Created for introductory courses in basic music theory and harmonic practice, Part 1 of this self-paced, auto-instructional standalone text that comes in two volumes has become a "classic" in the field. Since the students work independently through the programmed format of the text, instructors can concentrate on the more creative aspects of their course. From the wealth of clearly laid-out lessons and exercises, students receive continual feedback and reinforcement as they work through the sequence at their own pace. Note: A set of musical examples on compact discs is available with each of the volumes if you order the ISBN's listed below, . ISBN 0205691056 / 9780205691050 Harmonic Materials in Tonal Music: A Programmed Course, Part 1 with Audio CD *Package consists of: 0205629717 / 9780205629718 Harmonic Materials in Tonal Music: A Programmed Course, Part 1 0205629725 / 9780205629725 Audio CD for Harmonic Materials in Tonal Music, Part 1 ISBN 020563818X / 9780205638185 Harmonic Materials in Tonal Music: A Programmed Course, Part 2 with CD *Package consists of 020562975X / 9780205629756 Harmonic Materials in Tonal Music: A Programmed Course, Part 2 0205629768 / 9780205629763 CD for Harmonic Materials in Tonal Music, Part 2

Provides an introduction to the basic elements in harmony and musical structure. Covers the basics of rhythm and tempo, an introduction to pitch, intervals and transposition, articulation, ornaments, and reiterations.

This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today's beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.

An Introduction to Music Technology, Second Edition provides a clear overview of the essential elements of music technology for today’s musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, MIDI, Computer Notation, and Computer- Assisted Instruction. Appendices cover necessary computer hardware and software concepts. Written for both music technology majors and non-majors, this textbook introduces fundamental principles and practices so students can learn to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis.

Features:

Thorough explanations of key topics in music technology

Content applicable to all software and hardware, not linked to just one piece of software or gear

In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats

Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects

Coverage of synthesis and sampling in software instruments

Pedagogical features, including:

Further Reading sections that allow the student to delve deeper into topics of interest

Suggested Activities that can be carried out with a variety of different programs

Key Terms at the end of each chapter

What Do I Need? Chapters covering the types of hardware and software needed in order to put together Audio and MIDI systems

A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources.

The new edition has been fully updated to cover new technologies that have emerged since the first edition, including iOS and mobile platforms, online notation software, alternate controllers, and Open Sound Control (OSC).

Table of Contents

Part 1: Sound 1. What is Sound? 2. Sound Properties and the Waveform View 3. The Overtone Series and the Spectrum View Further Reading Part 2: Audio 4. Digital Audio Software: The Digital Audio Workstation 5. Audio Hardware 6. Digital Audio Data 7. Audio—What Do I Need? Further Reading Part 3: MIDI and Software Instruments: Overview 8. Software Instruments and Sequencing 9. MIDI Hardware 10. MIDI Messages 11. A Basic Synthesis Model 12. Synthesis Techniques 13. Sampling Techniques 14. Beyond the DAW/sequencer 15. MIDI and Software Instruments—What Do I Need? Part 4: Computer Notation and Computer-Assisted Instruction 16. Computer Notation 17. Computer-Assisted Instruction Appendix 1: Computer Hardware Appendix 2: Computer Software Selected Bibliography Index

Based on the National Standards, this text is divided into three parts. Part one, Foundations, covers the rationale for a Music Education program in the elementary years; meaning and musical experience; and elements and kinds of music. Part two- Music Elements, Curriculum and Avenues to Music Learning-covers curriculum development; music for special needs students; avenues to music learning and historic and contemporary approaches. Part three-Musical Experiences- is grouped by avenues of music learning and grades. Thanks to years of thorough research, Music in Elementary Education promises is a standard text in the field. Web resources are available to through authors' website: http://www.marvinmusic.org/artsed.html.

This collection brings together for the first time essays on postmodernism and music and covers a wide range of musical styles including concert music, jazz, film music, and popular music. Topics include:
* the importance of technology and marketing in postmodern music
* the appropriation and reworking of Western music by non-Western bands
* postmodern characteristics in the music of Gorecki, Rochberg, Zorn and Bolcom as well as Bjork and Wu Tang Clan
* issues of music and race
* comparisons of postmodern architecture to postmodern music.

Taking a linear functional approach, Professor Gauldin uses clear explanations and outstanding musical examples to show students how individual chords function in the overall structure of a piece, explaining how both harmonic and melodic forces contribute to the development of musical ideas. For the Second Edition, Professor Gauldin has undertaken a comprehensive revision that responds directly to the suggestions of instructors. The new text emphasizes fundamental concepts, using a more effective organization and simpler, more accessible language to bring the most important ideas and information to the foreground.

Why do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In this challenging study, John Butt sums up recent debates on the nature of the early music movement, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. He develops the critical views of both supporters and detractors, claiming ultimately that it has more intellectual and artistic potential than its detractors may have assumed.

(Yamaha Products). Sound reinforcement is the use of audio amplification systems. This book is the first and only book of its kind to cover all aspects of designing and using such systems for public address and musical performance. The book features information on both the audio theory involved and the practical applications of that theory, explaining everything from microphones to loudspeakers. This revised edition features almost 40 new pages and is even easier to follow with the addition of an index and a simplified page and chapter numbering system. New topics covered include: MIDI, Synchronization, and an Appendix on Logarithms. 416 Pages.

Why study music? How much practical use is it in the modern world? This introduction proves how studying music is of great value both in its own terms and also in the post-university careers marketplace. The book explains the basic concepts and issues involved in the academic study of music, draws attention to vital connections across the field and encourages critical thinking over a broad range of music-related issues. - Covers all main aspects of music studies, including topics such as composition, opera, popular music, and music theory - Provides a thorough overview of a hugely diverse subject, from the history of early music to careers in music technology, giving a head-start on the areas to be covered on a music degree - New to 'neume'? Need a reminder about 'ripping'? - glossaries give clear definitions of key musical terms - Chapters are carefully structured and organized enabling easy and quick location of the information needed

Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world.

Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying downloadable resources offer vivid examples of traditional, popular, and classical South African musical styles.

Table of Contents

List of Figures, About the Author, Series Foreword by Michael B. Bakan, Preface, PART I: Creating Connections, Introduction, 1. South African Music: The Lion Sleeps Tonight, 2. Twentieth-Century Political History, 3. Twentieth-Century Entertainment History: Live and Mediated, 4. Graceland (1986): World Music Collaboration, PART II: Twentieth- Century Musical Styles: Music in Migration, Introduction, 5. Representing the Past in South African Music, 6. South African Music: Brief Definitions, 7. Labor Migration: Isicathamiya, 8. Labor Migration: Maskanda, 9. Labor Migration: Gumboot Dance, PART III: Focusing In: Two Case Studies, Introduction, First Case Study: Cape Jazz, 10. Post-World War II Cape Town, 11. Sathima Bea Benjamin’s Cape Town: Popular Culture in the Post- World War II Era, 12. Sathima Bea Benjamin as Jazz Musician, 13. Mission Hymns and the Founding of the Shembe Community, 14. Shembe Hymns, AFTERWORD, 15. Final Reflections, Appendices, 1. A Guide to African Music: A Music of Encounters, North, South, East, and West, 2. Key Dates in South African History, 3. Selected Websites and Guide to Recordings: South Africa and Its Music, 4. Themes Common to the Study of African Music: 1980s to Present, 5. Discussion of Musical Examples on CD, Glossary, References, Notes, Index

Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition. Written for musicians and non-musicians alike.

Authors Terry E. Miller and Andrew Shahriari take students around the world to experience the diversity of musical expression. World Music: A Global Journey, now in its third edition, is known for its breadth in surveying the world's major cultures in a systematic study of world music within a strong pedagogical framework. As one prepares for any travel, each chapter starts with background preparation, reviewing the historical, cultural, and musical overview of the region. Visits to multiple `sites' within a region provide in-depth studies of varied musical traditions. Music analysis begins with an experimental "first impression" of the music, followed by an "aural analysis" of the sound and prominent musical elements. Finally, students are invited to consider the cultural connections that give the music its meaning and life.

The latest update to Bela Liptak's acclaimed "bible" of instrument engineering is now available. Retaining the format that made the previous editions bestsellers in their own right, the fourth edition of Process Control and Optimization continues the tradition of providing quick and easy access to highly practical information. The authors are practicing engineers, not theoretical people from academia, and their from-the-trenches advice has been repeatedly tested in real-life applications. Expanded coverage includes descriptions of overseas manufacturer's products and concepts, model-based optimization in control theory, new major inventions and innovations in control valves, and a full chapter devoted to safety. With more than 2000 graphs, figures, and tables, this all-inclusive encyclopedic volume replaces an entire library with one authoritative reference. The fourth edition brings the content of the previous editions completely up to date, incorporates the developments of the last decade, and broadens the horizons of the work from an American to a global perspective.

Bela G. Liptak speaks on Post-Oil Energy Technology on the AT&T Tech Channel."

This stimulating very short introduction to music invites us to really think about music. Drawing on a number of accessible examples ranging from Beethoven to the Spice Girls to Chinese zither music, Nicholas Cook prompts us to call on our own personal musical experiences in order to think more critically about the roles of the performer and the listener, about music as a commodity and an experience, what it means to 'understand' music, and the values that we ascribe to music.

Equipping you with a true feel for the vibrant, ever-changing sound of jazz, the captivating JAZZ: THE FIRST 100 YEARS, ENHANCED MEDIA EDITION, 3e explores the development of jazz music from its nineteenth-century roots in blues and ragtime, through swing and bebop, to fusion and contemporary jazz styles. Biographies, social history, and timelines at the beginning of chapters put music into context, while insightful listening guides tie the history of jazz music directly to the downloadable selections. All-new interactive pre- and post-chapter quizzes help prepare you for upcoming topics as well as review what you have already learned. In addition, Audio Primer selections allow you to hear the key terms, basic music concepts, and jazz instruments discussed in the book. A printed access card with all of the music for the book comes with every copy of the printed text, and is also available via MindTap.