Unleash your iPhone and take it to the limit using secret tips and techniques from gadget hacker Erica Sadun. Fast and fun to read, Taking Your iPod touch 4 to the Max is fully updated to show you how get the most out of Apple's OS 4. You'll find all the best undocumented tricks as well as the most efficient and enjoyable introduction to the iPhone available. Starting with an introduction to iPod touch 4 basics, you'll quickly move on to discover the iPod touch's hidden potential, like how to connect to a TV, get contract-free VOIP, and hack OS 4 so it will run apps on your iPod touch. From e-mail and surfing the Web, to using iTunes, iBooks, games, photos, ripping DVDs and getting free VOIP with Skype or Jajah-you'll find it all in this book. You'll even learn tips on where to get the best and cheapest iPod touch accessories. Get ready to take your iPod touch to the max!

During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer's role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist.

To complete an album, a producer needs to know what goes into capturing great music and teasing out inspirational performances from artists. As a producer, you are guiding not only the music, but also the business and the technical aspects of an album. What Is Music Production? is a "guide to this guidance."
Formed from a blend of solid information extracted from detailed interviews, the book focuses on the process of music production, providing insight into how the producer guides this process and molds the final product.
Whether you are a student or just starting your professional career, What is Music Production? explains what you need to know-from working with artists, songs, pre-production, mixing, and mastering to the finance and budgeting-to glean a professional result. Combining the "how to" with online assets and interviews, this book arms you with vital insight into the business of being a music producer.

Electric and Music Industries Ltd (EMI) first saw the light of day in the UK in 1931. In a visionary move for the gramophone age, it manufactured both hardware (recording and playback equipment) and software (the records and tapes its machines would play). For over half a century, EMI dominated both sectors, it's music division eventually becoming the most successful in the world with a roster that at various times included The Beatles, Maria Callas, Frank Sinatra, Cliff Richard, Pink Floyd, The Beach Boys, Queen, Robbie Williams, The Spice Girls, Kate Bush and Kylie Minogue. Then in the 1990s, things started to go wrong - This is the continuing saga of Britain's greatest music company as it faces an uncertain future under new ownership. Since 2009 EMI has broken new acts and sold millions of records BUT the massive debts incurred by its owners Terra Firma have finally taken it to the brink of a break-up. Music industry experts and executives, financiers and commentators plus artists' managers assess EMI's fortunes as the company celebrates its 80th birthday. Includes interviews with many key players including former EMI Group/EMI Music executives Sir Colin Southgate, Jim Fifield, Eric Nicoli, Tony Wadsworth, David Munns, Rupert Perry, Ray Cooper and Jon Webster. He has also interviewed many managers, music journalists, financial analysists and rival record company executives.

This title explores a key hip hop album marking the cross over point where the streets and the charts collided. Contradiction the simultaneous existence of two competing realities and larger than life persona are at the core of "Nas' Illmatic". Yet Nas' identity - as an inner-city youth, a child of hip hop and a Black American - predicts those philosophical quandaries as much as it does its brazen ambition. The artistic impact of Illmatic was massive. The record finds its place in the greatest transition in hip hop up to that point. Along with the Wu Tang Clan's debut from the previous year, Illmatic put New York back on the map after a long period of West coast, G-funk dominance. Nas also mapped out the laid-back lyrical style that would usher in the modern era of hip hop. "33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike.

This book contains nine pieces from ABRSM's Grade 1 Cello syllabus for 2020-2023, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. Inspiring recordings of the nine pieces featured in this book, plus piano accompaniment tracks, are available. These can be purchased as part of the Cello Exam Pieces with CD package or as audio downloads (see https://shop.abrsm.org/audiodownloads for more details).

Thomas Dolby is a five-time Grammy nominee, whose 'She Blinded Me With Science' reached number 5 on the US Billboard charts in 1982, appeared in Breaking Bad, and was even covered by The Muppets... Based on his meticulous notes and journals, The Speed of Sound chronicles Dolby's life in the music business during the eighties; in Silicon Valley through the nineties, and at the forefront of the mobile phone revolution around the turn of the millennium - it was Dolby who created the synthesizer installed today on most mobile phones. With humour and a considerable panache for storytelling, The Speed of Sound is a revealing look behind the curtain of the music industry, as well as a unique history of technology over the past thirty years. From sipping Chablis with Bill Gates to visiting Michael Jackson at his mansion or viewing the Web for the first time on Netscape founder Jim Clark's laptop, this is both the view from the ultimate insider and also that of a technology pioneer whose groundbreaking ideas have helped shape the way we live today.

This book contains nine pieces from ABRSM's Grade 3 Cello syllabus for 2020-2023, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. The enclosed CD features inspiring recordings of the nine pieces in this book, plus piano accompaniment tracks for use when practising. A version of this book without the CD is also available, as are audio downloads (see https://shop.abrsm.org/audiodownloads for more details).

This book contains nine pieces from ABRSM's Grade 2 Cello syllabus for 2020-2023, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. Inspiring recordings of the nine pieces featured in this book, plus piano accompaniment tracks, are available. These can be purchased as part of the Cello Exam Pieces with CD package or as audio downloads (see https://shop.abrsm.org/audiodownloads for more details).

This book contains nine pieces from ABRSM's Grade 5 Cello syllabus for 2020-2023, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. Inspiring recordings of the nine pieces featured in this book, plus piano accompaniment tracks, are available. These can be purchased as part of the Cello Exam Pieces with CD package or as audio downloads (see https://shop.abrsm.org/audiodownloads for more details).

For nearly 60 years, since the arrival of the long-playing record in 1948, the album has provided the soundtrack to our lives. Our record collections, even if they're on CD, or these days, an iPod, are personal treasure, revealing our loves, errors of jugdement and lapses in taste. Self-confessed music obsessive, Travis Elborough, explores the way in which particular albums are deeply embedded in cultural history, revered as works of art or so ubiqitous as to be almost invisible. But in the age of the iPod, when we can download an infinite number of single tracks and need never listen to a whole album ever again, does the concept of an album still mean anything? THE LONG-PLAYER GOODBYE is a brilliant piece of popular history and a celebration of the joy of records. If you've ever had a favourite album, you'll love Travis Elborough's warm and witty take on how vinyl changed our world.

Jerome Hines has interviewed 40 singers, a speech therapist, and a throat specialist to provide this invaluable collection of advice for all singers. This collection includes the commentary of Licia Albanese, Franco Corelli, Placido Domingo, Nicolai Gedda, Marilyn Horne, Sherrill Milnes, Birgit Nilsson, Luciano Pavarotti, Rose Ponselle, Beverly Sills, Joan Sutherland and many others. "Probably the best book on the subject." Publishers Weekly

If you ve ever handled live sound, you know the recipe for creating quality live sound requires many steps. Your list of ingredients, shall we say, requires an understanding of sound and how it behaves, the know-how to effectively use a sound system), and the knowledge to choose and use your gear well. Add a dash of miking ability, stir in a pinch of thinking on your feet for when your system starts to hum or the vocals start to feed back, and mix.

In practice, there really is no "recipe" for creating a quality performance. Instead, musicians and engineers who effectively use sound systems have a wealth of knowledge that informs their every move before and during a live performance. You can slowly gather that knowledge over years of live performance, or you can speed up the process with "The SOS Guide to Live Sound."

With these pages, you get practical advice that will allow you to accomplish your live-sound goals in every performance. Learn how to choose, set up, and use a live-performance sound system. Get the basics of live-sound mixing, save money by treating your gear well with a crash course in maintenance, and fix issues as they happen with a section on problem-solving, full of real-world situations. You ll also get information on stage-monitoring, both conventional and in-ear, along with the fundamentals of radio microphones and wireless mixing solutions. Finally, a comprehensive glossary of terminology rounds out this must-have reference."

Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue-a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make-The Sculpted Ear rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance. Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocooen before moving to a discussion of the early modern automaton known as Tipu's Tiger and the statue of the Commendatore in Mozart's Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart-with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues have served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts. A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history.

Cutting-edge perspectives on a hot topic, with few competing titles on the market Contributor list includes some very well known professionals, as well as diverse academics from different disciplines Accessible and interdisciplinary introductory volume

The ABRSM Songbook Plus series features a wealth of material from ABRSM's 2018 Singing syllabus. This Grade 3 book contains core classics such as Elgar's 'Ave, verum corpus' and Denza's 'FuniculA, funiculA ', presented with new English singing translations; songs from stage and screen including 'Who will buy?' from Oliver! and 'Blue Moon'; and fresh, original arrangements of the traditional ballads 'The Blacksmith' and 'Pokarekare Ana'. Notes on the songs are also included, to aid practice and performance. With four pieces from each of Lists A and B, and six from List C, this unrivalled choice of repertoire is an essential collection for those preparing for exams, and will inspire everyone who loves to sing.

The ABRSM Songbook Plus series features a wealth of material from ABRSM's 2018 Singing syllabus. This Grade 2 book contains favourites such as 'The Hippopotamus' and 'A Windmill in Old Amsterdam'; songs from stage and screen including 'Deliver us' from The Prince of Egypt and 'Singin' in the Rain'; and fresh, original arrangements of the traditional ballads 'Land of the silver birch' and 'The winter it is past'. Notes on the songs are also included, to aid practice and performance. With three pieces from each of Lists A and B, and six from List C, this unrivalled choice of repertoire is an essential collection for those preparing for exams, and will inspire everyone who loves to sing.

‘Shellac and Swing!’ tells the story of the gramophone’s ‘golden age,’ from 1900-1955, when it helped to shape Britain’s culture from the arts to warfare. The story focuses on the gramophone, the invention of Emile Berliner in the 1880s, but begins with a brief outline of the first attempts to record the human voice and of Edison’s invention of the cylinder and the phonograph. It uses primary evidence, images and interviews with DJs, fans, musicians and historians to explore this fascinating and often eccentric tale. Each chapter ends with ‘On the Record,’ a discussion of a record that relates to the chapter’s themes. Although the gramophone and its fragile shellac discs were vital to Britain’s music scene—opera and music hall, the Jazz Age, the crooners, early rock’n’roll—its impact was far more extensive. Its place in British history encompasses advertising and design, fraud and piracy, phallic symbols, talking books, the threat from radio and TV, the contrasting worlds of the Salvation Army and adult ‘party’ discs, the creation of a parliamentary insult, new political strategies and the seditious activity of the Mau Mau. From the establishment of the Gramophone Company in London in the late 1890s to the end of shellac record production in the 1950s, the British public bought the machines and the discs in their millions and the record labels made stars of performers like Caruso, Harry Lauder, Al Bowlly and Dame Nellie Melba. ‘Shellac and Swing!’ explores the ways in which the gramophone helped these singers to achieve stardom but it also explores in detail and for the first time many other stories of not-so-famous performers, of the gramophone in political electioneering and of forgotten technology: the first pirate radio broadcasters, the soldiers who took their ‘Trench Decca’ portables to the Western Front, the invention of the Flame-O-Phone, the People’s Budget recordings and the pioneering label owner and producer of ‘blue’ discs. The gramophone’s heyday ended with the rise of rock ’n ’roll, teenagers, the 45 rpm single, the LP and the record player, but it survives today as part of a vibrant contemporary music, fashion and lifestyle scene.

Rock 'n' roll was born in rural Alabama, 1923, in the form of Sam Phillips, the youngest son of a large family living in a remote colony called the Lovelace Community. His father had a gift for farming, which was brought to an end by the Depression. His mother picked guitar and showed the kind of forbearance that allowed her to name her son after the doctor who delivered him drunk and then had to be put to bed himself. And yet from these unprepossessing origins, in 1951 Phillips made what is widely considered to be the first rock 'n' roll record, Ike Turner and Jackie Brenston's 'Rocket 88'. Just two years later a shy eighteen-year-old kid with sideburns, fresh out of high school, wandered into his recording studio to make a record 'for his mother', secretly hoping that it might somehow get him noticed. His name was Elvis Presley. Elvis's success, and the subsequent triumph of rock 'n' roll, was initially propelled to an almost astonishing degree by a limited number of releases by Carl 'Blue Suede Shoes' Perkins, Johnny Cash and Jerry Lee Lewis - all from this tiny, one-man label. An engaging mix of biography and anecdote, Peter Guralnick's book brilliantly recreates one shining moment in the history of popular culture. And Sam Phillips was the man who brought it all about.

Between 1895 and 1920, the United States saw a sharp increase in commercial sound recording, the first mass medium of home entertainment. As companies sought to discover what kinds of records would appeal to consumers, they turned to performance forms already familiar to contemporary audiences—sales pitches, oratory, sermons, and stories. In A Most Valuable Medium, Richard Bauman explores the practical problems that producers and performers confronted when adapting familiar oral genres to this innovative medium of sound recording. He also examines how audiences responded to these modified and commoditized presentations. Featuring audio examples throughout and offering a novel look at the early history of sound recording, A Most Valuable Medium reveals how this new technology effected monumental change in the ways we receive information.

Frank Zappa was an unremitting musical innovator and experimenter always looking for ways to exploit the latest advances in technology. His working life coincided with the explosive development of music technology that ran from the 1960s through the following three decades. Without such inventions as the Marshall amplifier the Gibson SG the wah-wah pedal and the Synclavier-much of it modified to his requirements and used in ways for which they had never been designed-Zappa's air sculptures as his music has been described would have had a significantly different shape and texture. Lavishly illustrated-including over 180 unique photographs of Frank Zappa's guitars and equipment taken by the author at his UMRK studio in LA and featuring a foreword by Dweezil Zappa-Zappa's Gear offers an unprecedented inside look at the machinery behind the legendary music. In addition to a detailed presentation of the equipment Zappa's Gear also introduces some of the pioneering inventors, engineers and entrepreneurs without whom the instruments would not exist. Zappa's Gear is an official Frank Zappa book produced and written with the full cooperation and endorsement of Gail Zappa and the Zappa Family Trust.