for SATB and piano Ring the bells is a joyful setting of a text by Frances Crosby that celebrates the coming of Christmas. Written in a lively compound time, the carol explores one melodic refrain through numerous keys and textures, giving each verse a different energy. The voices are supported by resonant harmonies in the piano that cheerfully mimic the 'bells' and 'harps' in the text.

for SATB (with divisions) and piano This is a high energy, foot-tap inducing setting of a well-known text. The bluesy melodies, jazzy harmonies, and swung rhythms give the piece a gospel feel and fill you with the infectious urge to boogie along to the music. Powerful voices and enthusiasm required. An optional bass and drum kit part is available as a free PDF download from the OUP website. Also available in a version for SSA and piano.

for SSA and piano This is a high energy, foot-tap inducing setting of a well-known text. The bluesy melodies, jazzy harmonies, and swung rhythms give the piece a gospel feel and fill you with the infectious urge to boogie along to the music. Powerful voices and enthusiasm required. Also available in a version for SATB and piano. An optional bass and drum kit part is available as a free PDF download from the OUP website.

for SATB unaccompanied Poems of Love and War sets a sequence of nine poems from 'Viking Poetry of Love and War' by Judith Jesch. The war poems are formal and celebratory, making vivid use of figures of speech known as 'kennings', while the love poems are more direct, and sometimes playful. Skempton's imaginative settings bring these striking texts to life, artfully using changing metres to evoke the sound of spoken word.

for SATB (with divisions) and organ Setting his own text, Archer's new carol is specifically dedicated to Mary. 'Ave Maria's are interspersed between flowing melodies that rock gently in 3/4 time, while the central section offers brief introspection in the tonic minor. Accompanied by a supportive organ part throughout, the voices finish with a jazzy chord progression, leaving behind a warm, Christmassy feeling.

Until recently, most scholars neglected the power of hearing cinema as well as seeing it. Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. The book includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca (1940)), to contemporary, critically-acclaimed science fiction (Gravity (2013)). Along with sound tracks from canonical American films, such as The Searchers (1956) and To Have and Have Not (1944), Walker analyzes independent Australasian films: examples include Heavenly Creatures (1994), a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes (2006), the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks-it also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Dominant studies of film music tend to be written for those who are already musically trained. Similarly, studies of film sound tend to be jargon-heavy. By contrast, Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all scholars with a basic grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture. Therefore, Understanding Sound Tracks Through Film Theory will resonate for scholars across the liberal arts, and for anyone interested in challenging the so-called "hegemony of the visual."

for SATB (with divisions) and piano Marked 'light and flowing', Quartel's setting of Sara Teasdale's poem 'Peace' features slow, sustained vocal writing over a piano part with continual moving quavers. The harmonic palette is rich and warm, and soaring soprano lines conjure Teasdale's vivid celestial imagery.

for SA and piano This is a beautiful setting of an anonymous medieval text that follows a broken-hearted lover into the woods. Fluctuating between major and minor keys, Chilcott's melody is full of nostalgia and grows intensely towards the middle of the piece. The parts are supported by a warm and flowing piano accompaniment. 'All for Love of One' was originally published in the collection Five Songs for Upper Voices.

for tenor solo and SATB (with divisions) unaccompanied Setting a beautiful text by Charles Bennett, this is a gentle, optimistic piece that remembers those lost to conflict and looks encouragingly towards peace. The tenor solo is supported by vocal accompaniment with oscillating harmonies and warm melodic figures. In the final section, the sopranos take over the melody before the soloist brings the piece to a finish with dreams of 'a blue sky'.

for SSATBarB unaccompanied Setting words by the composer, Swept Away is a beautiful and haunting piece with pop-inspired rhythms and harmonies. The scat syllables of the insistent lower parts are combined with a flowing melody in the soprano line to create a powerful work exploring the journey of the singers and the ability of the wind to carry them to their destination.

for SSA and piano or harp This anthem sets a powerful poem by John Henry Newman that reflects on the spirituality of solitude. An imaginative interplay between voices and instrumental accompaniment is prevalent throughout, with effective contrasts between tranquillo and animato sections and delicate ostinato patterns. An alternative accompaniment for harp is available for purchase. The anthem is also available in a version for SATB and guitar or piano.

This unique book is a state-of-the-art resource for developing total control of the 40 Percussive Arts Society rudiments with immediate results -- and in a musical context. Each rudiment includes a collection of short exercises and solos, allowing the player to understand how each rudiment is put together and how it can be played in the most efficient and controlled manner utilizing the particular skills learned. The two CDs include selected exercises with the rudiment solo and accompaniment for each, plus ten groove tracks for use with the exercises. For beginning to advanced players.

for SATB and organ or orchestra This bright and exultant arrangement of Michael Praetorius's melody 'Puer nobis nascitur' is presented with two text options: 'O splendor of God's glory bright' for general worship and 'That Easter day with joy was bright' for use at Easter. Sparkling organ interludes, characterised by flutes and piccolos in the orchestral accompaniment, punctuate the lilting melody, which is given contrasting treatment in each of the verses, from presentation in unison to rich four-part harmony.

for TTBB and piano Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllables and jazzy harmonies, all underpinned by a supportive yet characterful piano part. Also available for cambiata voices and piano in the Emerging Voices series.

Throughout history, two books have accompanied the advancement of Christianity: the Bible and the Hymnal. We may easily forget words that we read, or even memorize, but the melodies that we hear and sing remain in our thoughts, our minds, and our hearts forever. When Biblical truths are stated in a musical form we enjoy, the result is a penetration into our lives that has lasting spiritual benefits. These enduring songs convey a message that never grows old! So sing the hymns. Sing them over and over again. Seek out some of the great traditional songs that are rarely heard today. Purposefully learn hymns you do not know -- you will discover some gems. Whatever your musical tastes, discover anew the joy of singing the hymns! Pass this great tradition on to your children, and to the generations to follow.

for SSA and piano Setting a moving text inspired by Chief Seattle, Quartel appeals for better stewardship of the planet through gentle flowing lines and expansive textures. The melodies are accessible throughout and well supported by the piano accompaniment, while the swells and falls in dynamics offer a sense of organicity. 'This we know' was originally published as part of the Songbird collection As you sing.