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Books > Music > Musical scores, lyrics & libretti
for SATB (with divisions) unaccompanied Annunciation is an
expressive and expansive Advent carol based on words from John
Donne's Holy Sonnets. McDowall creates a captivating atmosphere as
the voices explore a soundworld that is mystical, reflective, and
bright. The sensitive part-writing and accessible vocal lines will
enable choirs of all types to profess the carol's message of
'salvation to all'.
for SATB and organ This welcome original setting of the much-loved
15th-century Coventry carol text features a compelling interplay
between choir and organ and a contrast of full and a cappella
textures. Archer fully exploits the text's dramatic potential and
has created a pleasing and useful addition to the carol repertory.
for SSSSAATTBB unaccompanied Commissioned by The Marian Consort in
celebration of their 10th anniversary, and first performed in 2018,
Jackson's is one of the most striking modern settings of this
ancient text. With a rich scoring matching that of Scarlatti's
setting of the same text, the composer's trademark diversity of
texture is much in evidence. Passages of rich sonority give way to
intimate soloistic sections, the lines spiced up by fiery rhythms
and occasional arabesques and glissandi. The piece will be a very
satisfying challenge for a proficient choir.
for SSATB and organ This atmospheric anthem by Cecilia McDowall
commemorates the First World War. It sets a stark English text by
Dr Joseph Spence alongside Latin text from Psalm 130, with the
words 'In memoriam' added. The lower parts sing Spence's English
text, conveying the relentless hardship of life in the trenches
with declamatory and constantly developing vocal lines. The
sopranos, meanwhile, repeat the Latin words from Psalm 130,
providing a striking contrast in their constancy and
otherworldliness.
for SATB and piano or orchestra This setting of Adolphe Adam's
beloved Christmas carol employs rich choral textures and a flowing
piano accompaniment to create a rousing overall effect. Opening
gently, the intensity builds gradually towards a stirring, powerful
ending. Also in the anthology, An American Christmas.
for SATB (with divisions) unaccompanied Based on Frances Anne
Kemble's poem 'An Entreaty', this enchanting piece describes the
experience of leaving a beloved time and place. Lush, expressive
harmonies and lyrical melodies create a touching musical
manifestation of Kemble's poignant words.
for CCBar and piano This beautiful arrangement of the well-loved
folksong gradually grows from simple one- and two-part vocal
writing to a delightful display of interweaving imitation in three
parts, before an eventual ebbing away. The flowing piano
accompaniment provides harmonic support throughout.
for CCBar and piano This entertaining three-part arrangement of the
popular sea shanty was written for Cambiata North West. The
humorous lyrics are complemented by a jovial piano accompaniment
and the piece includes several key changes, allowing different
parts to take the lead with the melody.
for SSAA unaccompanied This lively reimagining of the traditional
hymn is a thrilling a cappella arrangement which pairs the soaring
legato melody with a rhythmic vocal accompaniment. Together, these
elements capture both the gentle hope and the profound joy
contained in the text. Also including moments of tenderness and
reflection, the piece comes to a rousing close with an energy that
engages singers and audience alike.
for solo voice, SATB (with divisions), flute, and piano John
Rutter's timeless arrangement of Skylark, a standard of the golden
age of American song, is rich, mellow, and mellifluous. Soaring
lines for flute depict the eponymous songbird, and the classic
Hoagy Carmichael tune is shared between solo voice and choir, the
latter also often providing a cushion of evocative harmonies.
for soprano solo, SATB, with organ and unaccompanied This short
collection presents the complete set of meditations from Chilcott's
stunning St John Passion. Setting English poems from the 13th to
the early 17th centuries, the meditations provide a very personal
reflection on the dramatic story of the passion - at times
anguished, adoring, and humbling. The beautiful soprano solo soars
over the SATB voices and organ accompaniment in 'Christ, my
Beloved' and 'Jesus, my Leman', while the unaccompanied choir take
centre stage for 'Miserere, my Maker' and 'Away vain world'.
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impressions
(Hardcover)
Jesse S. Smith
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Junior Voiceworks at Christmas is a wonderful collection of
seasonal songs for children. Building on the success of his Junior
Voiceworks 1 and 2, Kevin Stannard has collected 40 inspirational
pieces for the Christmas season, ranging from rounds to raps, and
from folk pieces to well-known carols in sparkling new
arrangements. With excellent practical advice and rehearsal notes,
and an accompanying CD, this volume meets the needs of all schools
and choral groups for this special time of year.
for alto solo, SATB (with divisions), and guitar Following a
collaboration with Katie Melua on her 2016 album 'In Winter', on
which she worked with the Gori Women's Choir from her native
Georgia), Bob Chilcott has created ans evocative and stirring
arrangement of Rachmaninov's celebrated fifth movement of the
Vespers (or 'All-Night Vigil'), which may be performed in Russian
or in English.
for SATB (with divisions) and organ This arrangement features
Robert Bridges' translation of J. Neander's 17th-century German
text set to Herbert Howells' hymn tune 'Michael'. John Rutter adds
a descant and reharmonizes the 4th and 5th verses to create a
rousing ending to this much-loved classic.
for SATB double choir unaccompanied This optimistic and affirmatory
anthem sets a useful service text of general thanksgiving from the
Book of Common Prayer. Chilcott makes full use of the imitation and
antiphonal effects that these forces enable, while keeping the
vocal lines and part-writing well within the capabilities of most
church choirs.
for unison upper voices, solo violin, and organ or piano Bednall's
beautiful setting of this much-loved prayer is warm, simple, and
immediate. The vocal line is expertly lyrical and the accompaniment
suitably supporting, with a serene line for solo violin that soars
above the texture. Ave Maria was recorded by Benenden Chapel Choir,
conducted by Edward Whiting, Jennifer Pike (violin), and David
Bednall (organ) on the CD 'Stabat Mater' (Regent, REGCD481).
for SATB and organ/piano with optional congregation Paul Drayton's
setting of three stanzas from Laurence Binyon's poem 'For the
Fallen' is poignant, dignified, and atmospheric. A serene and
expressive refrain for unison voices (which the congregation may
join in if desired) is interposed between evocatively turbulent
passages for SATB choir. The accompaniment should ideally be played
on the organ, but may be performed on the piano if organ is not
available.
These four splendid anthems were composed for the coronation of
George II in October 1727 and have since retained a position at the
heart of the English choral tradition. The popular anthem Zadok the
priest has been performed at all subsequent coronations, and
Handel's other contributions to the royal occasion - Let thy hand
be strengthened, The King shall rejoice, and My heart is inditing -
have the same majestic grandeur, with affecting contrasts between
different sections of the sacred texts. The editor, Clifford
Bartlett, has corrected various inconsistencies in Handel's score,
and complete details of sources and editorial method, additional
performance notes, and a critical commentary can be viewed in the
companion full score available on hire. This continuo part is also
available as part of the wind set.
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