Written exercises The Second Edition includes new exercises for each chapter that reflect changes in the text, in particular changes in the chapters on fundamentals and diatonic harmony. Exercises require students to fill in short harmonic progressions, complete sequential patterns, realize figured basses, harmonize melodies, analyze excerpts from music literature, and compose original music. Keyboard exercises Professor Gauldin s keyboard exercises help students make the transition from theory to ear training and performance. Students learn to hear various intervals, chords, and harmonic progressions and to master transposition, figured bass, and melody harmonization. All keyboard exercises have been collected in a separate section at the end of the text."

An Introduction to Music Technology, Second Edition provides a clear overview of the essential elements of music technology for today’s musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, MIDI, Computer Notation, and Computer- Assisted Instruction. Appendices cover necessary computer hardware and software concepts. Written for both music technology majors and non-majors, this textbook introduces fundamental principles and practices so students can learn to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis.

Features:

Thorough explanations of key topics in music technology

Content applicable to all software and hardware, not linked to just one piece of software or gear

In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats

Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects

Coverage of synthesis and sampling in software instruments

Pedagogical features, including:

Further Reading sections that allow the student to delve deeper into topics of interest

Suggested Activities that can be carried out with a variety of different programs

Key Terms at the end of each chapter

What Do I Need? Chapters covering the types of hardware and software needed in order to put together Audio and MIDI systems

A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources.

The new edition has been fully updated to cover new technologies that have emerged since the first edition, including iOS and mobile platforms, online notation software, alternate controllers, and Open Sound Control (OSC).

Table of Contents

Part 1: Sound 1. What is Sound? 2. Sound Properties and the Waveform View 3. The Overtone Series and the Spectrum View Further Reading Part 2: Audio 4. Digital Audio Software: The Digital Audio Workstation 5. Audio Hardware 6. Digital Audio Data 7. Audio—What Do I Need? Further Reading Part 3: MIDI and Software Instruments: Overview 8. Software Instruments and Sequencing 9. MIDI Hardware 10. MIDI Messages 11. A Basic Synthesis Model 12. Synthesis Techniques 13. Sampling Techniques 14. Beyond the DAW/sequencer 15. MIDI and Software Instruments—What Do I Need? Part 4: Computer Notation and Computer-Assisted Instruction 16. Computer Notation 17. Computer-Assisted Instruction Appendix 1: Computer Hardware Appendix 2: Computer Software Selected Bibliography Index

This collection brings together for the first time essays on postmodernism and music and covers a wide range of musical styles including concert music, jazz, film music, and popular music. Topics include:
* the importance of technology and marketing in postmodern music
* the appropriation and reworking of Western music by non-Western bands
* postmodern characteristics in the music of Gorecki, Rochberg, Zorn and Bolcom as well as Bjork and Wu Tang Clan
* issues of music and race
* comparisons of postmodern architecture to postmodern music.

Why study music? How much practical use is it in the modern world? This introduction proves how studying music is of great value both in its own terms and also in the post-university careers marketplace. The book explains the basic concepts and issues involved in the academic study of music, draws attention to vital connections across the field and encourages critical thinking over a broad range of music-related issues. - Covers all main aspects of music studies, including topics such as composition, opera, popular music, and music theory - Provides a thorough overview of a hugely diverse subject, from the history of early music to careers in music technology, giving a head-start on the areas to be covered on a music degree - New to 'neume'? Need a reminder about 'ripping'? - glossaries give clear definitions of key musical terms - Chapters are carefully structured and organized enabling easy and quick location of the information needed

Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world.

Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying downloadable resources offer vivid examples of traditional, popular, and classical South African musical styles.

Table of Contents

List of Figures, About the Author, Series Foreword by Michael B. Bakan, Preface, PART I: Creating Connections, Introduction, 1. South African Music: The Lion Sleeps Tonight, 2. Twentieth-Century Political History, 3. Twentieth-Century Entertainment History: Live and Mediated, 4. Graceland (1986): World Music Collaboration, PART II: Twentieth- Century Musical Styles: Music in Migration, Introduction, 5. Representing the Past in South African Music, 6. South African Music: Brief Definitions, 7. Labor Migration: Isicathamiya, 8. Labor Migration: Maskanda, 9. Labor Migration: Gumboot Dance, PART III: Focusing In: Two Case Studies, Introduction, First Case Study: Cape Jazz, 10. Post-World War II Cape Town, 11. Sathima Bea Benjamin’s Cape Town: Popular Culture in the Post- World War II Era, 12. Sathima Bea Benjamin as Jazz Musician, 13. Mission Hymns and the Founding of the Shembe Community, 14. Shembe Hymns, AFTERWORD, 15. Final Reflections, Appendices, 1. A Guide to African Music: A Music of Encounters, North, South, East, and West, 2. Key Dates in South African History, 3. Selected Websites and Guide to Recordings: South Africa and Its Music, 4. Themes Common to the Study of African Music: 1980s to Present, 5. Discussion of Musical Examples on CD, Glossary, References, Notes, Index

Authors Terry E. Miller and Andrew Shahriari take students around the world to experience the diversity of musical expression. World Music: A Global Journey, now in its third edition, is known for its breadth in surveying the world's major cultures in a systematic study of world music within a strong pedagogical framework. As one prepares for any travel, each chapter starts with background preparation, reviewing the historical, cultural, and musical overview of the region. Visits to multiple `sites' within a region provide in-depth studies of varied musical traditions. Music analysis begins with an experimental "first impression" of the music, followed by an "aural analysis" of the sound and prominent musical elements. Finally, students are invited to consider the cultural connections that give the music its meaning and life.

The latest update to Bela Liptak's acclaimed "bible" of instrument engineering is now available. Retaining the format that made the previous editions bestsellers in their own right, the fourth edition of Process Control and Optimization continues the tradition of providing quick and easy access to highly practical information. The authors are practicing engineers, not theoretical people from academia, and their from-the-trenches advice has been repeatedly tested in real-life applications. Expanded coverage includes descriptions of overseas manufacturer's products and concepts, model-based optimization in control theory, new major inventions and innovations in control valves, and a full chapter devoted to safety. With more than 2000 graphs, figures, and tables, this all-inclusive encyclopedic volume replaces an entire library with one authoritative reference. The fourth edition brings the content of the previous editions completely up to date, incorporates the developments of the last decade, and broadens the horizons of the work from an American to a global perspective.

Bela G. Liptak speaks on Post-Oil Energy Technology on the AT&T Tech Channel."

Equipping you with a true feel for the vibrant, ever-changing sound of jazz, the captivating JAZZ: THE FIRST 100 YEARS, ENHANCED MEDIA EDITION, 3e explores the development of jazz music from its nineteenth-century roots in blues and ragtime, through swing and bebop, to fusion and contemporary jazz styles. Biographies, social history, and timelines at the beginning of chapters put music into context, while insightful listening guides tie the history of jazz music directly to the downloadable selections. All-new interactive pre- and post-chapter quizzes help prepare you for upcoming topics as well as review what you have already learned. In addition, Audio Primer selections allow you to hear the key terms, basic music concepts, and jazz instruments discussed in the book. A printed access card with all of the music for the book comes with every copy of the printed text, and is also available via MindTap.