displaying of art as industry and how it is presented to the community.

Carol Duncan looks at how nations, institutions and private individuals present art, and how art museums are shaped by cultural, social and political determinants.

Civilizing Rituals is ideal reading for students of art history and museum studies, and professionals in the field will also find much of interest here.

The first substantial Mexican colonial art historiography in English, this book examines the origin of the study of colonial art in Mexico as a symptom of the development of modern museum practice in mid-nineteenth-century Mexico City. Also an intellectual history, this study recognizes the role of nationalism in the initiation of art historical practice in what is understood today more broadly as Latin America. Although there has been a steady stream of scholarship produced about the subject, beginning in Mexico and increasingly in the United States, what is variably known as viceregal or colonial Mexican, Spanish colonial, and colonial Latin American art continues to be underplayed or overlooked by most art historians and is thus marginal in the field of art history. Ray Hernandez-Duran redresses that omission, presenting a detailed examination of the origin of the study of colonial art in Mexico. Drawing upon archival research, this volume touches upon the role of politics on the formation of the first gallery of Mexican painting in the Academy of San Carlos and the first comprehensive historical treatment of the material in the form of a dialogue. Furthermore, this study promotes further research in colonial art historiography and underlines the pivotal role that the Indo-Hispanic Americas played in the emergence of early modernity and the process of globalization.

This is the first full-length study of literary tourism in North America as well as Britain, and a unique exploration of popular response to writers, literary house museums, and the landscapes or "countries " associated with their lives and works. An interdisciplinary study ranging from 1820-1940, Homes and Haunts: Touring Writers' Shrines and Countries unites museum and tourism studies, book history, narrative theory, theories of gender, space, and things, and other approaches to depict and interpret the haunting experiences of exhibited houses and the curious history of topo-biographical writing about famous authors. In illustrated chapters that blend Victorian and recent first-person encounters that range from literary shrines and plaques to guidebooks, memoirs, portraits, and monuments, Alison Booth discusses pilgrims such as William and Mary Howitt, Anna Maria and Samuel Hall, and Elbert Hubbard, and magnetic hosts and guests as Washington Irving, Wordsworth, Martineau, Longfellow, Hawthorne, James, and Dickens. Virginia Woolf's feminist response to homes and haunts shapes a chapter on Mary Russell Mitford, Gaskell, and the Brontes, and another on the Carlyles' house and Monk's House. Booth rediscovers collections of personalities, haunted shrines, and imaginative re-enactments that have been submerged by a century of academic literary criticism.

Throughout its history, the Ashmolean has evolved to meet changing needs and reflect new ideas. In the process, it has transformed from a cabinet of curiosities, representing the world in microcosm, to a museum of art and archaeology, illustrating connections between cultures over time. This book tells the story of that remarkable transformation. It shows what the Ashmolean was like at various points in the past and introduces the people who helped to make it the museum it is today. It looks at the buildings that have housed the Ashmolean and how they have been continually altered and adapted, as well as at the collections and how they have been interpreted and reinterpreted over the centuries.

The Routledge Companion to Big History guides readers though the variety of themes and concepts that structure contemporary scholarship in the field of big history. The volume is divided into five parts, each representing current and evolving areas of interest to the community, including big history's relationship to science, social science, the humanities, and the future, as well as teaching big history and 'little big histories'. Considering an ever-expanding range of theoretical, pedagogical and research topics, the book addresses such questions as what is the relationship between big history and scientific research, how are big historians working with philosophers and religious thinkers to help construct 'meaning', how are leading theoreticians making sense of big history and its relationship to other creation narratives and paradigms, what is 'little big history', and how does big history impact on thinking about the future? The book highlights the place of big history in historiographical traditions and the ways in which it can be used in education and public discourse across disciplines and at all levels. A timely collection with contributions from leading proponents in the field, it is the ideal guide for those wanting to engage with the theories and concepts behind big history.

Japan's ancient castles provide deep insights into the country's compelling military history. Discover the secrets of Japan's feudal past by exploring the most famous castles of the Samurai era. The enormous stone walls, multi-level towers, and sophisticated defense systems are not simply impressive fortresses, but spectacular works of Japanese architecture, constructed without the use of steel or modern equipment. These monumental structures fulfilled a need for protection without sacrificing aesthetic values. Understanding the cultural contexts of these Samurai castles helps create a better understanding of Japanese culture today. In this fascinating Japanese castle book you will discover the rich history and creators of well-known castles such as Himeji, Osaka, and Nijo that you would otherwise need to travel to Japan to experience in person. Chronicling the story of each castle individually conveys a greater understanding of how and why they were built, and identifies their singular features for historians, architecture aficionados, world travelers, and Japanophiles alike. With over two hundred colour images, numerous diagrams, maps, and detailed descriptions, Samurai Castles is the most comprehensive Japanese history book on this intriguing topic.

The story of America begins here. In Colonial Williamsburg's Historic Area, you can see hundreds of restored, reconstructed, and historically furnished buildings from the Colonial and Revolutionary eras. You can meet the men and women-black, white, and Native American, enslaved and free-who built a new nation. And you can experience the enduring relevance of America's founding documents and principles. This practical guide features Historic sites, including public buildings, private homes, and taverns Historic trades Art Museums Resorts, dining, and shopping More than 200 illustrations and maps

Simon Jenkins has travelled the length and breadth of England to select his thousand best churches. Organised by county, each church is described - often with delightful asides - and given a star-rating from one to five. All of the county sections are prefaced by a map locating each church, and lavishly illustrated with colour photos from the Country Life archive. Jenkins contends that these churches house a gallery of vernacular art without equal in the world. Here, he brings that museum to public attention.

Rediscover the simple pleasures of a day trip with Day Trips from Atlanta. This guide is packed with hundreds of exciting things for locals and vacationers to do, see, and discover within a two-hour drive of the Atlanta metro area.

This highly detailed, absorbing battlefield guide is the ideal companion for anyone considering exploring the terrain on which the epic battles along the Oderfront were fought between January and April 1945. Using his in-depth knowledge as a historian and battlefield guide, David McCormack vividly describes these last tumultuous weeks of the war on the Eastern Front, which saw the Red Army advance on Berlin in the face of a dogged, yet skilful German defence. Meticulous historical research, including searing eyewitness accounts and the author's intimate knowledge of the ground, have produced a guide that is both comprehensive and accessible. Prepare for a fascinating journey across the Oderfront battlefield as it is today. The Berlin Strategic Operation 1945 Battlefield Guide: Part One - The Battle of the Oder-Neisse is an essential guide to understanding the triumph of the Red Army and the final shattering defeat of the German land forces defending the approaches to Berlin.

No Planning Required! Rediscover the simple pleasures of a day trip with Day Trips from Portland, Oregon. Packed with full trip-planning information for hundreds of exciting things for kids, outdoor adventurers, and history lovers to do-all within a two-hour drive of the Portland metro area. Day Trips from Portland, Oregon helps locals and vacationers make the most of a brief getaway. Go biking, hiking, kayaking-or swimming!-at Sauvie Island, or visit the recreational wonderland around the town of Silver Lake, where you can get a glimpse of Mt. St. Helens. Do something (mildly) intoxicating: Go on a tasting tour at one (or more) of the 200 wineries in the Willamette Valley. Do something historical: See people in period clothing reenact mid-19th-century daily life at Fort Vancouver, or 1920s farm life at Pomeroy Living History Farm in Yacolt.

Paul Reed's latest battlefield walking guide covers the site of the largest amphibious invasion of all time, the first step in the Allied liberation of France and the rest of northwest Europe. The places associated with the landings on the Normandy coast on 6 June 1944 are among the most memorable that a battlefield visitor can explore. They give a fascinating insight into the scale and complexity of the Allied undertaking and the extent of the German defences - and into the critical episodes in the fighting that determined whether the Allies would gain a foothold or be thrown back into the sea. All the most important sites are featured, from Pegasus Bridge, Merville Battery, Ouistrehem and Longues Battery to Juno, Gold, Omaha and Utah Beaches, Pointe du Hoc and Sainte-Mere-Eglise. There are twelve walks, and each one is prefaced by a historical section describing in vivid detail what happened in each location and what remains to be seen. Information on the many battlefield monuments and the military cemeteries is included, and there are over 120 illustrations. Walking D-Day introduces the visitor not only to the places where the Allies landed and first clashed with the Germans defenders but to the Normandy landscape over which the critical battles that decided the course of the war were fought.

Mummified explores the curious, unsettling and controversial cases of mummies held in French and British museums. From powdered mummies eaten as medicine to mummies unrolled in public, dissected for race studies and DNA-tested in modern laboratories, there is a lot more to these ancient remains than first meets the eye. This book takes you on a journey from Paris to London, Leicester and Manchester, from the apothecaries of the Middle Ages to the dissecting tables of the eighteenth century, and finally behind the screen of today's computers, to revisit the stories of these bodies that have fascinated Europeans for so long. Mummified investigates matters of life and death, of collecting and viewing, and of interactions - sometimes violent and sometimes emotional - that question the essence of what makes us human. -- .

London is a treasure trove for museum fans and art lovers and one of the world's great art and cultural centres, with more popular museums and galleries than any other world city. The art scene is a lot like the city itself - diverse, vast, vibrant and in a constant state of flux - a cornucopia of traditional and cutting-edge, majestic and mundane, world-class and run-of-the-mill, bizarre and brilliant. So, whether you're an art lover, culture vulture, history buff or just looking for something to entertain the family during the school holidays, you're bound to find inspiration in London.